Going the DistanceCourtney Slevison
A look at the trials and tribulations of a long-distance relationship.
"Going the Distance" is a pretty stock-standard romantic comedy. However, having a couple on either sides of the country attemps a twist that simply doesn't work. The pace feels rushed and you never quite feel the chemistry that is meant to be keeping the couple together despite the odds. The leads put in a likeable effort, but the movie as a whole ends up feeling a bit strained, and some moments are just plain awkward. If you go the distance with this film, unfortunately you will be disappointed.
Set on a rural farm in New Zealand in 1984, Boy, is the story of an 11 year old with a vivid imagination coming face to face with life's realities.
This coming of age tale is sweet at heart and the unpretentious portrayal of Boy's story is endearing. The comedic moments and the uniquely Maori dialogue make this film. However, the one-incident-after-another plot wears a bit thin at times and leaves a few too many loose threads. Is Boy the man? Nah bro'!
Four LionsAndrew O'Dea
The story of a group of British jihadists who push their fantastical and abstract dreams of glory to the breaking point...
This film is a witty, riotously funny, and undeniably unique comedy. At no stage does it resort to extracting cheap laughs from its volatile subject matter as is the case with so many other movies that pose as "outrageous". Brilliantly written, the hilariously farcical tone generates a constant supply of laughter, yet there is also an underlying intelligence that presents a very real and relevant message. All those involved in the making of "Four Lions" should most definitely take pride in it.
Scott Pilgrim vs. the WorldCourtney Slevison
Scott Pilgrim must defeat his new girlfriend's seven evil exes in order to win her heart.
This is a film like no other you've seen before, and Scott Pilgrim is an equally unique hero. Highly imaginative and often hilarious, this quirky film feels a lot like watching a video game in live-action. Blending fantasy and reality seamlessly with candy-coloured visuals, the film's only pitfall is that by the time the climactic fight scene is reached, it feels a little repetitive. With so many crazy and offbeat characters crammed in, you will definitely want to live and play in Scott Pilgrim's world.
Peepli LiveAndrew O'Dea
In the village of Peepli, two poor farmers face losing their land over an unpaid government loan.
With a running joke about suicide at its core, "Peepli Live" is an eccentric film that will make you laugh but also delivers a potent message. Buoyed by a witty script, the production values are grand, and the unknown ensemble cast are brilliantly authentic and often hilarious in their individual roles. Funny yet ultimately sobering, it examines India's rural class struggle while the director uses comedy as a vehicle to firmly skewer those who exploit the situation; from corrupt government officials to the depravity of the media and the levels to which they often stoop â€“ certainly no joke.
Two men, who don't realise they have just holidayed in the same place, at the same time, and with the same people, talk about their respective holidays over drinks.
The premise of "Hahaha" is quite amusing and the film is described as a comedy. It's a low budget effort with no fancy props or effects. Redolent of a lazy summer holiday, the pace is almost lethargic. However, the pace and simple presentation are problematic when watching becomes tedious and eye-lids heavy. Despite the cleverness of the plot told from different perspectives, the film relates a boring tale albeit in a picturesque setting. Hmmmmm...
The story of Robert, a murderous tyre with psychic powers.
"Rubber" doesn't travel far from its amusing premise. Robert rolls around the desert in style, camera low to ground and in-close focus, using his grumbling powers to produce carnage. Undoubtedly circumstances like these will always lead to laughter. An odd sub-plot weaves between moments of madness, where an audience in the movie observe the action from afar using binoculars and comment on the story as it unfolds. Yet it's these bizarre moments that help to drive the film when bogged down by following a tyre that simply rolls. An unconventional and slightly amusing vehicle.
A New Yorker moves to Los Angeles in order to figure out his life while he house-sits for his brother, and he soon sparks with his brother's assistant.
"Greenberg" is a guy who is annoying and weird, so aloof that you may question his mental state. At the beginning, you empathise with the man, but this doesn't last long, as you become bored by his antics and frustrated by his social encumbrance. It's difficult to root for such a character, especially when his old friends, and particularly the vulnerable assistant, suffer from his selfishness. Yes, life must be tough without any responsibility... poor Greenberg.
The Red ChapelAnthony Macali
Two Danish comics, one of them a spastic and both born in Korea, join the director on a trip to North Korea, where they have been allowed access under the pretext of wanting to perform an act.
