Crazy, Stupid, Love.Andrew O'Dea
A father's life unravels dealing with a marital crisis and managing the relationship with his children.
This multigenerational love story is a cut above your average romantic comedy, and for the most part, is a funny, honest and insightful film. The only pity is that long stretches of engaging rom-com fare are punctuated by brief moments of that gooey clichéd stuff we're all too familiar with. However, bolstered by a stellar cast who are sublime and charm us senseless in their individual roles, "Crazy, Stupid, Love." still provides a refreshing insight into the humour, tragedy, and wonderfully weird circumstances of love. Whether it's stupid or not is completely up to you.
A look at the life of serial killer John Bunting.
The world looks like a more sinister place after watching "Snowtown". The story, which recounts real events, is chilling and shows life as you wish it wasn't. The setting is a colourless and unsettling suburban landscape, all the more terrifying for its ordinariness. It's sometimes hard to tell the relationships between the characters, not that it's possible to care for any of them. The dramatic build is slow and we squirm at what's coming and, unsurprisingly, the audience becomes enmeshed in scenes so sickening that they're almost unwatchable. Snowtown is no town to be.
Le HavreAnne Murphy
When an African boy is discovered hiding in a shipping container in the port city of Le Havre, an aging shoe shiner takes pity on the child and welcomes him into his home.
The simplicity of this movie is material to why it will be enjoyed. It is warm hearted and unpretentious. Layers of difficult socio-political issues are pared back to create a story that humanises the plight of immigrants without visas. The kindness shown to one struggling boy and the solidarity of the town’s characters in resisting the law enforcers are natural choices. Compassion and humour perfectly blended.
Frances HaAndrew O'Dea
A story that follows a New York woman who throws herself headlong into her dreams.
"Frances Ha" is an unassuming and offbeat comedy about life, loves and messy rooms. Shot entirely in inky black and white against a New York City backdrop, the film's colour radiates from the whimsy and charm of the affable Frances. Her flawed character is an aimless yet endearing underachiever, and despite the glaring criticisms her questionable life-choices might draw, her gleeful exuberance and goofball nature has an appeal which makes her disarmingly likeable. An affectionate salute to our disjointed lives; fall for Frances.
Summer CodaAnthony Macali
Hitchhiking home to a family she's never known, Heidi meets Michael. In the stunning orange groves of country Australia, they embark on an adventure, discovering their secrets and lives.
"Summer Coda" is a delightful film ripe with colour. The story wonderfully captures the spirit and hospitable culture of its setting, sharing the joy and happiness of drinking and dining with newly acquainted company. The beauty of the scenery and cast is truly enamouring as they make orange picking look terribly fun. While it takes a while to hit the heavy drama, it still garners plenty of emotion when it arrives. Bright and sunny and cheerfully heart-warming.
Mother and ChildAnne Murphy
A drama centred around three women: A 50-year-old woman, the daughter she gave up for adoption 35 years ago and a woman looking to adopt a child of her own.
The relationship between mother and daughter is a rich emotional territory that "Mother and Child" wades right into. The brittle, flawed women wading through their lives and dreams will touch your heart, and then wring it out, as strands of the different characters' stories entwine. The actors give great performances in vulnerable and dysfunctional roles that variously thaw and freeze. Take your Mummy and remember your tissues.
American SniperAnthony Macali
U.S. Navy SEAL Chris Kyle becomes one of the most lethal snipers in American history.
"American Sniper" is the story of a war veteran and his ongoing conflict with the before and after effects of his ceaseless tours of duty. The action is fierce as the camera lies beside the sharp-shooter. You can almost feel the long, cold gun in your very own hands, unwittingly raising questions about the necessity of all the brutality. Unrelenting short scenes fuel the adrenalin and thrill of combat, astutely contrasting against the quiet and aimless life back home. American hero.
Shores of HopeAnne Murphy
Two friends working on the docks in East Germany in the 1980’s make plans to defect to the west.
