What's in a Name?Anne Murphy
At a dinner with family Vincent announces the name for his future son, the revelation ignites a discussion which surfaces unpleasant matters.
We say that familiarity breeds contempt, and the conversation over dinner with family can be sharper than would come forth in the same setting with friends. The erudite and witty repartee shared during thisgathering is bitingly sharp, with accidental disclosures that could only be tolerated by spouses or relatives. Tempers rise and civility slips, but the dialogue is so well crafted and funny that enjoyment builds frame to frame. Call me anything... but don't call me late for dinner.
In the HouseAnne Murphy
A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
"In the House" cleverly and deliberately blurs the line between fact and fiction. As the plot develops, we are left to ponder what game is being played. This is a clever movie where the audience could feel as manipulated as any of the characters; is there a disquieting undertone of malevolence or was it imagined? After all, this is a witty story about story-telling and it is a good story well told. Inside, outside, and upside down.
Happiness Never Comes AloneAnne Murphy
Sacha is only interested in one night stands and has a phobia of children, until he meets Charlotte, the divorced mother-of-three and ex-wife of one his employer's powerful clients.
This French rom-com is delightful, and there's much enjoy. Unfortunately, like many in the genre, there's not a lot to make it memorable. The good-looking leads enchant with their on-screen chemistry, and the humour has a physicality to it that borders on slap-stick, providing an amusing touch of vaudevillian styling. You can't help but be enamoured - this movie delivers a delightful affair of the heart. Happiness, apparently, comes for couples.
Haute CuisineAnne Murphy
The story of Danièle Delpeuch and how she was appointed as the private chef for François Mitterrand.
"Haute Cuisine" is a tasty factional account of a woman cooking and making her way in a man's world. Kitchen environments are not known for their diplomacy, and the chef has a poise and self-assuredness that could provide a template for woman in business. Her spirit is inspiring. Expect light fare rather than a big meal, and it's satisfying nonetheless. The food provides as much entertainment as the politics, and foodies will enjoy the reverence paid to simple ingredients, not to mention the pleasure of eating. Gastronomic!
A Lady in ParisAnthony Macali
Anne leaves Estonia to come to Paris and care for Frida, an elderly Estonian lady who emigrated to France long ago. Anne soon realizes that she is not wanted.
"A Lady in Paris" is a people movie with a small ensemble. The nature of the story grants our leads time to open-up, and the slow pace will not suit most. With some patience, the characters become a little more interesting as they begin to reveal the fun and frivolities of Frida's past. While the setup is rather conventional, it's the small details that set this film apart, sharing thoughtful insights into the perils of growing old and reflecting on life choices. An affair to last a lifetime.
Les InvisiblesTom Jones
Several elderly homosexual men and women speak frankly about their pioneering lives, their fearless decision to live openly in France at a time when society rejected them.
The lives of elderly gay men and women are rarely depicted, (hence the title) and unfortunately this film fails to provide any new light on the subject. For the most part, the interviewees look directly at the camera and tell the stories of their pasts, stories we have kind of heard before. The moments where we do get a glimpse of their lives today are compelling, but are cut too short. It's a gay old world - emphasis on the old.
Thérèse DesqueyrouxAnne Murphy
The unhappily married woman struggles to break free from social pressures and her boring suburban setting.
Based on a classic French novel, "Therese Desqueyroux" is about the boredom of a life of privilege for a woman restrained within a marriage arranged by her family. The movie begins in 1926, but the theme of the suppression of self is timeless, the actions of the protagonist coldly calculated as her martial devotion wanes. Understated and restrained performances serve to highlight the banality of a life lived without passion. Is our fate within or beyond our control? Je ne regrette rien.
Cherry on the CakeAnne Murphy
A lonely woman with a crushing fear of commitment attends a New Year's Eve party that puts her in an uncomfortable predicament.
"The Cherry on the Cake" is a French rom-com that reminds us what hard work the dating game is. The plot is built upon a trivial but amusing premise that gets overworked until it becomes tiresome. Girl and guy meet, but girl tires of guy until guy becomes unavailable, and then girl is interested again. If it sounds irritating in premise,then it's a even more annoying when realised on screen; if only the film was played out with more humour. No cherry picking.
Louise WimmerAnne Murphy
A woman wages an uphill struggle to put her life back while working several jobs as a cleaning woman and living in her car.