"The Red Chapel" provides a rare glimpse into a hellish world. The hosts, who happen to police the crew on their visit, appear dutifully polite, but it becomes apparent their overstated hospitality is a mask of fearful obedience to the dictatorship. Our protagonists walk a fine line between injecting their comedy into the regime and heeding to the Great Leader, apprehensive in their attempts to salvage their show overtaken by propaganda. An eye-opening insight into a country of no humour.
A vacationing couples' idyllic life is upset when they discover that everyone wants to kill them.
"Killers" fails spectacularly in every area. Apart from the beauty of Nice in the early scenes, there is very little to make this movie worth seeing. The two leads, with zero chemistry, awkwardly make their way through a shemozzle of a story that you will find yourself laughing at for all the wrong reasons. Uninspired direction does nothing to save this film from an appalling script and insincere performances. Mixing romantic comedy with violent action is a risky endeavor which simply doesn't work in this instance. Avoid, even if all you're doing is killing time.
The TrotskyAnne Murphy
Leon Bronstein is not your average Montreal West high school student.
"The Trotsky" delivers everything we love from the best Canadian films, an indie tone, clever adolescent characters and a quirky story-line. The movie asks if it is apathy or boredom that leaves high-schoolers without motivation or political interest. A likeable revolutionary geek awakens students from their indifference. He battles family issues and perceived fascism. The action is funny as the players rally to their socialist causes and budding romances with passion. Chuckling audiences might be encouraged to come out of the political Siberia and join a movement.
World's Greatest DadAnne Murphy
A comedy about a man who learns that the things you want most may not be the things that make you happy, and that being lonely is not necessarily the same as being alone.
"World's Greatest Dad" is uncomfortable viewing centered on an unlikable teenage misfit and his apologetic, underachieving Dad. This movie is so dark it's pitch black, not to mention creepy - a parent's nightmare. Low key but high impact viewing that will stay with you. The messages about popularity and hollow celebrity will skulk at the back of your mind even if you are the world's greatest someone.
Knight and DayAnne Murphy
June Havens finds her everyday life tangled with that of a secret agent who has realised he isn't supposed to survive his latest mission.
"Knight and Day" is as much video game in style as it is action movie, and it's pure high-energy entertainment. While they have fun and resist taking themselves too seriously, the big name leads are compelling with their on-screen chemistry. The pace doesn't let up, with exhilarating chase after chase. There's a captivating mix of comedy, romance and an upbeat soundtrack in this fabulous Hollywood fare that holds attention throughout. Fun viewing day or night.
The HedgehogAnne Murphy
Paloma is a serious, but deeply bored 11 year old, who decides to kill herself on her twelfth birthday.
"The Hedgehog" is a melancholic and elegantly understated character study, artistically crafted and entrancing. The film's direction is deft, uncovering a very moving exploration of the human condition beneath a simple tale. The story is focused on three intelligently drawn characters with rich inner lives in which they insulate themselves from the world outside. The performances of the lead roles are without fault, balancing humorous, absurd, and enigmatic characteristics. We see both the prickles on the outside and the warm hearted inside of a hedgehog.
Exit Through The Gift ShopAnne Murphy
The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy.
Is "Exit Through the Gift Shop" documentary or mockumentary? Cleverly constructed and provocative, the film is absorbing as 'documentary', but the tongue-in cheek acerbic tone deftly tilts the balance back to 'mockumentary'. This creatively told story manages to be both an homage to street art and, at the same time, a caustic commentary on the mainstream art world - cynical to say the least. Viva la revolution, as long as you do the required thing and exit through the gift shop.
Every Jack has a JillAnne Murphy
Jack is encouraged to take the romantic Paris vacation he won, despite just being dumped by his girlfriend.
Despite the odd title, "Every Jack has a Jill" is a thoroughly enjoyable romantic comedy. The genre dictates the happy outcome so the ending is no surprise. Apart from the conclusion the rest of the story is delightfully unpredictable with a cast of eccentric characters. See this movie to enjoy a warm hearted story which has all the quirky and charming elements required to weave an endearing spell.
Get Him to the GreekAndrew O'Dea
A record company intern is hired to accompany out-of-control British rock star Aldous Snow to a concert at L.A.'s Greek Theatre.
"Get Him to the Greek" is at its outrageous best when poking fun at the music industry. The star of the show is perfect in his role, and along with a particularly funny cameo appearance, there are several uproariously 'laugh-out-loud' moments. The disappointing drawback is that a flimsy story means the film tends to lose direction, as it needlessly tries to be something more than a genuine comedy. Still, there's more than enough hilariously vulgar debauchery to keep most entertained.
