The SilenceAnne Murphy
The bicycle of a missing girl is found in the exact place where another girl was killed 23 years ago.
A cold case that mirrors a current crime is reopened, and the dual storyline is effective as each amplifies the loss and despair of the other. Beyond the suspense of the police investigation are stories of suffering by the families of the victims. Not surprisingly, the criminals are revealed as unsettling individuals. It's the depth of the characters, revealing chilling psychological profiles of the transgressors, that sets this movie apart from TV dramas with similar story-lines. Worth talking about.
Never Let Me GoAnne Murphy
As children, Ruth, Kathy and Tommy, spend their childhood at a seemingly idyllic English boarding school.
"Never Let Me Go" is a cinematic experience easy to be engrossed in, set late last century in a melancholic countryside dreamed up in storybooks. At its heart the tale is a haunting love story, but its soul holds grim secrets from the realms of sci-fi, and is told from an emotionally undeveloped point of view so restrained the audience may feel more manipulated than the characters. The plot dilemmas will fuel sober dinner-party conversations, destined to hold on.
The Lincoln LawyerThomas Jones
A lawyer conducts business from the back of his car while representing a high-profile client.
Films depicting client/lawyer relationships always make for compelling viewing and "The Lincoln Lawyer" is no exception. It's a classic cat and mouse chase, as both client and lawyer work to stay one step ahead of each other until the fat lady sings... seriously. This film seems to end four times before it actually ends. The acting is one-dimensional and there are a few sub-plots that are devoted too much screen time, but the central story will have you hooked. Any appeals to this judgement are denied.
In a Better WorldStefan Bugryn
The lives of two danish families take a turn for the worst as their children form an unhealthy friendship.
This art house film doesn't really go past the point of 'enjoyable'. The so-so storyline is redeemed somewhat by decent acting and rich visuals, but it won't really glue you to the screen the whole time. Don't be mistaken; there are some very hard hitting scenes - the problem is that they're emotionally weak, despite the fact it delves into some pretty heavy themes. It almost feels like an extended version of a Danish soap opera. In a better world, this would have been a better movie.
Barney's VersionAnne Murphy
Take a ride through the life and memories of Barney Panofsky, a hard-drinking, cigar-smoking, foulmouthed 65-year old hockey fanatic and television producer.
"Barney's Version" is a character study covering 30 years of one man's life. Depth is compromised by span when a life - even a fictional one - is featured in a movie-length couple of hours. This is a rambling, uneven and shallow movie held together by strong acting. The comedic story takes an unexpected and solemn turn towards the end, but by then there's not a lot of emotion vested in the outcome for the amiable but self-centred characters. An interesting soap opera version.
This is a story of a man in free fall, on the road to redemption, darkness lights his way.
An existence where life holds more in memory than it promises in the future is grim, and that's at the essence of "Biutiful". The visual texture of the production is extraordinary, as is the city background as a soundtrack... a gritty combination. The audience is privy to an unflinching view of life where the politics of exploitation and survival play at the edge of society. This film won't be for everybody, but the viewing, while harrowing and demanding, is compelling and ultimately rewarding.
Last Train HomeThomas Jones
A family embarks on an annual journey along with 200 million workers to reunite with their family.
To all who think New Years is overrated, your pessimism will pale in comparison to the endeavors made by the Chinese migrant workers who get home to celebrate their Chinese New Years. The footage captured in this movie is mind blowing. From the aerial shots of the crowds waiting (sometimes days) to board the trains to the more intimate moments depicting Chinese family life, it is astonishing to think that this film is real. A compelling documentary, which realises despite all cultural differences, for everyone, there's really no place like home.
I Love You Phillip MorrisAnne Murphy
Steven Russell is happily married to Debbie, a member of the local police force, when a car accident provokes a dramatic reassessment of his life.
"I Love You Phillip Morris" contains some squirmingly uncomfortable stereotyping of various characters, and a flawed portrayal of gay men played for laughs by straight men. It's as unfunny as it is shallow, particularly disappointing is that the central romance is underdeveloped. The story, with its furious pace, covers a lot of events, mostly prison escapes, and unfortunately that's at the expense of real insight or depth. You might love Phillip Morris but probably not Steven Russell.
An unusual ghost story set on the Peruvian seaside; a married fisherman struggles to reconcile his devotion to his male lover within his town's rigid traditions.
