Save Your Legs!Stefan Bugryn
A ragtag team of suburban cricketers get a chance to tour India.
"Save Your Legs" acts better as a postcard of India rather than the team bonding, coming-of-age drama it's meant to be. The film's intentions may be good - it's cute and charming at times - but overall the result is mostly boring, with jokes often bordering on cringe-worthy. It also becomes very predictable, one of the movie's biggest flaws, and the ending can be spotted a mile away. Though substantially well produced, it lacks any real substance... save your pennies.
The story of an aging couple who are crippled by the devastating effects of a stroke.
"Amour" acts like a claustrophobic, tightening grip that doesn't let you breathe until the credits roll, and is certainly an uncomfortable movie to watch. Just as one of the visiting characters states, "...I had a beautiful and sad moment with you", which is exactly what this experience feels like; an observational look at a couple's silent yet divinely emotional demise into old age. The discreet moments and absence of music can be deafening, adding to the overall and ever-increasing sense of tension and sadness. Lots of tough love for the audience.
The Last StandStefan Bugryn
A small town sheriff must stop a Mexican druglord from crossing the border.
Unfortunately, there isn't enough originality to set "The Last Stand" aside from the rest. It takes a little too long to actually kick in, and it's not until the second half that the action really gets under way. Petrol-heads get their fix, with just as many car chase scenes as there are shoot-outs; and of course, one liners and comedic moments are never far away. It won't go down in history as one of the best action movies ever, but it's still a fun ride, if that's what you're after.
The ImpossibleStefan Bugryn
A family is caught in the horror of the 2004 tsunami in Thailand.
Whilst the production values and direction are both amazing, bringing the seemingly 'un-filmable' to life, they are a little inconsistent. There are some stagey and clichéd moments that will make you cringe momentarily, and the ending is somewhat predictable. Negatives aside, within the patchiness, there are some truly moving sequences. It's hard not to get swept away by the aching melodrama and jaw dropping realism. The tale is truly incredible, and one that is told in an impressive manner overall. Not impossible to enjoy.
The MasterStefan Bugryn
In 50's America, a lost soul floats through life after WWII, falling under the charm of a cult leader.
Despite the ongoing sense of anticipation, there was little in the way of 'big' moments throughout this extended 'bro-mance'. At times, you can't help but feel a little lost with where the story is heading, or exactly what it's trying to achieve. However, what saves it are the stellar performances from both leads, as well as the luscious production values and direction. The score, which really makes the pace of the story feel energised, is mesmerising. It all looks and sounds great, but feels a little lacklustre. Not a master, but perhaps its apprentice.
The IntouchablesStefan Bugryn
The true story of a quadriplegic aristocrat who forms an unlikely friendship with a young man.
"The Intouchables" could very well have been a cliché ridden odd-couplestinker, but instead, proves to be an amazingly touching experience. The loveable characters manage to make light of a hard situation with ease, avoiding cheesy sentimentality by delivering one of the most genuine friendships in modern cinema. The storyline is so charmingly simple, with much of the beauty derived from the fact that you find yourself laughing along with them in an otherwise depressing situation. Topped off with a mesmerising piano score, this one can't be ignored.
Safety Not GuaranteedStefan Bugryn
A group of journalists investigate a classifieds ad seeking a partner to travel through time.
This quirky character, who believes without a doubt he can time travel, has a lasting effect on everyone he comes across. Whether they be amused, surprised, annoyed, or just plain curious, they are all drawn compellingly into his world. This magnetism will also translate to the audience, as his passion and eccentric behaviour are quite simply, endearing. The 'true story' feel to the narrative is hampered a little by recognisable faces, but all in all, this one is a heart-warming winner. Safety may not be guaranteed, but entertainment is.
On the RoadStefan Bugryn
Two aspiring young writers continuously take off across America to find 'it', and themselves.
