Street KingsAnthony Macali
Tom is a veteran cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture.
"Street Kings" is a dull, clichéd and terrible episode of life on the streets of LA. You have the African-American brother, the Mexicano Esé, the Korean Triad and the hard-boiled cops who always look out for each other and play the tough guy. The whole setup is embarrassing, with very mediocre and laughable dialogue, as well as unthreatening criminals who always end up helping the police. Filmed in a style where excessive grittiness is king, this is actually bad.
Vantage PointAnthony Macali
With a Rashomon narrative style, the attempted assassination of the president is told from several different perspectives.
"Vantage Point" might seem interesting at first, with its "different points of view" storytelling, large ensemble cast and an American president. In truth, it's a bit repetitive and formulaic, with revelations only coming after we endure the assassination again and again. In the end, the bad guys die, there's a car chase to please all the confused viewers, and the story gets nicely wrapped up. Entertaining enough, but still annoying.
An inside look at Italy's modern-day crime families. Based on a book by Roberto Saviano.
This film is a sprawling mess of characters and storylines. You see a mafia suit distribute money among the neighbourhood, two gung-ho youths wanting to be gangsters, and a guy who creates skirts in a workshop. It leaves us clueless as to how all these scenes fit together to create the big picture. Trying to make sense of it all is a slow and boring exercise. "Gomorrah" is a poorly executed and frustrating insight into the Italian underworld.
Before the Devil Knows You're DeadLuke Bartter
When two brothers organize the robbery of their parents' jewelery store the job goes horribly wrong, triggering a series of events that sends them hurtling towards a shattering climax.
"Before the Devil Knows You're Dead" is a challenging film which has intense performances and a compelling story, but is rarely enjoyable. The crime is revealed early on and shifts between before and after, gradually revealing each of the characters' perspective and situation, with a constant and uncomfortably building tension. Interesting to watch, but ultimately very unpleasant, it's recommended, but remember what you're getting yourself into.
Pineapple ExpressAnthony Macali
A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.
If you smoke weed, more often then not, you end up in crazy scenarios. They are often highly contrived, outrageous, and equally hilarious. When the bad guys over-estimate the good guys, suspecting they're intelligent hired professionals, it's always hysterical. Like a number of characters, some jokes are not great, though never resorting to vulgarity. "Pineapple Express" is a ridiculous comedy of ridiculous people, stuck in ridiculously funny situations.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
It's always captivating when information is revealed the way this film does. Three victims are interviewed by the cops; three different perspectives are intertwined; and then the audience is left to put the pieces together. The performances are strong across the board, all accessories to driving the speeding tension. A riveting story, twisted narrative and sadistic characters make "Surveillance" an engrossing thriller.
In BrugesAndrew O'Dea
Two hit men are sent to hide out in Bruges, Belgium after a difficult job goes wrong in London.
This film is essentially a black comedy that juxtaposes humour with tragedy. Set amongst the churches, canals, and cobbled streets of the titular Bruges, it uses this very setting to accentuate the polar natures of our two leading characters. The highly strung Ray struggles to cope with the lack of excitement, while the older, more refined Ken immerses himself in the history of the town. Amidst the dry humour created by their interaction is woven a very clever story that presents an undercurrent of morality.
The Bank JobAnthony Macali
Based on the true story of the 1971 Baker Street bank robbery which was prevented from being told for over thirty years because of a Government gagging order.
"The Bank Job" spends little time on the planning and execution of the robbery, giving a false impression of the relative ease of the operation. The film's prize is investigating the ramifications of the heist, countless sensitive materials in the hands of common thieves caught in a very dangerous situation. Extortion, guns, cars, brothels, dodgy politicians, and the mob all play a part. A slow and erratic start pays off in the rewarding finalé.
The Dark KnightAnthony Macali
Batman and Gordon join forces with the new DA to take on a psychotic robber known as The Joker.
There is so much to admire about this film. The dark tone resonates with an audience that live in a not-so-perfect world. The grand-scale action sequences involving trucks and bikes are testament to money being better spent on explosions than computer graphics. Assortments of characters are given their due screen-time, but all are overshadowed by the Joker, who creates an unprecedented sense of dread and anarchy. "The Dark Knight" is so good that you forget about its comic origins, as it stands alone as exceptional action and crime classic.
3:10 To YumaAnthony Macali
A small-time rancher agrees to hold a captured outlaw who's awaiting a train to go to court in Yuma.
