What We Did on Our HolidayAnne Murphy
Explores the meaning of life and suggests how best to live and love.
While the story is all about celebrating granddad on his birthday, it's his three young grandchildren who steal almost every scene; they are as sassy as they are beguiling. The kids have access to greater intelligence, both rational and emotional, than the adults. The grownups have dibs on inappropriate outbursts, and you have to wonder if you're laughing at them, or with them? Viewing this likable movie may prompt self-reflection and if not you'll have lots of charming holiday images. Now what to do with the rest of our lives?
Dumb and Dumber ToAnthony Macali
20 years since their first adventure, Lloyd and Harry go on a road trip to find Harry's newly discovered daughter.
"Dumb and Dumber To" is one of those sequels that sadly sours your experience of watching the first instalment. Revisiting the characters 20 years on was always a dangerous proposition, and this agonising journey does very little to validate the idea. A large number of the jokes are mere imitations of their first incarnations, and anything else that is somewhat original is generally pretty poor. For most part, the film trudges along before grinding to an inevitable halt. Just dumb.
The InterviewAnthony Macali
Dave Skylark, host of the celebrity tabloid show "Skylark Tonight" lands an interview with a surprise fan, North Korean dictator Kim Jong-un.
"The Interview" has a few funny segments, but will struggle to capture your attention for the life of the film. The 'Skylark' character is a great one, and his gaudy and obnoxious behaviour provides some unique entertainment. Problems arise when they eventually land in the People's Democratic Republic and they're not exactly sure what to do with the supreme leader, resulting in a number of lame cultural references that fail to gain applause. Slightly controversial, even less laughter.
A fading actor tries to reclaim his past glory by starting a Broadway play.
"Birdman" is a remarkable movie. Its a continuously moving story in narrative, emotion, and camera-work. It feels like one unbroken scene, pieced together with a seemingly single shot. We're situated more like an observer than an audience, peering over shoulders and watching a man's life falling apart piece by piece. More European in style than American, it's still intangibly Hollywood. The highlight is the performances, you can't walk away without remembering them. It's all really unique, almost a little absurdist at times, but definitely worth your time. High in the pecking order.
Into the WoodsAnne Murphy
A witch conspires to teach important lessons to various characters of popular children's stories including Little Red Riding Hood, Cinderella, Jack and the Beanstalk and Rapunzel.
Though the musical score is enchanting and performances from the cast magical, "Into the Woods" doesn't deliver. We venture out with plenty of charm, colour, and costumes, but somewhere before halfway the story is lost. The glamour of the production doesn't compensate for an overly long and muddled plot. Sad but true that we can't see the woods for the trees in this confused offering. Get outta there.
St. VincentAnne Murphy
A young boy whose parents have just divorced finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic war veteran who lives next door.
At some point the audience will realise they're watching the aging lead actor playing his elderly self, or some down-on-his-luck movie character version of himself. Don't feel like a sucker for playing along and enjoying the film. The endearing qualities of the protagonist allow you to put cynicism aside, forgive the unlikely plot elements, and be entertained by the ubiquitous fogey next door with a proverbial heart of gold. Wholly unlikely Saint.
Night at the Museum: Secret of the TombJan Di Pietro
Larry spans the globe, uniting favourite and new characters while embarking on an epic quest to save the magic before it is gone forever.
The third installment of the "Night At The Museum" franchise is a fun one. There are cameos galore, all of which actively contribute to the comedy and story. You don’t need to have watched the first two to follow, and the narrative is palatable for viewers of any age. The special effects are fun but not overdone, and although the scenes do lose their way at times, they're redeemed by great performances. Come alive and enjoy the ride.
Folies BergereAnne Murphy
Brigitte and Xavier are a couple of cattle farmers living and working together in Normandy.
A movie about cattle farmers is bound to have a rustic feel. "Folies Bergere" has just that, and there is something very simple and charming about this film. There is also something lacking; most stories have a beginning, a middle and an end. This one has a beginning, a middle, more middle, and yet another middle before it tapers off and the credits roll. The actors are impeccable, the country and Parisian backdrops picturesque, but regrettably, the overall experience is not entirely satisfying. The folly of a director?
A young Peruvian bear with a passion for all things British travels to London in search of a home.
