Martha Marcy May Marlene
Anne Murphy
Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
The fragile bonds of family come under scrutiny in this psychological thriller, and makes for tense viewing from the opening scenes right until the second it finishes. The film is dark and taut as memories are seamlessly threaded with the present. The film-maker is deft, using the past to explain today and develop a sense of impending threat in the audience. While watching it becomes harder to breathe as the story unfolds. Mal-adjusted mentality methodically manipulated.
Being Elmo: A Puppeteer's Journey
Anne Murphy
Beloved by children of all ages around the world, Elmo is an international icon but few people know his creator, Kevin Clash.
It's passion more than puppet that is central to the tale captured in "Being Elmo". The puppeteer's sense of purpose is extraordinarily powerful; from childhood he knew with certainty what it was that he wanted to be when he grew up. His purpose while pursuing his goal is nothing short of awe inspiring. As documentaries go this one is as warm as it is magical. It's affirming to see that good things happen to good, hardworking, people. Tickle me pink.
- Genre » Documentary
- Festival » MIFF 2011
Melancholia
Anthony Macali
Two sisters find their relationship challenged as a nearby planet threatens to collide into the Earth.
"Melancholia" starts with a series of hauntingly beautiful apocalyptic visuals, but as you barely survive this slow intro, you soon realise the rest of the film is just an excuse for this showcase. The story is divided into two parts, and both are equally dull, as it follows irritating characters played with admittedly impressive performances. The sisters are distant, ill and grappling with life in the confines of their contemptible lavish setting. Parallels are drawn, and you see why the luminous body in the sky was named so, but you don't care. This planet just won't hurtle towards us fast enough.
Route Irish
Andrew O'Dea
A private security contractor sets out to discover the truth about his friend's death in Iraq.
Although gripping at times, "Route Irish" is too often let down by pointless tangents in its story and the fact that it constantly feels the need to explain the plot rather than letting the audience figure it out for themselves. Not exactly the most effective technique when trying to heighten a 'thriller'. Combined with a melodramatic ending and characterisation that is let down by some sub-par acting, the film attempts to make a concerted political commentary on the Iraqi war that doesn't quite have the impact it should. No through-road.
Drive
Anthony Macali
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
"Drive" is an odd little film about a man, his car, and a story that happens in between. By day, our enigmatic driver is quite reserved, and we watch his encounters with trepidation and a pop soundtrack. By night, the base is turned up, and we're placed in the seat next to him evading the police with great thrill. The middle stint might be slow going, but be warned… the violence revs up, and we have no idea where the story is headed. It's the quiet ones you have to watch.
Our Idiot Brother
Anne Murphy
A comedy centered on an idealist who barges into the lives of his three sisters.
"Our Idiot Brother" is like movie popcorn, light and enjoyable without being really filling. The indie style production is as amiable as the affable main character; it is a comedy with charm. The focus is the special relationships between siblings, close, affectionate, and then relentlessly honest. The plot comprises small family interactions rather than dramatic action. The everyday trials of being part of a family are action enough to hold interest and the film does not stray into over sentimentality. Quite an intelligent idiot.
Bill Cunningham New York
Anne Murphy
A cinematic profile of the noted veteran New York City fashion photographer.
"Seek beauty, and you'll find it", says the subject of this captivating film biography. The documentary spans the lifelong career of a delightfully eccentric and passionately obsessive follower of fashion. The film-maker almost becomes a private detective following his subject, a lively photographic journalist who is dedicated to the singular pursuit of capturing the style of people out on the street. As unassuming as the photographer is, he is undeniably one of the who’s who of the New York fashion scene; the challenge is keeping up with him. Run-a-way success.
- Genre » Documentary Biography
- Festival » MIFF 2011
Project Nim
Wendy Slevison
The story of Nim, a chimpanzee who was the subject of a 1970s experiment to see if an ape could learn to communicate with language if raised like a human child.
This is a brilliant telling of a harrowing and complex tale. Initially captivating due to the very cute subject, the mood soon shifts as we learn more about the arrogant and shameless exploitation of this remarkable animal, with no regard for any consequences. As Nim grows and becomes unmanageable due to his size and strength, he is cruelly discarded. You could hear a pin drop in the cinema as the audience absorbed his appalling plight. "F" for the Project; "A" for this film.
