- Arrange By »
- Title
- Release Date
- Stars
Little Deaths
Anne Murphy
Composed of disturbingly sensual and terrifying short narratives, unified by the twin themes of sex and death.
Stories that usually only live in one's imagination emerge on to the screen. The quality production has a dreamlike quality. The narrative is more creative, more hedonistic, and a little more hysterical than everyday ordinary reality; needless to say it is more enjoyable too. There is more suggested than consummated on the screen, and risqué elements are implied rather than explicit. "Little Deaths" is deftly handled so the libidinous tone doesn't sink to lewd. Good Australian film making lives a little.
The Loved Ones
Anne Murphy
When Brent turns down Lola's invitation to the prom, she concocts a wildly violent plan for revenge.
"The Loved Ones" take ingredients familiar to the horror genre, lonely country roads, self-conscious teenagers, power tools and a high school dance, and creatively serves them up in an inventive story. This movie is both frightening and funny, typically the comic moments are more frightening than fun. The recognisably Australian production is all the more macabre for having been achieved without shiny special effects, no gloss. It's crowned with shockingly good performances from actors we'll see more of. There's a haunting message that love hurts.
Red
Andrew O'Dea
When his idyllic life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive.
With the all-star cast and firepower at its disposal, "Red" has all the ammunition required for success. Sure, it does have some individually funny moments, but for a movie pertaining to be a pure action comedy, the one-liners simply aren't funny enough, and the explosions and gunfights simply not that exciting. The only real sense of danger comes from a host of fine actors putting their careers in jeopardy with such a poor choice in film. They really should know better. Red? Bet on black.
Made in Dagenham
Anne Murphy
A dramatisation of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against pay discrimination.
A historically important, political story is related in "Made in Dagenham". The birthing of an important precedent comes alive on the screen with archetypal British humour as an uplifting offering. The demarcation lines are drawn, the bad guys mired in their dark plotting as the determination of the good gals to triumph builds. The film is nostalgic and true to the era, delightfully sentimental and humorous. If they can make good in Dagenham, we can make it anywhere.
Life as We Know It
Tom Jones
Two single adults become caregivers to an orphaned girl when their mutual best friends die in an accident.
The title captures the entire essence of this film. Everything about it is what we have seen, have known and have come to expect from this type of feel good film. There is nothing really new or different. The cast play the same roles we all know that they'll play. The plot has all the ingredients we know are needed to make a romantic comedy; romance and comedy. "Life as We Know It", is as we know it and nothing else.
4 Black Suits
Anne Murphy
Four men, down on their luck, are co-opted as pallbearers to walk carrying a man in his coffin from Athens to the village of Boeotia for burial motivated by the promise of rich rewards.
In the best Greek tradition, the journey this film takes is an odyssey of unexpected self discovery. There are a couple of elements that work particularly well - incredibly filmed, surreal scenes the players find themselves in, and the camaraderie that builds among the central characters, including the dead one. Enjoyable for an unconventional story that unfolds with an unexpectedly big heart. As the title suggests this is a well dressed comedy.
- Genre » Comedy
- Release » Limited 16 Oct 2010
- Festival » Greek Film Festival 2010

Canteen
Anne Murphy
The events in a night, from dusk to dawn, at a roadside kebab caravan, Kantina.
People come and go throughout the night, what brings them to the canteen is a mystery - most don't drop in for the food. What does happen is a confusion of events and characters. Greek speakers in the audience will chuckle more than the non-Greek speakers, as the subtitles seem to lose something in translation. As the canteen's patrons muddled along throughout the disjointed storyline, it's no surprise the production quality suffered the same fate and was inconsistent from scene to scene. You'll be left hungry after visiting "Canteen".
- Genre » Comedy Drama
- Release » Limited 15 Oct 2010
- Festival » Greek Film Festival 2010

