Wheelchair-bound Christine makes a life changing journey to Lourdes, the iconic site of pilgrimage.
"Lourdes" is a subversive, almost tongue in cheek, exploration of theology, belief and miracles. A contemplative movie that, thanks to an underdeveloped narrative, leaves the audience to imagine what each sideways glance and eyebrow movement on the screen means. This story will appeal to believers and non believers as it captures both the devotion of a pilgrimage to Lourdes and the modern day commercialism of the same. Miracles are now commodities. It's hard to say what St. Bernadette would make of the contemporary Lourdes.
Two men, who don't realise they have just holidayed in the same place, at the same time, and with the same people, talk about their respective holidays over drinks.
The premise of "Hahaha" is quite amusing and the film is described as a comedy. It's a low budget effort with no fancy props or effects. Redolent of a lazy summer holiday, the pace is almost lethargic. However, the pace and simple presentation are problematic when watching becomes tedious and eye-lids heavy. Despite the cleverness of the plot told from different perspectives, the film relates a boring tale albeit in a picturesque setting. Hmmmmm...
Women Without MenAnne Murphy
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.
The cinematography is extraordinary, creating a compelling story on the screen. The camera wanders and picks up magical images, mostly of women who would wish to live their lives differently. Each woman's tale is told with insight and appreciation for the individual; a feminist narrative with a political backdrop. Interest is held as the movie weaves through time and dream sequences, even as the plot lacks a little depth. There are men with the women, they're all but incidental.
A retiree battles to obtain his rightfully due pension.
The grainy uneven quality of this film could be interpreted as artistic or just plain grainy and uneven. This movie was black to the point of miserable. Rather than being entertaining, "Mammuth" is bizarre. Populated with lifeless and simple characters, it's also dull. Even if you 'get' the redemptive elements of the awkward road-trip, you can't help but resent the waste of your time spent watching these lives less lived. Honestly there is no poetry in sliced ham, but you'll have to sit through a screening to 'get' that reference. Only if you must.
Step Up 3DWendy Slevison
A tight-knit group of New York City street dancers find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever.
Using the same mainstream storyline as many other chick-flicks such as friendship, love, competition and issues of trust, this is definitely a film intended for dance lovers. While showing a disappointing lack of imagination in the plot and rather forced and fake acting, the electrifying dance scenes and razor-sharp chorography do redeem the film. However, it could have stepped its game up a bit.
The Special RelationshipThomas Jones
A dramatisation that traces former U.K. prime minister Tony Blair's relationships with Bill Clinton.
Blair and Clinton's relationship was like every other relationship. There was the honeymoon stage, sleepovers, late night phone calls, an affair, disagreements and ultimately, a break-up. To enjoy this film a knowledge of history or politics isn't necessary, because anyone who has been in any type of relationship will be able to see truth in the depiction of this couple. Unfortunately, the truthful depictions don't extend to the portrayals of some of these well known figures. It leans more towards telemovie than documentary. But rest assured, there are plenty more poltical icons left in the sea.
A New Yorker moves to Los Angeles in order to figure out his life while he house-sits for his brother, and he soon sparks with his brother's assistant.
"Greenberg" is a guy who is annoying and weird, so aloof that you may question his mental state. At the beginning, you empathise with the man, but this doesn't last long, as you become bored by his antics and frustrated by his social encumbrance. It's difficult to root for such a character, especially when his old friends, and particularly the vulnerable assistant, suffer from his selfishness. Yes, life must be tough without any responsibility... poor Greenberg.
Welcome to the RileysAnne Murphy
On a business trip to New Orleans, a damaged man seeks salvation by caring for a wayward young woman.
The premise of the prostitute and the man who wants to save her is given a twist and a spin in "Welcome to the Rileys". Lost people, each burdened by their own history, find themselves by embarking on various journeys. Strong performances push the implausible just over the border into credible. This movie is rewarding on an emotional level without tugging too hard on any strings as the tale is traversed. Put out the welcome mat for the Rileys.
South SolitaryThomas Jones
A veteran lighthouse serviceman and his niece deal with the mismanagement of an island's lighthouse.
"South Solitary" is another display of that overused premise; put an unlikely character in a foreign environment and watch as they struggle to adapt. The quick pace, dynamic characters and moments of black comedy in this film are entertaining, but it ultimately suffers from the monotony, which comes with the territory of lighthouse keeping. However, the audience gets that bit closer to answering the age old question. If you were stuck on an island, what would you take with you? Definitely not a relative with too much baggage (and not the kind packed in a suitcase).
