10,000 BC
Anthony Macali
A prehistoric epic that follows a young mammoth hunter's journey through uncharted territory to secure the future of his tribe.
I can only imagine how this film's pre-production went. "We can have a script or generate a woolly mammoth? We could cast decent actors or generate another woolly mammoth? Maybe consider throwing in some pre-historic authenticity, or just go with another one of those impressive woolly mammoths?". As empty as the desert, and unintelligent as the dialogue and cavemen that inhabit this film, "10000 BC" is one of the worst films in history.
13 Assassins
Andrew O'Dea
In feudal Japan, a group of Samurai assassins come together on a suicide mission to kill an evil lord.
This period action flick is a tale of vengeance and honour, combining 'old-school' Japanese heroics with genuinely poetic sentiment. The story and electricity builds slowly as we're introduced to the '13', before exploding into one of the greatest extended battle sequences of all time. Blood flows, limbs fly, and heads roll in what is quite simply a ballet of brutality. Yet the film still carries direction and purpose behind the gore, through the nobility of our heroes' cause. A near-flawless, classic Samurai movie. Both incredibly stylish and graphically violent, "13 Assassins" never misses its mark.
2012
Anthony Macali
An epic adventure about a global cataclysm that brings an end to the world.
For the most part, "2012" requires you to be strapped in as you are overwhelmed by loud noises and CGI carnage. But what little joy there is to savour in the crumbling of national monuments is quickly lost in the cracks of boredom. There are only so many times a plane can out-run impending destruction before a plot becomes anymore predictable, while we look at our watches and wonder why oh why is it taking so long for the world to end? Yet another disappointment from a director of disasters.
28 Weeks Later
Anthony Macali
Weeks after the initial rage virus outbreak, the American Army have brought London into quarantine.
The first movie explored the realisation of civilisation destroyed. It starts promisingly with the same tone, forcing the characters to make vital decisions: family or zombie? It's about the time the Americans lose control that the film also loses it. The remainder of the film follows this fatiguing sequence: run, hide, kill zombie... run, hide, kill zombie... invariably losing extras on the way. At this point you lose interest and strain to sustain the gore. The movie does well to keep you in suspense, but I prefer armageddon over shoot-em-up.
300
Andrew O'Dea
King Leonidis leads a band of elite warriors to war in the defence of their revered Sparta.
A gourmet for the purest of action fans, "300" is a visual feast. It doesn't concede to that typical movie concept whereby our heroes find themselves vastly outnumbered only to overcome insurmountable odds. Amidst all the testosterone and glistening abdominal muscles, it still does well to conjure inspiration and give substance to the brave three hundred's valour and sacrifice. It's brutal, but ultimately moving. With ferocious battle sequences choreographed using superlative CGI, and a plot to match, slaughter never looked this good.
3:10 To Yuma
Anthony Macali
A small-time rancher agrees to hold a captured outlaw who's awaiting a train to go to court in Yuma.
The track to Yuma is a windy road that will keep you constantly guessing. The landscape and period are captured beautifully, from small humble towns, shining pistols, and humble town-folk. Unlike your traditional western, these characters have names and bring their colourful history to the screen. They create a conscious conflict as you guiltily admire the charismatic bad guy and resent the bitter and weak good guy. This film harbours a swag of strong performances in an enjoyable and riveting ride.
Abduction
Courtney Slevison
A young man sets out to uncover the truth after finding his baby photo on a missing persons website.
This movie feels like nothing more than an extended show reel for the young male lead, dreamed up by studio execs to make an easy buck. The space around the teen heartthrob is filled with an established and highly-regarded supporting cast, who have nothing to work with in a film that has been clumsily put together without even attempting to be clever, entertaining or exciting; all things a good spy flick should be. Underwhelming and completely devoid of any originality or inspiration, "Abduction" is a waste of time.
Apocalypto
Anthony Macali
A Mayan village is overrun by a vicious tribe, imprisoning the men and sentencing them to be sacrificed.
