Diary of the Dead
Anthony Macali
A group of young film students run into real-life zombies while filming a horror movie of their own.
The internet video revolution has spawned a number of these "home camcorder" films. This medium is ideal for creating a claustrophobic and isolated environment, the perfect playground for zombies to scare. A relentless sense of dread seeps from the screen, a feeling that augments the relief and humour of other parts of the story. Scenes often end in fits of laughter, with the living dead dispatched in an array of innovative manners. With a mix of solid scares and laughs, and a fresh new perspective, "Diary of the Dead" is great fun.
Drive
Anthony Macali
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
"Drive" is an odd little film about a man, his car, and a story that happens in between. By day, our enigmatic driver is quite reserved, and we watch his encounters with trepidation and a pop soundtrack. By night, the base is turned up, and we're placed in the seat next to him evading the police with great thrill. The middle stint might be slow going, but be warned… the violence revs up, and we have no idea where the story is headed. It's the quiet ones you have to watch.
Elite Squad 2: The Enemy Within
Andrew O'Dea
A Lieutenant-Colonel in the military police force of Rio de Janeiro wages a war to vanquish the city of its drugs and corruption.
Set amongst the slums of Rio, "Elite Squad 2" is a fictionalised yet telling exploration of the harsh political reality in Brazil. A bloody and intelligent political thriller, the guns also blaze in a host of gritty but exceptionally realistic shoot-outs. Through a tale of violence, it highlights the exploitation of the poor to the corruption of the police and bureaucrats who are meant to be preventing the crime they profit from. Not quite elite, but a markedly solid effort nonetheless.
Enter the Void
Stefan Bugryn
A drug dealing youth is killed in Tokyo, and drifts through the city in death watching over his sister.
"Enter the Void" is an experimental film that literally takes you on a beautiful journey through life and death. It's very dreamy and trippy, delving into a kaleidoscope of colours and pictures that can often be mistaken for an exploration of space. The narrative is powerful, often intensely emotional, and is shot almost entirely from the protagonist's view, which makes it all the more engaging. The dark themes and visual onslaught will make it hard viewing for the faint hearted, but all others will love entering the void.
Familiar Ground
Anne Murphy
Benoit lives with his invalid father while his sister, Maryse, is desperate for her husband to sell the backhoe sitting abandoned in their suburban yard.
The camera zooms in on family relationships, focussing on small interactions and exchanges. If you've ever wondered what the neighbours are doing, this film is a glimpse of them indulging in the same mundane activities as your loved ones. "Familiar Ground" is understated and wry, full of mini-moments. It manages to be unexpectedly generous too, as this little, almost deadpan, movie delivers a redemptive feel-not-bad, if not feel good, close. Familiar terrain that surprises.
Fish Tank
Anne Murphy
Everything changes for 15 year old Mia when her mum brings home a new boyfriend.
"Fish Tank" is a coming of age movie set on a rundown English council estate. The characters are filled with equal measures of frustration, anger, longing and alcohol, without means to release the pressure. The decaying situation is played out with a credibility that leaves the audience unsurprised at the outcomes but gripped by the tension. With nowhere to go but down, the mood is deliberately oppressive. The tank is grimy, and breathing underwater almost impossible, but even so we glimpse gold on the scales of these fish.
Food, Inc.
Anthony Macali
An unflattering look inside America's corporate controlled food industry.
"Food, Inc." is stuffed with facts we already know, but confirms our suspicions in the most graphic of ways. Personal insights into industrial battery operations are particularly shocking, as it brings free-range to the fore without forcing it down your throat. The film's centre is confusing as it delves into the politics of farmers and seed patents, but still paints the picture of the greedy conglomerates. It rallies a response by rightly raising the question: do we know where our food is coming from? Unhealthy food is the cheapest, and if we want to eat well, it's up to us to drive the demand.
- Genre » Documentary
- Festival » MIFF 2009
Four Lions
Andrew O'Dea
The story of a group of British jihadists who push their fantastical and abstract dreams of glory to the breaking point...
