Zodiac
Anthony Macali
Story of the 1960's Zodiac Killer who committed a series of murders and taunted police.
"Zodiac" is a movie of obsession, set comfortably in the pale inner city of San Francisco. The start is fractured with murders, orchestrated in a fashion that exhibits the killer's sadistic nature. You can sense the frustration of detectives, an emotion shared for the length of this film. The pace livens on the enthusiasm of cartoonist Robert Graysmith, as you share his fixation in finding the right suspect while sacrificing family commitments. This film rewards patience with the final breakthrough providing a fitting conclusion to a well-told story.
Winged Creatures
Anne Murphy
A group of strangers form a unique relationship with each other after surviving a random shooting.
Normality is shattered by a horrific event and the characters fall apart in ways that beggar belief. Truth is reportedly stranger than fiction, and in this instance the clumsy storylines drawn out of the central trauma have little semblance to possible truth. PTSD reactions should be left to psychologists not scriptwriters. This is as downbeat a movie as you're ever likely to see, and all the more irksome for the condescending portrayals of the working class characters. Fly away.
Wild Target
Anthony Macali
A hitman tries to retire but a beautiful thief may change his plans.
"Wild Target" is remake with all things British, recruiting the help of some of its finest actors to impart the land's odd humour. As the professional killer goes about his deadly serious business, his actions are unmistakably downplayed and amusing. The jolly music is turned up, and the film reaches a far greater audience. The result is fun, although many jokes are often hit and miss, and the pace is all over the place. In the end, the charm of its main characters, all criminals, will win you over. A wild romp.
Wanted
Anthony Macali
A frustrated office worker learns that he is the son of a professional assassin, and that he shares his father's superhuman killing abilities.
The major problem with "Wanted" is that it's really stupid. It requires an absolute suspension of belief, as we're supposed to believe "looms of fate" can prove fatal. Story aside, some of the sequences are decent in their slow-mo gun-toting CGI kind of way. If the film didn't take itself so seriously, the setup would not be completely ridiculous. Over-the-top choreographed action cannot save it from a predictable plot and a fraternity of two-dimensional characters.
Vantage Point
Anthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
Transporter 3
Anthony Macali
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea.
Third time around, it's obviously hard to keep things fresh. "Transporter 3" pushes the boundaries in action and style, with absolutely preposterous results. If the story wasn't so grounded in reality, they could get away with such absurdity, but the expressionless one-dimensional characters and "fast-forward the action bits" film technique make it very frustrating to watch. This movie is a disappointing package that never delivers.
Tower Heist
Anthony Macali
A group of hard working guys conspire to rob a wealthy business man's high-rise residence.
"Tower Heist" might not be the most complex of capers, but it does produce plenty of laughs along the way. The high calibre cast is fun to watch, the only drawback being their inability to share the screen time in satisfying amounts. Much of the entertainment comes from the ordinary hotel crew and the birth of their criminality. Clearly out of their depth, they embark on hilarious exercises to plan and prepare. It's a shame that when our heroes and villain do confront, the exchange is pretty tame, sharing metaphors to be ignored. Few surprises but gets the job done.
The White Ribbon
Anne Murphy
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment.
"The White Ribbon" is visually mesmerising, artistically captured in black and white with a period detail that is meticulously reproduced, particularly in the costumes of the farming villagers. With its fascist undertones this film is a harrowing watch for all of its lengthy run time, and even then there is no reward of a conclusion or explanation. Austere, relentless, seething with hatred and cruelty, this is unforgiving viewing. The film evokes a sense of impending doom, with blue ribbon success.
- Genre » Drama Crime History
- Release » Limited 06 May 2010
- Festival » Festival of German Films 2010
The Town
Tom Jones
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
"The Town" is your classic cops and robbers fare, with a little bit of heart. The robbery scenes are exhilarating and are directed in such a way that you share the thrill of being chased, and the adrenalin which comes with the risk of getting caught. The problem with this film lies in the moments between the robberies, where a story tries to develop but really only slows the whole thing down. Much like its characters, this film is a goodie and a baddie.
The Taking of Pelham 1 2 3
Anthony Macali
Armed men hijack a subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind.
"The Taking of Pelham 1 2 3" is bland remake that favours visuals over drama. Its jilted style is a haze of whirs and blurs as it attempts to generate excitement. However, it fails to provide any genuine tension, leaving the viewer questioning plot holes and character motives rather than placing us on-board the titular train. Not a complete wreck, but this film is plain and predictable, although it might just deliver enough "cool" action to please commuters.
The Silence
Anne Murphy
The bicycle of a missing girl is found in the exact place where another girl was killed 23 years ago.
A cold case that mirrors a current crime is reopened, and the dual storyline is effective as each amplifies the loss and despair of the other. Beyond the suspense of the police investigation are stories of suffering by the families of the victims. Not surprisingly, the criminals are revealed as unsettling individuals. It's the depth of the characters, revealing chilling psychological profiles of the transgressors, that sets this movie apart from TV dramas with similar story-lines. Worth talking about.
- Genre » Crime Drama Thriller
- Release » Limited 07 Apr 2011
- Festival » Festival of German Films 2011
The Secret in their Eyes
Anne Murphy
A man wants to solve a murder committed many years ago.
"The Secret in Their Eyes" is engrossing as a crime thriller and compelling as a cold case romance. The threads are seamlessly interwoven to create a movie going experience that lingers long after the credits roll. All eyes will be glued on the outstanding cast who fill out the interesting characters. This is a well crafted film that spans 25 years, moving from fear to love visiting every emotion in between. It's no secret that this is a knockout story to be seen with your own eyes.
The Raid
Tom Jones
A SWAT team becomes trapped in a tenement run by a ruthless mobster and his army of killers and thugs.
'This film contains scenes of violence' is an understatement when it comes to "The Raid". It's all violence, with a handful of scenes to remind you that there is a point to this mortal combat, even if that point is going to be forgotten as soon as the credits role. Surprisingly, the acting in these scenes is seriously impressive and actually heightens the reality and terror of the situation. But it's the fight scenes which will draw the crowd, and they are as ridiculous as they are entertaining. Finish him!
The Next Three Days
Wendy Slevison
A married couple's life is turned upside down when the wife is accused of a murder.
"The Next Three Days" is an arrogant American remake of a first-rate French film. However, the elegance of the original is completely lost in translation. Absurd, implausible, boring and disconnected are words that come to mind to describe this pretentious mishmash. Actually, the leading man has about as much charisma as a lump of mash, and this is far from his best work. The leading lady is merely forgettable. As a couple… who cares? This supposed thriller feels as though it drags on for three days - please don't waste your time.
The Mechanic
Tom Jones
Follows an elite hit man as he teaches his trade to an apprentice who has a connection to one of his previous victims.
Sure the plot-line is uncomplicated, the acting is over-the-top and the stunts impossible, but who really cares? "The Mechanic" is pure entertainment. The hero himself, with his 'take no prisoner' attitude, will have men wanting to be him and women wanting... are there any women in the audience? This film is definitely one for the boys, with the uncensored action/violence sequences, the guns and good guys vs. bad guys battles. Broken down? Go see the Mechanic.