Matchmaking Mayor
Anne Murphy
A generation of singles in their 30s live in a medium-sized Slovak village, and their mayor sets out to bring them together.
Marrying is not everyone's goal and there is some pressure to conform to please families and traditional life. The unmarried locals look quite uncomfortable playing along with the Mayor's plans. This is a documentary filled with glimpses of a lifestyle unfamiliar to city dwellers in our sophisticated on-line world. The audience was tickled throughout by the real life characters, but the filmmaker's style is a little gentle to sustain interest. A long build and no punch-line. Imperfect match.
- Genre » Documentary
- Festival » MIFF 2011
How to Die in Oregon
Anne Murphy
In 1994 Oregon became the first state to legalize physician-assisted suicide.
"How to Die in Oregon" is not an easy documentary to watch, and that is good reason to watch it. Death with dignity is a complex ethical concept to bring to the screen, and this film is an intimate exploration of life and planned death. The film maker is respectful and unobtrusive. The sensitivity is appreciated... he doesn't add his own narrative, the subjects do all the talking. No other voice is needed - their stories are incredibly moving. Choice allows us to die well.
- Genre » Documentary
- Festival » MIFF 2011
Give Up Tomorrow
Anne Murphy
When a teenager from a political family in the Philippines is accused of a double murder, the country's entire judicial system is put to the test after years of alleged corruption.
This story is one of such a jaw-dropping miscarriage of justice that it instils outrage. "Give Up Tomorrow" documents 12 years of a murder case with sufficient information and detail to convince even the most hardened sceptic of a gross wrongdoing. The production quality is patchy, even grainy at times, but the story is compelling and impossible to watch without tears. Get through today and you can give up tomorrow.
- Genre » Documentary
- Festival » MIFF 2011
Catfish
Anthony Macali
Filmmakers Ariel and Henry document a story involving Ariel's brother, Nev, a 24-year-old photographer, and Abby, an 8-year-old girl contacts Nev via Facebook.
Never has a film captured the simple day-to-day tidings of social networks as well as "Catfish". Through pure happenstance, the film monitors a new relationship form, brilliantly blending the interaction of modern media in a series of clever montages. As characters delve deeper the tension builds, gradually creating a sense of dread as we ponder what could only amount to be a frightening conclusion. This documentary will astound everyone online and confirm the fears of many others.
- Genre » Documentary
- Festival » MIFF 2010
Wild Target
Anthony Macali
A hitman tries to retire but a beautiful thief may change his plans.
"Wild Target" is remake with all things British, recruiting the help of some of its finest actors to impart the land's odd humour. As the professional killer goes about his deadly serious business, his actions are unmistakably downplayed and amusing. The jolly music is turned up, and the film reaches a far greater audience. The result is fun, although many jokes are often hit and miss, and the pace is all over the place. In the end, the charm of its main characters, all criminals, will win you over. A wild romp.
Lebanon
Andrew O'Dea
June, 1982 - The First Lebanon War. A lone tank and a paratroopers platoon are dispatched to search a hostile town - a simple mission that turns into a nightmare...
"Lebanon" is a gripping ride. Shot almost exclusively from the tight confines of a rumbling tank, this movie is a superb example of minimalist filmmaking. The tension and intensity is palpable, as the film bears witness to the horrors of war, and we're left gasping for breath from the grimy, claustrophobic atmosphere. The antiwar sentiment is clear, with enough gritty action to match its political, religious and philosophical messages. Shell-shockingly good.
Enter the Void
Stefan Bugryn
A drug dealing youth is killed in Tokyo, and drifts through the city in death watching over his sister.
"Enter the Void" is an experimental film that literally takes you on a beautiful journey through life and death. It's very dreamy and trippy, delving into a kaleidoscope of colours and pictures that can often be mistaken for an exploration of space. The narrative is powerful, often intensely emotional, and is shot almost entirely from the protagonist's view, which makes it all the more engaging. The dark themes and visual onslaught will make it hard viewing for the faint hearted, but all others will love entering the void.
The Messenger
Anne Murphy
An American soldier struggles with an ethical dilemma when he becomes involved with a widow.
