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Hannah Montana: The Movie
Wendy Slevison
As Hannah Montana's popularity begins to take over her life, Miley Stewart takes a trip to her hometown of Crowley Corners, Tennessee to get some perspective on what matters in life the most.
The heroine of this entertaining movie has a huge fan base and the producers have unapologetically aimed it straight at them. The story is a simple one, about relationships and growing up, and of course there are songs. It's fun and quaintly wholesome, not a bad thing these days, with young girls bombarded by media images pushing them to grow up way too fast. The young star is a comedic delight, "an' there ain't nothin' wrong with that, y'all."
Happy Feet
Anthony Macali
A tap-dancing penguin called Mumble is outcast from his colony because he can't sing. The leaders blame him for the lack of fish in the region. Mumble goes in search for the real problem.
The 'penguins dancing' concept relies heavily on gimic, and so due credit should be given to the CGI wizards behind this flick. After a slow start, the laughs come fast once Humble begins his journey with his Latin companions. By the end, you won't be able to stop tapping your feet.
Happy Feet Two
Anthony Macali
Mumble's son, Erik, is struggling to realize his talents in the Emperor Penguin world.
"Happy Feet Two" is actually an existential film with penguins, but don't let the seemingly grim subject matter get you down. It takes a good hike to get going, but once it does, there is plenty of the famous singing and dancing that made the first film so popular, and en masse. Thousands of penguins stamp their feet in this majestic world, its scope and beauty coolly realised with some very colourful animation. In the face of grave danger, these flightless birds find hope and life in their music. Skip along and you will be happy too.
He's Just Not That Into You
Wendy Slevison
This Baltimore-set movie of interconnecting story lines deals with the challenges of trying to understand human behaviour.
Adapted from the best-selling book of the same name, this movie is overpopulated with under-developed characters making mistakes, behaving badly, and being downright stupid - surprise surprise, mostly the women. An ensemble cast, who individually can be very good, get lost in the mire of a script laden with stereotypes. While generally entertaining, there are sections where you find yourself not caring who's just not into who.
Heartbreaker
Anne Murphy
Alex and his sister run a business designed to break up relationships.
"Heartbreaker" is a sparkling rom-com that delights as it delivers everything you hope for from the genre. The movie is even a little tongue-in-cheeky, as it pokes fun at some of the romantic clichés we endure on the screen from lesser offerings. The ingredients are perfect - the lead characters being likeable rogues, a stylish Monaco setting, some knock your socks-off romantic wooing, and a satisfying conclusion that is not teased out for feel good purposes, but still manages to feel good. All in all, a charming heart warmer.
High School Musical 3: Senior Year
Anthony Macali
Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the crew, they stage a spring musical to address their fears about their future.
"High School Musical 3" might be better suited for the stage, but definitely not for the big screen. It feels like cameras were simply stationed in front of each performance, creating a dull and disappointing view considering the potential of cinema. The dance choreography is impressive, far superior to the songs that take too long to gather any momentum or vivacity. The climax is a simple re-hash of the film's earlier songs, and like my senior year, I couldn't wait for it to be over.
Hollywood je t'aime
Anne Murphy
A gay Parisian shows up in Hollywood at Christmas time, ready for his close-up.
A not so classic take on the Hollywood experience where every actor is a waiter and vice-versa. While the central Frenchman starts out as a "Dorothy" type of tourist transported to a strange land, he soon links up with a colourful band of supporters. Los Angeles is shown as unglamorous and seedy, yet in this movie the city is loved only for the diversity of the big-hearted characters encountered while trekking its yellow brick road. Je t'aime adventures in Hollywood, where prudes will need to stay home.
- Genre » Comedy Romance
- Release » Limited 17 Mar 2010
- Festival » Melbourne Queer Film Festival 2010
Horrible Bosses
Anthony Macali
Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.
"Horrible Bosses" does have some funny moments, but you would know that if you saw the trailer. Unfortunately the feature doesn't breed anything new, struggling to stretch its thin plot based on a wicked daydream. Ridiculous situations ensue and our heroes grow less likeable and more smug. Each skit draws in its fair share of laughs, but you remain wary of such a slick production and notable cast, and can't help from feeling both are a little wasted. A comedy (and film) of errors.
