Our Idiot Brother
Anne Murphy
A comedy centered on an idealist who barges into the lives of his three sisters.
"Our Idiot Brother" is like movie popcorn, light and enjoyable without being really filling. The indie style production is as amiable as the affable main character; it is a comedy with charm. The focus is the special relationships between siblings, close, affectionate, and then relentlessly honest. The plot comprises small family interactions rather than dramatic action. The everyday trials of being part of a family are action enough to hold interest and the film does not stray into over sentimentality. Quite an intelligent idiot.
Page One: Inside the New York Times
Anthony Macali
Unprecedented access to the New York Times newsroom.
"Page One" is a fascinating insight into the inner sanctum of 'The Times', which we discover is more than a paper factory, but a renowned American institution. The film traces the history of some of its more colourful characters, acknowledging their commentary and fears for the future in a business destined for destitution. Most importantly, this documentary expertly covers all the recent developments to shake the industry, from wiki-leaks and twitter, to the iPad and the news online, all with genuine apprehension and humour. If this paper interests you, then it's definitely a good read.
- Genre » Documentary
- Festival » MIFF 2011
Paper Soldier
Anne Murphy
A Soviet medical officer is conflicted about his position overseeing the health of future cosmonauts.
Perhaps it was the Russian storytelling style, or the poor subtitles, but this film was mostly unintelligible; as inaccessible as the vast barren plains on which it was set. The problem may have been situational - something to do with the futility of training cosmonauts in a desolate sodden Kazakhstan campsite. Was that the point this surreal viewing experience, complete with camels, was making? If the space race was anything like this, it must have been incomprehensible and doomed for gloom.
Pardon My French
Courtney Slevison
Novelist Celimene is suffering from a severe case of writers block when she discovers she is being stalked by Anaïs, a strange young woman craving attention.
"Pardon My French" is a simple story of the power that strangers can have on our lives. More a character study than traditional narrative, this film is a snapshot of Celimene's life as she struggles with being stunted both creatively and emotionally. Although the characters are likeable, they remain unengaging and don't hold the viewers intrigue. At times tedious and unfocussed, this quirky film is a pleasant experience, but ultimately forgettable.
Peepli Live
Andrew O'Dea
In the village of Peepli, two poor farmers face losing their land over an unpaid government loan.
With a running joke about suicide at its core, "Peepli Live" is an eccentric film that will make you laugh but also delivers a potent message. Buoyed by a witty script, the production values are grand, and the unknown ensemble cast are brilliantly authentic and often hilarious in their individual roles. Funny yet ultimately sobering, it examines India's rural class struggle while the director uses comedy as a vehicle to firmly skewer those who exploit the situation; from corrupt government officials to the depravity of the media and the levels to which they often stoop – certainly no joke.
Persepolis
Anthony Macali
Poignant coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution.
It's surprising how touching this black and white animation is. With sharp contours and pale gradients, the film looks astounding, but also portrays a "dark" period of Marjane's life. Her narrative provides earnest accounts of Iran's history, family and moving out of home; growing into an acute perspective of life in these times of revolution. You leave the cinema in a wake of colours, realising the splendour of freedom.
Play
Anne Murphy
Over the course of a tense afternoon, a gang of five lure three younger boys into a complex street scam in order to rob them.
"Play" is based on real events that happened in Sweden. The movie is shot on location and uses untrained actors, imbibing a mockumentary tone, leaving a funny taste that it is neither fact nor fiction. The interactions between the cocky perpetrators and the intimidated targets make racial tensions uncomfortably palpable, but there's little else on offer. Interesting enough, but real-time drags like slow motion as the film goes on and on without getting anywhere. No fun.
Please Give
Anne Murphy
In New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in apartment the couple owns.
Manhattan films about nothing should be a genre of their own. Equal parts smart drama-comedy and introspective reflection on the human condition, "Please Give" is grounded in the angst of reality and near perfect. This is a chick flick populated with grown-ups who are still growing up. The city dwellers dealing with the everyday while struggling with life's big issues like guilt and insecurity are imperfect as well as sharp and funny. Nothing to give just breathe it in.