Based on a beloved children's book written in the 1950's, themes of dislocation and finding a home translates as a story for today. The tale of a well-mannered, marmalade-loving stowaway has been updated without losing any of its charm. Sometimes the bear finds trouble and sometimes trouble finds the bear in this relentlessly funny adventure. The humour works for young audiences and is witty on another level to amuse the grown-ups who buy the cinema tickets and popcorn. Bear hug.
The One I LoveAnne Murphy
Struggling with a marriage on the brink of falling apart, a couple escapes for a weekend in pursuit of their better selves, only to discover an unusual dilemma that awaits them.
"The One I Love" is an offbeat exploration of affairs of the heart and it's amusing if not outright funny. The plot is intriguing with a premise that confounds before it unfolds, so be sure not to let anyone reveal the story before you see it. Apart from the captivating performances of the lead actors, what makes this movie so diverting is the puzzle it presents. She loves me, she loves me not.
Men, Women & ChildrenAndrew O'Dea
Parents and their teenagers grapple with the many ways the Internet affects their lives.
"Men, Women & Children" is a character-driven ensemble drama that provides a glimpse of our cultural evolution (or some may argue devolution) through social media. Perhaps a victim of its own scope and ambition, the exploration of this Wi-Fi culture across a multi-story narrative is thought-provoking, although the delivery is somewhat heavy-handed. The vulnerability and sentiment at the film's core is sure to divide its audience; it will either resonate or leave them with a sense of contrivance. A family conversation still worth having.
Let's Be CopsAnthony Macali
Two struggling pals dress as police officers for a costume party and become neighborhood sensations
"Let's Be Cops" take dress-ups to an entirely new and ridiculous level. While the premise can be easily dismissed, it provides the setup for many of the outrageous skits and varied laughs on patrol. Apparently being an officer of the law is great for picking up women, and if you can get past blatant objectification and not take the rest of the film too seriously, the outcome is mildly entertaining. Let's leave our brain at the door.
Love, RosieAnthony Macali
Lifelong friends Rosie and Alex discover the challenges of staying in touch as they grow older, live apart and meet new people.
"Love, Rosie" is a glossy and predictable romantic comedy that forgoes personality. Despite the best efforts of the charming and gorgeous leads, we care very little for their fate. This is a film of close-up passionate kisses and beautiful sun rays gleaming through the background, interlaced with awkward and unrealistic comedy setups that draw restrained bouts of laughter. Many years pass, boredom sets in, and we're still left looking for something real. Lots of love, but no heart.
U.K. gay activists work to help miners during their lengthy strike of the National Union of Mineworkers in the summer of 1984.
As funny as it is rousing, "Pride" is not to be missed. Flamboyant meets frumpy when two disparate communities come together in difficult times, and while it's not all solidarity and sunshine their story makes for an engrossing movie. Knowing the plot is based upon recent socio-political history brings poignancy, as we watch people put aside their differences to stand together. Can one review hold more superlatives? Riotous, rampaging and romantic, just suffice to say this effort stands proud.
Hector and the Search for HappinessAnthony Macali
A psychiatrist searches the globe to find the secret of happiness.
"Hector and the Search for Happiness" is an exotic journey about discovering oneself, which usually involves skipping from one continent to the next, navigating through stereotypes and clichés. The outset is promising, good-natured fun... before the patchy ill-directed plot wanders into the tiresome and mawkish. Exploring such a noble topic, we feel obligated to welcome the premise, but you can't help but think there's a missed opportunity to expand on the many laughs experienced. Nonetheless, the idea is cute enough to please those who will give it a chance. Still searching.
This Is Where I Leave YouJan Di Pietro
When their father passes away, four grown siblings are forced to return to their childhood home.
Life isn't perfect, and the dramas and absurdities within it are manageable, so long as there is honesty and communication. "This is Where I Leave You" likens secrets to cancer, positing human beings as creatures who grow through obstacles. A noble message. This neatly wrapped package contains endearing characters who actively cancel out some expository excrement early on. Although the premise is poorly justified, it's a genuinely enjoyable story, living up to the comedy/drama promise. If we all had a portable potty to enjoy anytime, anywhere, things'd be just great.