"The Messenger" delivers emotional punches in relentless succession in a context of heartbreaking realism. More than a war film, or even a film about the army, this is a movie about loss and grief, mostly expressed by men. Harrowing exchanges made when people are at their most vulnerable are intense to witness, made no less easy by scenes where withheld emotions seethe within the characters. Thankfully there are strands of camaraderie and humour threaded throughout, and they serve to strengthen the compelling messages.
La Danse
Tom Jones
The film follows the production of seven ballets by the Paris Opera Ballet.
At first, "La Danse" feels like a realistic and unpretentious glimpse into the Paris Opera Ballet. There's no commentary, no interviews and very little editing. However, at the two and half hour point, it could be accused of lazy film making and bordering on self indulgent. The talent and physiques of the dancers are to be marvelled, but an entire movie on this subject is unnecessarily long.This is one fly-on-the-wall film where you wish someone would hurry up and squat the fly.
- Genre » Documentary
- Festival » MIFF 2010
The Housemaid
Anne Murphy
A man's affair with his family's housemaid leads to a dark consequences.
"The Housemaid" is an erotically charged study of the ruthless politics of gender and social position. Money provides the wherewithal to dispense with morality and it is replaced with malice so calculated it's breathtaking. Power is potently portrayed. The onscreen representation of the central family's elaborate lifestyle is lavish and visually opulent. The dark suspense builds and culminates in an ending that is disquieting and memorable, with an odd epilogue tacked on the end as a jarringly surreal close. Well maid, right up to the superfluous flourish of the finish.
The Disappearance of Alice Creed
Andrew O'Dea
Two men fortify a nondescript apartment so it can serve as a prison before kidnapping a woman.
"The Disappearance of Alice Creed" sets the tone from the outset, with a dialogue-free opening act that is as methodical and gripping as the film itself. Shot almost entirely in a confined space, excellent camera work and direction help to maintain its claustrophobic nature and sustain an air of tension. It moves from confrontation to revelation with doses of dry humour in just the right places to lace the suspense. With superb acting performances from the cast (all three of them) and a tight focus, you won't need to search any further than this if you're looking for a smart, engaging thriller.
Please Give
Anne Murphy
In New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in apartment the couple owns.
Manhattan films about nothing should be a genre of their own. Equal parts smart drama-comedy and introspective reflection on the human condition, "Please Give" is grounded in the angst of reality and near perfect. This is a chick flick populated with grown-ups who are still growing up. The city dwellers dealing with the everyday while struggling with life's big issues like guilt and insecurity are imperfect as well as sharp and funny. Nothing to give just breathe it in.
The Kids Are All Right
Anne Murphy
Nic and Jules had the perfect family, until they met the man who made it all possible.
Watching this grown-up drama is an engrossing experience. The central family with its two Mums is more normal than many more traditionally conventional families. The complex and real characters are mature until they do something impulsive or all too human in a wonderful reflection of modern family life. There are tensions, teenage angst, love, and a good deal of craziness in this refreshing comedy. Without preaching and never condescending, we're immersed in a new normal. The kids are alright and their Mums are too.
Matching Jack
Wendy Slevison
A woman struggles with her son's illness and her husband's infidelity.
Watching "Matching Jack" is a bit like spending two hours in the Oncology Ward of a Children's Hospital, and whilst compassionately acknowledging that for many families, this is their dreadful reality, it's pretty tough on the ordinary movie-goer. The film is about sick children, and in spite of a romance and a 'happy' ending, this fact leaves a slight feeling of discomfort - it's too emotionally overworked to be a documentary, but too tragically true to life to be entertaining. Tears will flow, but it just feels a bit too orchestrated... disappointing diagnosis for one of Australia's well-known film-making teams.
Boy
Tom Jones
Set on a rural farm in New Zealand in 1984, Boy, is the story of an 11 year old with a vivid imagination coming face to face with life's realities.
This coming of age tale is sweet at heart and the unpretentious portrayal of Boy's story is endearing. The comedic moments and the uniquely Maori dialogue make this film. However, the one-incident-after-another plot wears a bit thin at times and leaves a few too many loose threads. Is Boy the man? Nah bro'!