Finding DoryAnne Murphy
The continuing under the ocean adventures of Dory the forgetful fish who sings.
"Finding Dory" is a colourful and visually stimulating marine adventure with stunning underwater vistas. Unfortunately, there's not much to delight audiences beyond those vivid splashy elements. The storyline is uncannily similar to its precursor, with one fish searching for another fish. There are some laugh out loud moments along with a low tide period where we're becalmed when neither the action nor the characters manage to hold viewer attention. It's disappointing that bullying sea-loins are portrayed as comic rather than offensive - poor role models. Go fish.
God WillingAnne Murphy
When a man announces that he is leaving medical school to become a priest there are various reactions from his family.
The question at the centre of this plot is around what we should believe and what can be trusted - science or faith? "God Willing" doesn't delve deeply into the question, and the very nature of a dilemma is the lack of a conclusive answer. This Italian comedy of manners has a slightly farcical touch. The good looking cast play for laughs, and it's impossible not to find the light-heartedness of this infectious movie and enjoy it. God bless.
Hello, My Name Is DorisAnne Murphy
After her mother dies a woman goes through a late-life-crisis and falls for a much younger man.
The central character is vulnerable and quirky, and thanks to the good grace of the director, she is portrayed with sensitivity. Humour is developed without mocking and we're allowed to feel a genuine empathy with a lonely hoarder who owns a single cat. She also has a vintage wardrobe and retro style that is to die for. All in all, "Hello My Name is Doris" is a well-structured movie that is likely to appeal to discerning audiences who like some complexity from a rom-com. Love, whatshername.
Now You See Me 2Stefan Sgarioto
The four horsemen come out of hiding to pull off a new heist- but who is pulling their strings?
They say a good magician never reveals their tricks. If that was the case, then this film would be even more frustrating than it already is. The convoluted plot and the abundance of loose threads are only mildly forgotten due to the film's constant misdirection, and pay-offs that come from the explanations of the elaborate 'magic tricks'. Following its predecessor's cat-and-mouse structure, this sequel does have moments of brilliance, but inevitably is unable to pull out anything substantial from the hat. Now we've seen it all.
The Nice GuysAnthony Macali
In 1970's Los Angeles, two private investigators begrudgingly collaborate to unravel a conspiracy surrounding the suspicious death of a porn actress.
"The Nice Guys" is a forgettable crime caper that's not overly funny or boring. It's a film largely carried by its two famous stars, who diverge from more traditional roles to bring their charm to the swinging 70's. They do make an amusing duo, and combined with a precocious and delightful team member, together they glide through the contrived plot with intermittent bouts of laughter. Harking back to the buddy-comedies of yesteryear, audiences wishing to relive the era and nostalgia with find the most enjoyment. Perfectly tolerable guys.
Hunt for the WilderpeopleAnne Murphy
A manhunt is mounted when a young boy and his foster carer take to the bush rather than let the authorities move the boy to another home.
"Hunt for the Wilderpeople" is a surprisingly droll yet down to earth adventure tale, a disarmingly simple movie loaded with meaningful social context. All of the whimsy and grit of dyed-in-the-wool New Zealand characters are captured, and the dialogue between the duo-on-the-run is wry and snappy. The action might be comic, but it's the emotionally honest central relationship that holds all of the interest. Wild thing, you make my heart sing.
Mother's DayAnne Murphy
A celebration of motherhood as Mother's Day approaches.
Mothers... don't let your children grow up to watch Mother's Day movies, make sure they have better things to do. If only the all-star ensemble had looked a bit embarrassed as they played out this offensive movie. Sadly they didn't, as they should have. This effort in attempting to explore family and diversity is too long, too crass, too icky and just plain awful. It is a wonder this film made it to a cinema near you, it didn't deserve to. Schlocking.
Whiskey Tango FoxtrotAnthony Macali
A journalist leaves the desk job behind to become a war correspondent in Afghanistan.
"Whiskey Tango Foxtrot" is a sanitised version of Afghanistan, where parties and sex dissuade any thoughts of genuine fear. During the excursion, our reporter exclaims there is an obligation to report on the conflict, but she does little to heed this advice. The plot is a string of feel-good moments, where situations present plenty of opportunities to crack jokes that are too good to pass up. When it comes to the war itself, it's lightweight, so leave the political lens at home. This film is best enjoyed when you accept it for what it really is... 'Kabul. Home of the Rom-Com'. Whimsical Timid Fodder.
