An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.
"Trance" is a demonstration in the odd behaviours associated with art, hypnosis and love. What starts as an apparent heist film quickly transitions into a psychological thriller, challenging the audience to discover the truth. With each chapter, the story introduces new pieces of the puzzle and dissecting each revelation delivers a sense of accomplishment. Driven by a great cast of ensnaring characters, the only frustrating memory might be a plot-twist too many. A riveting piece missing perfection.
Side EffectsAnne Murphy
A woman's world unravels when a drug prescribed by her psychiatrist has unexpected side effects.
Much like its characters, "Side Effects" is never in touch with reality, not that realism, per se, is necessary for a good movie. The misrepresentation of mental health problems and treatment is a little unforgivable though; an already marginalised population may be further stigmatised, and that's not entertainment. There are lots of twists and turns that build intrigue but somehow the story manages to become more preposterous with each plot revelation, and the suspension of disbelief is necessary for viewing enjoyment. Pharma meets psychodrama.
When a prank caller convinces a fast food restaurant manager to interrogate an innocent young employee, no-one is left unharmed.
Knowing the events on the screen are based on real crimes provides a chill of disbelief for audiences as the scenario unfolds over a day. "Compliance" is a psychological deliberation on rank or authority and power, but mostly is a study of oppression. It is impossible to watch without thinking what you would have done in the same situation, and as much as it is tempting to dismiss people's actions as "only in America", sadly the same could happen anywhere. Deeply disturbing.
Jack ReacherAndrew O'Dea
A homicide investigator delves into a case involving a trained sniper who shot five random victims.
"Jack Reacher" is an outlandish crime-drama hampered by a severe lack of originality and a false assuredness in its direction. Rather than maintaining an element of suspense, crucial twists and plot points are explained in painstaking detail, as the film builds to an anti-climax you wish arrived sooner. Along with gaping holes in the storyline that are just plain baffling, action sequences are boring and generic, and the dialogue clichéd to the point of being unintentionally laughable. Don't go reaching into your pocket for this cinematic mess.
Gangster SquadAnthony Macali
A chronicle of the LAPD's fight to keep East Coast Mafia types out of Los Angeles in the 1940s.
"Gangster Squad" investigates a time when the most effective way to combat violence was with more violence. The characters are menacing and hard-edged, although this strangely conflicts with the polished look of the film, clearly used to instil a sense of nostalgia for the era. The production is a little too clean and manufactured for the subject matter, robbing the story of the momentous and emotional impact it could have achieved. A talented squad do their best, and excite for the most part, but fail to captivate overall. Plastic gangsters.
The Wings of the KirinAnne Murphy
Detective Kaga Kyoichiro investigates when a man's body is found under the statue of the Kirin on Nihonbashi bridge under strange circumstances.
This is a classic murder mystery that gets more mysterious as the story progresses. The script is taken from a series of Japanese detective novels, and for the most part it's a well structured story, but when translating from book to screen the retention of the many sub-plots appear to weigh the movie down with complexity. At the same time it is the nuances of the story that hold interest despite the measured pace and lack of action scenes. A kirin has wings but doesn't fly.
Bond's loyalty to M is tested as her past comes back to haunt her.
The opening scene sets the tone for this sublime thriller where the tension is maintained amidst action sequences that are both stylish and gritty. While the scenery and cinematography are exhilarating, the beauty of "Skyfall" lies in its emotional depth and grim poignancy. Nods to the franchise origins are sophisticated and sincere, and the intelligent backstory of our beloved icon is underpinned by a polished script, taut direction and exquisite cast, all of whose interplay and on-screen chemistry mark this instalment as one of the best. Undoubtedly earns its licence to thrill.
Alex CrossAnthony Macali
A homicide detective is pushed to the brink of his moral and physical limits as he tangles with a ferociously skilled serial killer who specializes in torture and pain.
"Alex Cross" is your typical crime-thriller that some studio thought warranted a big-screen production. The titular detective is a notable presence, showing off his impressive analytical skills and wracking his brain to solve the puzzle and motive of a crazed killer. The pace is mild, and the rather psychotic turn mid-way adds some weight to the situation, but the shift is rather abrupt and dubious. An investigation-by-numbers that is moderately suspenseful.
God Bless AmericaAndrew O'Dea
On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.
Satirical in nature, "God Bless America" questions the morality and social denigration of the modern world we live in. The story is sharp yet still makes for easy viewing, a mix of shock-tactic violence and witty dialogue that can sometimes border on being too lengthy. Despite being uneven in parts, many will find themselves agreeing with the comical verbal tirades of the lead, as the film blurs the line between being darkly amusing and disturbingly truthful. Only in America…
Seven PsychopathsAnne Murphy
A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
You might imagine a movie about seven psychopaths may feature too many deranged killers but in this film the number is just right. With a Hollywood backdrop, quirky script, aggressive all-star cast and numerous acts of murderous violence, the on-screen experience is both viciously funny and hilariously cruel. Some of the jibes delivered by the callous hit men are thoughtlessly unfunny, but are then diluted by the witty development and delivery of the rest of the story. Count them.
End of WatchAnne Murphy
Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel, during a routine traffic stop.
If you hear that "End of Watch" is a cop-buddy movie don't be misled; this riveting and intense drama is much more than that. It's a film that is so good it transcends the simple genre classification, so edgy that it redefines police-buddy movies. Although the pace is fast space is made for a rarely witnessed humanness in uniform, with a friendship that goes beyond mere allegiance. Keep watching.
Killing Them SoftlyAndrew O'Dea
A professional enforcer investigates a heist that went down during a mob-protected poker game.
"Killing Them Softly" is both an arresting crime drama and socio-political commentary of the USA's 2008 economic crisis. The fusion of a violent underworld and pessimistic critique of capitalism is a strange mix, and the adjustment can be distracting. If nothing else though, it provides thought-provoking viewing even if the references are heavy-handed at times. The dialogue is cynical, the cinematics stylish and the acting superb; yet the fuse is an extremely slow burn. Some will be dismayed at the lack of explosiveness, while others will enjoy seeing the killing done 'softly'.
A bootlegging gang is threatened by a new deputy and authorities who want a cut of their profits.
"Lawless" is steeped in dirt and bloody vengeance, painting a grim and violent picture amongst what is a distinct and evocative recreation of depression-era America. Masterfully crafted and beautifully filmed, it's the style and attention to detail that coerces us to overlook the minor storytelling flaws that hold it back from being a potential classic. Performances from the leads as well as terrific ensemble cast are terrific, underpinned by a sublime 'hillbilly' score. Uncomfortable and unsettling, this entertaining jar o' moonshine kicks like a mule.
Taken 2Andrew O'Dea
In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.
"Taken 2" is a classic action-film guilty pleasure. Our hero gallivants around Istanbul destroying Albanian bad-guys like a grenade thrown amongst a cluster of defenceless pigeons – without mercy – and to the point of almost being comical. The plot holes pile as high as the body count, and if you expect anything remotely more than bullets, karate-chops and explosions then you will be sorely disappointed. If that's the sort of thing you're after... then get taken... again.
In small-town Texas, the local mortician strikes up a friendship with a wealthy widow, though when he kills her, he goes to great lengths to create the illusion that she's alive.
Bernie is just like that 'uncle' you suspect is using his goodness to suppress a dirty secret or fetish. You can't help but like him, but at the same time you're wondering if he's wearing lingerie under his suit. This mockumentary style tale is as much about the unlikeliest of friendships, as it is about the inhabitants of the deep south and their strict moral code. It’s their commentary as the events unfold that provide much of the comedy. So entertain'n you could butter my butt and call me a biscuit.