Friendship, conscience, and politics from the last century make an engaging story, especially as everybody is plotting against somebody. The Stasi, the secret police, are portrayed as bumbling and brutal. It's alarming and intriguing to experience a world where betrayal is rewarded and nobody can be trusted. There is an austerity of style presented on-screen that lends credibility to the tale, and you may just pinch yourself in order to remember this is a story, although the setting was real.
The Brothers BloomAndrew O'Dea
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue.
"The Brothers Bloom" is an offbeat, eccentric story. The unique approach to story-telling is utterly refreshing as it blends moments of genuine romance, intrigue and comedy which are complemented by a superb, mostly orchestral score. At times it becomes a little self-aware, but for the most part is buoyed by host of glorious performances that sustain an engagingly quirky and whimsical style. A pleasantly charming film that blooms then blossoms.
A failed medical experiment turns a man of faith into a vampire.
Take equal parts sex, love, murder, humour, religion, violence and vampires. Add one talented, visually adventurous director and a good dash of excellent acting, and you have a wild and unique cocktail called "Thirst." Drink it up, and you will definitely feel as though you have had an unusual, albeit lengthy, experience. This horror/comedy saga has so much going on that your head will be spinning by the last drop. A taste sensation not for the faint-hearted, but plenty of shocks and laughs for those brave enough to try it.
Women Without MenAnne Murphy
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.
The cinematography is extraordinary, creating a compelling story on the screen. The camera wanders and picks up magical images, mostly of women who would wish to live their lives differently. Each woman's tale is told with insight and appreciation for the individual; a feminist narrative with a political backdrop. Interest is held as the movie weaves through time and dream sequences, even as the plot lacks a little depth. There are men with the women, they're all but incidental.
A Good ManAnne Murphy
A law school professor witnesses his colleague, friend and mentor murder his own wife.
"A Good Man" is a murder mystery with a twist, and makes for gripping viewing as the tension and angst builds. Although we know what happened and 'who done it', the audience are kept on the edge of their seats as the plot unfolds and develops. The dark and moody production evokes the film noire era in this contemporary setting. The pace is slow - being almost real time - which eases the tension almost as it is built; even so, this is a good film.
Hope SpringsAnne Murphy
A middle-aged couple attends an intense, week-long counselling session to repair their relationship.
The calibre of the acting brings authenticity to the predicament of a couple married so long that they're companions rather than woman and husband. Audiences will empathise with experiences of the central couple in their therapist's office. While noted as a comedy, "Hope Springs" is not played for laughs, although it is quite humourous. This is a film about the loss of romance/losing romance, then striving for what you want, and making love. Hope actually bounces right off the screen and into your heart.
Me and Orson WellesAnne Murphy
A teenager is cast in the production of "Julius Caesar" directed by a young Orson Welles in 1937.
"Me and Orson Welles" is a coming of age drama within a convincing theatrical setting. The era is authentically replicated, and the characters so well drawn the audience is transported to thinking we're watching Orson Welles in his prime. The raging genius, ruthless manipulator, and ambitious actor and director are all credibly presented. Theatre life and backstage dramas within the chaos of the production process are all used to enthral, and it's crowned by romantic intrigue. This is a well directed movie that ends with applause.
The ConcertAnne Murphy
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians.
"The Concert" is a wonderful, formulaic, crowd-pleaser. Of course, formulaic can be wonderful if you can forgive the sense of knowing what's going to happen before it unfolds. As the story builds, the many farcical sequences notwithstanding, there's a sense that something other than the music is being orchestrated. By the time the final concerto is played there is not a dry eye in the house. The magnificent crescendo plays shamelessly to our sentimentality yet it's still uplifting. Bravo.
The PastAnthony Macali
An Iranian man deserts his French wife and two children to return to his homeland. His wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
"The Past" is a minimalistic drama that firmly holds your attention from beginning to end. Through conversations of the family members, both adults and children alike, a back-story is gently realised that evokes sympathy from the audience. As certain characters are favoured, each new revelation begins to influence judgement, feeding curiosity even further. Unassuming and honest, this film feels like a genuine portrayal of a complicated relationship. Don't look back.