"Undertow" is a touching study of love and devotion amid a devout community. Life is good in the lethargic fishing village where the pace is languid and everything moves slowly, except the gossip. Even so, there are no villains in this tender tale. The congenial characters are so authentic it's almost impossible not to like them, even with the betrayal implicit in the central love triangle. Very moving, with a haunting undertow.
The story of two close friends who are unintentionally drawn into a love-triangle.
Love lives in the hearts and minds of stylish twenty-something's, as friends vie for the attention of the same Adonis. "Heartbeats" is a sophisticated examination of desire brought to the screen by an assured director. The almost excruciating clumsiness of inexperienced lovers and the intimacy of their relationships is depicted without a physical consummation of the same. Obsession overtakes sanity, friendship is sacrificed for love, and the audience can relate to the qualms and dreams of the protagonists. L'amour, l'amour…
Griff the InvisibleAnne Murphy
Griff, office worker by day, superhero by night, has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible.
This fabulous movie is set against an atmospheric Sydney backdrop. It's not quite Gotham City, but then "Griff the Invisible" is quintessential Australian film-making, both in accent and flair. Featuring a loner who creates his own world, the film is comic without hilarity, and presents with a refreshingly grounded style as a result. Griff is not like everybody else, he wouldn't want to be, he's as much anti-hero as super-hero. I see you.
The Secret Diaries of Miss Anne ListerAnne Murphy
In nineteenth century Yorkshire wealthy orphan Anne Lister lives with an aunt and uncle, anxious for her to marry well and blissfully, unaware that she is a lesbian.
An historic drama based on the real and extensive diaries of the protagonist. This film is rich with country mansions, beautiful costumes and staid English sensibilities. The highlight is a female lead that is steadfast in her beliefs, refusing to be totally repressed by the expectations of society, and determined to live by her own values. No doubt the secret diaries could reveal much more about this resolute woman who wanted a wife.
The Last Summer of La BoyitaAnne Murphy
Feeling estranged from her older sister, Jorgelina and her father go in their Boyita camper-van, to the countryside where playmate Mario is undergoing some changes of his own.
This coming of age story is set during a long hot summer on the Argentinean Pampas. It's a summer of discovery, particularly of the unknown and unimagined world of inter-sexuality and gender identity. The children's roles are well acted, striking a perfect balance between innocence and precociousness. The sensitive themes are tenderly handled - the film's narration is more through visual imagery than dialogue - and it never becomes clumsy. Can't wait for Autumn.
It's San Francisco in 1957, and an American masterpiece, Allen Ginsberg's Howl, is put on trial.
Real transcripts of an interview with the poet, his epic poem, and his publishers obscenity trial are all threaded together and linked with clever CGI to create "Howl". Censorship and freedom of speech are perennially rich themes but aren't allowed to become pretentious as the work is dissected by lawyers and academics. This is an intellectual and engrossing look at the voice of a discontent generation, and the movie perfectly captures the mood of the time with howls of rage, passion and despair. Uninhibited baying with delight.
The RiteWendy Slevison
A young American seminary student travels to Italy to take an exorcism course.
This is the most recent addition to a select collection of films that deal with the subject of exorcism. Despite eventually falling short of its early potential, squandering both pace and tension, the movie is admittedly somewhat unsettling at times, and leaves you in a rather philosophical frame of mind as you leave the cinema. The senior star plays his part with controlled enthusiasm, and together with the magnificent Roman backdrop, lifts and gives some credibility to an otherwise rather average film. "The Rite" is just alright.
The Clink of IceAnne Murphy
An alcoholic writer is visited by an incarnation of his cancer.
"The Clink of Ice" is as original as it is deeply and darkly humorous. Imagine bantering with your life threatening illness and laughing. The premise of personifying a malignant disease in a suit sets up an intriguing film. Not that there is anything funny about cancer or facing death. Typically we deride perverse situations as being as 'funny as cancer' but the director and cast prove dexterous enough to turn that assertion around. As bleak as the themes of the movie are, the clinking of ice muffles the death knell.
Bus PalladiumAnne Murphy
It's the 80's and the boys have formed a band, now all they need is the big time.
Five childhood friends form a rock band as young men, put them on a tour bus, and we're watching the movie equivalent of rock 'n' roll heaven. The stereotypical band members are troubled by nothing more than the usual sex and drugs and making music together, their travails accompanied by an authentic soundtrack that recreates the feel of the era. The boys are as likable as "Bus Palladium" is enjoyable. Get a ticket and get on the bus.