Toy Story 3Anthony Macali
Woody, Buzz, and the rest of their toy-box friends are dumped in a day-care centre after their owner, Andy, departs for college.
You might have reservations going back to play with old toys, but don't be afraid, as "Toy Story 3" is still fantastically creative and charming. A fresh assortment of characters come out of the box, each equally entertaining and unique. The film is a perfect example of pure genius story-telling and craft. The visuals invariably impress, but the 3D glasses are better served to hide away the tears of nostalgia. It's hard to let go of the story behind one of the best animated features of all-time.
Sex and the City 2Courtney Slevison
Two years have passed since Carrie Bradshaw finally bagged John "Mr. Big" Preston, the man she was always meant to be with...
"Sex and the City 2" delivers on its mantra, ensuring that fun, fashion and frivolity are the order of the day. However, some of the best scenes come when the glitzy curtain is drawn back and the struggles of making a marriage and family work are exposed. As a whole, this movie is exactly what you should expect: the script isn't all that great, but as a visual feast it works a treat. So kick back with a Cosmopolitan and catch up with some old 'friends'.
City IslandAnne Murphy
Meet the Rizzos, a family that might get along a lot better if only they could tell each other the truth.
The Manhattan skyline can be seen across the water in this marvellous little film. The setting, the accents, the personalities, the attitudes, and the situations are pure boisterous New York. The central family are all ensnared in complex relationships that ring true, as drama is stirred through with good hearted comedy. "City Island" is marred by an ending that ties up the threads a little too neatly, finishing on an unnecessarily schmaltzy note - even so, this is an island in the sun.
Letters to JulietAnthony Macali
A girl on holiday in Italy finds an unanswered letter to Juliet and tries to find the lovers mentioned in the letter.
The ingredients of "Letters to Juliet" contain more romance than comedy and are less than fresh. Some will find it easy to be swept away by the beautiful landscapes of Verona, and their hearts will be warmed. The more cynical types will be less than entertained, as their patience and minds are tested along with the casts', with very little to do. This film may deliver to its intended audience, but will serve as nothing less than a picturesque postcard for any other travellers.
I Love You TooAnne Murphy
All that is standing between them is four little words.
This movie plays as a series of barely funny comedy sketches staged atop an underdeveloped script. Situations set up to amuse fail to elicit a even a guffaw. "I Love You Too" struggles to establish credibility in the characters, painting them as shallow stereotypical caricatures. Without on-screen chemistry between the romantic leads, any rom com is a labour of love to endure; add sexism, age-ism, a fat joke and itâ€™s all a bit icky. It's hard to imagine an audience unsophisticated enough to appreciate the crass tone, many will not love this.
The ConcertAnne Murphy
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians.
"The Concert" is a wonderful, formulaic, crowd-pleaser. Of course, formulaic can be wonderful if you can forgive the sense of knowing what's going to happen before it unfolds. As the story builds, the many farcical sequences notwithstanding, there's a sense that something other than the music is being orchestrated. By the time the final concerto is played there is not a dry eye in the house. The magnificent crescendo plays shamelessly to our sentimentality yet it's still uplifting. Bravo.
Kebab ConnectionAnne Murphy
In Hamburg, Ibrahim "Ibo" Secmez wants to direct the first German kung-fu movie.
The story line is captivating and the comedy a little slapstick, but the combination creates enjoyable watching. "Kebab Connection" is a feel good teenage romance to sit back and enjoy, as it makes no demands. The main characters are from a migrant community, the actors are not Hollywood-styled and so credible they could be from your very own neighbourhood. Social tensions are threaded throughout the plot, and prejudices are aired in a comedic way with take-away food emphasising cultural themes. Don't go hungry, connect with this kebab.
An unnoticed high school student with no powers or training decides to become a super-hero.
"Kick-Ass" weaves teen melodrama with some of the coarsest language and most gratuitous and glorious violence ever seen on screen. Every action sequence is amazingly original, bolstered by inventive choreography and superb production values. Although the storyline is flimsy in parts, the uneven pacing may be considered deliberate, as our expectations are frequently and often shockingly shattered at any given moment. The director is to be applauded for this completely unrestrained film, free from industry conformity. Genuinely messed up, but totally kicks ass.