Realism is employed as opposed to a strong narrative structure in this film, and so we watch a series of events without a beginning, middle or end. The protagonist's plight is not explained beyond the events and encounters in her day-to-day survival of struggle. It's an uncompromising style that is perfect to depict a modern story where there is nowhere to go and certainly no room for sentimentality. 'Geez Louise'... or should that be, "Mon dieu Louise".
Declaration of WarAnne Murphy
When their young son is diagnosed with a brain tumor, young parents Roméo and Juliette unite in the fight for his survival.
Despite its heart wrenching content "A Declaration of War" is lively and energetic. The movie is based on the experience of the director and her co-writer; part autobiography, part love story and part challenging medical drama. A story of desperately holding to hope is imbibed with familial love and delivered without pathos, and the result is a very moving account of navigating adversity while giddy with grief for what might happen. War, this is what it's good for.
The Art of LoveAnne Murphy
Multiple vignettes show the sexual desires and frustrations of Parisian couples.
The romantic lives of four couples are shown in amusing episodes that over-lap and intertwine. Interesting romantic dilemmas are raised around fidelity, friendship, dating and monogamy but the pace is so swift there's no opportunity to consider your own reaction before the situation has moved on. The intent here is not to provoke reactions as much as it is to amuse, and it although it is tinged with the melancholy of longing for more than you have, it is very amusing. Love paints a pretty picture.
Jo's BoyAnne Murphy
A well-known retired rugby player who is the son and grandson of well-known rugby players hopes that his son will also play rugby for the big league.
"Jo's Boy" is set a small French village and the film has the rustic feel of a past era when life was simpler. The story moves along with the pace of a good football game, and there are plenty of minor storylines of mateship and a blossoming romance. Light entertaining fare, culminating in an inevitable tense match, its predictability is countered by a humorous directorial touch. Cheers for sports boys.
The Snows of KilimanjaroAnne Murphy
After celebrating their 30th wedding anniversary, a couple are shattered by two young men, armed and masked, who beat them, tie them up, snatch their wedding rings and flee with their credit cards.
Inspired by Victor Hugo's poem "How Good are the Poor", this warm-hearted movie tackles some of today's social and moral issues within the setting of a small community. Our judgments of others can be black and white but, as this moving story highlights, the reality of another is never so simple. The themes are complex but the motivation of each character is uncomplicated. Let it snow.
17 GirlsAnne Murphy
Seventeen teenage schoolmates decide to become pregnant at the same time.
The impracticality and rebellious tendencies of adolescents is the central theme to "17 Girls". Many social themes are explored in this surprising gem, including self determination for one's own decisions, peer group pressure and individual empowerment. This is a pensive movie with many scenes depicting one of the characters in solitude, contrasting the lure of being part of a giggling gang of girls. While there is a lot for the audience to think about, there is one too many thoughtful close-ups of furrowed brows. Girls, girls, girls.
Free MenAnne Murphy
In Paris during WWII, an Algerian immigrant is inspired to join the resistance by his unexpected friendship with a Jewish man.
There is a low key feel to the characters and scenes in "Free Men", and the storyline provides a new twist to a war plot and friendships during a time of turmoil. It has the credibility of being "based on strong evidence" which is the tag-line appended to the credits. This previously untold story is interesting viewing for historians, Francophiles and freedom fighters alike. Liberte, egalite, fraternite and the brotherhood of man.
The LookAnne Murphy
A biographical study of legendary actress Charlotte Rampling.
It is interesting to imagine different actors starring in their own documentaries, and few would enchant and enthral like the central figure of "The Look". This documentary is produced in chapters, each a conversation with one of her collaborators. The result is as an intimate portrait of an enigmatic actor and a career that spans more than 40 years. Her intelligent musings about aging, love and death provide insight into a life lived on the big screen. This unconventional woman is worth a look.
18 Years Old and RisingAnne Murphy
Primo, a boy with a humble background, is studying for University entrance while trying to impress girls who hang out with a crowd of rich young things.
Set in Paris in the early 80's as a Presidential election looms, "18 Years Old and Rising" has an interesting political text for a film of the coming of age genre. Like the main character, this movie takes risks to impress, and it shows a hero's quest for love that is memorable, bold, and fun. It is a pleasure to watch a storyline that delights by not being predictable. Forever young.
The Day I Saw Your HeartAnne Murphy
Justine is an x-ray technician with a youthful-minded father who plays golf with her ex-boyfriends.