The Company MenWendy Slevison
Centres on a year in the life of three men trying to survive a round of corporate downsizing.
This movie is informed by the global financial crisis, which dramatically affected the world economy. Initially, the characters in the film are difficult to connect with. They are executives who earn big bucks and live the big life... until the crash comes, and along with it, radical changes to everything they have known and cherished, ultimately exposing the very core of who they are as men. The high quality of performance in this film evokes a surprising empathy and admiration, and you end up feeling that you have indeed been in good company.
The Way BackAndrew O'Dea
Siberian gulag escapees walk 4000 miles overland to freedom in India.
A testament to the resilience of the human spirit, "The Way Back" is authentic film-making that proves you don't need CGI to create a sweeping epic. The incredibly long running time and deliberate pacing commands you to appreciate the vast distances and stunning landscapes of the protagonists' journey, step by slow step. One suspects this was entirely the director's intention, and in this regard credit is undeniably due. Some will no doubt be inspired by this sprawling story, but others may get lost along the way.
The Girl Who Kicked the Hornets' NestThomas Jones
Lisbeth is recovering and awaiting trial for three murders. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Millennium fans will be fulfilled by this portrayal of the final book of the series. The magnitude of this story is handled well, despite feeling a little rushed at times. The quickened pace impacts on the suspense, which is never given enough time to really build. Consequently, the film feels less like a thriller and more like a courtroom drama. However, the acting is superb, the story is bold and the climax… revenge has never tasted so sweet. She's kicking nests... and goals.
A woman puts herself through long years of law school to prove her convicted brother of innocence.
This movie has all the makings of a textbook 'midday telemovie'; true story, appeals to older females, very sentimental and touching. However, it's a step above the rest, and well worth watching. It is extraordinary to learn about this real woman, who commits her whole life to saving her brother. The acting is amazing, especially from the lead actress who is fantastic in her portrayal of the real life heroine. The directing is sometimes lacklustre, and it feels like it could have harnessed the emotions a lot more. Otherwise, convict yourself to this one!
A man awakens from a coma, only to discover that someone has taken on his identity and that no one believes him. With the help of a young woman, he sets out to prove who he is.
The premise of "Unknown" is solid, but it's the execution that falters. You can't help but shake the feeling you've seen it all before, only done much better. Most disappointing is the talented cast that is wasted in underwhelming, forgettable roles. An inevitable twist might explain inconsistencies in the plot, but it only leads to a pedestrian climax that will have most wishing the amnesia that plagues the protagonist could've translated to the viewing experience as well. Forget it.
King Lear (National Live Theatre)Anne Murphy
An aging King invites disaster when he abdicates to his corrupt daughters and rejects his honest one.
The UK National Theatre brings a quality stage production to the cinema screen. The extraordinary passion that underscores this much loved story is evident in the performances of the experienced cast. It's those performances, not to mention the playwright's words, which hold attention. It's an extraordinary play, although the minimalist backdrops provide a simpler visual experience than cinema goers are likely expect. The experience of watching a play on the big screen is unusual and Lear, "...still every inch a King".
Rabbit HoleWendy Slevison
Life for a happy couple is turned upside down after their young son dies in an accident.
"Rabbit Hole" wants to be an authentic and poignant exploration of grief and the differing ways in which people deal with it. Unfortunately, despite excellent performances from a fabulous supporting cast, the film feels slightly contrived and unconvincing - due mainly to the much lauded leading lady, who plays her role with about as much emotional depth as the wrinkles on her forehead. You feel as though you are watching her act the way she thinks someone might behave in such tragic circumstances. The journey through this rabbit hole just doesn't quite lead to wonderland.
127 HoursStefan Bugryn
A man gets stuck under a boulder while he ventures out alone to a canyon in Utah.
It is quite obvious the film-makers wanted the audience to feel like they were right there with the protagonist throughout this harrowingly absorbing ordeal. At times it almost feels like a 'docu-drama'. There's an abundance of uncomfortable close ups as the storyline is confined to that wretched canyon, while 'that scene' is unflinchingly realistic (you won't ever forget it!). In doing so, they created a film experience that is both gruelling and rewarding, and will leave you deep in thought afterwards. Every minute, and hour, is worth it.