"Apocalypto" throws you deep into the jungle, welcoming the simple life of hunting to eat, tribal dances and procreation. The editing is fast, setup brilliant and characters superb. You will be gripped and curious and always anticipating the fate of our heroes.
Astro Boy
Anthony Macali
Set in futuristic Metro City, Astro Boy is about a young robot with incredible powers created by a brilliant scientist named Dr. Tenma.
This movie is aimed at a young audience - the science of good and evil is broken down into colours of blue and red, whilst also exploring themes of grief, friendship and family. However, there's still plenty of action and comedy on the horizon, and it's difficult to resist the charm of the delightful Toby and his growth into Astro. Although not entirely exciting and armed with a somewhat robotic plot, "Astro Boy" remains a serviceable film for fanboys and kids alike.
Avatar
Andrew O'Dea
A band of humans are pitted in a battle against a distant planet's indigenous population.
A visual masterpiece when viewed in its desirable 3D medium, the sheer imagination and technical genius of this film manages to impart a sensory impact never before achieved in cinema. The visuals are simply breathtaking to the point where even the narrative is at times overlooked. Gaze in awe as you're immersed amongst the stunning colours and luminescence of 'Pandora', and marvel while seamless CGI creates some of the most exhilarating and brilliant action sequences of all time. "Avatar" is truly an out of body experience.
Battle: Los Angeles
Anthony Macali
A recently discharged Staff Sergeant goes back into the line of duty in order to assist a 2nd Lieutenant and his platoon as they fight to reclaim the city of Los Angeles from alien invaders.
"Battle: Los Angeles" is good at a few things: making sure the plot is abundantly clear, and producing loud noises to accompany the greatest array of CGI army vehicles and artillery ever known to man. Only a few clicks into the running time, the mind numbs, and your time is invaded by boredom. The inordinate amounts of action will only provide service to pubescent teens seeking the same experience as their video games. Want more than pyrotechnics, and you're fighting a losing battle.
Beowulf
Anthony Macali
The warrior Beowulf must fight and defeat the monster Grendel who is terrorizing towns, and later, Grendel's mother, who begins killing out of revenge.
A motion-capture animation of breathtaking visuals, "Beowulf" is a story of one enigmatic warrior, his gruff voice and the monsters he meets. The most merry-making of them all, is a large dragon with a fiery breath that blasts from the cinema speakers at full volume. The action will please the fantasy fans, and the rest will marvel at the computer graphics that tends to overshadow the plot, characters, and any other elements of the film.
Body of Lies
Andrew O'Dea
Based on Washington Post columnist David Ignatius's 2007 novel about a CIA operative who uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.
"Body of Lies" is a political thriller that presents a current perspective of the turmoil pertinent to the Middle East. Rather than descending into patriotic nonsense, it takes a pointed look behind the veil of the 'War on Terror'. Those with a vested interest in the often volatile yet delicate balance of diplomacy and international espionage will find this film intellectually engaging, while others may find the portion of action sequences, however impressive, lacking.
Captain America: The First Avenger
Andrew O'Dea
Steve Rogers volunteers for a top secret research project that turns him into Captain America.
The 1940's are faithfully re-created in this stand-alone origin story, with a superb production design that creates a welcoming and often humourous vibe. It reverberates though the entire film and provides the perfect platform for some good ole' fashioned entertainment. "Captain America" provides all the action, adventure and visual thrills one would expect from a superhero story, along with brilliant characterisations from both heroes and villains alike. The target audience is sure to leave the cinema satisfied... the man in red, white and blue won't let you down.
Casino Royale
Anthony Macali
In his first mission, James Bond must stop Le Chiffre, a banker to the world's terrorist organizations, from winning a high-stakes poker tournament at Casino Royale in Montenegro.
A more realistic Bond was definitely what the cards ordered, and our new hero was in no doubt of delivering it. All in a world we can relate to - the constant threat of terrorism and the rise of the game of poker. We all want to be James Bond... now it's even more believable we can be.