Hobo with a ShotgunStefan Bugryn
A homeless man turns himself into a shotgun-toting vigilante, blasting away the mindless crime that surrounds him.
You know exactly what to expect when you walk into a movie titled "Hobo with a Shotgun". It's B-Grade action juiced up on steroids, with a million gallons of blood, but that's the fun of it! The one liners would put any cheesy 80's flick to shame, and the body count would make any action hero blush. Some people will walk out after ten minutes, others will talk about it for ten years. Just like the Hobo says, it's kinda' like goin' on a car ride to hell... and you're riding shotgun.
The GuardAnne Murphy
An unorthodox Irish policeman with a confrontational personality is teamed up with an uptight FBI agent to investigate an international drug-smuggling ring.
"The Guard" is a comedy threaded with some serious themes. The genre is an original police-buddy action combination delivered in a lilting Irish style which proves delightful. The central character is a foul-mouthed modern masterpiece, politically incorrect, big hearted, world weary and honourable, as well as disrespectful, again a little bit of everything in the mix. This is a very funny movie but not so much laugh out loud as wryly observed and darkly humorous. Many unguarded moments.
Elite Squad 2: The Enemy WithinAndrew O'Dea
A Lieutenant-Colonel in the military police force of Rio de Janeiro wages a war to vanquish the city of its drugs and corruption.
Set amongst the slums of Rio, "Elite Squad 2" is a fictionalised yet telling exploration of the harsh political reality in Brazil. A bloody and intelligent political thriller, the guns also blaze in a host of gritty but exceptionally realistic shoot-outs. Through a tale of violence, it highlights the exploitation of the poor to the corruption of the police and bureaucrats who are meant to be preventing the crime they profit from. Not quite elite, but a markedly solid effort nonetheless.
Over the course of a tense afternoon, a gang of five lure three younger boys into a complex street scam in order to rob them.
"Play" is based on real events that happened in Sweden. The movie is shot on location and uses untrained actors, imbibing a mockumentary tone, leaving a funny taste that it is neither fact nor fiction. The interactions between the cocky perpetrators and the intimidated targets make racial tensions uncomfortably palpable, but there's little else on offer. Interesting enough, but real-time drags like slow motion as the film goes on and on without getting anywhere. No fun.
A 16-year-old who was raised by her father to be the perfect assassin is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.
"Hanna" is a film that will divide action fans. Some will appreciate that this isn't your conventional assassin flick, as it straddles the line between art-house and mainstream cinema. Others will lament the lack of action as it takes the time to explore themes of family and coming-of-age. Although the fight and chase sequences might be sparse, they are each technically captivating, and enhanced by a brilliantly pulsating, almost hypnotic soundtrack. Surreal and wayward, but still hits the mark.
A look at the life of serial killer John Bunting.
The world looks like a more sinister place after watching "Snowtown". The story, which recounts real events, is chilling and shows life as you wish it wasn't. The setting is a colourless and unsettling suburban landscape, all the more terrifying for its ordinariness. It's sometimes hard to tell the relationships between the characters, not that it's possible to care for any of them. The dramatic build is slow and we squirm at what's coming and, unsurprisingly, the audience becomes enmeshed in scenes so sickening that they're almost unwatchable. Snowtown is no town to be.
Brighton RockAnne Murphy
Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a death wish.
"Brighton Rock" is a moody and suspenseful thriller, set by a gaudy seaside carnival. A serving girl looking for love gets entangled with a criminal establishing the central tension between good and evil. The movie is dark but the chilling tone becomes hard to hold as the odd scene teeters on a melodramatic precipice... almost, but not quite, compromising its otherwise ruthless edge. An unmistakably English veneer of tea-shop gentility is cracked by hardened characters and gripping action. Callous at its core. Brighton rocks unrelentingly.
Fast FiveThomas Jones
Dominic and his crew find themselves on the wrong side of the law once again as they try to switch lanes between a ruthless drug lord and a relentless federal agent.
After watching this film, the drive home will feel slower than ever before and any muscles you thought you had will look more like excess skin. The cars and the men in this film put all to shame. The car chases and action sequences are non-stop, over the top, till you drop... and then some. The story, which follows a trio of crims on the run ties these amazingly shot scenes quite nicely together. If you have the need for speed, fasten your seatbelts.
