Mother and ChildAnne Murphy
A drama centred around three women: A 50-year-old woman, the daughter she gave up for adoption 35 years ago and a woman looking to adopt a child of her own.
The relationship between mother and daughter is a rich emotional territory that "Mother and Child" wades right into. The brittle, flawed women wading through their lives and dreams will touch your heart, and then wring it out, as strands of the different characters' stories entwine. The actors give great performances in vulnerable and dysfunctional roles that variously thaw and freeze. Take your Mummy and remember your tissues.
Mademoiselle ChambonAnne Murphy
Jean, his loving wife and son live a simple, happy life.
"Mademoiselle Chambon" is an emotional drama laden with unexpressed feeling that hovers between sensitive and stagnant. While subtlety must have been the director's intention, the effect is slack and stifled. The story has a very long fuse, as restraint is favoured over illicit passion. Unfortunately, the wick is so slow burning that by the final scene interest in the characters has been extinguished. With barely any action and sparse dialogue, the movie fails to ignite (which could be the point), and for many this film will seem pointless.
The Burning PlainAnne Murphy
The past and the present have a curious way of affecting one another as several people separated by time and space are about to discover.
This gripping tale is revealed as slowly as a building storm while tension builds. The movie is laden with foreboding, even if you anticipate the outcome before it's played out. The threads involving various characters weave together to reveal the anguish filled origins of the story. "Burning Plain" is moody and filled with loss and remorse, filmed against scenic backdrops that create realism and tension. The plains burn with a slow fuse to create an unforgettable movie.
Sex and the City 2Courtney Slevison
Two years have passed since Carrie Bradshaw finally bagged John "Mr. Big" Preston, the man she was always meant to be with...
"Sex and the City 2" delivers on its mantra, ensuring that fun, fashion and frivolity are the order of the day. However, some of the best scenes come when the glitzy curtain is drawn back and the struggles of making a marriage and family work are exposed. As a whole, this movie is exactly what you should expect: the script isn't all that great, but as a visual feast it works a treat. So kick back with a Cosmopolitan and catch up with some old 'friends'.
Animal KingdomWendy Slevison
Tells the story of seventeen year-old J (Josh) as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.
"Animal Kingdom" is a raw, understated exploration of the ongoing 'dog eat dog' battle between the police force and a criminal family. This is a skewed reality where life is cheap, and survival often comes down to the nonchalant disposal of other lives to ferociously protect your own. Loyalties are fluid, honesty a foreign concept. This powerful film tells its compelling tale with assurance and class, and features superb performances from an ensemble of the finest actors in Australian cinema.
City IslandAnne Murphy
Meet the Rizzos, a family that might get along a lot better if only they could tell each other the truth.
The Manhattan skyline can be seen across the water in this marvellous little film. The setting, the accents, the personalities, the attitudes, and the situations are pure boisterous New York. The central family are all ensnared in complex relationships that ring true, as drama is stirred through with good hearted comedy. "City Island" is marred by an ending that ties up the threads a little too neatly, finishing on an unnecessarily schmaltzy note - even so, this is an island in the sun.
Harry BrownAnthony Macali
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
"Harry Brown" is an exceptionally made film, but the revenge takes too long, drawn out to a point where the comeuppance just doesn't match the build-up. There are great depictions of drug-dealer dwellings and troubled youth, creating a genuine sense of discomfort and distress. Invariably such a setup brings violence, including a curiously riotous ending, but digitised blood spurts just don't have the same impact as traditional cinema wounds. Dark and dangerous but a little too slow.
Fish TankAnne Murphy
Everything changes for 15 year old Mia when her mum brings home a new boyfriend.
"Fish Tank" is a coming of age movie set on a rundown English council estate. The characters are filled with equal measures of frustration, anger, longing and alcohol, without means to release the pressure. The decaying situation is played out with a credibility that leaves the audience unsurprised at the outcomes but gripped by the tension. With nowhere to go but down, the mood is deliberately oppressive. The tank is grimy, and breathing underwater almost impossible, but even so we glimpse gold on the scales of these fish.
The Secret in their EyesAnne Murphy
A man wants to solve a murder committed many years ago.
