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I Love You Too
Anne Murphy
All that is standing between them is four little words.
This movie plays as a series of barely funny comedy sketches staged atop an underdeveloped script. Situations set up to amuse fail to elicit a even a guffaw. "I Love You Too" struggles to establish credibility in the characters, painting them as shallow stereotypical caricatures. Without on-screen chemistry between the romantic leads, any rom com is a labour of love to endure; add sexism, age-ism, a fat joke and it’s all a bit icky. It's hard to imagine an audience unsophisticated enough to appreciate the crass tone, many will not love this.
I Love You, Man
Anthony Macali
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding.
"I Love You, Man" is far more annoying than it should be. While the "man-dating" idea makes for an interesting and hilarious juxtaposition against 'normal' relationships, it's shackled by the awkwardly nervous fumbles in the lead's attempt to make friends. They're very funny at the start, but dominate the dialogue towards the end as the same material is regurgitated (at times literally). The signs are clearly emblazoned in the sky; the formula for the modern comedy is starting to tire, despite there being some love around this film.
Ice Age 3: Dawn of the Dinosaurs
Andrew O'Dea
When Sid's attempt to adopt three dinosaur eggs gets him abducted by their real mother to an underground lost world, his friends attempt to rescue him.
"Ice Age 3" fails dismally in its attempt at what is now the benchmark for a successful animation - the discerning ability to entertain both kids and adults alike. Stunning visuals alone are not enough, more importantly, there must be a plot to match. The creativity of the earliest films have all but melted away, as the paint-by-numbers storyline combines with jokes so dated they're almost pre-historic. Let's hope this franchise is now extinct too.
Imagine That
Anne Murphy
A financial executive who can't stop his career downspiral is invited into his daughter's imaginary world, where solutions to his problems await.
"Imagine That" is a confused family offering, where on one hand the setting is an industry probably incomprehensible to children, and on the other is humour that is juvenile, unlikely to amuse older audience members. Mediocre on many fronts, yet incredible too, as no special effects are used in a film where an imaginary world is a major plot feature. Some movies made for the big screen go straight to a DVD release, imagine that.
In Bruges
Andrew O'Dea
Two hit men are sent to hide out in Bruges, Belgium after a difficult job goes wrong in London.
This film is essentially a black comedy that juxtaposes humour with tragedy. Set amongst the churches, canals, and cobbled streets of the titular Bruges, it uses this very setting to accentuate the polar natures of our two leading characters. The highly strung Ray struggles to cope with the lack of excitement, while the older, more refined Ken immerses himself in the history of the town. Amidst the dry humour created by their interaction is woven a very clever story that presents an undercurrent of morality.
In the Loop
Anne Murphy
The US President and UK Prime Minister fancy a war. But not everyone agrees war is a good thing.
Incisive political satire at its best, filmed with a sense of authenticity. The realism is almost mock-umentary in style from a fly-on-the-wall perspective. The story is horrifyingly familiar, being inspired by recent political machinations. The characters are variously bumbling, vain, despicable, and witty as they form convenient alliances in the corridors and bathrooms of power. Depictions of the political forces of darkness are cynical, inspired, outrageous and hilarious. Loop the loop and laugh.
It's Complicated
Wendy Slevison
During their son's graduation, Jane hooks up with her ex-husband, Jake, who's now remarried. As well as becoming her ex's mistress, Jane also finds herself drawn to Adam, a smitten architect.
This movie, a quirky variation on the typical love triangle premise, is extremely funny. On many occasions throughout, the entire cinema was laughing uproariously, a somewhat rare experience. The delightful stars work fabulously together, and appear to be having an absolute ball. The feeling is contagious. It's really not complicated at all – for a good laugh and a bit of fun, see this film!
Jack and Jill
Wendy Slevison
Family guy Jack prepares for the annual event he dreads: the Thanksgiving visit of his twin sister.
This latest offering from a well-known comedian is assuredly the worst movie of his career, and quite possibly the worst movie ever. The thought that $79 million was spent making it is not only alarming, it's actually offensive. Celebrity cameos and an aging but highly talented co-star do nothing to save this mess - it has no humour and no heart. It appears that no skill at all was involved in its creation. This film is an abysmal failure and should be avoided at all costs. Jack and Jill tumble down, down, down...
