- Arrange By »
- Title
- Release Date
- Stars
Our Idiot Brother
Anne Murphy
A comedy centered on an idealist who barges into the lives of his three sisters.
"Our Idiot Brother" is like movie popcorn, light and enjoyable without being really filling. The indie style production is as amiable as the affable main character; it is a comedy with charm. The focus is the special relationships between siblings, close, affectionate, and then relentlessly honest. The plot comprises small family interactions rather than dramatic action. The everyday trials of being part of a family are action enough to hold interest and the film does not stray into over sentimentality. Quite an intelligent idiot.
Pardon My French
Courtney Slevison
Novelist Celimene is suffering from a severe case of writers block when she discovers she is being stalked by Anaïs, a strange young woman craving attention.
"Pardon My French" is a simple story of the power that strangers can have on our lives. More a character study than traditional narrative, this film is a snapshot of Celimene's life as she struggles with being stunted both creatively and emotionally. Although the characters are likeable, they remain unengaging and don't hold the viewers intrigue. At times tedious and unfocussed, this quirky film is a pleasant experience, but ultimately forgettable.
Paul
Anthony Macali
Two British comic-book geeks traveling across the U.S. encounter an alien outside Area 51.
Science-fiction films usually present good value, and especially ones with extra-terrestrials, but you leave wanting more from "Paul". What was once cute about a bromance road trip loses its charm when the bond between the self-confessed geeks becomes a little too pronounced. The movie strives for mainstream appeal, fielding a varied range of jokes from satirical science-fiction writers, toilet humour and a galaxy of cultural references. In the end, the quips are hit and miss, invariably creating a funny, but not fantastic film. Average alien fodder.
Peepli Live
Andrew O'Dea
In the village of Peepli, two poor farmers face losing their land over an unpaid government loan.
With a running joke about suicide at its core, "Peepli Live" is an eccentric film that will make you laugh but also delivers a potent message. Buoyed by a witty script, the production values are grand, and the unknown ensemble cast are brilliantly authentic and often hilarious in their individual roles. Funny yet ultimately sobering, it examines India's rural class struggle while the director uses comedy as a vehicle to firmly skewer those who exploit the situation; from corrupt government officials to the depravity of the media and the levels to which they often stoop – certainly no joke.
Pineapple Express
Anthony Macali
A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.
If you smoke weed, more often then not, you end up in crazy scenarios. They are often highly contrived, outrageous, and equally hilarious. When the bad guys over-estimate the good guys, suspecting they're intelligent hired professionals, it's always hysterical. Like a number of characters, some jokes are not great, though never resorting to vulgarity. "Pineapple Express" is a ridiculous comedy of ridiculous people, stuck in ridiculously funny situations.
Please Give
Anne Murphy
In New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in apartment the couple owns.
Manhattan films about nothing should be a genre of their own. Equal parts smart drama-comedy and introspective reflection on the human condition, "Please Give" is grounded in the angst of reality and near perfect. This is a chick flick populated with grown-ups who are still growing up. The city dwellers dealing with the everyday while struggling with life's big issues like guilt and insecurity are imperfect as well as sharp and funny. Nothing to give just breathe it in.
Potiche
Anne Murphy
When her husband is taken hostage by his striking employees, a trophy wife takes the reins of the family business and proves to be a remarkably effective leader.
The 70's are perfectly recreated with all of the colour and fashion to bring on pangs of nostalgia. The social attitudes are missed less. "Potiche" is a light-hearted movie loaded with social comment, looking at the role of women in the workplace, and the incumbent responsibilities of fatherhood. Focused on individual choices and growth, there's no haranguing, and the delivery is affable, warm, and comic. A gold medal for the trophy wife.
- Genre » Comedy
- Release » Limited 21 Apr 2011
- Festival » French Film Festival 2011

Project X
Anthony Macali
Three high school seniors throw a birthday party to make a name for them.
