Captain America: Civil WarStefan Sgarioto
Captain America and Iron Man find themselves on opposing sides of the law after there is a push for a governing body to oversee The Avengers.
Pitting superheroes against each other is a great spectacle when done right, and "Captain America: Civil War" manages to balance a large ensemble and their conflicting ideologies with ease. Whilst still keeping the star-spangled man center stage, "Civil War" cleverly explores the grey area between the two opposing sides; allowing audiences to decide who is wrong and right. Assisted by generous running time, the end result is a deeply personal and intricate story with large scale action sequences to boot. The pay-off is marvelous.
Batman v Superman: Dawn of JusticeAnthony Macali
Superman's aid to society comes under question after the fallout of his confrontation with General Zod, and continuous collateral damage he leaves in his path.
For all its scale and enterprise, "Batman v Superman" falters under the weight of a rudimentary plot. It seems any form of character progression was better served in previous films. In this outing, a large proponent of the running time is spent building upon the uninspired grudge at the center of story. The rest is occupied by heavy CGI visuals and extensive action set pieces we've become accustomed to. While the film never descends into boredom, it's frustrating that so many key elements are lacking, considering its size and promise. The dawn of further spin-offs.
London Has FallenAnthony Macali
Leaders of the world gather in London for the funeral of the Prime Minister, only to discover it's a trap.
Much like its previous rescue, "London Has Fallen" delivers exactly on what it advertises on the tin. It's a ridiculous premise, with a set of cartoon cut-out world leaders, our magnanimous hero and a litany of terrorists. The action and explosions that follow rain debris across the great British city, with cheesy jokes aplenty. High ranking officials crowd round-tables in disbelief, and the key is not to treat their political melodrama too seriously... you will find more amusement this way. Arrive with low expectations and you won't be cross. This is bloody fun.
Gods of EgyptStefan Sgarioto
A mortal teams up with the god Horus to take on the god Set, who threatens to plunge the once peaceful and prosperous Egyptian empire into chaos and conflict.
The vibrant and extremely CGI laden tone of "Gods of Egypt" is almost enough to distract you from the god-awful train-wreck that it is. For every impressive (and sometimes unimpressive) frame of stunning visual effect, there are just as many poorly delivered scenes of corny dialogue and over-the-top set pieces. The whole film is ridiculous, yet if that's what you're expecting, it can almost be entertaining. All in all, this film is extremely dumb fun, and fits the bill of being 'so bad, it's good'... but by god is it bad.
Ride Along 2Stefan Sgarioto
A detective heads to Miami with his soon-to-be brother-in-law to bring down a drug dealer who's supplying the dealers of Atlanta with product.
Another film in the 'no sequel necessary' category. Despite a predictable plot and over-the-top, prolonged jokes, it is by no means a terrible film, and "Ride Along 2" is not the worst film to watch to kill some time. There are sporadic moments of hilarity and some creative car chases to maintain a level of entertainment. If you're bored, you may as well go along for the ride.
Clavius, a member of the Roman Army, is entrusted with the task of finding Jesus after his body disappears from the tomb.
"Risen" is perhaps one of the best looking Biblical films you are going to see. Sizzling desert landscapes and large sandstone structures create the perfect setting, but it was always going to require a miracle to enthral an audience with the rest. Given the subject matter, it's a relief the film is not especially preachy. The lead centurion puts in an honourable performance, gritted and stern in his quest for the truth and wholly predictable path to redemption. Righteous.
After a wise-cracking mercenary is subjected to a rogue experiment that leaves him with accelerated healing powers, he adopts the alter-ego 'Deadpool'.
It quickly becomes apparent that this is a film doesn't take itself seriously, and neither should its audience. The self-satisfying nature and constant breaking of the fourth wall makes "Deadpool" unlike any other superhero film you've seen... in all the best ways. Constantly hilarious, superbly brutal and consistently vulgar, this anti-hero manages to deliver a super origin story fit for a multi-million-dollar franchise. Deadly fun.
The 5th WaveAnthony Macali
An alien force arrives on Earth and attempts to rid the planet of all the humans via its five phase plan.
The most confusing thing about "The 5th Wave" is trying to decipher what it's about... triumph of the human spirit and survival, or the hopelessness of humanity against greater natural forces? Ashamedly, could it even be a young girl caught in a dystopian love triangle between her pubescent crush and ambiguous saviour? Sadly the latter tends to steal the spotlight and is one of many disappointments in a rather lazy film consisting of shabby special effects and clunky dialogue. The umpteenth young adult end-of-the-world adaptation.
