- Arrange By »
- Title
- Release Date
- Stars
- « Previous
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- Next »
The Concert
Anne Murphy
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians.
"The Concert" is a wonderful, formulaic, crowd-pleaser. Of course, formulaic can be wonderful if you can forgive the sense of knowing what's going to happen before it unfolds. As the story builds, the many farcical sequences notwithstanding, there's a sense that something other than the music is being orchestrated. By the time the final concerto is played there is not a dry eye in the house. The magnificent crescendo plays shamelessly to our sentimentality yet it's still uplifting. Bravo.
Little Deaths
Anne Murphy
Composed of disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.
Stories that usually only live in one's imagination emerge on to the screen. The quality production has a dreamlike quality. The narrative is more creative, more hedonistic, and a little more hysterical than everyday ordinary reality; needless to say it is more enjoyable too. There is more suggested than consummated on the screen, and risqué elements are implied rather than explicit. "Little Deaths" is deftly handled so the libidinous tone doesn't sink to lewd. Good Australian film making lives a little.
Harvest
Anne Murphy
Follows the relationship between two apprentices working on an agricultural complex south of Berlin.
A real farm setting and improvised dialogue provides "Harvest" with an almost documentary, naturalistic tone. The story is about two young men finding themselves and each other. Central to the film is a carefully observed and tentative romance in a potentially homophobic setting. The emotional tension and subsequent attraction between the two unfolds slowly. This movie enthrals its poetic depiction of emotional confusion and its surprisingly chaste approach to the developing relationship. Watch it and reap.
- Genre » Drama
- Release » Limited 15 Mar 2012
- Festival » Melbourne Queer Film Festival 2012

A Good Man
Anne Murphy
A law school professor witnesses his colleague, friend and mentor murder his own wife.
"A Good Man" is a murder mystery with a twist, and makes for gripping viewing as the tension and angst builds. Although we know what happened and 'who done it', the audience are kept on the edge of their seats as the plot unfolds and develops. The dark and moody production evokes the film noire era in this contemporary setting. The pace is slow - being almost real time - which eases the tension almost as it is built; even so, this is a good film.
- Genre » Crime Drama
- Release » Limited 12 Apr 2010
- Festival » La Mirada Film Festival 2010