"Project X" is yet another 'found-footage' experiment that is full of surprises. The simple agenda breeds plenty of hilarious moments, with the attention firmly focused on the trio at the centre of the party, and their wide range of responses to the gathering chaos. It certainly is the most epic teen party to hit the screen, and while the parading nudity and constant binge-drinking might not appeal to every goer, it does highlight the stupid (and irreversible) things we do for a night of fun and ecstasy. Project success.
Puss in Boots
Anthony Macali
A story about the events leading up to the sword fighting cat's meeting with Shrek and his friends.
The cat's out of the bag with "Puss in Boots", the 'diablo gato' showing enough charm to headline his own film. He's cheeky, cute, and a wanted outlaw, as we discover in a delightful flashback of his back story. Curiosity is lost when the fairy-tale plot begins, introducing characters who aren't as much fun as our hero. The animation is great, just look at the fur, but could have looked better and brighter if they shied away from the 3D format. It's is still very funny when felines break out and exhibit their cat-like traits. A welcome spin-off to cross swords.
Rare Exports
Andrew O'Dea
In the depths of the Korvatunturi Mountains in Finland, 486 metres deep, lies the closest ever guarded secret of Christmas.
"Rare Exports" is a clever horror comedy that presents a very dark take on the tradition of Santa Claus. The unique and intelligent premise is what drives the film, and although some may find it slow in parts, the unusual story is strangely entertaining. It has a distinct visual style set against the white and cold of remote Finland, and considering its minimal budget, the perfectly apt CGI puts most big-budget Hollywood fare to shame. Perfectly fine stocking-filler.
Ratatouille
Anthony Macali
Remy, a sewer rat makes an unusual alliance with a restaurant's new garbage boy Linguini.
A story about a rodent that can cook may not sound very appetising, but don't under-estimate one of the most beautiful films of the year. From the glowing Paris skyline, to the buffet of foods you wish to grab straight off the screen, "Ratatouille" is a warm animation that is fast and fun. The highlight is the affable Linguini, a lanky and dopey character, but once puppeteered by Remy, is uproariously amusing with his comical antics. It succeeds in making us sympathise with a rat and believing anyone, human or animal, can cook.
Red
Andrew O'Dea
When his idyllic life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive.
With the all-star cast and firepower at its disposal, "Red" has all the ammunition required for success. Sure, it does have some individually funny moments, but for a movie pertaining to be a pure action comedy, the one-liners simply aren't funny enough, and the explosions and gunfights simply not that exciting. The only real sense of danger comes from a host of fine actors putting their careers in jeopardy with such a poor choice in film. They really should know better. Red? Bet on black.
Red Dog
Wendy Slevison
Based on the true story of Red Dog, who united an outback community while in search of his master.
Watching this movie feels a bit like sitting around a camp fire listening to your mates tell a darn good yarn. It's a quintessentially Aussie experience with wonderfully personal characterisations and a truly incredible story. The first-class cinematography brings the mining area of Western Australia gloriously to life in a visual feast of red and turquoise. The human actors do a fine job of portraying the mateship that forms in the small mining towns, but of course the dog steals every scene he's in - what a talented boy! A blue ribbon for "Red Dog".
Red State
Stefan Bugryn
Three young teenagers get more than they bargained for when they accept an online invitation for sex.
"Red State" is a bit weird, but weird in a good way. It's a real genre bender. The films begins as your average teen horror, then reverts to action, before finishing off as a comedy - all with socio-political undertones! Just as you think you know where it's going to turn, it hits you with a different twist. Characters are chopped, changed and dropped like flies. The plot thickens more than the blood that is spilled. An interesting state to be in... whatever it may be!
Religulous
Anne Murphy
Bill Maher's take on the current state of world religion.
"Religulous" would be a documentary but for its unbalanced, mocking tone. Comedy is given priority over facts and there are many amusing but unnecessary cheap shots. At times the disdain of the interviewer for the people interviewed is disquieting. Not so much investigative as much as lampooning in tone, too often the aim seems to be to provoke and dismiss rather than attempting to open debate. Nonetheless the topic is bravely tackled and worth seeing for some of the 'only-in-America' tableaus. Warning: Disturbingly dogmatic.
- Genre » Documentary Comedy
- Release » Limited 10 Dec 2009