"The Secret in Their Eyes" is engrossing as a crime thriller and compelling as a cold case romance. The threads are seamlessly interwoven to create a movie going experience that lingers long after the credits roll. All eyes will be glued on the outstanding cast who fill out the interesting characters. This is a well crafted film that spans 25 years, moving from fear to love visiting every emotion in between. It's no secret that this is a knockout story to be seen with your own eyes.
The Book of EliAndrew O'Dea
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
"The Book of Eli" is a very well made movie, but only from a visual standpoint. Unfortunately, stylish sepia tones and occasional moments of choreographed brilliance are outweighed by a gaping storyline. Even though it manages to raise some intriguing spiritual conundrums, the nonsensical plot fails to lend these questions of morality any real substance. This shortfall is only made worse by an abursd plot twist that fails to be anywhere near as as reverent as it aspires to be. Amen.
Robin HoodAndrew O'Dea
An archer in the army of King Richard becomes the legendary hero known as Robin Hood.
This re-imagining of the classic tale is painted onto an epic canvas. The production values and attention to detail are outstanding, and in terms of scale and spectacle, it's everything you'd expect from the director. But for a film that promises so much action it delivers little, choosing instead to add new dimensions to a character that was already rich enough. The violence is gritty and graphic, yet it's the story in-between that finds itself a little convoluted and lacking at times. "Robin Hood" is enjoyable enough, but nowhere near a bulls-eye.
The White RibbonAnne Murphy
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment.
"The White Ribbon" is visually mesmerising, artistically captured in black and white with a period detail that is meticulously reproduced, particularly in the costumes of the farming villagers. With its fascist undertones this film is a harrowing watch for all of its lengthy run time, and even then there is no reward of a conclusion or explanation. Austere, relentless, seething with hatred and cruelty, this is unforgiving viewing. The film evokes a sense of impending doom, with blue ribbon success.
The ConcertAnne Murphy
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians.
"The Concert" is a wonderful, formulaic, crowd-pleaser. Of course, formulaic can be wonderful if you can forgive the sense of knowing what's going to happen before it unfolds. As the story builds, the many farcical sequences notwithstanding, there's a sense that something other than the music is being orchestrated. By the time the final concerto is played there is not a dry eye in the house. The magnificent crescendo plays shamelessly to our sentimentality yet it's still uplifting. Bravo.
Whisky with VodkaAnne Murphy
A renowned actor named Otto is the epitome of the problematic but beloved ladies man.
Movies about producing movies are always interesting, and "Whisky with Vodka" doesn't disappoint on that front. With lots of takes and re-takes as the talent misbehaves, this film within a film starts to take shape. Themes of aging are explored without connecting directly to the emotions involved, and the script plays more for gags than for soul searching. It suffers from not being more tightly edited, but perhaps there were too many anecdotes drawn from real life to squeeze into the plot. Amiable and spirited without a lasting hangover, it will be dissipated by the morning after.
Accidents HappenAnne Murphy
Billy Conway has become the de facto glue between his bitter mum, distant brother, and stoic dad.
Stories of tragedy that are constructed with humour, albeit dark or black humour, reflect life a little as we tend to live it, when hanging on and trying to cope. "Accidents Happen" shows how strong the bonds of family can be, how tough and at the same time how vulnerable family members are. The film is carefully crafted to evoke an earlier era and the audience is transported to a typical suburb somewhere where mishaps are the norm. Be warned, as the emotional punch packed by this movie happens to be no accident.
The EclipseAnne Murphy
In a seaside Irish town, a widower sparks with a visiting horror novelist while he also begins to believe he is seeing ghosts.
There's a dose of horror, a hint of romance, a touch of drama, some grieving, and a lot of mystery as we wonder where the plot of this film went. "The Eclipse" begs for a stronger narrative thread as the story plays out as a mish-mash of underdeveloped elements. The moody and uneven Irish coast is scenically captured as a backdrop, however moody and uneven are only gratifying when delivered by nature, not the director. An eclipse of coherence.
The Last SongWendy Slevison
A rebellious girl is sent to a Southern beach town for the summer to stay with her father.