Julia's Disappearance
Anne Murphy
A comedy about aging, youth and other eternal truths.
"Julia's Disappearance" is a sophisticated and diverting exploration about growing older. The central characters are old enough to dread those once-a-decade 'milestone' Birthdays, events that are funny to everyone but the guest of honour. The cast are congenial and witty, so it is a pleasure to be in their company, or at least experience their on screen banter. The plot is threaded with charming short stories, all themed around aging, and thankfully told with enough heart and humour to prevent the topic becoming tiresome. It's well crafted and sophisticated, but where is Julia?
- Genre » Comedy Drama Romance
- Release » Limited 07 Apr 2011
- Festival » Festival of German Films 2011
Julie & Julia
Anne Murphy
Julia Child's story of her start in the cooking profession is intertwined with blogger Julie Powell's 2002 challenge to cook all the recipes in Child's first book.
Two storylines are baked together, although about 50 years separate them, and the result is delicious. Scenes effortlessly transport the viewer in and out of the lives and kitchens of Julie and Julia, capturing a shared passion for cooking. The characters are wonderful, warm, and loving; their relationships golden roasted and close to perfect. This movie is appetizingly presented and readily devoured. As both Julie and Julia would have said... bon appetit!
Juno
Anthony Macali
Faced with an unplanned pregnancy, an offbeat young woman makes an unusual decision regarding her unborn child.
There is much to love and hate about Juno. She undermines the process of giving birth with her contrived banter, and is immature and naive when it comes to adult issues. It's a credit to the film that we still find sympathy for our smart-mouthed hero. She takes responsibility for the impregnation and is deeply appreciative of the varied idiosyncratic characters that support her. "Juno" is an admiring tale that will frustrate and amuse.
Kaboom
Tom Jones
A sci-fi story centered on the sexual awakening of a group of college students.
When imagining how "Kaboom" came about, you get the feeling there was a brainstorming session where any (and every) idea imaginable was put on the table, and the very next day they started filming. As a result, not a lot in this film makes sense; the lead is a gay guy, but he has sex with a woman who he later discovers is his half-sister. This type of nonsense escalates to the point where the audience gives up trying to understand what the hell is going on. Amusing for some, but others will quickly lose interest. Ka...booooooo.
- Genre » Comedy Sci-Fi
- Release » Limited 24 Mar 2011
- Festival » Melbourne Queer Film Festival 2011
Kebab Connection
Anne Murphy
In Hamburg, Ibrahim "Ibo" Secmez wants to direct the first German kung-fu movie.
The story line is captivating and the comedy a little slapstick, but the combination creates enjoyable watching. "Kebab Connection" is a feel good teenage romance to sit back and enjoy, as it makes no demands. The main characters are from a migrant community, the actors are not Hollywood-styled and so credible they could be from your very own neighbourhood. Social tensions are threaded throughout the plot, and prejudices are aired in a comedic way with take-away food emphasising cultural themes. Don't go hungry, connect with this kebab.
- Genre » Comedy Romance
- Release » Limited 22 Apr 2010
- Festival » Festival of German Films 2010
Kick-Ass
Andrew O'Dea
An unnoticed high school student with no powers or training decides to become a super-hero.
"Kick-Ass" weaves teen melodrama with some of the coarsest language and most gratuitous and glorious violence ever seen on screen. Every action sequence is amazingly original, bolstered by inventive choreography and superb production values. Although the storyline is flimsy in parts, the uneven pacing may be considered deliberate, as our expectations are frequently and often shockingly shattered at any given moment. The director is to be applauded for this completely unrestrained film, free from industry conformity. Genuinely messed up, but totally kicks ass.
Killers
Wendy Slevison
A vacationing couples' idyllic life is upset when they discover that everyone wants to kill them.
"Killers" fails spectacularly in every area. Apart from the beauty of Nice in the early scenes, there is very little to make this movie worth seeing. The two leads, with zero chemistry, awkwardly make their way through a shemozzle of a story that you will find yourself laughing at for all the wrong reasons. Uninspired direction does nothing to save this film from an appalling script and insincere performances. Mixing romantic comedy with violent action is a risky endeavor which simply doesn't work in this instance. Avoid, even if all you're doing is killing time.