This film is a witty, riotously funny, and undeniably unique comedy. At no stage does it resort to extracting cheap laughs from its volatile subject matter as is the case with so many other movies that pose as "outrageous". Brilliantly written, the hilariously farcical tone generates a constant supply of laughter, yet there is also an underlying intelligence that presents a very real and relevant message. All those involved in the making of "Four Lions" should most definitely take pride in it.
Give Up Tomorrow
Anne Murphy
When a teenager from a political family in the Philippines is accused of a double murder, the country's entire judicial system is put to the test after years of alleged corruption.
This story is one of such a jaw-dropping miscarriage of justice that it instils outrage. "Give Up Tomorrow" documents 12 years of a murder case with sufficient information and detail to convince even the most hardened sceptic of a gross wrongdoing. The production quality is patchy, even grainy at times, but the story is compelling and impossible to watch without tears. Get through today and you can give up tomorrow.
- Genre » Documentary
- Festival » MIFF 2011
Gomorrah
Anthony Macali
An inside look at Italy's modern-day crime families. Based on a book by Roberto Saviano.
This film is a sprawling mess of characters and storylines. You see a mafia suit distribute money among the neighbourhood, two gung-ho youths wanting to be gangsters, and a guy who creates skirts in a workshop. It leaves us clueless as to how all these scenes fit together to create the big picture. Trying to make sense of it all is a slow and boring exercise. "Gomorrah" is a poorly executed and frustrating insight into the Italian underworld.
Hahaha
Anne Murphy
Two men, who don't realise they have just holidayed in the same place, at the same time, and with the same people, talk about their respective holidays over drinks.
The premise of "Hahaha" is quite amusing and the film is described as a comedy. It's a low budget effort with no fancy props or effects. Redolent of a lazy summer holiday, the pace is almost lethargic. However, the pace and simple presentation are problematic when watching becomes tedious and eye-lids heavy. Despite the cleverness of the plot told from different perspectives, the film relates a boring tale albeit in a picturesque setting. Hmmmmm...
Hobo with a Shotgun
Stefan Bugryn
A homeless man turns himself into a shotgun-toting vigilante, blasting away the mindless crime that surrounds him.
You know exactly what to expect when you walk into a movie titled "Hobo with a Shotgun". It's B-Grade action juiced up on steroids, with a million gallons of blood, but that's the fun of it! The one liners would put any cheesy 80's flick to shame, and the body count would make any action hero blush. Some people will walk out after ten minutes, others will talk about it for ten years. Just like the Hobo says, it's kinda' like goin' on a car ride to hell... and you're riding shotgun.
How to Die in Oregon
Anne Murphy
In 1994 Oregon became the first state to legalize physician-assisted suicide.
"How to Die in Oregon" is not an easy documentary to watch, and that is good reason to watch it. Death with dignity is a complex ethical concept to bring to the screen, and this film is an intimate exploration of life and planned death. The film maker is respectful and unobtrusive. The sensitivity is appreciated... he doesn't add his own narrative, the subjects do all the talking. No other voice is needed - their stories are incredibly moving. Choice allows us to die well.
- Genre » Documentary
- Festival » MIFF 2011
In Bruges
Andrew O'Dea
Two hit men are sent to hide out in Bruges, Belgium after a difficult job goes wrong in London.
This film is essentially a black comedy that juxtaposes humour with tragedy. Set amongst the churches, canals, and cobbled streets of the titular Bruges, it uses this very setting to accentuate the polar natures of our two leading characters. The highly strung Ray struggles to cope with the lack of excitement, while the older, more refined Ken immerses himself in the history of the town. Amidst the dry humour created by their interaction is woven a very clever story that presents an undercurrent of morality.
In the Loop
Anne Murphy
The US President and UK Prime Minister fancy a war. But not everyone agrees war is a good thing.
Incisive political satire at its best, filmed with a sense of authenticity. The realism is almost mock-umentary in style from a fly-on-the-wall perspective. The story is horrifyingly familiar, being inspired by recent political machinations. The characters are variously bumbling, vain, despicable, and witty as they form convenient alliances in the corridors and bathrooms of power. Depictions of the political forces of darkness are cynical, inspired, outrageous and hilarious. Loop the loop and laugh.