- Genre » Documentary
- Festival » MIFF 2011
Cave of Forgotten Dreams
Anthony Macali
Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France.
Enter the "The Cave of Forgotten Dreams" and your world will be shaken. The walls are lined with stirring visuals, from bison and leopards to horses as clear as the day they were born. The fact these paintings are over 30,000 years old simply defies belief, marking a passage of time that pales our existence. There are a number of questionable guests filling the running time, but it's a joy to share in their wonder and commentary of such a dazzling discovery. This historical documentary is haunting and undeniably breathtaking.
- Genre » Documentary 3D
- Festival » MIFF 2011
The Eye of the Storm
Wendy Slevison
A woman used to controlling everything in her life chooses her time to die.
If you've ever doubted what Australian cinema is capable of producing, see "Eye of the Storm". Adapted from the book of the same name, every facet of the crafting of this film is of the highest quality. Featuring a cast of acting nobility who deliver their roles with meticulous insight, superb cinematography and assured direction, the story unfolds with unrelenting potency. As the complex relationships and palpable tensions intensify, you are left feeling that you have indeed been through the eye of a storm, but there is also the exhilaration of having been a witness to the tempest.
Life in a Day
Wendy Slevison
A documentary shot by filmmakers all over the world that serves as a time capsule.
The scope of the task was immense. Two award-winning filmmakers took 4,500 hours of footage, representing 80,000 lives from 192 countries, and crafted it into a fascinating 90-minute glimpse into parts of our world that we may otherwise have never experienced. Enthralling in its simplicity, while sharing powerful moments of raw humanity, this awe-inspiring achievement bears witness to the spirit that unites us all. The gamut of emotions is experienced as deeply personal stories are shared with the entire world, making this a day to remember.
- Genre » Documentary
- Festival » MIFF 2011
Submarine
Andrew O'Dea
15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.
There is an underlying idealism and sentimentality to "Submarine" that is tenderly masked by moments of genuine hilarity. Just like sonar, you can't see it, but you can feel it there. The humour is oddball and quirky, but never to the point where it's self-aware. With a soundtrack that is simply sublime, and whimsical visuals to match, this is a stylish and funny story told with great affinity by a clearly talented first-time director. Submarine down. Periscopes, emotion, and laughter up.
Hobo with a Shotgun
Stefan Bugryn
A homeless man turns himself into a shotgun-toting vigilante, blasting away the mindless crime that surrounds him.
You know exactly what to expect when you walk into a movie titled "Hobo with a Shotgun". It's B-Grade action juiced up on steroids, with a million gallons of blood, but that's the fun of it! The one liners would put any cheesy 80's flick to shame, and the body count would make any action hero blush. Some people will walk out after ten minutes, others will talk about it for ten years. Just like the Hobo says, it's kinda' like goin' on a car ride to hell... and you're riding shotgun.
The Guard
Anne Murphy
An unorthodox Irish policeman with a confrontational personality is teamed up with an uptight FBI agent to investigate an international drug-smuggling ring.
"The Guard" is a comedy threaded with some serious themes. The genre is an original police-buddy action combination delivered in a lilting Irish style which proves delightful. The central character is a foul-mouthed modern masterpiece, politically incorrect, big hearted, world weary and honourable, as well as disrespectful, again a little bit of everything in the mix. This is a very funny movie but not so much laugh out loud as wryly observed and darkly humorous. Many unguarded moments.
Beginners
Wendy Slevison
A man receives revelations from his elderly father: he has terminal cancer, and a young male lover.
"Beginners" is a poignant, tenderly-crafted portrait of a man's evolving relationship with his father, and the impact it has on other relationships in his life. The writer/director has told his unusual, autobiographical tale in a warm, quirky and original style, skilfully mixing the joys and sorrows in a way that is never over-sentimental or clichéd. The film is ultimately a celebration of life, love and hope. It shows us that in our experiences of love - finding it, and then holding on to it - we are all, at times, beginners.