The SilenceAnne Murphy
The bicycle of a missing girl is found in the exact place where another girl was killed 23 years ago.
A cold case that mirrors a current crime is reopened, and the dual storyline is effective as each amplifies the loss and despair of the other. Beyond the suspense of the police investigation are stories of suffering by the families of the victims. Not surprisingly, the criminals are revealed as unsettling individuals. It's the depth of the characters, revealing chilling psychological profiles of the transgressors, that sets this movie apart from TV dramas with similar story-lines. Worth talking about.
The MechanicThomas Jones
Follows an elite hit man as he teaches his trade to an apprentice who has a connection to one of his previous victims.
Sure the plot-line is uncomplicated, the acting is over-the-top and the stunts impossible, but who really cares? "The Mechanic" is pure entertainment. The hero himself, with his 'take no prisoner' attitude, will have men wanting to be him and women wanting... are there any women in the audience? This film is definitely one for the boys, with the uncensored action/violence sequences, the guns and good guys vs. bad guys battles. Broken down? Go see the Mechanic.
The Girl Who Kicked the Hornets' NestThomas Jones
Lisbeth is recovering and awaiting trial for three murders. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Millennium fans will be fulfilled by this portrayal of the final book of the series. The magnitude of this story is handled well, despite feeling a little rushed at times. The quickened pace impacts on the suspense, which is never given enough time to really build. Consequently, the film feels less like a thriller and more like a courtroom drama. However, the acting is superb, the story is bold and the climax… revenge has never tasted so sweet. She's kicking nests... and goals.
The Next Three DaysWendy Slevison
A married couple's life is turned upside down when the wife is accused of a murder.
"The Next Three Days" is an arrogant American remake of a first-rate French film. However, the elegance of the original is completely lost in translation. Absurd, implausible, boring and disconnected are words that come to mind to describe this pretentious mishmash. Actually, the leading man has about as much charisma as a lump of mash, and this is far from his best work. The leading lady is merely forgettable. As a couple… who cares? This supposed thriller feels as though it drags on for three days - please don't waste your time.
The Green HornetAnthony Macali
Following the death of his father, Britt Reid, heir to his father's large company, teams up with his late dad's assistant Kato to become a masked crime fighting team.
"The Green Hornet" tries to be cool, tries to be awesome... and fails dismally on both accounts. Our hero duo are completely uninspiring, and the film's meager amount of laughs are drawn from nothing but their bitterful banter and marvellings at high-tech creations with self-indulged clamour. The action scenes do their job, and there is an interesting sub-plot of media politics, but it arrives far too late in the piece for salvation. It sting's, it hurts, and has been done much better before.
Wild TargetAnthony Macali
A hitman tries to retire but a beautiful thief may change his plans.
"Wild Target" is remake with all things British, recruiting the help of some of its finest actors to impart the land's odd humour. As the professional killer goes about his deadly serious business, his actions are unmistakably downplayed and amusing. The jolly music is turned up, and the film reaches a far greater audience. The result is fun, although many jokes are often hit and miss, and the pace is all over the place. In the end, the charm of its main characters, all criminals, will win you over. A wild romp.
Anything for HerAnne Murphy
With no legal means left to him, a high school teacher devises a daring plan to rescue his wrongfully imprisoned wife from jail.
"Anything for Her" is a gripping thriller that will be watched heart pumping, and eyes glued to the screen. Tension is maintained throughout this tightly edited and well acted film that moves credibly between middle-class lives and the underside of the streets of Paris. While it may stretch plausibility, it is an action packed yarn that prompts questions about innocence and guilt, love and desperation.
After being set up by a corrupt Texan business man, an ex-Federale unleashes a violent rampage of revenge against anyone who stands in his way.
This film can be summed up using three B's; brawn, babes and bullets. It runs along a revenge plot that breaks no new ground in terms of writing, which will no doubt bore and annoy some audiences. But it actually indulges in its own gratuity, and lets the cheesy violence and cool one-liners reign supreme. It is almost entirely overtly cliché, yet it's obvious that this is the intention. Don't expect an Oscar winner, because this surely would never make the 'cut'. Otherwise, it's slashing good fun!
