Money MonsterAnne Murphy
A man with nothing to lose takes a TV financial adviser hostage.
The action here centres on an average guy who can't take it anymore, and as you might have guessed, he's as mad as hell. Sure our lead might be a little unhinged, though maybe we all should be a bit more outraged with the big-end of town and not pretend that the ordinary person has an equal chance. This is an intense thriller with plots twists that surprise and keep the audience on edge. It's also populated with great performances, which make this only-in-America storyline gripping viewing. Nightmare on Wall St.
The Nice GuysAnthony Macali
In 1970's Los Angeles, two private investigators begrudgingly collaborate to unravel a conspiracy surrounding the suspicious death of a porn actress.
"The Nice Guys" is a forgettable crime caper that's not overly funny or boring. It's a film largely carried by its two famous stars, who diverge from more traditional roles to bring their charm to the swinging 70's. They do make an amusing duo, and combined with a precocious and delightful team member, together they glide through the contrived plot with intermittent bouts of laughter. Harking back to the buddy-comedies of yesteryear, audiences wishing to relive the era and nostalgia with find the most enjoyment. Perfectly tolerable guys.
A Bigger SplashAnne Murphy
A taut drama is played out when a music producer visits a singer on an Italian island where she is recuperating with her partner.
A sun-drenched holiday by a pool is no simple matter when much more is bared than naked flesh. "A Bigger Splash" is a sophisticated and complex melodrama centred on relationships. You can't help but enjoy the flaunting of hedonism that only comes of pure narcissism. There are plenty of dark undertones, and the story is one to keep audiences guessing. There's a delicious tension knowing the unexpected is coming. In hindsight though, the symbolism employed is annoyingly blatant. Making waves.
Black MassAnthony Macali
The true story of James "Whitey" Bulger, who became an FBI informant to rid the Mafia competition.
The portrayal of this notorious crime figure is absolutely chilling, and the performance alone warrants the existence of this film. However the simple way the narrative recreates the key moments of his life is less affecting. Time jumps, characters arrive and inevitably go, and it often feels disconnected. So while it doesn't offer any incisive insight into this Boston baddie, apart from the fact that he was a very violent and intimidating man, a gangster flick is always fascinating. Mass murder.
An FBI agent is co-opted into joining a special government operation against Mexican drug cartels.
"Sicario" takes us deep into an apocalyptic frontier of the war on drugs. We delve into a complex moral ground where there is no forgiveness, only bloody retribution, and where law enforcers are lawless. Brace yourself for a place where virility is king, sexism is taken for granted and racism is fact. Many lines are crossed, and the question is 'do the ends justify the means'? In either case this brilliant movie amplifies some flaws and futility in our real word. Intense.
Malcolm is a high school geek, a virgin who loves hip hop and wants to go to Harvard, all goes awry when he and his friends have a wild encounter with the shady LA drug culture.
"Dope" is a smart coming-of-age story, packed with adventure. The movie opens energetically, rolling with the hero and his best friends. There are laughs to be had as the trio find themselves in more and more trouble. The second half loses pace and dawdles, before finishing with a heavy-handed lecture about race based assumptions. All in all, more awesome than dopey.
Mr. HolmesAnthony Macali
An aged and weary Sherlock Holmes reflects back on his last unresolved case.
In this version of the famous detective, we are introduced to a much more reserved Mr. Holmes, and at the tender age of 93, he's rather dull. Exploring poignant themes of growing old, reflecting on some of life’s big decisions and regrets, this film is more of a human story than a who done it. Moving at a lethargic pace, apart from the odd detective moments and distinguished acting, the constant time shifts in the plot do little to perk our attention. Alas Mr. Holmes lacks vigour.
The Mafia Kills Only in SummerAnne Murphy
Inspired by real events, this is a black comedy about 20 years of history of Sicily from 1970s to 1990s, mocking Mafia Bosses and restoring the generosity of the heroes of Antimafia.
A comic yet powerful depiction of the dark criminal forces which pervaded the everyday life of one boy as he grew up. Relating history of the mafia through fiction, with a satirical spin is satisfyingly original and enjoyable even with the annoying narration. A surprisingly affecting movie for the homage it pays to officials who died trying to bring the good fellas to justice. Killing in all seasons.