"The Last Song" was specifically created as a vehicle for its female lead to make the shift to more adult dramatic roles, but regrettably it won't help her career as much as she may have hoped. The movie is everything you'd expect â€“ a cheesy, schmaltzy tear-jerker. While the young stars do their best to provide some sense of authenticity to their roles, the overwrought, overloaded and implausible plot make it very hard work for cast and viewer alike. It almost certainly won't be the amiable young star's last song, but sadly isn't her best.
Map of the Sounds of TokyoAnne Murphy
A dramatic thriller that centres on a fish-market employee who doubles as a contract killer.
"Map of the Sounds of Tokyo" delivers edgy views of Tokyo, with interesting landscapes you are unlikely to view as a tourist. The movie title bears no relation to the scenes and story - it could be lost in translation. At its core this is a love story, or story of physical yearnings over romantic love. Whatever the level, there is a strong and credible connection between two unlikely characters, each a little lost in their own world. A stylish movie with lots of Tokyo, but no map and no sounds.
A Good ManAnne Murphy
A law school professor witnesses his colleague, friend and mentor murder his own wife.
"A Good Man" is a murder mystery with a twist, and makes for gripping viewing as the tension and angst builds. Although we know what happened and 'who done it', the audience are kept on the edge of their seats as the plot unfolds and develops. The dark and moody production evokes the film noire era in this contemporary setting. The pace is slow - being almost real time - which eases the tension almost as it is built; even so, this is a good film.
A mother desperately searches for the killer that framed her son for an horrific murder.
"Mother" is a suspenseful thriller filmed with an eye for the comedic realities of serious situations. There's plenty of intrigue within a small Korean town, and a dark mood is masterfully painted onto the screen. The story is riveting to watch and delivered with faultless performances; the emotional elements are strong and powerfully expressed. As the gripping story-line is unfurled and the truth behind the crime is revealed, you can't help but admire just how well crafted this film is. A testament to the remarkable tenacity of maternal love.
Bilal, a 17 year old Kurdish boy from Iraq sets off to England to see his love who lives there.
"Welcome" is an authentic exploration of a divisive social issue of our time. The device of narrowing the focus from exiles and asylum seekers to one man allows sensitivity to infiltrate the story, and attitudes of caring emerge from unlikely sources. The movie is grounded with a heartbreaking love story at the core. Strong performances hold the production together, keeping it from showing undue concern in a bleeding heart fashion. Always welcome are extraordinary, powerfully emotional, and well directed films about unwelcome immigrants.
The Last StationAnne Murphy
A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.
Anchored with a passionate but philosophically-conflicted relationship between a husband and wife, "The Last Station" is a sweeping period piece that manages not to overwhelm with historical trappings. The a story is engrossing where, given the subject, it could have been rather dour. The players resist melodrama; there's an almost capricious tone that makes this film a pleasure to watch. It's not revealing too much to say the last station is the end of line.
A drama centred around three high school seniors - an aspiring actress, her misfit best friend, and a loner - who become engaged in an intimate and complicated relationship.
This coming of age movie covers all the social awkwardness of teenagers discovering themselves as friends and lovers. Dollops of naivety and maturity are stirred in to create realistic and likable characters that are topped up with a measure of angst and balanced out with charm. The storyline of "Dare" takes its characters through new experiences and interesting predicaments. It's a little bent yet nonetheless could cross over to a mainstream audience. Dare to be different.
Five Minutes of HeavenAnne Murphy
The story of former UVF member Alistair Little. Twenty-five years after Little killed Joe Griffen's brother, the media arrange an auspicious meeting between the two.
"Five Minutes of Heaven" looks back at crimes committed as acts of civil war, exploring important themes of hatred and forgiveness. It's an uneven production that stumbles through some very stagy and clumsy scenes, though is fortunately redeemed by a powerful and unexpected climax. This movie is uncomfortable viewing about the lingering impacts of violence and living with indelible memories that prevent healing. Hard to glimpse heaven from hell.
A young man comforts his older brother's wife and children after he goes missing in Afghanistan.
"Brothers" is as compelling as it is emotional, a powerful combination. As the title suggests, the focus is our most important relationships, the ones with family. The story navigates some difficult political and ethical terrain and is all the better for doing so without judgement. The audience is treated as intelligent, and almost everything is pared back except the strong performance from the entire cast. The overall tone and simple background setting are downplayed for realism, and the lingering memories are heart wrenching. He ain't heavy...