Project Nim
Wendy Slevison
The story of Nim, a chimpanzee who was the subject of a 1970s experiment to see if an ape could learn to communicate with language if raised like a human child.
This is a brilliant telling of a harrowing and complex tale. Initially captivating due to the very cute subject, the mood soon shifts as we learn more about the arrogant and shameless exploitation of this remarkable animal, with no regard for any consequences. As Nim grows and becomes unmanageable due to his size and strength, he is cruelly discarded. You could hear a pin drop in the cinema as the audience absorbed his appalling plight. "F" for the Project; "A" for this film.
- Genre » Documentary
- Festival » MIFF 2011
Red Dog
Wendy Slevison
Based on the true story of Red Dog, who united an outback community while in search of his master.
Watching this movie feels a bit like sitting around a camp fire listening to your mates tell a darn good yarn. It's a quintessentially Aussie experience with wonderfully personal characterisations and a truly incredible story. The first-class cinematography brings the mining area of Western Australia gloriously to life in a visual feast of red and turquoise. The human actors do a fine job of portraying the mateship that forms in the small mining towns, but of course the dog steals every scene he's in - what a talented boy! A blue ribbon for "Red Dog".
Rescue Dawn
Anthony Macali
A US Fighter pilot's epic struggle of survival after being shot down on a mission during the Vietnam War.
This film combines two of my favourite things: jungle and escaping prison. The jungle is captured beautifully: green, luscious and dense, impossible to penetrate without a machete. Escaping prison is slow, and painful. But this movie goes as far as showing many negligible details, from a crash-course in picking locks to converging the guards. The prisoners are a colourful bunch, the interplay in their state of delirium is very amusing. This is an exceptional war movie of survival and the jungle.
Route Irish
Andrew O'Dea
A private security contractor sets out to discover the truth about his friend's death in Iraq.
Although gripping at times, "Route Irish" is too often let down by pointless tangents in its story and the fact that it constantly feels the need to explain the plot rather than letting the audience figure it out for themselves. Not exactly the most effective technique when trying to heighten a 'thriller'. Combined with a melodramatic ending and characterisation that is let down by some sub-par acting, the film attempts to make a concerted political commentary on the Iraqi war that doesn't quite have the impact it should. No through-road.
Rubber
Anthony Macali
The story of Robert, a murderous tyre with psychic powers.
"Rubber" doesn't travel far from its amusing premise. Robert rolls around the desert in style, camera low to ground and in-close focus, using his grumbling powers to produce carnage. Undoubtedly circumstances like these will always lead to laughter. An odd sub-plot weaves between moments of madness, where an audience in the movie observe the action from afar using binoculars and comment on the story as it unfolds. Yet it's these bizarre moments that help to drive the film when bogged down by following a tyre that simply rolls. An unconventional and slightly amusing vehicle.
Scott Pilgrim vs. the World
Courtney Slevison
Scott Pilgrim must defeat his new girlfriend's seven evil exes in order to win her heart.
This is a film like no other you've seen before, and Scott Pilgrim is an equally unique hero. Highly imaginative and often hilarious, this quirky film feels a lot like watching a video game in live-action. Blending fantasy and reality seamlessly with candy-coloured visuals, the film's only pitfall is that by the time the climactic fight scene is reached, it feels a little repetitive. With so many crazy and offbeat characters crammed in, you will definitely want to live and play in Scott Pilgrim's world.
Senna
Anthony Macali
A documentary on Brazilian Formula One racing driver Ayrton Senna, who won the F1 world championship three times.
If you have any spot of intrigue for racing, then you will adore "Senna". He was a purist and a gentleman, who faced his biggest battles off the track in his fast and short-lived career. Ayrton's relationship with Prost is unrivalled, fiercely competing with one another despite their team alliance, and world championships marred by controversy, politics and the French. The result is unflinching drama, given credence by vast and captivating footage of races and interviews. A man of genius.
- Genre » Documentary
- Festival » MIFF 2011