A dying wish sends James Bond on a rogue mission to uncover an evil criminal organisation.
'If it ain't broke, don't fix it' seems to be the attitude of the filmmakers in the 24th installment of this franchise, as it sticks to the famous formula. Original? Noo… with a double O. We see our blue-eyed spy doing what he does best, catching planes, trains and automobiles, fighting scar faced evildoers, and seducing pretty women with accents. The scale of the opening sequence is awesome, but the middle is a bit all over the shop. However the world is saved when the action is heightened towards its more entertaining end, giving audiences the full spectrum.
An FBI agent is co-opted into joining a special government operation against Mexican drug cartels.
"Sicario" takes us deep into an apocalyptic frontier of the war on drugs. We delve into a complex moral ground where there is no forgiveness, only bloody retribution, and where law enforcers are lawless. Brace yourself for a place where virility is king, sexism is taken for granted and racism is fact. Many lines are crossed, and the question is 'do the ends justify the means'? In either case this brilliant movie amplifies some flaws and futility in our real word. Intense.
The Man from U.N.C.L.E.Anthony Macali
In the 1960s, an American and Russian operative must join forces to stop a nuclear bomb.
"The Man from U.N.C.L.E." is all style and no substance. When these secret agents aren’t jumping and shooting at one another, they are delivering fashion advice. With this example you can appreciate the uncomplicated direction of this story. It starts off obnoxious, but slowly grows on you over the course of the mission. Everything is so nice to look at, and plot reveals are neatly constructed (and deconstructed) for the audience, leaving little to the imagination. Sleek and chic, and not so special.
Fantastic FourStefan Sgarioto
After being transported to an alternative universe, four youngsters gain superpowers and soon become the superhero group known as the Fantastic Four.
This reboot's mediocre attempt to emulate the now commonplace dark and gritty style of modern superhero films is just only one example of how it has missed the mark. How can a film spend so long setting up the story, only to exhibit a complete lack of character development and narrative progression? This conundrum, culminating with average CGI, an ill-fitting tone and poor casting choices- makes for an easily forgettable viewing experience. Fantastic failure.
Mission: Impossible - Rogue NationStefan Sgarioto
Ethan and team take on their most impossible mission yet, eradicating an International rogue organization known as the Syndicate.
Playing to its strengths, "Rogue Nation" wastes no time in giving the audience a heavy dose of death-defying stunts, fast paced fight scenes and exhilarating car chases amidst an array of exotic locations. Part of the film's charm is its subtle self-awareness, accepting the ridiculousness of some of the situations and not taking itself too seriously. While it doesn't reach the heights of the previous installment, MI5's espionage game is still strong. Impossible not to love.
Recently released from prison, Scott Lang takes part in a safe heist, and stumbles upon an odd looking costume that can shrink its wearer down to size.
A character based on an insect may not be the most appealing of superheroes, but rest assured, Ant-Man's entry into the comic universe is just as endearing as his fellow kin. This film sticks rigidly to the formula, with a cleverly selected cast, cheerful humour and splendid visuals bringing this bug-size world to sumptuous life. It is action on a scale rarely seen, armies of ants crawling through pipes and darting under doors achieves a newfangled manner of fun. This little guy packs a punch.
Terminator GenisysAnthony Macali
John Connor sends Kyle Reese back in time to protect his mother Sarah Connor.
"Terminator Genisys" is a sequel/reboot/redux, which inspires you to track down and watch the far superior original films. Made primarily to serve the faithful fans, all the winks and nods to the previous instalments cannot overcome the lacklustre and somewhat confusing plot. While it's a thrill to see a classic cast member return as a T-800, the subdued action sequences, which rely heavily on CGI, deliver little threat when these remarkably durable robots fight one another. A franchise close to obsolete.
Jurassic WorldAnthony Macali
The re-branded theme park "Jurassic World" is trying to introduce some new genetically engineered dinosaurs to the island in a attempt to attract new visitors.
"Jurassic World" might lack the awe and wonder of its original predecessor, but still delivers a thrilling, albeit superfluous experience. This exhibit is low on fresh ideas, reviving a franchise we thought was extinct and presenting it to a new generation, while cleverly feeding the nostalgia of previous visitors. Bolstered by a strong cast, the most impressive species in this film are the humans. The two leads are a highlight, breathing life and fun to this ride. A prehistoric rehash.
