The Best Exotic Marigold HotelWendy Slevison
British retirees travel to India to take up residence in what they believe is a newly restored hotel.
This movie may well leave you dreaming of a trip to India! Set amidst the colour and vibrancy of the city of Jaipur, and featuring a delightful cast of veteran British actors, its warmth and appeal is enchanting. Yes, it may be a little contrived, but this is not a film that is trying to be clever, it is simply a charming, languidly-paced character study that is a pleasure to witness. The Marigold Hotel comes highly recommended.
Frances HaAndrew O'Dea
A story that follows a New York woman who throws herself headlong into her dreams.
"Frances Ha" is an unassuming and offbeat comedy about life, loves and messy rooms. Shot entirely in inky black and white against a New York City backdrop, the film's colour radiates from the whimsy and charm of the affable Frances. Her flawed character is an aimless yet endearing underachiever, and despite the glaring criticisms her questionable life-choices might draw, her gleeful exuberance and goofball nature has an appeal which makes her disarmingly likeable. An affectionate salute to our disjointed lives; fall for Frances.
Recent college graduates try to fulfil their dreams in a band and escape the monotony of regular jobs.
A coming of age movie, where adolescents try to find a life beyond the conventional one that might be expected of them. The soundtrack is loud with original music which conveys the passion of band members; and in contrast, the dull and muted tones of Tokyo reflect the plight of those same characters. Well acted and understated, it is hard not to be moved by the sentimentality and uncertainty of lives dedicated to pursuing one's dreams.
The ConcertAnne Murphy
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians.
"The Concert" is a wonderful, formulaic, crowd-pleaser. Of course, formulaic can be wonderful if you can forgive the sense of knowing what's going to happen before it unfolds. As the story builds, the many farcical sequences notwithstanding, there's a sense that something other than the music is being orchestrated. By the time the final concerto is played there is not a dry eye in the house. The magnificent crescendo plays shamelessly to our sentimentality yet it's still uplifting. Bravo.
Shores of HopeAnne Murphy
Two friends working on the docks in East Germany in the 1980’s make plans to defect to the west.
Friendship, conscience, and politics from the last century make an engaging story, especially as everybody is plotting against somebody. The Stasi, the secret police, are portrayed as bumbling and brutal. It's alarming and intriguing to experience a world where betrayal is rewarded and nobody can be trusted. There is an austerity of style presented on-screen that lends credibility to the tale, and you may just pinch yourself in order to remember this is a story, although the setting was real.
Familiar GroundAnne Murphy
Benoit lives with his invalid father while his sister, Maryse, is desperate for her husband to sell the backhoe sitting abandoned in their suburban yard.
The camera zooms in on family relationships, focussing on small interactions and exchanges. If you've ever wondered what the neighbours are doing, this film is a glimpse of them indulging in the same mundane activities as your loved ones. "Familiar Ground" is understated and wry, full of mini-moments. It manages to be unexpectedly generous too, as this little, almost deadpan, movie delivers a redemptive feel-not-bad, if not feel good, close. Familiar terrain that surprises.
Mozart's SisterAnthony Macali
Beginning in 1763, it follows the Mozart family's exhausting life on the road, traveling by coach from one royal court to the next.
"Mozart's Sister" is a beautiful film, mesmerising in picture and music. In a period of couture and candlelight, the Mozart siblings shine in their bewitching portrayals. For Nannerl, the message is very clear; women should not play violins, or compose. Such narrow-mindedness even causes our central character to dress as a boy at times. These examples of prejudice contribute to the film’s success, highlighting the frustrating loss of genius and talent to the hands of bigotry. This girl can play.
Anna KareninaAnne Murphy
Set in late-19th-century Russia high-society, the aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.
The sets and staging in this rendition of "Anna Karenina" are impressive, and a glow of opulence illuminates the screen. A theatre stage is used as a creative device that achieves both a contemporary feel and an historic authenticity to the mood of the production, while the dance scenes alone will ignite passions. The grand and daring love affair soars at the centre of the saga, and thankfully questions on morality and society from the original text are preserved. To die for...