Me and Orson WellesAnne Murphy
A teenager is cast in the production of "Julius Caesar" directed by a young Orson Welles in 1937.
"Me and Orson Welles" is a coming of age drama within a convincing theatrical setting. The era is authentically replicated, and the characters so well drawn the audience is transported to thinking we're watching Orson Welles in his prime. The raging genius, ruthless manipulator, and ambitious actor and director are all credibly presented. Theatre life and backstage dramas within the chaos of the production process are all used to enthral, and it's crowned by romantic intrigue. This is a well directed movie that ends with applause.
The Karate KidWendy Slevison
A single mother moves to China with her young son, and in his new home, the boy embraces kung-fu.
This movie leaves you a little puzzled. Why is it called "The Karate Kid" when it's about kung-fu? Why didn't the editor chop at least half an hour out of it? And... why should people go see this movie? The answer to that is that it's an enjoyable journey - an uplifting tale about a cross-cultural/generational relationship between a pair of improbable allies. Countering the inevitable clichés are skillfully choreographed fight scenes and some truly spectacular scenery. So, in spite of pondering the other questions, you'll almost certainly leave the cinema feeling that the 'kid' did pretty well.
Air DollAnne Murphy
A life-size blow-up doll develops a soul and falls in love with a video store clerk.
Seen through the delightfully innocent eyes of a living doll, scenes are coloured with an appreciation for the everyday. We observe the realities and absurdities of modern day life where everything is eventually discarded and disposed of. "Air Doll" is laden with social comment about our lonely urban lifestyles and it prompts reflection along existential themes. It could have been rather heavy going but for the whimsical touch of the director, and there is as much magic as sadness in the messages. This 'doll' is a sweetie.
World's Greatest DadAnne Murphy
A comedy about a man who learns that the things you want most may not be the things that make you happy, and that being lonely is not necessarily the same as being alone.
"World's Greatest Dad" is uncomfortable viewing centered on an unlikable teenage misfit and his apologetic, underachieving Dad. This movie is so dark it's pitch black, not to mention creepy - a parent's nightmare. Low key but high impact viewing that will stay with you. The messages about popularity and hollow celebrity will skulk at the back of your mind even if you are the world's greatest someone.
In a world where technology exists to enter the human mind through dream invasion, a highly skilled thief is given a final chance at redemption which involves executing his toughest job till date.
Boldly ambitious on a universal scale, "Inception" is awe inspiring, bringing to life the imagination of the mind in amazing visual detail. Mastering the idea of dreams within dreams may take some time, but it's this kind of challenge, rarely seen in blockbusters, that keeps you absolutely enthralled. It shoots through its running time at a whole new level, immersing you in the sub-conscious of the characters on screen without any contraptions. Unmistakably mind-blowing.
Suzanne is a well to do married woman and mother in the south of France.
"Leaving" is a sensual summertime love story set to the lazy sound of crickets, where passion is taken to the brink of histrionics in this ardent tale of an illicit romance. The realism of the story is first apparent in the soundtrack which consists mostly of the amplified background noises of the everyday. Whatever your moral stance, the strong performances allow audience members to be swept up, embraced in the fervour, held by the story, and then left panting. No leaving early.
English naturalist Charles Darwin struggles with his revolutionary theories on evolution.
"Creation" provides an interesting perspective on one of the most influential scientists of all time. Rather than visiting the genius of Darwin's theory, this film is more of an intriguing portrait into the man himself. It dissects themes of faith and religion versus science while exploring Darwin's great inner turmoil and his terrible battle with spirituality. Although some might consider it not as highly evolved as it could've been (given the subject matter), a solid script and an absolutely outstanding performance from the lead actor make this movie an enjoyable watch nonetheless.
The RunawaysAnthony Macali
Based on lead-singer Cherie Currie's book 'Neon Angel' - a reflection of her experiences as a rock star in the '70's teenage band 'The Runaways'.
"The Runaways" is a musical biopic of teenage girls and their love for rock 'n' roll. This film exposes their relatively unknown story, charting their seedy formation and rise to fame in mesmerising style. The group is held together by terrifically eye-opening performances from the leads. Despite uneven levels of entertainment, this movie entices you to learn more about its popular music and lessons in addiction. A blur of a band easily forgotten.
