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The Descendants
Tom Jones
A land baron tries to re-connect with his two daughters after his wife suffers a boating accident.
The depiction of suburban life in Hawaii adds some interest to this film, but the central dramas are not particularly compelling or original. The moments of potential intrigue don't last long enough, so the stakes for the hero character are never raised high enough to set your heart racing. The narrative voice-over is unwarranted, something the director obviously worked out a third of the way into making the film, as it's nowhere to be heard in last two thirds. Descending in more ways than one.
The Dictator
Andrew O'Dea
A heroic dictator risks his life to ensure that democracy will never come to the country he oppresses.
Tastelessness and absurdity run wild in "The Dictator" as no sexuality, race, gender or religion are spared the ruthlessness of the supreme leader. It's downright offensive... you know you probably shouldn't laugh, but it's so wrong that it coerces it out of you in some perversely wicked way. Unforgettably memorable moments are bolstered by a fast pace and short running time, and although the jokes are hit and miss, thankfully it's mostly the former. If you're after something outrageous, then prepare to be hilariously oppressed.
The Dilemma
Anne Murphy
A man discovers that his best friend's wife is having an affair.
"The Dilemma" is a window into the phallocentric world of a couple of blokey blokes, and it might have been best to keep the blinds down. In a series of poorly edited improvisations, naif blockheads blunder around trying to bump into a joke. Serious themes are underdeveloped and presented with a whacky, zany tempo that leaves the effort uncomfortably mired in primitivism. It's disappointing given the plot opportunities to explore infidelity, depression, relationship, addictions, commitment and more. Insight or parody? No dilemma here mate, it's all ham.
The Extra Man
Tom Jones
A man who escorts wealthy widows in New York's Upper East Side takes a young aspiring playwright under his wing.
Louis Ives travels to New York city to discover who he is. Is he a gentleman? An escort? A writer? Or... a woman? Much like the central character, this film suffers from its own identity crisis; it has no identity. The characters are not relatable on any level and this undermines the film's realistic base to the point where it's hard to take it seriously at all. Set in the city that never sleeps, this film may actually send you to sleep.
The First Beautiful Thing
Anne Murphy
A misanthropic professor returns to his hometown to assist his dying mother.
A mother's life is recounted through the memories of her son, and the present viewed through his eyes. "The First Beautiful Thing" is about the everyday frustrations of family, the people closest to us who we never quite forgive for being themselves. The acting is engaging, warm, and vulnerable, as characters are authentically portrayed in this humorous and at times very moving story. The film moves seamlessly between past and the present, the scenes coloured with familial warmth. A truly beautiful thing.
- Genre » Comedy Drama
- Release » Limited 23 Sep 2010
- Festival » Italian Film Festival 2010
The Five-Year Engagement
Anthony Macali
Tom proposes to his girlfriend, Violet, but unexpected events keep delaying their marriage.
"The Five-Year Engagement" is all about hanging in for the long haul, withstand those tumultuous times and you will be rewarded. The film has much in common with the couple at its centre. There are ups and downs along with a series of funny bits that don't add up to very much. Thankfully, the characters slowly grow on you (in particular the impressive and ever-charming female lead), emotion creeps in, and the messages about relationships defy Hollywood convention and actually contain some truth. Nobody's perfect.
The French Kissers
Wendy Slevison
A coming-of-age tale about an adolescent boy and his efforts to fit in amongst his peers.
This is an endearingly pragmatic and unrestrained film about the tricky, sticky life of a French fourteen year old boy. There is no airbrushing here – the pimples are real, and ready to pop - a warning to the weak of stomach! The gritty and authentic performances from the mostly young and inexperienced cast are excellent. The first-time director, previously known for writing comic strips, has created a simple and appealing alternative to the overly-glossy, largely American contributions to the teenage angst genre. Pucker up!
The Green Hornet
Anthony Macali
Following the death of his father, Britt Reid, heir to his father's large company, teams up with his late dad's assistant Kato to become a masked crime fighting team.