Still LifeAnne Murphy
A council case worker looks for the relatives of those found dead and alone.
If "Still Life" highlights anything, it demonstrates how much things change. Life does not stay still. This movie creates a disquieting sense of emptiness as it peers at the little that's left behind by the lonely and the alone. The story is simply presented and although it is bleak, the delivery of day by day routine is rather matter of fact. There is so little emotional connection in what's played out on the screen it's difficult for audiences to feel very much apart from melancholic. Inert.
Little DeathsAnne Murphy
Composed of disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.
Stories that usually only live in one's imagination emerge on to the screen. The quality production has a dreamlike quality. The narrative is more creative, more hedonistic, and a little more hysterical than everyday ordinary reality; needless to say it is more enjoyable too. There is more suggested than consummated on the screen, and risqué elements are implied rather than explicit. "Little Deaths" is deftly handled so the libidinous tone doesn't sink to lewd. Good Australian film making lives a little.
Julia's DisappearanceAnne Murphy
A comedy about aging, youth and other eternal truths.
"Julia's Disappearance" is a sophisticated and diverting exploration about growing older. The central characters are old enough to dread those once-a-decade 'milestone' Birthdays, events that are funny to everyone but the guest of honour. The cast are congenial and witty, so it is a pleasure to be in their company, or at least experience their on screen banter. The plot is threaded with charming short stories, all themed around aging, and thankfully told with enough heart and humour to prevent the topic becoming tiresome. It's well crafted and sophisticated, but where is Julia?
Louise WimmerAnne Murphy
A woman wages an uphill struggle to put her life back while working several jobs as a cleaning woman and living in her car.
Realism is employed as opposed to a strong narrative structure in this film, and so we watch a series of events without a beginning, middle or end. The protagonist's plight is not explained beyond the events and encounters in her day-to-day survival of struggle. It's an uncompromising style that is perfect to depict a modern story where there is nowhere to go and certainly no room for sentimentality. 'Geez Louise'... or should that be, "Mon dieu Louise".
In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
Paris, je t'aimeAnthony Macali
Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.
It takes time to get accustomed to the vignette format of this film. As a result, the first stories will disappointingly finish too early. There are a few stories you will treasure (Bastille), some won't make any sense (Porte de Choisy), and some you would like to forget (Tour Eiffel). Nonetheless, you a get an true experience of falling in love with one another, and with Paris.
A story set in Santiago and centered on Gloria, a free-spirited older woman, and the realities of her whirlwind relationship with a former naval officer she meets out in a club.
There is much to like about the authenticity with which one woman's life is depicted, including the loneliness of living alone. "Gloria" is about a real character who is a complete woman. The sex scenes are a highlight with everything played au natural; the audience laughs... but maybe it is true that getting to know someone romantically is no easier at sixty that it was at sixteen. Glorious.
The HousemaidAnne Murphy
A man's affair with his family's housemaid leads to a dark consequences.
"The Housemaid" is an erotically charged study of the ruthless politics of gender and social position. Money provides the wherewithal to dispense with morality and it is replaced with malice so calculated it's breathtaking. Power is potently portrayed. The onscreen representation of the central family's elaborate lifestyle is lavish and visually opulent. The dark suspense builds and culminates in an ending that is disquieting and memorable, with an odd epilogue tacked on the end as a jarringly surreal close. Well maid, right up to the superfluous flourish of the finish.
The Woman in BlackAnthony Macali
A lawyer travels to a remote village where he discovers the vengeful ghost terrorizing the locals.
The message is clear from "The Woman in Black". Stay away, or be haunted. A mist-laden and exquisite countryside plays host to the ghost, a town riddled with scary looking kids and impending doom. The film is at its terrifying best with the lead simply exploring the dark house of his confinement. In a time when one cannot simply turn on the lights, every creak and crack builds unbearable tension. Unfortunately this apprehension doesn't last to the end. Good old-fashioned frights.