Eddie the EagleWendy Slevison
Based on the true story of an unconventional British athlete who surprised the world by competing in the 1988 Calgary Winter Olympics
"Eddie the Eagle" is a heart-warming and quirky movie about an eccentric young man who, from an early age, and with no athletic prowess whatsoever, is determined to become an Olympian. With his tireless dedication and infectious optimism, this lovable underdog somehow manages to make his dream come true, with the help of a down-and-out coach. Stunning ski scenes, surprising cameo appearances and authentic performances from the cast all contribute, but Eddie the unlikely hero is the star. This feel-good film soars.
Bad Neighbours 2Anthony Macali
With their second baby on the way and house for sale, Mac and Kelly's plans are thrown in disarray when a new sorority moves in next-door, hell bent on exercising their right to host parties.
"Bad Neighbours 2" is a very surprising sequel. The concise plot, combined with consistently funny and to-the-point humour makes it a superior comedy than its predecessor. The cultural references and topical satire remain, while its crudeness never oversteps the mark, riding that fine line between amusing and distaste. It might not linger long in your mind at film-end, but the entire ensemble make equal contributions to sustain the laughter. Bucket-loads of fun... join the bloc.
The BossAnthony Macali
A motivational speaker hits rock-bottom after being arrested for insider-trading and losing her fortune, forcing her to turn to her former assistant for help.
"The Boss" is yet another venture for its vehemently foul-mouthed co-writer and star, and a certain fondness for her brand of humour is a recommended prerequisite. We have another outrageous and admittedly funny character on display, but alas her performance is bigger than the story itself. To carry a film on antics alone is a tough gig, and a promising start crumbles into a subsidiary plot and tiresome bad behaviour. This exec is a one-trick pony.
My Big Fat Greek Wedding 2Stefan Sgarioto
Amidst a massive family revelation that demands another Greek wedding, Toula and Ian also deal with the fact that their daughter wants move interstate for college.
It's quite easy to say that "My Big Fat Greek Wedding 2" is bigger, fatter and 'Greekier' than its predecessor; however there comes a point when you realise you've been just been fed re-heated leftovers. Aside from a few plot tweaks, there isn't anything actually new being brought to the table. Not that it really matters though, because just like the first serving, there are plenty of crazy family antics and corny sitcom style jokes to keep the audience satisfied. No BYO baklava required.
Kung Fu Panda 3Anne Murphy
Po continues on his journey of legendary awesomeness encountering both his past and his destiny.
Stunning 3D animation, precisely choreographed action sequences, and well-tuned character voicing are what we have come to expect from this franchise. The production crew delivers on all counts. The adventures of our quirky on-screen friends take us into other-worldly realms and steeps the audience in mantras drawn from Eastern philosophies. The back story is in danger of being over explained, but the central message is simple enough: find your chi, be yourself, and it's OK to eat rather a lot of dumplings. Panda expanded.
The Lady in the VanAnne Murphy
The true story of an eccentric woman who lived in her van for 15 years while parked in the driveway of a playwright.
This is one of those stories where fact is stranger than fiction. The performance from the actor who plays the lady herself is fabulous, a perfect portrayal of a lonely but cantankerous and independent woman who has her wits about her. Mystery surrounds the character, and our discoveries about her are revealed like jigsaw pieces. The full picture isn't portrayed, not in all those years. Restrained, polite, and very English. Van in no man's land.
Hail, Caesar!Anthony Macali
When movie star Baird Whitlock goes missing, production is halted on the epic feature he was working on. It's just one of the many problems for studio executive Eddie Mannix to fix.
"Hail, Caesar!" is a homage to Hollywood's Golden Era and a platform for some larger political and spiritual questions littered across the directors' back catalogue. In isolation, there are a number of amusing and entertaining scenes, but often they don't seem to service the overall picture. The film is rich in period detail and delightful characters, but there is little to take away from its wide agenda apart from the occasional chuckle. A breezy salute.
Ride Along 2Stefan Sgarioto
A detective heads to Miami with his soon-to-be brother-in-law to bring down a drug dealer who's supplying the dealers of Atlanta with product.
Another film in the 'no sequel necessary' category. Despite a predictable plot and over-the-top, prolonged jokes, it is by no means a terrible film, and "Ride Along 2" is not the worst film to watch to kill some time. There are sporadic moments of hilarity and some creative car chases to maintain a level of entertainment. If you're bored, you may as well go along for the ride.
Zoolander 2Anthony Macali
Derek Zoolander comes out of hiding to return to the fashion world in a bid to win back custody of his son, Derek Junior.
