Mad Max: Fury RoadStefan Bugryn
Two rebels in a post-apocalyptic wasteland attempt to restore order from a megalomaniac overlord.
This cranked up adrenalin ride of a film makes you feel like you've had a full body workout just by watching it. Utterly insane, yet utterly brilliant at the same time, everything in this mad world is hyper-real, over the top, and bloody amazing. It feels like it never slows down, even though, on rare occasions, it does. And those moments actually work rather poetically, demonstrating a perfect blend of artistry and entertainment. A rare occasion where returning to a classic film franchise has worked. Furiously fun.
Avengers: Age of UltronAnthony Macali
In his attempts to create an AI robot to protect the world, Tony Stark inadvertently triggers the birth of Ultron, a machine hellbent on destruction.
Want to see a group of costumed heroes smash a whole bunch of robots, with great humour and style? Then "Avengers: Age of Ultron" is for you. With unlimited state-of-the-art tech at their disposal, the film-makers have created a universe of gleaming special effects and relentless action. Rarely do you get the opportunity to take a breath, as a barrage of set pieces power through the less than modest running time. It's a fantastic age to save the world.
Fast and Furious 7Anthony Macali
Deckard Shaw seeks revenge against Dominic Toretto and his family for the death of his brother.
"Fast and Furious 7" is completely ridiculous. To expect anything different, especially after seven installments, would make you as absurd as this film. This movie is pure vehicular mayhem, and despite the preposterous nature of the stunts and story, is also surprisingly and unavoidably fun. Jet-setting from one major set-piece to the next, the action sequences smash the boundaries of thrills and frivolity. All your favourite characters are back, saving the world in style and charming the audience with the unexplained abundance of cars at their disposal. If only cars could fly.
A young and disoriented British soldier is accidentally abandoned by his unit following a riot.
Set amidst the melting pot of violence and political tension of Belfast in '71, this unconventional yet taut thriller is an introspective into the bitter conflict between Catholics and protestants at the time. There are bombs, bullets and bodies aplenty without being a prototypical action movie, and despite being a slow burn, still maintains an aura of suspense as we accompany our hero through a gritty urban war-zone; the jittery hand-held camera work lending a sense of urgency and immediacy. A willing tale from another decade.
A one-time police droid becomes the first robot with the ability to think and feel for himself.
"Chappie" is full of intriguing ideas, but perhaps its greatest feat lies in the sense of empathy we feel for a sentient robot we know very well not to be human. The interaction between the title character and exaggerated personas of his gangster co-stars is seamless and feels absolutely genuine. Ultra-violent choreography and stunning visual effects underpin whimsical and heartfelt moments of humour. If you can forgive the flimsy narrative and embrace its sentimental intentions, this film remains an entertaining sci-fi romp. Happy Chappie.
Seventh SonAndrew O'Dea
Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.
"Seventh Son" is an over-produced and under-conceived fantasy epic full of swordplay, sorcery and snores. Despite an impressive set design and visuals, the slick CGI isn't enough to compensate for a predictable narrative that fails to produce any semblance of originality or imagination, as the talents of a promising cast are wasted amongst a barrage of animated monsters, explosions and some downright perplexing accents. Son of a dud.
Jupiter AscendingAnthony Macali
Jupiter's boring and destitute life of house cleaning changes when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down.
"Jupiter Ascending" shoots for the stars and falls flat on its face, relying on worn conventions and hopeless romanticism to propel its story. There's no question the visuals are amazing; a galaxy of brightly coloured planets, outrageous outfits, and finely detailed mazes and structures. Once the exposition finally kicks in, the back-story is a little more interesting, but also quickly forgotten, as we query some of the more gaping aspects of the plot. Box-office descending.
Taken 3Andrew O'Dea
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed.
Action junkies will find "Taken 3" enjoyable in a cheesy sort of way, while the rest of its audience must be prepared to switch their brains off. Bordering on tedious, this film plays out like a family melodrama interspersed with car chases and fight scenes. Thankfully there's some semblance of a cohesive plot, despite holes in it gaping enough to drive an aircraft through, before flipping it end-on-end and exploding in a fiery spectacle. Let's hope the film lives up to its tagline and "ends here". Taken the piss...
