Villa Amalia
Wendy Slevison
A woman suddenly decides to leave her partner of 15 years, after finding him passionately embracing another woman.
"Villa Amalia" tells the story of a woman who confidently and dispassionately erases everything from her existing life in order to embark on a liberating journey of renewal and anonymity. This movie is almost clinical in its lack of sentiment, and no affection or empathy for the main character is ever garnered. This is obviously the director's intention, but amidst the warmth and sun of the Amalfi coast setting, it's ultimately unsatisfying to feel so cold.
Route Irish
Andrew O'Dea
A private security contractor sets out to discover the truth about his friend's death in Iraq.
Although gripping at times, "Route Irish" is too often let down by pointless tangents in its story and the fact that it constantly feels the need to explain the plot rather than letting the audience figure it out for themselves. Not exactly the most effective technique when trying to heighten a 'thriller'. Combined with a melodramatic ending and characterisation that is let down by some sub-par acting, the film attempts to make a concerted political commentary on the Iraqi war that doesn't quite have the impact it should. No through-road.
Away We Go
Anne Murphy
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family.
This film is a road movie at heart, and disappointingly fails to connect with the audience's heart. A lot of miles are traversed by the central couple but this is a study of people met on the journey rather than the places travelled to. The characters encountered are shallow and vulgar stereotypes, and their depiction is coloured with contempt rather than wit or insight. The resultant product is slight; funny without being funny ha-ha.
Boy
Tom Jones
Set on a rural farm in New Zealand in 1984, Boy, is the story of an 11 year old with a vivid imagination coming face to face with life's realities.
This coming of age tale is sweet at heart and the unpretentious portrayal of Boy's story is endearing. The comedic moments and the uniquely Maori dialogue make this film. However, the one-incident-after-another plot wears a bit thin at times and leaves a few too many loose threads. Is Boy the man? Nah bro'!
A Mighty Heart
Anthony Macali
The film is based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
"A Mighty Heart" is a genuine and heartfelt account of tragedy. The excellent performances reflect a true sense of the frustration, determination and suffering of all those involved. The film struggles to draw the audience into the investigation, presumably of little concern to the director with motives that seem to favour accuracy over entertainment. An authentic portrayal with a good heart, but little excitement.
Rubber
Anthony Macali
The story of Robert, a murderous tyre with psychic powers.
"Rubber" doesn't travel far from its amusing premise. Robert rolls around the desert in style, camera low to ground and in-close focus, using his grumbling powers to produce carnage. Undoubtedly circumstances like these will always lead to laughter. An odd sub-plot weaves between moments of madness, where an audience in the movie observe the action from afar using binoculars and comment on the story as it unfolds. Yet it's these bizarre moments that help to drive the film when bogged down by following a tyre that simply rolls. An unconventional and slightly amusing vehicle.
Littlerock
Anne Murphy
Siblings from Japan get stranded in a small town, Littlerock, while waiting for a replacement rental car.
Viewing American culture, through the eyes of a non-English speaker is interesting but almost insufficient to maintain feature length interest. Perhaps it is the desolate location where nothing much happens, or the listless locals, but boredom stealthily encroaches. At times it feels that not enough is happening on the screen. Even so this story of strangers in a remarkably strange land is unsettling enough to hold attention, leaving a lasting imprint. It's like looking through a magnifying glass and not a kaleidoscope.
Welcome to the Rileys
Anne Murphy
On a business trip to New Orleans, a damaged man seeks salvation by caring for a wayward young woman.
The premise of the prostitute and the man who wants to save her is given a twist and a spin in "Welcome to the Rileys". Lost people, each burdened by their own history, find themselves by embarking on various journeys. Strong performances push the implausible just over the border into credible. This movie is rewarding on an emotional level without tugging too hard on any strings as the tale is traversed. Put out the welcome mat for the Rileys.
Splice
Andrew O'Dea
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism.
"Splice" is an ambitious and provocative film that presents an intelligent take on an often visited ethical dilemma. The performances from both the leads and creature are great, and help to sustain a relatively solid story that unfortunately winds up being undercut by a perversely baffling and cumbersome climax. Competent in splicing a difficult genre and theme, this film still manages to be an engrossing yet erring blend of horror and oddball family drama.
A Complete History of My Sexual Failures
Anthony Macali
Indy filmmaker Chris attempts to interview his ex-girlfriends to find out why they dumped him.
It's difficult to ignore such an amusing title. This documentary starts promisingly, our lovable loser aggravating some of his past liaisons with the help of his mother. There is a definitive point about half-way that marks the passing of this premise. Chris has to resort to stunts to fill the remainder of the running time, some guiltily hilarious, though most are pathetic. The only genuine moments feature the girl our filmmaker was to marry. These are also the dullest. This film is quietly amusing in the first half, and a disappointing failure in the second.
- Genre » Documentary Comedy
- Festival » MIFF 2008
Unmade Beds
Anthony Macali
The story of two people living in the same warehouse whose paths never cross until fate steps in.
"Unmade Beds" is a stylishly quirky movie that follows Axl's quest for his father, and Vera's quest for love. The vague plot is forgotten as our characters enjoy a constant flurry of partying and having fun. These experiences are captured with a youthfulness and style that make it a unique joy to watch. Although some viewers will get swept away by the whimsical romance, others will be frustrated by the lack of concrete conclusions. This film is a refreshing piece of art and technique, despite a pacing that may put some to sleep.
The Greatest Movie Ever Sold
Anthony Macali
A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.
The self-proclaimed "Greatest Movie Ever Sold" is far from it, though it does provide an interesting exposé into the unfamiliar advertising industry. The director/ documenter's lack of charisma is redeemed by his resourceful and determined displays, especially when forced to sell his idea to the advertising companies themselves with the aid of some amusing place cards. In the end, it's hard to tell if the financiers or film-makers come out on top, although as an audience, we're not 100% sold.
- Genre » Documentary
- Festival » MIFF 2011
Son of Rambow
Andrew O'Dea
Set in the early 80's, this is a comedy about friendship, faith and the weird business of growing up.
"Son of Rambow" is a quirky comedy that takes us on a nostalgia trip. It rekindles our sense of youthful exuberance as we're invited into the imaginations of a couple of schoolboys as they set about creating their own crude and amusing homemade 'Rambo' movie. Through their unlikely friendship we remember the ecstasy and difficulties of being a kid. Though the story lacks excitement in parts, and suffers prematurely from a relatively dull climax, lovers of heartfelt movies will find it very engaging.
La Danse
Tom Jones
The film follows the production of seven ballets by the Paris Opera Ballet.
At first, "La Danse" feels like a realistic and unpretentious glimpse into the Paris Opera Ballet. There's no commentary, no interviews and very little editing. However, at the two and half hour point, it could be accused of lazy film making and bordering on self indulgent. The talent and physiques of the dancers are to be marvelled, but an entire movie on this subject is unnecessarily long.This is one fly-on-the-wall film where you wish someone would hurry up and squat the fly.
- Genre » Documentary
- Festival » MIFF 2010
Amreeka
Anne Murphy
A drama centered on an immigrant single mother and her teenage son in small town Illinois.
Warm and funny, "Amreeka" covers important issues of diversity and tolerance with a light and humorous touch. In fact, it is light enough to be a little heavy-handed in delivering the message that people from the middle-east are good people. The immigrant experience looks easy in this setting - a little hardship, a touch of outrage at the attitude of the locals, and each day better than the last. In the land of the free it's possible to feel homesick while smiling. Only in Amreeka?