This Is the EndAndrew O'Dea
While attending a party at James Franco's house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.
"This Is the End" is a creative comedy that plays like one stupendous inside-joke the audience is invited to. Although there are stretches of tedium at times, memorably hilarious scenes are never too far away. The self-referential and defacing style is bolstered by a witty script and a superb cast willing to mock themselves, with a host of high-profile cameos providing some genuinely laugh-out-loud moments. Juvenile, crude, and funny till the end.
Much Ado About NothingAnne Murphy
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
Finally a rom-com that is unabashedly romantic and laugh-out-loud funny. The ingredients of this movie create a heady cocktail that ensures audience delight. First take a work published in 1600, stage it as a garden party with players costumed in business attire speaking with American accents, sit back, and swig. The secret is having the cast drink a lot, it works, and the otherwise silly plot twists make more sense than ever. Ta-dah and much ado.
Monsters UniversityAndrew O'Dea
A look at the relationship between Mike and Sulley during their days at Monsters University - when they weren't necessarily the best of friends.
"Monsters University" is more than adequate as a stand-alone film. Although it brings the same successful charm to screen as its predecessor, it takes far less risks, and seems content to appease its audience rather than dazzle them. Impressively animated, there are still a host of clever moments that deliver life lessons to learn and college humour to laugh, with both subversive gags for the adults and colourful entertainment for the kids. B minus.
A Gun in Each HandAnne Murphy
A series of five vignettes exploring the relationship crises of middle aged men.
This movie is a conversation starter. After watching the intimate conversations on the screen, there will much to talk about, particularly with a member of the opposite sex. "A Gun in Each Hand" is thought provoking, and we're given a fly-on-the-wall chance to witness men talking and sharing about their feelings and relationships. They are all struggling in some way and the director's slightly cynical touch is light enough that we can connect with both their desires and concerns. Straight shooters, or trying to be…
Despicable Me 2Anne Murphy
Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
Despicable has become respectable and it must be Spring as dating and romance are the featured themes. The writers have set up their reformed villain to meet a love interest and create a traditional family. How’s that for uninspired? Needless to say, "Despicable Me 2" is not as delightful as its predecessor. Thankfully those little yellow guys, the minions, make merry with fart jokes and other slapstick mayhem; they are more attuned to junior audiences than the besotted lead characters. Disappointed me.
Happiness Never Comes AloneAnne Murphy
Sacha is only interested in one night stands and has a phobia of children, until he meets Charlotte, the divorced mother-of-three and ex-wife of one his employer's powerful clients.
This French rom-com is delightful, and there's much enjoy. Unfortunately, like many in the genre, there's not a lot to make it memorable. The good-looking leads enchant with their on-screen chemistry, and the humour has a physicality to it that borders on slap-stick, providing an amusing touch of vaudevillian styling. You can't help but be enamoured - this movie delivers a delightful affair of the heart. Happiness, apparently, comes for couples.
The InternshipAnthony Macali
After losing their sales job, two middle-aged men are forced into a career change.
"The Internship" a.k.a. 'The Google movie' paints a glamorous and humorous picture of the greatest workplace in America. Get past the initial grandstanding, and you might discover a charming story of two salesmen lost in a digital future. Their foray into the world of technology is comical one, taking place in the bright yet surprisingly hostile environment of computer geeks. You don't need to understand all of the tech-jargon to get the gist, but it certainly might help. The film's only error is the time it takes to produce results. Google it.
The Hangover Part IIIAndrew O'Dea
There's no wedding and no bachelor party... but when the Wolfpack hits the road, all bets are off.
"The Hangover Part III" is a victim of its own success. Still running on the fumes of the hugely popular first installment, this outing is nothing more than a shameless cash-grab, where the only real debauchery involved is its mere production. What sort of 'hangover' movie doesn't even have a hangover? While there are some rare and isolated moments of hilarity, what lies in-between is nothing but a desert bereft of comedy or thrills – where any laughter is contrived and strained at best. What happened in Vegas should've stayed in Vegas.
Lost in SiberiaAnne Murphy
A shy German logistician of a mail order company is sent to Kemerovo in Siberia to accomplish better work flow in the Russian subsidiary company.
