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Melancholia
Anthony Macali
Two sisters find their relationship challenged as a nearby planet threatens to collide into the Earth.
"Melancholia" starts with a series of hauntingly beautiful apocalyptic visuals, but as you barely survive this slow intro, you soon realise the rest of the film is just an excuse for this showcase. The story is divided into two parts, and both are equally dull, as it follows irritating characters played with admittedly impressive performances. The sisters are distant, ill and grappling with life in the confines of their contemptible lavish setting. Parallels are drawn, and you see why the luminous body in the sky was named so, but you don't care. This planet just won't hurtle towards us fast enough.
Route Irish
Andrew O'Dea
A private security contractor sets out to discover the truth about his friend's death in Iraq.
Although gripping at times, "Route Irish" is too often let down by pointless tangents in its story and the fact that it constantly feels the need to explain the plot rather than letting the audience figure it out for themselves. Not exactly the most effective technique when trying to heighten a 'thriller'. Combined with a melodramatic ending and characterisation that is let down by some sub-par acting, the film attempts to make a concerted political commentary on the Iraqi war that doesn't quite have the impact it should. No through-road.
Restless
Anne Murphy
The story of a terminally ill teenage girl who falls for a boy who likes to attend funerals and their encounters with the ghost of a Japanese kamikaze pilot from WWII.
"Restless" is an original take on the often used story of love in the shadow of a looming death. This film falls into an unlabelled genre that is the antithesis of a rom-com, and it does that with a quirky grace. The main characters are burdened with troubling life experiences that underscore the earnestness in their encounters, but it's the gentle grimness as the inevitable approaches that is most disquieting. Emo and edgy.
The First Grader
Anne Murphy
The true story of an 84 year-old Kenyan villager and ex Mau Mau freedom fighter who fights for his right to go to school for the first time to get the education he could never afford.
"Based on a true story" the opening credits report, so prepare to learn about Kenya's recent and bloody past. "The First Grader" revisits a brutal episode in history while focused on a redemptive story line, complete with extraordinary African backdrops. The feel good meter runs high while watching this incredible story of one man's experience and his determination to learn to read and write. Elementary.
Arthur Christmas
Wendy Slevison
On Christmas night, Santa's youngest son looks to use his father's high-tech operation for a mission.
"How DOES Santa deliver ALL those presents in one night?" Well, here is the answer, in this charming and engaging addition to the Christmas movie genre. Santa's family are just like any other family, so it seems, with their squabbles and power struggles. Ultimately the job must get done though, and despite some quirky yet substantial obstacles on this particular Christmas Eve, it eventually does. With voice work provided by a quite dazzling array of well-known actors, this delightful romp is guaranteed to imbue Christmas spirit into even the most cynical of viewers. Merry Christmas!
The Ides of March
Stefan Bugryn
A game of dirty politics plays out behind the scenes of the campaign for a Presidential candidate.
This is minimalistic film-making at it's best. The movie tackles some truly hard-hitting notions, but packs its punch with the little things. It's captivating to watch the actors hold back the emotion, where the drama is implied rather than thrown in your face. The long stares. The knowing eyes. It all sizzles in the background… but you can definitely feel it. The director could have easily gone for high melodrama, but instead went for the complete opposite, and it paid off remarkably. A vote of confidence.
Burning Man
Anne Murphy
An English chef with a restaurant on Bondi Beach is trying to put his life and his relationship with his son back on track.
"Burning Man" is a pastiche of scenes that don't follow a sequential time-line but nonetheless build into a sorrowful narrative. Forget chronological sequencing, this is a compelling portrayal of grief, a time when events don't evolve in a linear sequence, and emotion reigns. It's just in time for the audience that the jigsaw of memories piece together and the emotional impact of the story is felt, packing a punch. Tears will quench the flames.