The TownThomas Jones
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
"The Town" is your classic cops and robbers fare, with a little bit of heart. The robbery scenes are exhilarating and are directed in such a way that you share the thrill of being chased, and the adrenalin which comes with the risk of getting caught. The problem with this film lies in the moments between the robberies, where a story tries to develop but really only slows the whole thing down. Much like its characters, this film is a goodie and a baddie.
The Disappearance of Alice CreedAndrew O'Dea
Two men fortify a nondescript apartment so it can serve as a prison before kidnapping a woman.
"The Disappearance of Alice Creed" sets the tone from the outset, with a dialogue-free opening act that is as methodical and gripping as the film itself. Shot almost entirely in a confined space, excellent camera work and direction help to maintain its claustrophobic nature and sustain an air of tension. It moves from confrontation to revelation with doses of dry humour in just the right places to lace the suspense. With superb acting performances from the cast (all three of them) and a tight focus, you won't need to search any further than this if you're looking for a smart, engaging thriller.
The Killer Inside MeAnne Murphy
A West Texas deputy sheriff is slowly unmasked as a psychotic killer.
Small town post-war America is faithfully captured and depicted in a way that almost elicits nostalgia, even for those of us who weren't there. "The Killer Inside Me" is dark and moody as well as stylish, as is the film-noir tradition. Watching the sociopathic protagonist committing a string of murders while maintaining his deception is profoundly disturbing. Sadistic elements of the story-line are intended to shock; the violence is brutal and administered with pre-meditated determination but most chilling is the demeanour of the murderer. There is not a flicker of remorse inside this killer.
The Burning PlainAnne Murphy
The past and the present have a curious way of affecting one another as several people separated by time and space are about to discover.
This gripping tale is revealed as slowly as a building storm while tension builds. The movie is laden with foreboding, even if you anticipate the outcome before it's played out. The threads involving various characters weave together to reveal the anguish filled origins of the story. "Burning Plain" is moody and filled with loss and remorse, filmed against scenic backdrops that create realism and tension. The plains burn with a slow fuse to create an unforgettable movie.
Animal KingdomWendy Slevison
Tells the story of seventeen year-old J (Josh) as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.
"Animal Kingdom" is a raw, understated exploration of the ongoing 'dog eat dog' battle between the police force and a criminal family. This is a skewed reality where life is cheap, and survival often comes down to the nonchalant disposal of other lives to ferociously protect your own. Loyalties are fluid, honesty a foreign concept. This powerful film tells its compelling tale with assurance and class, and features superb performances from an ensemble of the finest actors in Australian cinema.
Harry BrownAnthony Macali
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.
"Harry Brown" is an exceptionally made film, but the revenge takes too long, drawn out to a point where the comeuppance just doesn't match the build-up. There are great depictions of drug-dealer dwellings and troubled youth, creating a genuine sense of discomfort and distress. Invariably such a setup brings violence, including a curiously riotous ending, but digitised blood spurts just don't have the same impact as traditional cinema wounds. Dark and dangerous but a little too slow.
The Secret in their EyesAnne Murphy
A man wants to solve a murder committed many years ago.
"The Secret in Their Eyes" is engrossing as a crime thriller and compelling as a cold case romance. The threads are seamlessly interwoven to create a movie going experience that lingers long after the credits roll. All eyes will be glued on the outstanding cast who fill out the interesting characters. This is a well crafted film that spans 25 years, moving from fear to love visiting every emotion in between. It's no secret that this is a knockout story to be seen with your own eyes.
The White RibbonAnne Murphy
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment.
"The White Ribbon" is visually mesmerising, artistically captured in black and white with a period detail that is meticulously reproduced, particularly in the costumes of the farming villagers. With its fascist undertones this film is a harrowing watch for all of its lengthy run time, and even then there is no reward of a conclusion or explanation. Austere, relentless, seething with hatred and cruelty, this is unforgiving viewing. The film evokes a sense of impending doom, with blue ribbon success.
An unnoticed high school student with no powers or training decides to become a super-hero.
"Kick-Ass" weaves teen melodrama with some of the coarsest language and most gratuitous and glorious violence ever seen on screen. Every action sequence is amazingly original, bolstered by inventive choreography and superb production values. Although the storyline is flimsy in parts, the uneven pacing may be considered deliberate, as our expectations are frequently and often shockingly shattered at any given moment. The director is to be applauded for this completely unrestrained film, free from industry conformity. Genuinely messed up, but totally kicks ass.