Fast and Furious 7Anthony Macali
Deckard Shaw seeks revenge against Dominic Toretto and his family for the death of his brother.
"Fast and Furious 7" is completely ridiculous. To expect anything different, especially after seven installments, would make you as absurd as this film. This movie is pure vehicular mayhem, and despite the preposterous nature of the stunts and story, is also surprisingly and unavoidably fun. Jet-setting from one major set-piece to the next, the action sequences smash the boundaries of thrills and frivolity. All your favourite characters are back, saving the world in style and charming the audience with the unexplained abundance of cars at their disposal. If only cars could fly.
In the midst of a con's latest scheme, a woman from his past shows up throwing his plans for a loop.
"Focus" is a glossy, fairly well-executed con story. Tension builds in a series of twists the audience won't see coming, typically key to a successful thriller. Unfortunately the sheer volume of turns in this film mean they tend to lose their impact with each new revelation. Moments of crude humour are used effectively, and there's a host of likeable characters that help distract us from an uneven plot. Never boring but not all that engaging, it's more cubic-zirconia than diamond: shiny and a little contrived... but otherwise enjoyable.
The GamblerAndrew O'Dea
A lit professor and gambler's debt causes him to borrow money from his mother and a loan shark.
"The Gambler" is a tale of personal redemption and the moral muddiness of gambling. Unfortunately it's difficult for an audience to sympathise with a pretentious protagonist bent on self-destruction, throwing money against the wall while failing to garner any semblance of a lesson from the experience. Despite a host of terrific performances from the supporting cast, the story feels a little over-wrought, as it meanders to a point where we end up not caring enough to be invested in the tormented anti-hero's fate. Got to know when to fold em'...
When Lou Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant.
"Nightcrawler" is a film that will immediately capture your attention and maintain it throughout. Roving through the night is a chilling anti-hero, unabashed and unafraid to succeed. His unrivaled determination forms the film's backbone, exposing society's startling and interminable thirst for news, bloody news. It's a brilliantly eerie performance from the lead, and combined with edge-of-your-seat thrills, will be sure to shock and entertain its viewers. Must-watch video.
The DropAndrew O'Dea
Bob Saginowski finds himself at the centre of a robbery gone awry and entwined in an investigation that digs deep into the neighbourhood's past.
"The Drop" is a terse, arresting crime-thriller that explores themes of obligation and morality. Below the surface of this film is a complex character study, with great performances that are as gritty and moody as the bleak urban landscape in which it is set. The story is a slow-burn, building a sense of unease as the screws are gradually tightened. While it mightn't satisfy those accustomed to punchier underworld movies, rest assured the fuse is wired for a palpable conclusion.
Kill the MessengerAnthony Macali
Based on a true story, A reporter becomes the target of a vicious smear campaign after he exposes the CIA's role in arming Contra rebels in Nicaragua and importing cocaine into California.
"Kill the Messenger" gets caught up not knowing what kind of film it wants to be. Considering the alarming and hard-hitting news of the discovery, the expectant feelings of anger and discontent towards the cover-up are severely lacking. The narrative serves more as a lesson in public relations, as we watch an honourable journalist get discredited; his breakdown not as interesting as the politics. An admirable story to bring to the fore… even if the message isn't clear.
The EqualizerJan Di Pietro
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life, until he meets a young girl under the control of ultra-violent Russian gangsters.
"The Equalizer" is rampant Hollywood patriotism. It's vengeance in the name of justice, and an unashamed reaffirmation of the American dream. However, the characters are memorable, and the direction is slick. Highlights include enthralling scene work and highly creative gore. The film thrills and stirs passion, but you might puke red, white and blue afterwards.
Deliver Us from EvilAnthony Macali
New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism.
"Deliver Us from Evil" is a bizarre crime thriller where the victims are 'possessed'. For most part, the police investigation at its core plays out rather conventionally, affirming the real world setting and origins. Gradually evil and scares creep in, usually in very dark rooms, accompanied by very large bangs. Even with the terrifying gore-extravagant finale, bouts of surprising humour break up the overwhelming moments of occult. Delivers on its promise.
The Wolf of Wall StreetAndrew O'Dea
Based on the true story of Jordan Belfort, from his rise to a wealthy stockbroker to his desperate fall.