Big Hero 6Anthony Macali
The special bond that develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
"Big Hero 6" is a whiz-bang robotic romp, self-assured in its style and execution. Set in the clever and aptly titled 'San Fransokyo', we are presented with an awesome mix of colourful and futuristic animation to suit the story. The unlikely hero is an oddly marshmallow-looking invention, a functional and affable health bot whose impassive questions and incessant shuffling generate the greatest laughs. Kids and adults will escape unscathed in this action-packed adventure. Pain-free.
Exodus: Gods and KingsJan Di Pietro
The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
Moses... know him, right? Too bad if you don't! It's his story, although instead of a story, "Exodus: Gods and Kings" presents itself like a literal recounting of events. Like Moses' walk in the desert, this film is long, arduous, and is likely to cause hunger and thirst. It's always strange to watch historical figures behaving like modern folk. Ancient Egypt is recreated with astounding visuals... about all it's worth. Might be fun for "believers", but the movie gods have abandoned the rest of us.
A battle-hardened sergeant commands his 5-man Sherman tank crew on a deadly mission.
As much an 'anti-war' as it is an action film, "Fury" depicts an uncompromising and morally provocative story immersed amongst the horrors and futility of WWII. Along with an astonishing attention to detail, there is also a starkly grim authenticity to the brutality of tank warfare; and it's amidst the claustrophobia we're able to get to know the characters so intimately. Visceral and violent, brutal and unrelenting, it leaves little room for sentimentality, culminating in an extraordinary combat scene sure to leave its audience reeling. Harrowing.
Dracula UntoldAndrew O'Dea
Facing threats to his kingdom and his family, Vlad Tepes looks to make a deal with dangerous supernatural forces - without succumbing to the darkness himself.
"Dracula Untold" is an origin film that injects new blood into an otherwise tired subject. Taking the famous vampire back hundreds of years, there's a degree of thought to the back-story that is both obvious and refreshing. Although the screenplay is most definitely flawed, the trespasses into clichéd territory can easily be forgiven by an audience who will appreciate the charismatic lead and his frequent forays into the grim and gory. Doesn't suck.
The EqualizerJan Di Pietro
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life, until he meets a young girl under the control of ultra-violent Russian gangsters.
"The Equalizer" is rampant Hollywood patriotism. It's vengeance in the name of justice, and an unashamed reaffirmation of the American dream. However, the characters are memorable, and the direction is slick. Highlights include enthralling scene work and highly creative gore. The film thrills and stirs passion, but you might puke red, white and blue afterwards.
The GrandmasterAndrew O'Dea
The story of martial-arts master Ip Man, the man who trained Bruce Lee.
"The Grandmaster" is a stylish Kung Fu epic, resplendent in its lush visuals and attention to period detail. Unfortunately the narrative is downright confusing, burdened by disjointed storytelling and a muddled timeline. It disappoints as a biography of its subject, flippantly passing over the opportunity for meaty characterisation in exchange for overly dramatised, prolonged cut sequences. Thankfully, the stunning and explosive fight sequences that redeem this movie, undeniably gorgeous in their choreography and artistic flair. A grand film, but hardly mastered.
Dawn of the Planet of the ApesAndrew O'Dea
In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.
"Dawn of the Planet of the Apes" is darker than its predecessor, replete with themes of politics, trust, betrayal and family. This brilliantly realised science-fiction movie is both smart and exciting in narrative and amazingly splendid in visual effects, with the on-screen simians appearing just as real as their human counterparts. No monkey business here, this film is an intelligent piece of popcorn entertainment. Movie strong. People enjoy.
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
"Lucy" is a stylish action thriller replete with dizzying effects and splendid imagery. Ambitious in scope, the movie is held together by a fascinating premise and a superb performance from the lead. Unfortunately, for a film that explores the idea of human potential, it doesn't quite to live up to its own. Interesting without being entertaining, it loses credulity with a slew of logical plot gaps either glaringly convenient or simply left unexplained. Reaches 60% of its capacity.
Guardians of the GalaxyAndrew O'Dea
A group of misfits finds themselves the target of a manhunt after acquiring an all-powerful orb.
"Guardians of the Galaxy" is utterly dazzling as a sci-fi spectacle, but its real strength lies in the charisma of its characters. The band of atypical yet weirdly loveable heroes at its core affirms the film's goofy and energetic nature, as it strikes a cosmic balance between rollicking action and humour. It also proves to be a musical treat, with the eclectic soundtrack providing a slew of classic songs to compliment the irreverent fun. Relive that feeling of being a kid watching a Saturday morning cartoon with this awesome addition to the movie universe.