San AndreasAnthony Macali
A helicopter pilot embarks on a mission to save his daughter after the state of California is rocked by a series of devastating earthquakes.
"San Andreas" is an action extravaganza; a non-stop avalanche of shattered windows, twisted metal and edge of your seat thrills. This disaster film features all types of craft – land, sea and air – each piloted by our hulking hero, who provides a continuous tremor of suspense and peril. Relying heaving on some commendable special effects, this completely ridiculous story packs it all in. Hard to fault.
Frank and Casey travel to a place somewhere in time and space known only as Tomorrowland.
Despite captivating visuals and an exciting imaginative palate, this space mission struggles to keep steady traction due to inconsistent storytelling. On the one hand the audience isn't bogged down with too much science. On the other, the film refuses to divulge any secrets behind the mysterious "Tommorrowland" until the third act. This waiting game makes the story slightly less engaging. But it's still an epic adventure; filled to the brim with spectacle, positivity and hope. Take me to "Tomorrowland" today.
Mad Max: Fury RoadStefan Bugryn
Two rebels in a post-apocalyptic wasteland attempt to restore order from a megalomaniac overlord.
This cranked up adrenalin ride of a film makes you feel like you've had a full body workout just by watching it. Utterly insane, yet utterly brilliant at the same time, everything in this mad world is hyper-real, over the top, and bloody amazing. It feels like it never slows down, even though, on rare occasions, it does. And those moments actually work rather poetically, demonstrating a perfect blend of artistry and entertainment. A rare occasion where returning to a classic film franchise has worked. Furiously fun.
Avengers: Age of UltronAnthony Macali
In his attempts to create an AI robot to protect the world, Tony Stark inadvertently triggers the birth of Ultron, a machine hellbent on destruction.
Want to see a group of costumed heroes smash a whole bunch of robots, with great humour and style? Then "Avengers: Age of Ultron" is for you. With unlimited state-of-the-art tech at their disposal, the film-makers have created a universe of gleaming special effects and relentless action. Rarely do you get the opportunity to take a breath, as a barrage of set pieces power through the less than modest running time. It's a fantastic age to save the world.
Fast and Furious 7Anthony Macali
Deckard Shaw seeks revenge against Dominic Toretto and his family for the death of his brother.
"Fast and Furious 7" is completely ridiculous. To expect anything different, especially after seven installments, would make you as absurd as this film. This movie is pure vehicular mayhem, and despite the preposterous nature of the stunts and story, is also surprisingly and unavoidably fun. Jet-setting from one major set-piece to the next, the action sequences smash the boundaries of thrills and frivolity. All your favourite characters are back, saving the world in style and charming the audience with the unexplained abundance of cars at their disposal. If only cars could fly.
A young and disoriented British soldier is accidentally abandoned by his unit following a riot.
Set amidst the melting pot of violence and political tension of Belfast in '71, this unconventional yet taut thriller is an introspective into the bitter conflict between Catholics and protestants at the time. There are bombs, bullets and bodies aplenty without being a prototypical action movie, and despite being a slow burn, still maintains an aura of suspense as we accompany our hero through a gritty urban war-zone; the jittery hand-held camera work lending a sense of urgency and immediacy. A willing tale from another decade.
A one-time police droid becomes the first robot with the ability to think and feel for himself.
"Chappie" is full of intriguing ideas, but perhaps its greatest feat lies in the sense of empathy we feel for a sentient robot we know very well not to be human. The interaction between the title character and exaggerated personas of his gangster co-stars is seamless and feels absolutely genuine. Ultra-violent choreography and stunning visual effects underpin whimsical and heartfelt moments of humour. If you can forgive the flimsy narrative and embrace its sentimental intentions, this film remains an entertaining sci-fi romp. Happy Chappie.
Seventh SonAndrew O'Dea
Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.
"Seventh Son" is an over-produced and under-conceived fantasy epic full of swordplay, sorcery and snores. Despite an impressive set design and visuals, the slick CGI isn't enough to compensate for a predictable narrative that fails to produce any semblance of originality or imagination, as the talents of a promising cast are wasted amongst a barrage of animated monsters, explosions and some downright perplexing accents. Son of a dud.
Jupiter AscendingAnthony Macali
Jupiter's boring and destitute life of house cleaning changes when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down.