The Waiting CityAnthony Macali
A mystic-infused love story that follows a young couple's journey to collect their adopted baby.
The title makes sense... there's a lot of waiting in the beautiful city of Kolkata, India, a cinematographer's dream with its vibrancy and detail. It's a slow journey, burdening the future parents more so than the audience, as a prolonged stay reveals the distressing troubles of their relationship. Mother-to-be Fiona works hard and delivers an endearing performance, but it's difficult to find meaning as themes of family and faith become muddled. "The Waiting City" is an admirable Australian film that will resonate with a small audience.
The HedgehogAnne Murphy
Paloma is a serious, but deeply bored 11 year old, who decides to kill herself on her twelfth birthday.
"The Hedgehog" is a melancholic and elegantly understated character study, artistically crafted and entrancing. The film's direction is deft, uncovering a very moving exploration of the human condition beneath a simple tale. The story is focused on three intelligently drawn characters with rich inner lives in which they insulate themselves from the world outside. The performances of the lead roles are without fault, balancing humorous, absurd, and enigmatic characteristics. We see both the prickles on the outside and the warm hearted inside of a hedgehog.
The Twilight Saga: EclipseAnthony Macali
Bella is forced to choose between her love for vampire Edward and werewolf friend Jacob.
It is made abundantly clear that "Eclipse" is about decisions. It's hard to choose between the equally attractive (and buff) leads who continuously confess their undying love. Thankfully, this tiresome triangle doesn't consume the show. A great supporting cast share their interesting back-stories and shed light on the mystical history of vampires and werewolves, building tension for the frantic action showdown. Expect the inevitable lingering kisses amongst mountain tops and fields of flowers, but this instalment offers a little more to feast upon. Your choice.
I Am LoveAnne Murphy
A tragic love story set at the turn of the millennium in Milan.
The screen images are aesthetically composed and structured with an eye for the pleasing in this most stylish of movies. Sadly, the hand-held camera swirls to a point of disorientation at times. Fortunately the movie is grounded by the compelling performances of the cast. "I Am Love" throbs with tempestuous passion that becomes overwrought. Lust runs amok, building to a frantic conclusion as the film is lifted to its climax by the operatic score; and the viewer left exhausted by the experience. Love it.
A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.
This film attempts to recreate the Indian mythology of "Ramayana" into a modern tale. The cinematography is amazing, magnificently shot in the remote jungles of India and accompanied by a beautiful soundtrack. However, even though the music may be a treat to your ears, the film lacks soul in terms of story, and the screenplay lacks substance or the presence of an exciting climax. Although "Raavan" might lose direction in its distinction between the main character's identity as brutal demon or outlaw helping the poor, it's still worth a watch if not simply for the stellar cast.
Lou, a young girl, develops affection for the grandfather she'd never previously met when he comes to live with her and her mother and sisters.
All of the action in this beautifully crafted movie happens within the emotional relationships of the characters. The plot is a little underdeveloped, and there's no crescendo or culmination of action, just day to day experiences of the central family. There's plenty to hold the interest of the audience - the moody and realistic performances of the cast, the Australian landscape, the soundtrack - if only there was a dramatic climax. "Lou" is lovely but could have blossomed into more.
Mother and ChildAnne Murphy
A drama centred around three women: A 50-year-old woman, the daughter she gave up for adoption 35 years ago and a woman looking to adopt a child of her own.
The relationship between mother and daughter is a rich emotional territory that "Mother and Child" wades right into. The brittle, flawed women wading through their lives and dreams will touch your heart, and then wring it out, as strands of the different characters' stories entwine. The actors give great performances in vulnerable and dysfunctional roles that variously thaw and freeze. Take your Mummy and remember your tissues.
Mademoiselle ChambonAnne Murphy
Jean, his loving wife and son live a simple, happy life.
"Mademoiselle Chambon" is an emotional drama laden with unexpressed feeling that hovers between sensitive and stagnant. While subtlety must have been the director's intention, the effect is slack and stifled. The story has a very long fuse, as restraint is favoured over illicit passion. Unfortunately, the wick is so slow burning that by the final scene interest in the characters has been extinguished. With barely any action and sparse dialogue, the movie fails to ignite (which could be the point), and for many this film will seem pointless.