An engineer and conductor race against the clock to stop an unmanned, half-mile-long freight train.
"Unstoppable" follows a long, loud train powering to a frightening destination. The journey is full of suspense courtesy of the faithful introductory clause, "inspired by true events". It's important the characters get their back story, and they get just enough service. However, the unmanned locomotive is the star, and shines in the hands of a director who loves to film fast moving objects, creating an exciting raw energy. As it weaves between the event and the news coverage, you get the feeling it is all unfolding right in front of you. And once it starts, you can't stop watching.
Louise WimmerAnne Murphy
A woman wages an uphill struggle to put her life back while working several jobs as a cleaning woman and living in her car.
Realism is employed as opposed to a strong narrative structure in this film, and so we watch a series of events without a beginning, middle or end. The protagonist's plight is not explained beyond the events and encounters in her day-to-day survival of struggle. It's an uncompromising style that is perfect to depict a modern story where there is nowhere to go and certainly no room for sentimentality. 'Geez Louise'... or should that be, "Mon dieu Louise".
The Damned UnitedAndrew O'Dea
A look at Brian Clough's 44-day reign as the coach of Leeds United.
A compelling and often humorous biopic, this movie is a football fan's delight, and they will revel in the nostalgia and seamlessly intertwined archival footage. However, you don't necessarily have to enjoy football to enjoy this film. Essentially character-driven, most of the drama occurs off the pitch. Fantastic storytelling, rich and engaging dialogue, and a superb man-of-the-match performance from the lead actor manage to separate "The Damned United" from your typical sports flick. GOOOOOOALLL!!!
In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
Rachel Getting MarriedAnthony Macali
A young woman who has been in and out from rehab for the past 10 years returns home for the weekend for her sister's wedding.
Initially, this film is very difficult to watch. The story is high in emotion, and typically these feelings are not good ones, as we see a family worn out from Kym's drug addiction and its haunting consequences. Such sentiments swirl and evolve to the titular finale, reminding us of the everlasting joys in life. "Rachel Getting Married" is a powerfully poignant film that will affect you many days later.
Dawn of the Planet of the ApesAndrew O'Dea
In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.
"Dawn of the Planet of the Apes" is darker than its predecessor, replete with themes of politics, trust, betrayal and family. This brilliantly realised science-fiction movie is both smart and exciting in narrative and amazingly splendid in visual effects, with the on-screen simians appearing just as real as their human counterparts. No monkey business here, this film is an intelligent piece of popcorn entertainment. Movie strong. People enjoy.
The Boy in the Striped PyjamasAndrew O'Dea
A story seen through the eyes of Bruno, the eight-year-old son of a commandant of a concentration camp, who forms a forbidden friendship with a Jewish boy on the other side of the camp fence.
This film takes a surprisingly poignant approach to a very difficult subject matter. Credit must go to the filmmakers' remarkable ability to capture, then maintain, a child's naivety and innocence amidst the horror of the holocaust. Significantly, "The Boy in the Striped Pyjamas" is to be applauded for avoiding condescension; and although at times some may find it harrowing - almost devastating - for children especially, it constitutes a very important film.
Paris, je t'aimeAnthony Macali
Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.
It takes time to get accustomed to the vignette format of this film. As a result, the first stories will disappointingly finish too early. There are a few stories you will treasure (Bastille), some won't make any sense (Porte de Choisy), and some you would like to forget (Tour Eiffel). Nonetheless, you a get an true experience of falling in love with one another, and with Paris.
Where the Wild Things AreAndrew O'Dea
A disobedient little boy sent to bed without supper creates his own world inhabited by wild creatures.
This film is a strangely endearing adaptation of the literary classic. Though some may find the story languid at times, it's redeemed by spectacular cinematography and an almost despondent poetry. Brief moments of fun and frivolity are usurped by darker, more pensive undertones as we draw an emotional parallel between Max and the exquisitely realised 'Wild Things' that echo his feelings of loneliness, fear, and frustration... and it's to be admired for embracing this childhood angst rather than simply condemning it. Let the wild rumpus start!