Transformers: Age of ExtinctionAndrew O'Dea
A mechanic's family join the Autobots as they are targeted by a bounty hunter from another world.
"Transformers: Age of Extinction" is a loud, effects-driven assault on intelligence. The film manages to stupefy what is already a dumbed-down formula with a bombardment of plot points so nonsensical they cause the audience to mind-numbingly dismiss them. Shameless and overt product placement underpin a monstrous running time that ensures the chaos gets real boring, really fast; the entire experience feels like a long-winded race to smash and destroy things from one location to the next. Here's hoping this tepid instalment signals the extinction of the franchise.
22 Jump StreetAndrew O'Dea
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
"22 Jump Street" is one of those rare sequels that meets expectations and perhaps even improves upon its predecessor. This satirical comedy is preposterous in the best possible way, and the effortless chemistry between the leads keeps their bromance constantly amusing and often hilarious. The self-referential humour is both senselessly silly and witty, making fun of its own recycled nature – be sure to stick around for the end credits. Bring on the jump to 23.
Edge of TomorrowAndrew O'Dea
An officer finds himself caught in a time loop in a war with an alien race.
Funny, suspenseful and imaginative, "Edge of Tomorrow" plays like a smart and engaging video game. With brains to match the brawn, the film's repetitive premise never becomes predictable. Exhilarating action sequences are broken up by moments of dark humour, and tension is maintained thanks to deft pacing and an intelligent script. This captivating sci-fi adventure serves as a fine counter to the formulaic alien-invasion thrillers to which audiences have otherwise become accustomed. Good enough to revisit, and again.
X-Men: Days of Future PastAndrew O'Dea
The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.
"X-Men: Days of Future Past" is a coherent, plot-driven action film. The visual effects are stunning in this accomplished mutant showcase, complete with monumental set pieces and superb ensemble cast. The compelling narrative holds enough appeal to entertain both the average cinema-goer and comic book geek alike, and thanks to a clever script, allows this rebooted franchise to undo and rewrite the failings of its predecessors. The future is bright.
The world's most famous monster is pitted against malevolent creatures threaten our very existence.
"Godzilla" is back bigger and better than ever. This reincarnation of the story does not lay dormant for very long, feeding nuclear fears and manifesting them in the grandest and most terrifying of creatures. The special effects are superb, with hellish production sets and gravitating action that will leave you in awe. However, this monster's greatest success is the decidedly human element, brilliantly capturing the universal threat and far-spanning emotional reactions of all characters involved. Let them fight.
The Amazing Spider-Man 2Andrew O'Dea
Peter Parker runs the gauntlet as Oscorp sends up a slew of supervillains against him.
"The Amazing Spider-Man 2" disappointingly fails to capitalise on the promise of its predecessor. 'Spidey' in full flight is still a sight to behold, and the striking visuals and first-person action sequences will dazzle. There are high marks for characterisation, only it's wasted with so many of them on screen. Navigating the myriad of plot threads and seemingly endless procession of villains becomes akin to being stuck in a web... only for the whole thing to be clumsily unravelled, paving the way for an inevitable next instalment. Down came the rain and washed the spider out.
Captain America: The Winter SoldierAndrew O'Dea
Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
"Captain America 2" is testament to big-budget blockbusters capable of delivering substance in both plot and action. Grittier than its predecessor, this well rounded sequel plays more like an espionage thriller, and surprises in its contemplativeness of political and social relevance. A host of characters are each given time to develop without disengaging the audience, complementing the lavish visual effects and explosive, bone-crunching set pieces. Stars and spangles.
300 Rise of an EmpireAndrew O'Dea
Greek general Themistokles leads the charge against invading Persian forces.
"300: Rise of an Empire" is an epic spectacle of video-game violence and gore. This stylised action fantasy retains the familiar and flashy comic-book style of the franchise, replete with blood-spattering slow motion and enough visceral excess to keep the senses engaged. Although it pales in comparison when evoking the same emotional vigour of its predecessor, the void is redeemed by the sultry, murderous heroine at its center who steals and carries the show. Not bad as a stand-alone movie, it's just missing some limbs.