The Bank Job
Anthony Macali
Based on the true story of the 1971 Baker Street bank robbery which was prevented from being told for over thirty years because of a Government gagging order.
"The Bank Job" spends little time on the planning and execution of the robbery, giving a false impression of the relative ease of the operation. The film's prize is investigating the ramifications of the heist, countless sensitive materials in the hands of common thieves caught in a very dangerous situation. Extortion, guns, cars, brothels, dodgy politicians, and the mob all play a part. A slow and erratic start pays off in the rewarding finalé.
Me and Orson Welles
Anne Murphy
A teenager is cast in the production of "Julius Caesar" directed by a young Orson Welles in 1937.
"Me and Orson Welles" is a coming of age drama within a convincing theatrical setting. The era is authentically replicated, and the characters so well drawn the audience is transported to thinking we're watching Orson Welles in his prime. The raging genius, ruthless manipulator, and ambitious actor and director are all credibly presented. Theatre life and backstage dramas within the chaos of the production process are all used to enthral, and it's crowned by romantic intrigue. This is a well directed movie that ends with applause.
The Boy in the Striped Pyjamas
Andrew O'Dea
A story seen through the eyes of Bruno, the eight-year-old son of a commandant of a concentration camp, who forms a forbidden friendship with a Jewish boy on the other side of the camp fence.
This film takes a surprisingly poignant approach to a very difficult subject matter. Credit must go to the filmmakers' remarkable ability to capture, then maintain, a child's naivety and innocence amidst the horror of the holocaust. Significantly, "The Boy in the Striped Pyjamas" is to be applauded for avoiding condescension; and although at times some may find it harrowing - almost devastating - for children especially, it constitutes a very important film.
Brothers
Anne Murphy
A young man comforts his older brother's wife and children after he goes missing in Afghanistan.
"Brothers" is as compelling as it is emotional, a powerful combination. As the title suggests, the focus is our most important relationships, the ones with family. The story navigates some difficult political and ethical terrain and is all the better for doing so without judgement. The audience is treated as intelligent, and almost everything is pared back except the strong performance from the entire cast. The overall tone and simple background setting are downplayed for realism, and the lingering memories are heart wrenching. He ain't heavy...
Red Cliff
Andrew O'Dea
Based on the events during the Three Kingdoms period in Ancient China, The Battle of Red Cliffs.
"Red Cliff" is a plush historical epic of the grandest scale. The scope is enormous and perfectly realised in sublimely sweeping battle scenes. Due in most part to this release being a condensed version of the original, some of the character development has clearly had to have made way in favour of the action sequences. However, the brilliance of the exhilirating battle choreography and dazzling effects alone are enough to render this film a period war movie of the highest quality.
Creation
Andrew O'Dea
English naturalist Charles Darwin struggles with his revolutionary theories on evolution.
"Creation" provides an interesting perspective on one of the most influential scientists of all time. Rather than visiting the genius of Darwin's theory, this film is more of an intriguing portrait into the man himself. It dissects themes of faith and religion versus science while exploring Darwin's great inner turmoil and his terrible battle with spirituality. Although some might consider it not as highly evolved as it could've been (given the subject matter), a solid script and an absolutely outstanding performance from the lead actor make this movie an enjoyable watch nonetheless.
The Boys Are Back
Andrew O'Dea
A sports writer struggles with suddenly becoming a single parent in tragic circumstances.
"The Boys are Back" is a tale of fatherhood. A deeply moving meditation on life, death and the importance of family, the heart-wrenching opening sequence sets the tone for the film's sense of purpose that resonates throughout. Far from manufactured, it avoids being conveniently sentimental as it veers between moments of grief and humour. The cinematography is simply stunning, coupled by a beautifully melancholic soundtrack and sublime male-focussed performances that make this a movie for both boys and girls alike.
Unstoppable
Anthony Macali
An engineer and conductor race against the clock to stop an unmanned, half-mile-long freight train.
"Unstoppable" follows a long, loud train powering to a frightening destination. The journey is full of suspense courtesy of the faithful introductory clause, "inspired by true events". It's important the characters get their back story, and they get just enough service. However, the unmanned locomotive is the star, and shines in the hands of a director who loves to film fast moving objects, creating an exciting raw energy. As it weaves between the event and the news coverage, you get the feeling it is all unfolding right in front of you. And once it starts, you can't stop watching.
Julia's Disappearance
Anne Murphy
A comedy about aging, youth and other eternal truths.
"Julia's Disappearance" is a sophisticated and diverting exploration about growing older. The central characters are old enough to dread those once-a-decade 'milestone' Birthdays, events that are funny to everyone but the guest of honour. The cast are congenial and witty, so it is a pleasure to be in their company, or at least experience their on screen banter. The plot is threaded with charming short stories, all themed around aging, and thankfully told with enough heart and humour to prevent the topic becoming tiresome. It's well crafted and sophisticated, but where is Julia?
- Genre » Comedy Drama Romance
- Release » Limited 07 Apr 2011
- Festival » Festival of German Films 2011

Zodiac
Anthony Macali
Story of the 1960's Zodiac Killer who committed a series of murders and taunted police.
"Zodiac" is a movie of obsession, set comfortably in the pale inner city of San Francisco. The start is fractured with murders, orchestrated in a fashion that exhibits the killer's sadistic nature. You can sense the frustration of detectives, an emotion shared for the length of this film. The pace livens on the enthusiasm of cartoonist Robert Graysmith, as you share his fixation in finding the right suspect while sacrificing family commitments. This film rewards patience with the final breakthrough providing a fitting conclusion to a well-told story.
Corpo Celeste
Anne Murphy
Thirteen year-old Marta restlessly tests the boundaries of the catechism of the Catholic Church when her family move from Switzerland to a city in southern Italy.
The protagonist is a stranger in a strange land as she prepares for her confirmation ceremony. A naive view of the Church and the various characters that support the institution are used to question the traditions and rites of its teachings. "Corpo Celeste" gently mocks using symbolism and religious iconography rather than overtly criticising any practice. The movie is effective in that it does plant questions about socially accepted values. You'll never get to heaven...
- Genre » Drama
- Release » Limited 14 Sep 2011
- Festival » Italian Film Festival 2011