The track to Yuma is a windy road that will keep you constantly guessing. The landscape and period are captured beautifully, from small humble towns, shining pistols, and humble town-folk. Unlike your traditional western, these characters have names and bring their colourful history to the screen. They create a conscious conflict as you guiltily admire the charismatic bad guy and resent the bitter and weak good guy. This film harbours a swag of strong performances in an enjoyable and riveting ride.
American GangsterAnthony Macali
In 1970s America, a detective works to bring down the drug empire of a heroin kingpin.
"American Gangster" is an epic story of two people. Frank Lucas, a religious and devoted family man; and his polar opposite, Richie Roberts, the incorruptible cop, troubled at home but determined in his lonely pursuit. You can't help but take Frank's side, relishing his journey from rags to riches, and joining his vast corrupted network of cops and soldiers who succumb to greed. It's not until we see the effects of 'Blue Magic' that we're reminded his business is heroin. A brilliant and engaging crime classic.
No Country for Old MenAnthony Macali
Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash near the Rio Grande.
Watch this to experience the psychotic Anton Chigurh, whose very presence on screen is terrifying, as he pursues the naive Llwelyn Moss. The chase is brutal and intense, with their confrontations providing breathtaking suspense. The film also serves as an analysis of the human condition, questioning the value of money and the principles we follow in life. "No Country For Old Men" is a mesmerising thriller that all should visit.
Eastern PromisesAnthony Macali
The film follows the mysterious and ruthless Nikolai, who is tied to one of London's most notorious organized crime families.
Glimpses of the criminal underworld will always interest us ordinary, nice folk. "Eastern Promises" is no different, with its shady Russian mafia conducting business in equally shady parts of London. A film of mixed emotions, the charismatic performances undermine the atrocities we witness and listen to in a narrated diary. At times this flurry of conscience is uncomfortable, a minimal hinder in this compelling and disturbing piece.
Death ProofAnthony Macali
Two separate sets of women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.
Homage to the classic Grindhouse cinema of the 80's, "Death Proof" is an suspenseful thrill-ride featuring many delightful ladies. With a killer soundtrack, the only thing that slows this vehicle is the tenuous dialogue. Most of the pop culture babble will interest you and a large portion of it won't. But let's not forget we're in a surreal world, where the crazed predator engages in a climatic pursuit which is possibly the best car sequence in history.
Rush Hour 3Anthony Macali
After an attempted assassination on Ambassador Han, Lee and Carter head to Paris to protect a French woman with knowledge of the Triads' secret leaders.
"Rush Hour 3" is a comedy riddled with contrivances. Before the franchise can sink any lower, our first genuine laugh arrives in the sewer. It's the last laugh to come till the finalé, in which an over-computer-generated sequence of fights and thrills on the Eiffel Tower are less than spectacular. You will find the outtakes the most enjoyable part, and they're not even in the movie! Don't rush to see this one.
Die Hard 4.0Anthony Macali
McClane takes on an Internet-based terrorist organization who is systematically shutting down the US.
This film will appeal those who like their action old school; bad guys and henchman vs the reluctant good guys, carrying an array of bullet wounds and the burden of the country. The director has a real eye for action, the first half of the movie is a refreshing and entertaining thrill of big booms and familiar wisecracks. It's a lot of fun when the baddies die hard, usually with big thuds from large falls. You know it's wandered too far when the pursuits take John to the top of the fighter jet. I prefer my new school action grounded in reality.
A young FBI agent is assigned to observe the more senior Robert Hanssen, suspected of selling secrets to the Soviet Union in the biggest security breach in US history.
Join the investigation as you watch the screen closely, looking for clues and scrutinising every move. It's a real joy uncovering and unravelling the secrets of the case. The motives behind the characters are portrayed clearly in a story that holds true. This tense espionage drama breached all expectations.
Story of the 1960's Zodiac Killer who committed a series of murders and taunted police.
"Zodiac" is a movie of obsession, set comfortably in the pale inner city of San Francisco. The start is fractured with murders, orchestrated in a fashion that exhibits the killer's sadistic nature. You can sense the frustration of detectives, an emotion shared for the length of this film. The pace livens on the enthusiasm of cartoonist Robert Graysmith, as you share his fixation in finding the right suspect while sacrificing family commitments. This film rewards patience with the final breakthrough providing a fitting conclusion to a well-told story.