"Jupiter Ascending" shoots for the stars and falls flat on its face, relying on worn conventions and hopeless romanticism to propel its story. There's no question the visuals are amazing; a galaxy of brightly coloured planets, outrageous outfits, and finely detailed mazes and structures. Once the exposition finally kicks in, the back-story is a little more interesting, but also quickly forgotten, as we query some of the more gaping aspects of the plot. Box-office descending.
Taken 3Andrew O'Dea
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed.
Action junkies will find "Taken 3" enjoyable in a cheesy sort of way, while the rest of its audience must be prepared to switch their brains off. Bordering on tedious, this film plays out like a family melodrama interspersed with car chases and fight scenes. Thankfully there's some semblance of a cohesive plot, despite holes in it gaping enough to drive an aircraft through, before flipping it end-on-end and exploding in a fiery spectacle. Let's hope the film lives up to its tagline and "ends here". Taken the piss...
Big Hero 6Anthony Macali
The special bond that develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
"Big Hero 6" is a whiz-bang robotic romp, self-assured in its style and execution. Set in the clever and aptly titled 'San Fransokyo', we are presented with an awesome mix of colourful and futuristic animation to suit the story. The unlikely hero is an oddly marshmallow-looking invention, a functional and affable health bot whose impassive questions and incessant shuffling generate the greatest laughs. Kids and adults will escape unscathed in this action-packed adventure. Pain-free.
Exodus: Gods and KingsJan Di Pietro
The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
Moses... know him, right? Too bad if you don't! It's his story, although instead of a story, "Exodus: Gods and Kings" presents itself like a literal recounting of events. Like Moses' walk in the desert, this film is long, arduous, and is likely to cause hunger and thirst. It's always strange to watch historical figures behaving like modern folk. Ancient Egypt is recreated with astounding visuals... about all it's worth. Might be fun for "believers", but the movie gods have abandoned the rest of us.
A battle-hardened sergeant commands his 5-man Sherman tank crew on a deadly mission.
As much an 'anti-war' as it is an action film, "Fury" depicts an uncompromising and morally provocative story immersed amongst the horrors and futility of WWII. Along with an astonishing attention to detail, there is also a starkly grim authenticity to the brutality of tank warfare; and it's amidst the claustrophobia we're able to get to know the characters so intimately. Visceral and violent, brutal and unrelenting, it leaves little room for sentimentality, culminating in an extraordinary combat scene sure to leave its audience reeling. Harrowing.
Dracula UntoldAndrew O'Dea
Facing threats to his kingdom and his family, Vlad Tepes looks to make a deal with dangerous supernatural forces - without succumbing to the darkness himself.
"Dracula Untold" is an origin film that injects new blood into an otherwise tired subject. Taking the famous vampire back hundreds of years, there's a degree of thought to the back-story that is both obvious and refreshing. Although the screenplay is most definitely flawed, the trespasses into clichéd territory can easily be forgiven by an audience who will appreciate the charismatic lead and his frequent forays into the grim and gory. Doesn't suck.
The EqualizerJan Di Pietro
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life, until he meets a young girl under the control of ultra-violent Russian gangsters.
"The Equalizer" is rampant Hollywood patriotism. It's vengeance in the name of justice, and an unashamed reaffirmation of the American dream. However, the characters are memorable, and the direction is slick. Highlights include enthralling scene work and highly creative gore. The film thrills and stirs passion, but you might puke red, white and blue afterwards.
The GrandmasterAndrew O'Dea
The story of martial-arts master Ip Man, the man who trained Bruce Lee.
"The Grandmaster" is a stylish Kung Fu epic, resplendent in its lush visuals and attention to period detail. Unfortunately the narrative is downright confusing, burdened by disjointed storytelling and a muddled timeline. It disappoints as a biography of its subject, flippantly passing over the opportunity for meaty characterisation in exchange for overly dramatised, prolonged cut sequences. Thankfully, the stunning and explosive fight sequences that redeem this movie, undeniably gorgeous in their choreography and artistic flair. A grand film, but hardly mastered.
Dawn of the Planet of the ApesAndrew O'Dea
In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.
"Dawn of the Planet of the Apes" is darker than its predecessor, replete with themes of politics, trust, betrayal and family. This brilliantly realised science-fiction movie is both smart and exciting in narrative and amazingly splendid in visual effects, with the on-screen simians appearing just as real as their human counterparts. No monkey business here, this film is an intelligent piece of popcorn entertainment. Movie strong. People enjoy.