This character driven story is an amoral orgy of excess fuelled by drugs, sex... and money. While being an indictment of greed, there are no moralistic judgements; instead the white-collar criminals damn themselves. Outrageous hilarity ensues as the audience are invited to revel in unbridled decadence and debauchery. A stylistic and witty film featuring remarkable performances, the only flaw is an overindulgence in running time, making it difficult to hold the audience's attention in parts. Although it huffs and puffs, it just doesn't quite blow the house down.
American HustleAnthony Macali
A con man, Irving Rosenfeld, along with his seductive British partner, Sydney Prosser, is forced to work for a wild FBI agent, Richie DiMaso.
"American Hustle" isn't a memorable crime caper, but it's thoroughly entertaining nonetheless. It doesn't take long to get swept up by the glamour and characters of the time, parading their retro costumes to the sound of a lively 70's soundtrack. Soon begins a battle of wits, each player out to scam the next, in a clever way to keep the story full of suspense. Moments of tension are broken with scenes of laughter, but ultimately there's no real substance to all the cons. Robbed of empathy.
Kick-Ass 2Andrew O'Dea
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume.
"Kick-Ass 2" returns with the same manic mix of comedy and action that made its predecessor so uniquely original and successful. Unfortunately you can't help but compare the two, and although a gang of new heroes and villains offer some freshness, the shock-drama that was once edgy and brash now feels regurgitated and routine. Despite the film's clumsiness, it is still sporadically funny and gruesome enough to entertain those open to the experience. Kicks ass in name only.
Now You See MeAnne Murphy
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money.
"Now You See Me" is a dazzlingly stylish but silly movie. This sort of cat and mouse thriller is generally not known for its plausible plot and, holey-moley, this one stretches credulity to breaking point. Thank goodness for the likeable cast who seem to revel in the hocus-pocus. The production lacks some magic, partly because every trick that's conjured is also revealed - a bit of a letdown. Leaves nothing up its sleeve.
The Bling RingThomas Jones
Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.
Anyone who admires or tries to emulate the lives of celebrities, prepare for disappointment. You'll find little inspiration here, except maybe the very cool soundtrack. This film does not glamorise, or popularise this culture, which is arguably a healthy step in the right direction. The characters have zero substance, except what they snort. They're not likable, funny, endearing, or worth pitying; their story isn't even compelling, just repetitive. Steal, party, steal, party, you get the picture.
An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.
"Trance" is a demonstration in the odd behaviours associated with art, hypnosis and love. What starts as an apparent heist film quickly transitions into a psychological thriller, challenging the audience to discover the truth. With each chapter, the story introduces new pieces of the puzzle and dissecting each revelation delivers a sense of accomplishment. Driven by a great cast of ensnaring characters, the only frustrating memory might be a plot-twist too many. A riveting piece missing perfection.
Side EffectsAnne Murphy
A woman's world unravels when a drug prescribed by her psychiatrist has unexpected side effects.
Much like its characters, "Side Effects" is never in touch with reality, not that realism, per se, is necessary for a good movie. The misrepresentation of mental health problems and treatment is a little unforgivable though; an already marginalised population may be further stigmatised, and that's not entertainment. There are lots of twists and turns that build intrigue but somehow the story manages to become more preposterous with each plot revelation, and the suspension of disbelief is necessary for viewing enjoyment. Pharma meets psychodrama.
When a prank caller convinces a fast food restaurant manager to interrogate an innocent young employee, no-one is left unharmed.
Knowing the events on the screen are based on real crimes provides a chill of disbelief for audiences as the scenario unfolds over a day. "Compliance" is a psychological deliberation on rank or authority and power, but mostly is a study of oppression. It is impossible to watch without thinking what you would have done in the same situation, and as much as it is tempting to dismiss people's actions as "only in America", sadly the same could happen anywhere. Deeply disturbing.
Jack ReacherAndrew O'Dea
A homicide investigator delves into a case involving a trained sniper who shot five random victims.
"Jack Reacher" is an outlandish crime-drama hampered by a severe lack of originality and a false assuredness in its direction. Rather than maintaining an element of suspense, crucial twists and plot points are explained in painstaking detail, as the film builds to an anti-climax you wish arrived sooner. Along with gaping holes in the storyline that are just plain baffling, action sequences are boring and generic, and the dialogue clichéd to the point of being unintentionally laughable. Don't go reaching into your pocket for this cinematic mess.