Star Wars: The Force AwakensAnthony Macali
The dark First Order face The Resistance in the hunt for BB-8, a droid harbouring a map believed to detail the location of the missing Luke Skywalker.
"Star Wars: The Force Awakens" makes a triumphant return, but sadly this wistful event will only leave its fans rejoicing. A new generation of amiable characters are introduced, and familiar ones welcomed back, yet the story fails to take-off. Flashy action pieces and an overpowering sense of nostalgia struggle to hide the obvious dip at the halfway mark, as the film is forced to echo and salvage elements of its past to complete its mission. A billion-dollar franchise awakens.
A dying wish sends James Bond on a rogue mission to uncover an evil criminal organisation.
'If it ain't broke, don't fix it' seems to be the attitude of the filmmakers in the 24th installment of this franchise, as it sticks to the famous formula. Original? Noo… with a double O. We see our blue-eyed spy doing what he does best, catching planes, trains and automobiles, fighting scar faced evildoers, and seducing pretty women with accents. The scale of the opening sequence is awesome, but the middle is a bit all over the shop. However the world is saved when the action is heightened towards its more entertaining end, giving audiences the full spectrum.
An FBI agent is co-opted into joining a special government operation against Mexican drug cartels.
"Sicario" takes us deep into an apocalyptic frontier of the war on drugs. We delve into a complex moral ground where there is no forgiveness, only bloody retribution, and where law enforcers are lawless. Brace yourself for a place where virility is king, sexism is taken for granted and racism is fact. Many lines are crossed, and the question is 'do the ends justify the means'? In either case this brilliant movie amplifies some flaws and futility in our real word. Intense.
The Man from U.N.C.L.E.Anthony Macali
In the 1960s, an American and Russian operative must join forces to stop a nuclear bomb.
"The Man from U.N.C.L.E." is all style and no substance. When these secret agents aren’t jumping and shooting at one another, they are delivering fashion advice. With this example you can appreciate the uncomplicated direction of this story. It starts off obnoxious, but slowly grows on you over the course of the mission. Everything is so nice to look at, and plot reveals are neatly constructed (and deconstructed) for the audience, leaving little to the imagination. Sleek and chic, and not so special.
Fantastic FourStefan Sgarioto
After being transported to an alternative universe, four youngsters gain superpowers and soon become the superhero group known as the Fantastic Four.
This reboot's mediocre attempt to emulate the now commonplace dark and gritty style of modern superhero films is just only one example of how it has missed the mark. How can a film spend so long setting up the story, only to exhibit a complete lack of character development and narrative progression? This conundrum, culminating with average CGI, an ill-fitting tone and poor casting choices- makes for an easily forgettable viewing experience. Fantastic failure.
Mission: Impossible - Rogue NationStefan Sgarioto
Ethan and team take on their most impossible mission yet, eradicating an International rogue organization known as the Syndicate.
Playing to its strengths, "Rogue Nation" wastes no time in giving the audience a heavy dose of death-defying stunts, fast paced fight scenes and exhilarating car chases amidst an array of exotic locations. Part of the film's charm is its subtle self-awareness, accepting the ridiculousness of some of the situations and not taking itself too seriously. While it doesn't reach the heights of the previous installment, MI5's espionage game is still strong. Impossible not to love.
Recently released from prison, Scott Lang takes part in a safe heist, and stumbles upon an odd looking costume that can shrink its wearer down to size.
A character based on an insect may not be the most appealing of superheroes, but rest assured, Ant-Man's entry into the comic universe is just as endearing as his fellow kin. This film sticks rigidly to the formula, with a cleverly selected cast, cheerful humour and splendid visuals bringing this bug-size world to sumptuous life. It is action on a scale rarely seen, armies of ants crawling through pipes and darting under doors achieves a newfangled manner of fun. This little guy packs a punch.
Terminator GenisysAnthony Macali
John Connor sends Kyle Reese back in time to protect his mother Sarah Connor.
"Terminator Genisys" is a sequel/reboot/redux, which inspires you to track down and watch the far superior original films. Made primarily to serve the faithful fans, all the winks and nods to the previous instalments cannot overcome the lacklustre and somewhat confusing plot. While it's a thrill to see a classic cast member return as a T-800, the subdued action sequences, which rely heavily on CGI, deliver little threat when these remarkably durable robots fight one another. A franchise close to obsolete.
Jurassic WorldAnthony Macali
The re-branded theme park "Jurassic World" is trying to introduce some new genetically engineered dinosaurs to the island in a attempt to attract new visitors.