About TimeAnthony Macali
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life.
"About Time" is one of those sweet romantic comedies designed for everybody to love, with the added gimmick of time-travel to keep the story moving forward. It's a plot device we've all seen before, but the charming set of characters allow a welcome and constant reminder to treasure every moment of our day-to-day lives. Despite the lack of originality, there's enough laughter and plenty of good-will to forgive the film for its obvious flaws. About life.
Charlie Wilson's WarAnthony Macali
A drama based on a Texas congressman Charlie Wilson's covert dealings in Afghanistan, where his efforts to assist rebels in their war with the Soviets have some unforeseen and long-reaching effects.
A man hidden from the radar, Charlie Wilson is an amazing character with cause against the Soviets that rivals his passion for women and whiskey. The movie is propelled by the charisma of its lead characters, and all-star cast who delightfully play off one another. There are also many moments in the story that frighteningly resonate with the politics of today. This film is about Charlie's success, America's failures and the causalities along the way.
It's San Francisco in 1957, and an American masterpiece, Allen Ginsberg's Howl, is put on trial.
Real transcripts of an interview with the poet, his epic poem, and his publishers obscenity trial are all threaded together and linked with clever CGI to create "Howl". Censorship and freedom of speech are perennially rich themes but aren't allowed to become pretentious as the work is dissected by lawyers and academics. This is an intellectual and engrossing look at the voice of a discontent generation, and the movie perfectly captures the mood of the time with howls of rage, passion and despair. Uninhibited baying with delight.
St. VincentAnne Murphy
A young boy whose parents have just divorced finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic war veteran who lives next door.
At some point the audience will realise they're watching the aging lead actor playing his elderly self, or some down-on-his-luck movie character version of himself. Don't feel like a sucker for playing along and enjoying the film. The endearing qualities of the protagonist allow you to put cynicism aside, forgive the unlikely plot elements, and be entertained by the ubiquitous fogey next door with a proverbial heart of gold. Wholly unlikely Saint.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he works alongside his computer, GERTY.
"Moon" is no pioneer, but is still a quietly quaint and enjoyable movie. Lacking the grandeur of most space odysseys, this film is all about Sam, and we become immersed in his isolation and apprehension. The atmosphere is boosted by an accomplished score, creating tension in tandem with the computer GERTY, whose indifferent disposition is as discomforting as his voice. It certainly won't rock science fiction, but will definately re-energise the genre.
The Twilight Saga: EclipseAnthony Macali
Bella is forced to choose between her love for vampire Edward and werewolf friend Jacob.
It is made abundantly clear that "Eclipse" is about decisions. It's hard to choose between the equally attractive (and buff) leads who continuously confess their undying love. Thankfully, this tiresome triangle doesn't consume the show. A great supporting cast share their interesting back-stories and shed light on the mystical history of vampires and werewolves, building tension for the frantic action showdown. Expect the inevitable lingering kisses amongst mountain tops and fields of flowers, but this instalment offers a little more to feast upon. Your choice.
After her marriage crumbles and the death of her mother, Cheryl Strayed tries to put her past behind her and hikes more than a thousand miles along the Pacific Crest Trail, alone.
"Wild" brings an uplifting memoir about seeking redemption through physical challenges from the page to the screen, and is true to original text. While managing to traverse a full gamut of emotion, there are funny and even uplifting moments. It’s impossible to say if it is the walker or the rugged walk that most impresses, and even harder to resist the urge to pull on your hiking boots. Wild thing might make your heart sing.
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot.
"Australia" reverently captures the culture of our land, from the quintessential outback "aussie" to the native spiritual Aboriginals. This is an ideal, albeit clichéd, backdrop for a romance to develop, and this relationship persistently takes centre stage, overshadowing the many sad events within the story. Ambitious in scope and venture, "Australia" is our country's patriotic film, and despite some underwhelming key scenes, is one to be proud of.