Sometimes we have to travel far from home in order to find ourselves, and that mantra is central to this movie. A conservative business man becomes captivated by a traditional singer, an attraction that highlights the economic and social differences of individuals and their respective homelands. "Lost in Siberia" is quirky and heartwarming, the perfect antidote to a working week that might leave you feeling a little jaded. The best thing about getting lost is being found.
The Big WeddingAnne Murphy
A long-divorced couple fakes being married as their family unites for a wedding.
Rather than celebrating marriage, "The Big Wedding" has a core of infidelity and it doesn't stop there. This movie offers many good reasons to avoid matrimony. The happy couple is happy enough but they fail to spark much interest; nor do their families made up of mostly crass characters. It's all a bit vulgar and unfunny but fortunately a little too lame to be really offensive. The most objectionable part is being lured into a cinema by the big name actors in this low brow feature. Big wedding but little entertainment.
Haute CuisineAnne Murphy
The story of Danièle Delpeuch and how she was appointed as the private chef for François Mitterrand.
"Haute Cuisine" is a tasty factional account of a woman cooking and making her way in a man's world. Kitchen environments are not known for their diplomacy, and the chef has a poise and self-assuredness that could provide a template for woman in business. Her spirit is inspiring. Expect light fare rather than a big meal, and it's satisfying nonetheless. The food provides as much entertainment as the politics, and foodies will enjoy the reverence paid to simple ingredients, not to mention the pleasure of eating. Gastronomic!
Scary Movie 5Andrew O'Dea
A couple begin to experience some unusual activity after bringing children home from the hospital.
The opening sequence of "Scary Movie 5" sets the tone, signifying the epitome of rock-bottom for the 'stars' at its centre. Just when the franchise couldn't possibly squelch any further into the depths of cinematic depravity, this latest offering insults us with a 'dumbed-down version of stupid stuff'. There's almost a sense of desperation as a series of painfully unfunny skits are force-fed to the audience in a feeble attempt at comedy. Juvenile and unfunny, the only scary thing about this movie is that they might make another one.
Warm BodiesAndrew O'Dea
After R (a highly unusual zombie) saves Julie from an attack, the two form a relationship that sets in motion a sequence of events that might transform the entire lifeless world.
This offering from the 'zom-rom-com' movement is a refreshing approach to the tale of teen-romance. Zombie purists expecting an onslaught of guts and gore will be sorely disappointed, as at its heart, this movie is an unlikely love story that bucks convention. Although the action and comedy are sparse, it still entertains when necessary. With more wit and life than most from the genre, "Warm Bodies" makes for a surprisingly charming film. Dead on.
Elspeth Dickens is stuck in an isolated farmhouse with her twin toddlers when a web-cam becomes her pathway to fame and fortune, but at a price.
It's faint praise to say that "Goddess" is a pleasant enough movie. The title suggests heavenly heights might be achieved but it is rooted in ordinariness. While this Australian production is not bad, it disappoints by not being fabulous either. It bounces around with a slightly annoying level of frivolity, finding form as a light and bright escapist production that never quite clicks into gear. Humdrum benign Mum.
The Incredible Burt WonderstoneAnthony Macali
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act.
The world of magic is an easy target, which makes it even more astonishing how much of a failure "The Incredible Burt Wonderstone" is. Not long after the first act, the tired comedic routine becomes repetitive and predictable. Viewers beware; don't be fooled by the illustrious cast, who might try hard, but are not funny, performing with little class and no laughs. As a member of the audience, you'll wish you could disappear.
In July 1979, during the Summer holidays, in a house in Brittany, a family gathered to celebrate Granny Amandine's sixty-seventh birthday.
Family's are funny when generations gather to celebrate special events, the experience an odd mix of funny-ha-ha and funny-peculiar. "Skylab" is thoroughly charming as it highlights the oddities of a family get-together, full of beautifully observed moments and interactions readily remembered from our shared histories. Missing is a stronger narrative to glue it all together and provide a point to the production; as it is, the question 'so what?' remains unanswered. Pie in the sky…
Cherry on the CakeAnne Murphy
A lonely woman with a crushing fear of commitment attends a New Year's Eve party that puts her in an uncomfortable predicament.