"The Green Hornet" tries to be cool, tries to be awesome... and fails dismally on both accounts. Our hero duo are completely uninspiring, and the film's meager amount of laughs are drawn from nothing but their bitterful banter and marvellings at high-tech creations with self-indulged clamour. The action scenes do their job, and there is an interesting sub-plot of media politics, but it arrives far too late in the piece for salvation. It sting's, it hurts, and has been done much better before.
The Guard
Anne Murphy
An unorthodox Irish policeman with a confrontational personality is teamed up with an uptight FBI agent to investigate an international drug-smuggling ring.
"The Guard" is a comedy threaded with some serious themes. The genre is an original police-buddy action combination delivered in a lilting Irish style which proves delightful. The central character is a foul-mouthed modern masterpiece, politically incorrect, big hearted, world weary and honourable, as well as disrespectful, again a little bit of everything in the mix. This is a very funny movie but not so much laugh out loud as wryly observed and darkly humorous. Many unguarded moments.
The Hangover
Anthony Macali
A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him.
"The Hangover" premise is familiar and simple, the perfect breeding ground for plenty of laughter and stupidity. While the trailer might steal most of the best moments, the film is still hilarious. The characters are half as likeable as they should be, but it does make it funnier when bad stuff happens to them. It only struggles towards the ending, as jokes resort to bad cameos and slapstick. Despite a few headaches, it's still a winner.
The Hangover Part II
Stefan Bugryn
The wolfpack get themselves in trouble again days before Stu's Thai wedding.
This sequel is no more than a duplicate of the original... just in another country. There are a lot of moments where you will feel like you've been before, but the characters are likeable enough to allow them to just get away with it. Some laugh-out-loud scenes manage to carry the film only so far, and while the neat ending is a little too didactic, it's still worth seeing. Watch out for the cringe-worthy musical performance by a well-known boxer; it could well be cinema's worst. He was probably hung-over.
The Hedgehog
Anne Murphy
Paloma is a serious, but deeply bored 11 year old, who decides to kill herself on her twelfth birthday.
"The Hedgehog" is a melancholic and elegantly understated character study, artistically crafted and entrancing. The film's direction is deft, uncovering a very moving exploration of the human condition beneath a simple tale. The story is focused on three intelligently drawn characters with rich inner lives in which they insulate themselves from the world outside. The performances of the lead roles are without fault, balancing humorous, absurd, and enigmatic characteristics. We see both the prickles on the outside and the warm hearted inside of a hedgehog.
The Holiday
Anthony Macali
Two women, both with men issues, go on holiday for two weeks by swapping. This can only lead to love.
A romantic comedy with characters you are entirely unsympathetic for. It wouldn't even classify as a comedy, as the over-the-top antics on display are not lovable, only annoying. It wouldn't even classify as a romance, as the contrivances that bring the leads together leave little work for them to impress each other. This movie is simply stupid and it hurt watching it.
The Human Resources Manager
Anne Murphy
The HR manager of Israel's largest industrial bakery sets out to save the reputation of his business and prevent the publication of a defamatory article.
The plot sounds like the set-up for a punch-line; an HR manager, a journalist, a street kid and the Commissar's husband go on a road trip, as opposed to walking into a bar. "The Human Resources Manager" is a warm and satirical journey across the landscapes of Israel and Romania that reveals man's humanity towards man, and it's as funny as any good bar joke. If only more HR managers were this delightfully quirky.
The Inbetweeners Movie
Anthony Macali
Four socially troubled 18-year-olds from the south of England go on holiday to Malia.
"The Inbetweeners Movie" will make you do at least one of these two things: encourage you to get completely drunk, or cringe and wince with embarrassment. It's safe to say friends of the show will love this film, as this extended episode takes our gang to a foreign country where trouble and hilarity ensue. For others, catching up with the teens' brash vulgarity shouldn't take long. Each character banters and dances, always poking fun and searching for the girl of their dreams. Exploiting the naivety of youth has never been so funny. Boys will be boys in this trip to remember.