"On the Road" effortlessly embodies the universal free spirit, and will tap into the inner adventurer in many people. The scripting is very literary, and it feels like it has been written more as a novel rather than a screenplay. The characters talk in an almost Shakespearean dialogue, and embody a Greek philosophical mindset. Their relationship with each other, and themselves, is very fleeting and empty, but thankfully, the gas tank is always full, and it’s interesting to sit in the passenger seat of their drug-fuelled ride across America.
A powerful billionaire goes to desperate measures to sell his crumbling empire and keep his secrets.
This film will leave you pondering just how many stories like this happen in real life. Many, no doubt. The lead actor, though probably not deserving of any awards, will convince you it does. He is a smooth operating anti-hero that keeps up appearances to keep out of jail. It is electric, intense, startling and thoroughly enjoyable. It's slick in every way, both in production values and storytelling. The unusual way it ends, may disappoint some, but a good script is one with surprises, and there will definitely be those who will enjoy it.
The Expendables 2Stefan Bugryn
The Expendables reunite for another mission that ends up being a personal vendetta for revenge.
Thank God they made "The Expendables 2" fun, because if it wasn't, it wouldn't have worked. On an artistic level, this film is as stale and unoriginal as a piece of toast; but on a fanboy level, it's as good as it gets, pure action-indulgence. The genre-heroes poke fun at themselves and each other, jamming countless references for fans young and old. They weave in and out of the formula that made them stars, having as much fun as the audience, and showing the world they haven't been expended just yet.
Holy MotorsStefan Bugryn
The mysterious Monsieur Oscar spends a day vaulting from one persona to the next…
Be warned: this surrealist fantasia is one hell of a challenge. Like an abstract painting, precious little is explained, and almost everything is open to interpretation. More questions are raised than answered, which will no doubt instigate discussion and arguments after viewing. Sadly, the majority of those questions are just plain pretentious, self indulgent, and weird. It will confound, confuse, shock, tease, frustrate, and ultimately, divide the audience. If it doesn't captivate you, it will simply disgust you. But that's the beauty of cinema, right? Well, not for everyone.
A desperate Hong Kong film producer goes to extreme measures to fund his next feature.
Whilst it is completely wacky, often ridiculous, and includes many jokes only Hong Kong audiences apparently get, this is one hell of a comedy. It is sharply paced, refreshingly spontaneous, and has a cleverly written, self-referential script. Even within the smut and dirty jokes comes some unexpected heart-warming moments that oddly feel quite natural. Look out for the scene with Brother Tyrannosaurus, you might just injure yourself from laughter. It may be vulgar, but it's definitely worth the price of admission!
Caesar Must DieStefan Bugryn
Inmates of an Italian prison rehearse a performance of Shakespeare's 'Julius Caesar'.
The line between reality and fiction are blurred here, where prisoners are acting in a script within a script, and follow the play in and out of real life. The whole film is a novel concept, but it doesn't work perfectly. It has its moments, but the fact that you aren't invited to care about any of the characters doesn't help its cause. Like the prisoners themselves, it tries hard to be quite important, but it's nothing too special. Watch this only if you want to experience something different.
11 FlowersStefan Bugryn
A young boy experiences the Cultural Revolution in China in a very confronting, personal way.
This is a child's point of view of a very turbulent time for China, a tale of a poor family in a small town. There is a creepy, almost ominous feeling beneath the narrative, but the whimsical playfulness of the main character and his young friends break the gloom and manage to keep the tone light for the most part. Despite the actors' very young age, their performances are actually quite commendable. The visuals, even though filtered with many bleak colours, are quite rich and powerful, and are as beautiful as a 100 flowers for the eye.
Abraham Lincoln: Vampire HunterStefan Bugryn
The prolific American President leads a double life as one of history's greatest vampire-hunters.
"Abraham Lincoln: Vampire Hunter" is basically an action movie for teenage boys. The bumbling script and rushed back-story means you don't really care for any of the characters or their motives. However, even though it starts off as a no-brains fang-banger, it actually becomes bizarrely interesting watching historical events woven with outrageous fiction. Don't be mistaken, this is mostly a pretty stupid film, but seeing an infamous American president slaying evil spirits against the backdrop of a historically famous era, only just saves it from sucking completely.