Soul Kitchen
Anne Murphy
Zinos unknowingly disturbs the peace in his locals-only restaurant by hiring a more talented chef.
A motley collection of likable characters encounter some unlikely events. Scenes reveal darker forces at play and there's adversity to overcome along with unexpected romance whisked together with a slapstick sort of tone. These are good ingredients roughly chopped to make "Soul Kitchen" a rambunctious romp. However, most characters and some storylines are a little undercooked, and the film fails to connect on a meaningful level. This fare is easy to digest and pleasant enough without being truly satisfying for the soul.
- Genre » Comedy
- Release » Limited 16 Oct 2010
- Festival » Greek Film Festival 2010

Dinner for Schmucks
Tom Jones
When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
Though there are funny moments, "Dinner for Schmucks" is clearly produced for American audiences and doesn't translate to the Australian sense of humour. Where we should be laughing at the displays of stupidity depicted in the film, we're more likely to remark 'oh my god'. The comedy of errors becomes relentless, which can be partly blamed on the script. Arguably, they relied too heavily on the talent of the starring comedians to make it work. Funny for only certain tastebuds.
Marriage and other Disasters
Anne Murphy
Disillusioned with romance, an unmarried woman finds herself organising her sister's wedding.
"Marriage and other Disasters" has all the elements of a romantic comedy, and then some. There is the likeable cast playing mismatched couples, then there are the requisite independent and romantically available parties, the ubiquitous hopeful parents, the comical disaster-dates, the looming wedding and a certain depth that's often lacking in the genre. This movie is also intelligent, with a sassy savvy woman in the lead, it's delightfully laced with irony and served with breathtaking Italian scenery. Look elsewhere for disasters.
- Genre » Romance Comedy
- Release » Limited 02 Oct 2010
- Festival » Italian Film Festival 2010

The First Beautiful Thing
Anne Murphy
A misanthropic professor returns to his hometown to assist his dying mother.
A mother's life is recounted through the memories of her son, and the present viewed through his eyes. "The First Beautiful Thing" is about the everyday frustrations of family, the people closest to us who we never quite forgive for being themselves. The acting is engaging, warm, and vulnerable, as characters are authentically portrayed in this humorous and at times very moving story. The film moves seamlessly between past and the present, the scenes coloured with familial warmth. A truly beautiful thing.
- Genre » Comedy Drama
- Release » Limited 23 Sep 2010
- Festival » Italian Film Festival 2010

Diary of a Wimpy Kid
Tom Jones
Live-action adaptation of Jeff Kinney's illustrated novel about a wise-cracking sixth grade student.
When everything else is working against Greg Heffley, the hero of this film, you'd expect the audience would still be on his side. Unfortunately, they're not. The constant adversity against Heffley leads nowhere and he never learns from his mistakes, which makes the whole diary narrative a bit monotonous. What lets this film down even more; it isn't funny. The 'pause for applause' moments are met with tumble weeds in the wind. This is one diary which should be kept under lock and key.
Furry Vengeance
Wendy Slevison
In the Oregon wilderness, a real estate developer's new housing subdivision faces a unique group of protesters, local woodland creatures who don't want their homes disturbed.
Make no mistake. Everything your instincts tell you about this movie - the title, the actors involved, the plot, even the poster in the cinema - are worth listening to. All that, and the animals 'thoughts' appear as pictures in speech bubbles... Oh yes, it's that bad, an insultingly bad environmental message presented through fervently over-enthusiastic slapstick comedy. Please exact your own form of vengeance and stay away from this mind-numbing apology for entertainment.
Easy A
Tom Jones
A clean cut high school student relies on the school's rumour mill to advance her social and financial standing.
Forget what you think this film is going to be like (you aren't even going to hear 'like' after every second word). This is a new generation teen flick. It's witty, intellectual and no subject is taboo. The characters are multidimensional and worldly. An original and funny take on that common double standard of society; the guy gets all the glory, the more he can score. While the girl can do the same and yet you call her... You get the picture.
The Extra Man
Tom Jones
A man who escorts wealthy widows in New York's Upper East Side takes a young aspiring playwright under his wing.
Louis Ives travels to New York city to discover who he is. Is he a gentleman? An escort? A writer? Or... a woman? Much like the central character, this film suffers from its own identity crisis; it has no identity. The characters are not relatable on any level and this undermines the film's realistic base to the point where it's hard to take it seriously at all. Set in the city that never sleeps, this film may actually send you to sleep.