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The Brothers BloomAndrew O'Dea
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue.
"The Brothers Bloom" is an offbeat, eccentric story. The unique approach to story-telling is utterly refreshing as it blends moments of genuine romance, intrigue and comedy which are complemented by a superb, mostly orchestral score. At times it becomes a little self-aware, but for the most part is buoyed by host of glorious performances that sustain an engagingly quirky and whimsical style. A pleasantly charming film that blooms then blossoms.
Julia's DisappearanceAnne Murphy
A comedy about aging, youth and other eternal truths.
"Julia's Disappearance" is a sophisticated and diverting exploration about growing older. The central characters are old enough to dread those once-a-decade 'milestone' Birthdays, events that are funny to everyone but the guest of honour. The cast are congenial and witty, so it is a pleasure to be in their company, or at least experience their on screen banter. The plot is threaded with charming short stories, all themed around aging, and thankfully told with enough heart and humour to prevent the topic becoming tiresome. It's well crafted and sophisticated, but where is Julia?
Women Without MenAnne Murphy
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.
The cinematography is extraordinary, creating a compelling story on the screen. The camera wanders and picks up magical images, mostly of women who would wish to live their lives differently. Each woman's tale is told with insight and appreciation for the individual; a feminist narrative with a political backdrop. Interest is held as the movie weaves through time and dream sequences, even as the plot lacks a little depth. There are men with the women, they're all but incidental.
On the RoadStefan Bugryn
Two aspiring young writers continuously take off across America to find 'it', and themselves.
"On the Road" effortlessly embodies the universal free spirit, and will tap into the inner adventurer in many people. The scripting is very literary, and it feels like it has been written more as a novel rather than a screenplay. The characters talk in an almost Shakespearean dialogue, and embody a Greek philosophical mindset. Their relationship with each other, and themselves, is very fleeting and empty, but thankfully, the gas tank is always full, and it’s interesting to sit in the passenger seat of their drug-fuelled ride across America.
The Twilight Saga: EclipseAnthony Macali
Bella is forced to choose between her love for vampire Edward and werewolf friend Jacob.
It is made abundantly clear that "Eclipse" is about decisions. It's hard to choose between the equally attractive (and buff) leads who continuously confess their undying love. Thankfully, this tiresome triangle doesn't consume the show. A great supporting cast share their interesting back-stories and shed light on the mystical history of vampires and werewolves, building tension for the frantic action showdown. Expect the inevitable lingering kisses amongst mountain tops and fields of flowers, but this instalment offers a little more to feast upon. Your choice.
Follows the relationship between two apprentices working on an agricultural complex south of Berlin.
A real farm setting and improvised dialogue provides "Harvest" with an almost documentary, naturalistic tone. The story is about two young men finding themselves and each other. Central to the film is a carefully observed and tentative romance in a potentially homophobic setting. The emotional tension and subsequent attraction between the two unfolds slowly. This movie enthrals its poetic depiction of emotional confusion and its surprisingly chaste approach to the developing relationship. Watch it and reap.
Win WinAnne Murphy
A struggling lawyer and wrestling coach's chicanery comes back to haunt him when the teenage grandson of the client he's double-crossed comes into his life.
The good-humoured and flawed characters which populate "Win Win" are acted with refreshing individuality. The movie plays out as a down to earth and warm comedy, that is hard not to be charmed by. As the captivating plot develops, and very human problems are encountered, an almost constant tickle of laughter fills the cinema. Audience interest is engaged by the readily recognisable challenges of ordinary people and their relationships, and we're ready to empathise. Nobody loses.
Mary and MaxAnne Murphy
A tale of friendship between two unlikely pen pals.
This meticulously constructed claymation is a mostly sombre film for older audiences. The characters and their surrounds are faultlessly observed, giving rise to frequent humorous moments, lifting the tone from what may have otherwise been despairingly gloomy. The predominantly monochromatic landscape serves to reinforce the serious nature of the themes of loneliness and mental illness. The movie is so finely balanced that ultimately the desperate is also oddly endearing.
Shores of HopeAnne Murphy
Two friends working on the docks in East Germany in the 1980’s make plans to defect to the west.
Friendship, conscience, and politics from the last century make an engaging story, especially as everybody is plotting against somebody. The Stasi, the secret police, are portrayed as bumbling and brutal. It's alarming and intriguing to experience a world where betrayal is rewarded and nobody can be trusted. There is an austerity of style presented on-screen that lends credibility to the tale, and you may just pinch yourself in order to remember this is a story, although the setting was real.
Wheelchair-bound Christine makes a life changing journey to Lourdes, the iconic site of pilgrimage.
"Lourdes" is a subversive, almost tongue in cheek, exploration of theology, belief and miracles. A contemplative movie that, thanks to an underdeveloped narrative, leaves the audience to imagine what each sideways glance and eyebrow movement on the screen means. This story will appeal to believers and non believers as it captures both the devotion of a pilgrimage to Lourdes and the modern day commercialism of the same. Miracles are now commodities. It's hard to say what St. Bernadette would make of the contemporary Lourdes.
Adam, a lonely man with Asperger's Syndrome, develops a relationship with his upstairs neighbour.
A somewhat eccentric addition to the romantic comedy genre, this utterly charming and insightful film deals with a condition not fully understood by most people. The title character is realistically and sensitively portrayed, while the female lead perfectly sustains him, in roles which will help raise public profile about the small yet significant segment of our society who suffers from Aspergers. This movie is a quirky, unassuming and tenderly realised story about a search for love and acceptance, something much more difficult for "Aspies" than most.
A bootlegging gang is threatened by a new deputy and authorities who want a cut of their profits.
"Lawless" is steeped in dirt and bloody vengeance, painting a grim and violent picture amongst what is a distinct and evocative recreation of depression-era America. Masterfully crafted and beautifully filmed, it's the style and attention to detail that coerces us to overlook the minor storytelling flaws that hold it back from being a potential classic. Performances from the leads as well as terrific ensemble cast are terrific, underpinned by a sublime 'hillbilly' score. Uncomfortable and unsettling, this entertaining jar o' moonshine kicks like a mule.
The ConcertAnne Murphy
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians.
"The Concert" is a wonderful, formulaic, crowd-pleaser. Of course, formulaic can be wonderful if you can forgive the sense of knowing what's going to happen before it unfolds. As the story builds, the many farcical sequences notwithstanding, there's a sense that something other than the music is being orchestrated. By the time the final concerto is played there is not a dry eye in the house. The magnificent crescendo plays shamelessly to our sentimentality yet it's still uplifting. Bravo.
Corpo CelesteAnne Murphy
Thirteen year-old Marta restlessly tests the boundaries of the catechism of the Catholic Church when her family move from Switzerland to a city in southern Italy.
The protagonist is a stranger in a strange land as she prepares for her confirmation ceremony. A naive view of the Church and the various characters that support the institution are used to question the traditions and rites of its teachings. "Corpo Celeste" gently mocks using symbolism and religious iconography rather than overtly criticising any practice. The movie is effective in that it does plant questions about socially accepted values. You'll never get to heaven...
King Lear (National Live Theatre)Anne Murphy
An aging King invites disaster when he abdicates to his corrupt daughters and rejects his honest one.
The UK National Theatre brings a quality stage production to the cinema screen. The extraordinary passion that underscores this much loved story is evident in the performances of the experienced cast. It's those performances, not to mention the playwright's words, which hold attention. It's an extraordinary play, although the minimalist backdrops provide a simpler visual experience than cinema goers are likely expect. The experience of watching a play on the big screen is unusual and Lear, "...still every inch a King".