Living Is Easy with Eyes ClosedAnne Murphy
Spain, 1966, a high-school teacher, Antonio, drives to the town of Almeria in hopes of meeting his hero, John Lennon.
The most striking aspect of this movie is the warmheartedness of the central characters, the teacher, a young woman, and a boy who has left home. On the road together they create an engaging tale, each on their own journey of discovery. Instances of random cruelty provide a caustic note and serve as a reminder of the political backdrop of a country under fascist rule. Close your eyes and this is a feel good story, but living is just not that easy.
What We Do in the ShadowsAnthony Macali
Follow the lives of three flatmates who are just trying to get by and overcome life's obstacles, like being immortal vampires.
"What We Do in the Shadows" demonstrates that life is hard for a vampire in Wellington. In true mockumentary style, the introduction of a wide-range of housemates is the best and funniest part of the film. The dry humour and deadpan delivery creates many laugh-out-loud moments, as it employs the classic bloodsucker traits and applies them to the modern world. While the lack of a story becomes prevalent towards the end, it doesn't last too long. They do hilarious.
The Inbetweeners 2Andrew O'Dea
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it's "the sex capital of the world".
"The Inbetweeners 2" reunites its audience with the foul mouthed, awkward quartet in this relentless procession of puerile comedy. Those expecting anything even remotely more than lowbrow humour and excrement gags will be sorely disappointed. Shock value is at the forefront of what is an otherwise flimsy film, with some truly cringe-worthy set pieces providing moments of genuinely uproarious laughter. Well-good banter.
22 Jump StreetAndrew O'Dea
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
"22 Jump Street" is one of those rare sequels that meets expectations and perhaps even improves upon its predecessor. This satirical comedy is preposterous in the best possible way, and the effortless chemistry between the leads keeps their bromance constantly amusing and often hilarious. The self-referential humour is both senselessly silly and witty, making fun of its own recycled nature – be sure to stick around for the end credits. Bring on the jump to 23.
After a bad blind date, a man and woman find themselves stuck together at a resort for families, where their attraction grows as their respective kids benefit from the burgeoning relationship.
Towards the end of its running time, this movie goes all out to deliver on the feel-good front. Wait for it and you'll leave the cinema smiling. All of the vulgarities fade, and the sexism and racism the audience has endured gets airbrushed away with lovey-fuzzy-happy. Is it worth it? Unless you need a serotonin boost skip this movie, and go out to lunch, sans family. Blended? More like mashed.
The Trip to ItalyAnne Murphy
Two men, six meals in six different places on a road trip around Italy. Liguria, Tuscany, Rome, Amalfi and ending in Capri.
Part way through "The Trip to Italy", and probably mid-guffaw, you might start wondering why you're watching. The sometimes improvised dialogue starts to wear a little thin with yet another repeated impersonation. The guys are living the dolce vita and certainly eating well in spectacular settings. This is a pleasant enough romp yet at the same time it's all talk and no action, going to show that you can travel the length of Italy and not get anywhere. Prego.
A Million Ways to Die in the WestAnthony Macali
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test.
"A Million Ways to Die in the West" sure is persistent in preaching the dangers of the American frontier, and happily employs the language of today to make fun of it. Sadly the modern speech serves very little purpose except to describe countless sketches of vulgarity, toilet humour and poor slapstick. Characters come and go, with an alarming number of cameos, but much like the main star, shoot off jokes that repeatedly miss the target. There are better ways to laugh in the cinema.
Bad NeighboursAndrew O'Dea
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
Thanks to witty script and inventive humour, "Bad Neighbours" successfully teeters the fine line between being clever and tasteless. The life of a college party animal is juxtaposed with the role of responsible parent in this foul-mouthed, low-brow frat house comedy about people denying the inevitable changes that come with getting older. Energetic and engagingly stupid, the unlikely duo at the films core drive the laughs, as hilarious generational warfare accelerates from one over-the-top set piece to another. Welcome to the neighbourhood.
Bad NeighboursAnthony Macali
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
"Bad Neighbours" lives up to the name. These new arrivals are loud, noisy and not very funny. It's apparent the dialogue is largely made of improvisation; a continuous set of fraternity gags and two conniving parents… neither side of the fence is a winner. All the best jokes have cultural references, and with the film won't stand the test of time. The excruciating characters and experience make the running time feel so long. Just bad.