"The Day I Saw Your Heart" is an amusing and off-beat film about family ties. The plot follows the complex relationships of fathers, daughters, sisters, wives and babies. The story is original and told in an anecdotal style, a bit like skimming through someone's diary. This French movie provides interesting viewing, if slight, as it bubbles along with a light touch. It lacks any depth or real insight into the characters themselves, but their eccentricities more than compensate for their shallowness. Watch to see some big hearts.
Beautiful LiesAnne Murphy
An anonymous love letter leads to a slew of misunderstandings.
Frivolous, frothy, and fabulous rather than slight. In short, everything hoped for from a good French rom-com is served up in "Beautiful Lies". It is delectable. The comic storyline is complicated enough to tease out laughter around situations of mistaken identities and misguided efforts of matchmaking. There's no mistaking funny for ridiculous however; this is an intelligent and warm movie that brims with affection. The delightful cast bring depth to the characters, who relate genuinely to each other and the audience can't help but care what happens in the end. Sincerely comique.
Special TreatmentAnne Murphy
A world-weary psychoanalyst and a classy prostitute both struggle with relationship issues.
The premise for "Special Treatment" is intriguing, but unfortunately the film fails to leverage the plot for comic or dramatic interest. While parallels are sketched between the professions of the two main characters, the outlines drawn are insufficient to sustain audience curiosity, which is not encouraged to deepen into involvement. The supporting cast suffer in undeveloped roles, as clients and friends, they fail to bring enough colour to the screen to be appreciated as eccentric, and subsequently end up looking pitiful. Better treatment required to make this movie special.
Mozart's SisterAnthony Macali
Beginning in 1763, it follows the Mozart family's exhausting life on the road, traveling by coach from one royal court to the next.
"Mozart's Sister" is a beautiful film, mesmerising in picture and music. In a period of couture and candlelight, the Mozart siblings shine in their bewitching portrayals. For Nannerl, the message is very clear; women should not play violins, or compose. Such narrow-mindedness even causes our central character to dress as a boy at times. These examples of prejudice contribute to the film’s success, highlighting the frustrating loss of genius and talent to the hands of bigotry. This girl can play.
L'Amour fouAnne Murphy
Explores the relationship between fashion designer Yves Saint-Laurent and his lover, Pierre Berge.
Filmed after the death of Yves Saint-Laurent "L'Amour fou" provides a candid look into the life, the breathtaking art collection amassed by the couple and its eventual auction to benefit an AIDs charity. The narrative provides as glimpses into a privileged lifestyle without exploring too deeply. Interesting are revelations of an ongoing struggle with depression and resulting addictions, perhaps one of those being the central objects d'art. Archival film footage stills and interviews are used to effect and reveal much about the troubled man of fashion. Melancholic.
Little White LiesAnne Murphy
Despite suffering a traumatic accident, a group of friends go ahead with their annual beach vacation.
"Little White Lies" is an entertaining mix of comedy and drama. The film follows the cracks that appear as little pretences are revealed, straining the relationships among a group of long-time friends. It drifts along with a vacation atmosphere and a song-after-song soundtrack. You will probably wish you were a part of the tight-knit group by the seaside. Deep connections and human foibles are explored and exposed by the extraordinary French ensemble cast. Most enjoyable, and that's no lie.
The Princess of MontpensierAnne Murphy
Set against the savage Catholic/Protestant wars that ripped France apart in the 16th century, the action centres on the love of Marie de Mezières for her dashing cousin Henri de Guise.
This period drama is sumptuously set and fastidiously costumed. The renaissance, as far as we can tell, is faithfully reproduced and it's magnificent to watch. "Princess of Montpensier" comes complete with dashing sword fights and big bloody battles, but most interest is invested in the dilemmas of duty over love. As the drama is played out the heroine is unable to refuse the allure of true romance, a Queen of Hearts.
Angèle and TonyAnne Murphy
A fragile woman returns to the seaside town of Normandy on completing a jail term and meets a fisherman through a personal ad.
The sensitivities around relationships are captured with few words in this intimate exploration of human connections. The characters are forthright and defensive, whatever warmth they may have is not to be squandered, and their innermost temperaments are reflected in the windswept coastline and grey subdued ocean. The tone is understated and the film is all the more powerful for the simplicity with which it captures restrained expressions of longing. Tony ❤ Angele and vice versa.