"Jurassic World" might lack the awe and wonder of its original predecessor, but still delivers a thrilling, albeit superfluous experience. This exhibit is low on fresh ideas, reviving a franchise we thought was extinct and presenting it to a new generation, while cleverly feeding the nostalgia of previous visitors. Bolstered by a strong cast, the most impressive species in this film are the humans. The two leads are a highlight, breathing life and fun to this ride. A prehistoric rehash.
Frank and Casey travel to a place somewhere in time and space known only as Tomorrowland.
Despite captivating visuals and an exciting imaginative palate, this space mission struggles to keep steady traction due to inconsistent storytelling. On the one hand the audience isn't bogged down with too much science. On the other, the film refuses to divulge any secrets behind the mysterious "Tommorrowland" until the third act. This waiting game makes the story slightly less engaging. But it's still an epic adventure; filled to the brim with spectacle, positivity and hope. Take me to "Tomorrowland" today.
San AndreasAnthony Macali
A helicopter pilot embarks on a mission to save his daughter after the state of California is rocked by a series of devastating earthquakes.
"San Andreas" is an action extravaganza; a non-stop avalanche of shattered windows, twisted metal and edge of your seat thrills. This disaster film features all types of craft – land, sea and air – each piloted by our hulking hero, who provides a continuous tremor of suspense and peril. Relying heaving on some commendable special effects, this completely ridiculous story packs it all in. Hard to fault.
Mad Max: Fury RoadStefan Bugryn
Two rebels in a post-apocalyptic wasteland attempt to restore order from a megalomaniac overlord.
This cranked up adrenalin ride of a film makes you feel like you've had a full body workout just by watching it. Utterly insane, yet utterly brilliant at the same time, everything in this mad world is hyper-real, over the top, and bloody amazing. It feels like it never slows down, even though, on rare occasions, it does. And those moments actually work rather poetically, demonstrating a perfect blend of artistry and entertainment. A rare occasion where returning to a classic film franchise has worked. Furiously fun.
Avengers: Age of UltronAnthony Macali
In his attempts to create an AI robot to protect the world, Tony Stark inadvertently triggers the birth of Ultron, a machine hellbent on destruction.
Want to see a group of costumed heroes smash a whole bunch of robots, with great humour and style? Then "Avengers: Age of Ultron" is for you. With unlimited state-of-the-art tech at their disposal, the film-makers have created a universe of gleaming special effects and relentless action. Rarely do you get the opportunity to take a breath, as a barrage of set pieces power through the less than modest running time. It's a fantastic age to save the world.
Fast and Furious 7Anthony Macali
Deckard Shaw seeks revenge against Dominic Toretto and his family for the death of his brother.
"Fast and Furious 7" is completely ridiculous. To expect anything different, especially after seven installments, would make you as absurd as this film. This movie is pure vehicular mayhem, and despite the preposterous nature of the stunts and story, is also surprisingly and unavoidably fun. Jet-setting from one major set-piece to the next, the action sequences smash the boundaries of thrills and frivolity. All your favourite characters are back, saving the world in style and charming the audience with the unexplained abundance of cars at their disposal. If only cars could fly.
A young and disoriented British soldier is accidentally abandoned by his unit following a riot.
Set amidst the melting pot of violence and political tension of Belfast in '71, this unconventional yet taut thriller is an introspective into the bitter conflict between Catholics and protestants at the time. There are bombs, bullets and bodies aplenty without being a prototypical action movie, and despite being a slow burn, still maintains an aura of suspense as we accompany our hero through a gritty urban war-zone; the jittery hand-held camera work lending a sense of urgency and immediacy. A willing tale from another decade.
A one-time police droid becomes the first robot with the ability to think and feel for himself.
"Chappie" is full of intriguing ideas, but perhaps its greatest feat lies in the sense of empathy we feel for a sentient robot we know very well not to be human. The interaction between the title character and exaggerated personas of his gangster co-stars is seamless and feels absolutely genuine. Ultra-violent choreography and stunning visual effects underpin whimsical and heartfelt moments of humour. If you can forgive the flimsy narrative and embrace its sentimental intentions, this film remains an entertaining sci-fi romp. Happy Chappie.
Seventh SonAndrew O'Dea
Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.
"Seventh Son" is an over-produced and under-conceived fantasy epic full of swordplay, sorcery and snores. Despite an impressive set design and visuals, the slick CGI isn't enough to compensate for a predictable narrative that fails to produce any semblance of originality or imagination, as the talents of a promising cast are wasted amongst a barrage of animated monsters, explosions and some downright perplexing accents. Son of a dud.