"The Cherry on the Cake" is a French rom-com that reminds us what hard work the dating game is. The plot is built upon a trivial but amusing premise that gets overworked until it becomes tiresome. Girl and guy meet, but girl tires of guy until guy becomes unavailable, and then girl is interested again. If it sounds irritating in premise,then it's a even more annoying when realised on screen; if only the film was played out with more humour. No cherry picking.
Save Your Legs!Stefan Bugryn
A ragtag team of suburban cricketers get a chance to tour India.
"Save Your Legs" acts better as a postcard of India rather than the team bonding, coming-of-age drama it's meant to be. The film's intentions may be good - it's cute and charming at times - but overall the result is mostly boring, with jokes often bordering on cringe-worthy. It also becomes very predictable, one of the movie's biggest flaws, and the ending can be spotted a mile away. Though substantially well produced, it lacks any real substance... save your pennies.
Silver Linings PlaybookAnne Murphy
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife.
From the beginning to the triumphant (if predictable) end, "Silver Linings Playbook" is funny and enjoyable, and has the audience wanting good outcomes in the complicated lives of the irresistible characters. The strong cast bring the story to life with a jangling frankness. Performances are quirky and comedic, rather than screw-ball hilarious, which endows a sense of realism and balance given that the movie dares to dance with themes of mental wellness. Happy to play along.
The Guilt TripAndrew O'Dea
As inventor Andy Brewster is about to embark on the road trip of a lifetime, a quick stop at his mom's house turns into an unexpected cross-country voyage with her along for the ride.
"The Guilt Trip" is a predictable road-trip comedy that relies solely on the chemistry of its leads to drive the laughter. Thankfully, they form a highly likeable comedic duo who, despite the lacklustre script, manage to elicit some genuinely hilarious moments. The ride is bumpy at times, but it's their interplay that sustains what is essentially a light-hearted, frivolous and feel-good movie that will not disappoint the intended audience. A guilty pleasure.
You Will Meet a Tall Dark StrangerAnne Murphy
Follows a pair of married couples, Alfie and Helena and their daughter Sally and husband Roy, as their passions, ambitions, and anxieties lead them into trouble and out of their minds.
The grass is always greener it seems, as the characters follow their hearts looking for love, or forget their senses and succumb to lust. "You Will Meet a Tall Dark Stranger" is fun but it is also a little frantic with the pace of the action matching the upbeat jazz soundtrack. There's a lot going on in this social comedy, leaving the story a little crowded. Everybody meets somebody.
This is 40Anthony Macali
A look at the lives of Pete and Debbie a few years after the events of "Knocked Up".
"This is 40" likes to confront us, to no great surprise, that at times marriage and children are not exactly what they're cracked up to be. We have a couple, suffering some kind of mid-life crises, throwing their arguments onto the big screen, while reassuring an audience that turning 40-years-old is not that bad. Admittedly, there are some well observed moments and matchless humour to be found in the day-to-day, but our investment in the characters bear very little. After spending over two hours with these people, there's nothing to cherish… and that's depressing. This is fruitless.
Wreck-It RalphAndrew O'Dea
A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.
"Wreck-It Ralph" brings classic arcade games to life through a wildly fun and exciting premise. It's just a shame the brilliant concept doesn't quite live up to its potential. Although the animation is superb, it eventually runs out of tokens, winding up as a simple 8-bit film that gives preference to visuals over heart. You won't be disappointed by the brilliant animated-short that precedes it, but unfortunately the main event is only mildly entertaining at best. Game over.
A misunderstood boy takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse.
"ParaNorman" has an admirable vision; introducing a younger audience to the world of horror. From the outset, the slightly warped aesthetics grab your attention, signalling an animation far from normal. There are plenty of ghouls, but they are a small distraction. At its core, the story is about a kid fighting his fears and the bullies at school. It's a touching experience and one with welcome bouts of humour. Inspiring a generation to battle their demons, this film is alive and well.
Liberal ArtsAnthony Macali
When 30-something Jesse returns to college for a professor's retirement party, he meets Zibby, a young student.
"Liberal Arts" is an unassuming study of growing up, exploring the many fears and regrets that come with growing older. For most the part, the film is set within the grounds of a college, bringing with it a loaded sense of nostalgia. The quiet setting steers all the focus on loveable pair at the centre of the film, allowing them to share their stories at their own pace. Conversations are funny, charming and sure to resonate with our own. A delightful relationship to reflect on life.