It’s been a long time between catwalks for Derek Zoolander, and his return brings an updated collection of social satire that made his first outing so famous. While it retains some of the fun, it doesn't strike a very stunning pose with only a semblance of wit and creativity. "Zoolander 2" is silly and sloppy; countless high-profile cameos attempt to boost the credibility of the film, but cannot hide a very poor script. It's a model of recycled characters and cheap jokes. A follow-up faux-paus.
Dirty GrandpaStefan Sgarioto
Right before his wedding, an uptight young guy is tricked into driving his grandfather to Florida for Spring Break.
"Dirty Grandpa" aims to shock and horrify viewers with its crude humour and a complete disregard for boundaries. It's a combination that makes quite a violating viewing experience. The running joke throughout – where a perverted senior citizen exhibits the libido of a teenager - is made to be as uncomfortable as possible. There are laughs to be had, but they often come with that bad taste that lingers after the joke has worn off. No maturity found here.
A teenage boy teams up with author R.L Stine to round up monsters that have come to life from Stines' Goosebumps manuscripts.
Whilst the self-referential humour of "Goosebumps" may be lost on some, there are still plenty of special effects and mindless humour to keep the rest entertained. Although the inconsistent accents can be overlooked, what lets the film down is a lack of stakes. With an abundance of memorable monsters available from the source material back catalogue, it's unfortunate that many of them just become a blurry figure in a stampeding crowd. Perhaps it's not the trip down memory lane one might hope for, but enough to give you goose bumps.
After discovering their parents are selling their childhood home, two sisters decide to throw one last party at the place.
"Sisters" skirts the topic of growing old, and demonstrates the obvious and pitiful differences to the glory days of the past. To acknowledge this film as a study of women in their mid-forties would be giving it too much credit. This is lowest common denominator comedy, relying on its fantastic leading ladies and the surprisingly crass language spurting from their mouths. It certainly won't win any awards, but there is never a dull moment between the sharp wit and the low-brow. Siblings behaving badly.
Joy, a divorced mother of two, overcomes financial and family trouble to become the founder of a large business dynasty by inventing the Miracle Mop.
"Joy" is a fairly basic story about the rise of an underdog - with the main character navigating failures and defying the odds to succeed. Even in Joy's case, which includes both the support and betrayal of her unconventional family, it's nothing we haven't seen before. The most surprising aspect is that a story about the creation of a mop can be so entertaining. Despite some great casting and quirky dialogue, it does suffer from a confused tonal palette, not always sure where it should be hitting the mark between comedy and drama. Some joy to be had.
Mistress AmericaAnne Murphy
A young woman attending college in New York has her life invigorated when she meets her step-sister to be.
Witty dialogue and a tumbling pace combine to make "Mistress America" a beguiling film. The paradox of wondering what will come of us when we grow up and inevitably age is deftly explored. Characters have a sense of self awareness and introspection, but every thought is blurted out in a comic extroverted way. Perhaps this is what life would be like if we tweeted face to face, a curious mix of self-consciousness and vibrancy. Don't Miss(tress) America.
The LobsterAnthony Macali
A man checks into a hotel and has 45 days to find a partner, or be transformed into an animal of his choosing.
The quirky premise of "The Lobster" certainly captures your attention, and for the first half at least, plays out with weirdly dark and terrific humour. The film is laden with allegory, especially in its almost cynical commentary on relationships and the brutal punishment for those who don't conform. Beautifully shot with a formidable supporting cast, it's a shame curiosity wavers towards the end of the story, as our apathy for the characters falters with the plot. The one that got away.
The InternAnthony Macali
An online fashion site offer a senior Internship program to boost their public image.
"The Intern" is a feel-good outfit, which will appeal to a wide audience. Despite the cliché setup, the film is stylish, and is carried with aplomb by the two delectable leads. This unconventional pairing is clearly the best part, as they drive the most laughs and delight in sharing their stories and offering life lessons. While it might languish in the final third when a heap of drama and themes are forced upon the narrative, its overarching sweetness will please its buyers. The perfect fatherly figure.
The VisitStefan Bugryn
Two young children visit their grandparents for the first time and realise something is very wrong.
The plot twist is no new thing to cinema, and when it’s executed correctly, it can make a film feel refreshing and new. The twist in "The Visit" is incredibly clever, and breathes fresh air to a somewhat boring script after the half way mark. For a large portion of the film, it feels like everything is on repeat. If it weren't for the natural and very engaging performances from the two very young leads, it could be considered quite unentertaining. Come for the visit, stay for the surprise.