Horton Hears a Who!
Luke Bartter
Horton the Elephant struggles to protect a microscopic community from his neighbors who refuse to believe it exists.
As the strip mining of our youths continues, this is the first Dr. Seuss film adaptation that maintains the appeal of the original source. It's a vivid and exciting world, with genuine warmth, humour and true "Seuss-esque" dialogue. The plot does slow in the middle, but recovers for a satisfying finalé. With a good message about imagination, friends and just listening, "Horton" is worth looking out for, especially if you need to keep some little folk entertained.
Hot Fuzz
Anthony Macali
A city cop, too good for his job, is reallocated by his colleagues to the English country town of Sanford. The cop soon discovers a lot of suspicious accidents in this supposedly quiet town.
There are many laughs in this tribute to the buddy cop films of the eighties with countless references (some purposely orchestrated). The grande finalé should have started earlier in the film, but was not unwelcome and provides the best satire. If your humour welcomes fly-kicking elderly citizens to the head, you will enjoy this.
Hotel for Dogs
Andrew O'Dea
Two kids secretly take in nine stray dogs at a vacant house.
"Hotel for Dogs" is full of cute dogs doing cute things; suffice to say that the canine stars outshine the human ones. It's our furry friends that provide all of the often hilarious and adorable scenes. The plot is somewhat formulaic, but that's to be expected from a children's movie. Kids will love it, but ultimately, the success of this film will be greatly influenced as to whether or not viewers fit into the dog loving demographic. It'll perform neat tricks for some, but will roll over and play dead for others.
How Do You Know
Wendy Slevison
After being cut from the USA softball team, Lisa evaluates her life while in the middle of a love triangle, as a corporate guy in crisis competes with her current baseball-playing beau.
"How Do You Know" is a perfect example of how a fine movie is far more than the sum of its parts. The pedigree of the cast and director would have one believe that this could only be a sure thing, but unfortunately for all involved, it falls far short of being anything more than a waste of time and (lots of) money. It's excessively drawn-out and lacks warmth, chemistry and sincerity. So now you know - this film is to be shunned.
How to Lose Friends & Alienate People
Anthony Macali
A British writer struggles to fit in at a high-profile magazine in New York.
This film could have been a shrewd attack on the culture of celebrity, but decides to play it safe instead, directly contradicting the very ethos of our main character, Sidney Young. As hard as Sidney tries to lose friends, mostly by getting into the most contrived and ridiculous of situations, he still seems to charm his work colleagues, while entertaining the audience with his seditious wit. "How to Lose Friends & Alienate People" is about an enjoyable character, one with a message inconsistent with the very fluff of his own story.
I Don't Know How She Does It
Courtney Slevison
A comedy centered on the life of Kate Reddy, a working mother trying desperately to juggle marriage, children, and a high-stress job.
This film aims to reflect on the trials of being a working mother in today's post-feminist society. What it does instead is present a hideously outdated view of the clichéd gender roles and insult the intelligence of anyone with two brain cells to rub together, especially working mothers themselves. This is a tedious, unfunny, and poorly made film. The dialogue is so cringe-worthy, and the overall tone so depressing, that it will leave you wondering not how they do it... but why.
I Love You Phillip Morris
Anne Murphy
Steven Russell is happily married to Debbie, a member of the local police force, when a car accident provokes a dramatic reassessment of his life.
"I Love You Phillip Morris" contains some squirmingly uncomfortable stereotyping of various characters, and a flawed portrayal of gay men played for laughs by straight men. It's as unfunny as it is shallow, particularly disappointing is that the central romance is underdeveloped. The story, with its furious pace, covers a lot of events, mostly prison escapes, and unfortunately that's at the expense of real insight or depth. You might love Phillip Morris but probably not Steven Russell.
- Genre » Comedy Drama
- Release » Limited 30 Jul 2010
- Festival » Melbourne Queer Film Festival 2011