The Twilight Saga: Breaking Dawn - Part 1
Anthony Macali
The Quileute close in on expecting parents Edward and Bella, whose unborn child poses different threats to the wolf pack and vampire coven.
First there was the brooding, then the moping, followed by a lot kissing... and now the consummation everybody has been waiting for. In "The Twilight Saga: Breaking Dawn – Part 1" nothing else happens. It feels like the most disconnected chapter of the series, with little reference to the past and no conflict to sink our teeth into. They simply transformed the book into a film, a process that could only be satisfying to its readers. Breaks your heart.
We Need to Talk About Kevin
Anne Murphy
The mother of a teenage boy who went on a high-school killing spree tries to deal with her grief - and feelings of responsibility for her child's actions.
Harrowing is the only way to describe "We Need to Talk About Kevin". It's difficult viewing, a chilling and disturbing movie. All credit to the director for the way the mother's haunting story unfolds, threading memories and recollections into the narrative as an explanation for the present. The actor's performances are outstanding while portraying situations more chilling than most horror plots. Maybe we need to talk, but in hushed tones.
The Debt
Anthony Macali
Retired Mossad secret agents learn of some shocking news about one of their colleagues.
A curious remake, "The Debt" is the American production of an Israeli story with Israeli agents. There is no problem translating the narrative, as our main characters live in the present day with a large burden from their past. Their history unfolds through flashbacks, but it's difficult to engage with the younger selves who seem suitably miscast. A sample of their fate is revealed in the beginning, and it does thwart a lot of the suspense. The rest of the history is captivating enough, as our spies execute a mission tainted with emotion. A film that owes much to its story.
Moneyball
Andrew O'Dea
The story of Oakland A's general manager Billy Beane's successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.
"Moneyball" is intelligent filmmaking that takes an unlikely subject and makes it interesting. It's a testament to the solid direction and brilliance of the scriptwriters that a story about the business of baseball could be so captivating. You can't help but be drawn in as it explores the opposing philosophies of intuition versus statistics, bolstered by that feel-good sentiment of rooting for the underdog. An entertaining movie that covers all the right bases, this one is right on the money.
Our Idiot Brother
Anne Murphy
A comedy centered on an idealist who barges into the lives of his three sisters.
"Our Idiot Brother" is like movie popcorn, light and enjoyable without being really filling. The indie style production is as amiable as the affable main character; it is a comedy with charm. The focus is the special relationships between siblings, close, affectionate, and then relentlessly honest. The plot comprises small family interactions rather than dramatic action. The everyday trials of being part of a family are action enough to hold interest and the film does not stray into over sentimentality. Quite an intelligent idiot.
Drive
Anthony Macali
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
"Drive" is an odd little film about a man, his car, and a story that happens in between. By day, our enigmatic driver is quite reserved, and we watch his encounters with trepidation and a pop soundtrack. By night, the base is turned up, and we're placed in the seat next to him evading the police with great thrill. The middle stint might be slow going, but be warned… the violence revs up, and we have no idea where the story is headed. It's the quiet ones you have to watch.
Anonymous
Anne Murphy
A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.
The identity of one of our greatest writers is scrutinised in "Anonymous", a tawdry tale of fiction staged as lusty historical drama. The audience is kept busy trying to work out who's who as the time-frame jumps into the past and back again, causing confusion when we try to match the older and younger actors of the same character. Sordid conspiracies abound, and it's all a bit fanciful, convoluted and overly long. As they say in the classics, "It's not Shakespeare".
Warrior
Andrew O'Dea
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts event - a path that puts him on a collision with his older brother.
"Warrior" is a surprisingly affecting movie. The fight choreography is exceptional, and the rush of adrenaline as the kicks and punches fly is palpable. We feel every bone-crunching hit, but the beauty is that there's enough heart to match the violence. Although it may border on cliché at times, there is an undeniable emotional honesty behind the action, carried by a trio of outstanding acting performances from the male leads. A knock-out film that will leave you counting stars...