Russell heads out to a gay club and picks up Glen just before closing time and what's expected to be just a one-night stand becomes something else, something special.
"Weekend" is a low key movie grounded in realism that presents a romance between two men who have only a weekend to spend together. The simple naturalistic style of this film is balanced by its emotional honesty. The performance from the two leads is genuine and understated, lending authenticity to this modest but deceptively intense exploration of falling in love. I've got Friday on my mind.
The MuppetsAnne Murphy
With the help of three fans, The Muppets must reunite to save their old theatre from an oil tycoon.
The Muppets are as comically endearing as ever in their return to the big screen, as the troupe get back together to sing and dance their way through a classic good vs evil storyline. This is a nostalgic romp even though the characters haven't aged, not that the audience would want them to, and they're just as corny as they ever were. The magic works, maybe because no-one is more self deprecating than the characters themselves. Absolutely the most sensational, inspirational, celebrational, Muppet-ational...
Dolphin TaleAnne Murphy
A story centred on the friendship between a boy and a dolphin whose tail was lost in a crab trap.
An amazing heart-warming tale, pardon the pun, based on a real story is related in "Dolphin Tale". This movie will be embraced by young audiences as an exciting adventure in an adult world. Older kids may find it formulaic as adversity is transformed into triumph, but nonetheless it's stirring viewing. The dolphin is a scene stealing star that puts the rest of the cast in the drink despite their solid performances in this family friendly fun film. Move over Flipper.
Being Elmo: A Puppeteer's JourneyAnne Murphy
Beloved by children of all ages around the world, Elmo is an international icon but few people know his creator, Kevin Clash.
It's passion more than puppet that is central to the tale captured in "Being Elmo". The puppeteer's sense of purpose is extraordinarily powerful; from childhood he knew with certainty what it was that he wanted to be when he grew up. His purpose while pursuing his goal is nothing short of awe inspiring. As documentaries go this one is as warm as it is magical. It's affirming to see that good things happen to good, hardworking, people. Tickle me pink.
The Skin I Live InAnne Murphy
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin.
The narrative of "The Skin I Live In" is as intriguing as it is twisted, central to the plot is a contemporary and perverse Frankenstein character. This is an ethically challenging story of an obsessive patriarch, sinister gender control is stirred with psychological intrigue to create a morally unsettling but memorable movie. The nightmarish elements are balanced by the visually sophisticated and vibrant tone presented on screen. Your skin may crawl, but an imprint is left getting right under the skin.
The Women on the 6th FloorAnne Murphy
In 1960s Paris, a conservative couple's lives are turned upside down by two Spanish maids.
The character roles are straight jacketed by class stereotypes, both the salt-of-the-earth maids and their fuss-pot employers. The movie comes close to being patronising and mightn't have worked in a current day setting, however audiences can smile nostalgically at what is a charming and humorous class-comedy set in a previous century. "Women on the 6th Floor" is best not viewed from a social political perspective, but rather enjoyed for its gentle humour and captivating plot. Hope that the women upstairs never come down to earth.
We Have a PopeAnne Murphy
A story centered on the relationship between the newly elected Pope and his therapist.
The basis of the plot is intriguing and shows the potential human fragility of a man confronted with being elected into a daunting role. The story is potentially fascinating but a little underdeveloped. We don't get to know the characters sufficiently to empathise with any of them. Add to that the episodic character of some scenes which start unexpectedly and stop too suddenly to link coherently to the central thread of the story and the movie never quite realises it's potential. Do we have a Pope?
Waste LandAnne Murphy
Contemporary artist Vik Muniz takes us on an emotional journey from the world's largest landfill on the outskirts of Rio de Janeiro to an art auction in London.
Beauty is found by engaging with people who create livelihoods recycling garbage picked from a vast waste dump. In working with the artist, the director shows how truly awesome the human spirit is. They respect the subjects of the art project that is central to this documentary. The thoughtful approach and the time taken to encounter people through a lens of humanity, rather than stereotypes, is uplifting. A work of art.
The story of a terminally ill teenage girl who falls for a boy who likes to attend funerals and their encounters with the ghost of a Japanese kamikaze pilot from WWII.
"Restless" is an original take on the often used story of love in the shadow of a looming death. This film falls into an unlabelled genre that is the antithesis of a rom-com, and it does that with a quirky grace. The main characters are burdened with troubling life experiences that underscore the earnestness in their encounters, but it's the gentle grimness as the inevitable approaches that is most disquieting. Emo and edgy.
The Ages of LoveAnne Murphy
Three chapters tell three interconnected love stories that illustrate the three ages of man, Youth Maturity and Beyond.
A rom-com is that bit more enjoyable for being Italian, the stories and characters are less stereotypical than their Hollywood counterparts. The content ripens and matures as the movie progresses through the ages of man, each delivering more depth than the previous story. None are too deep, all deliver some fun and are refreshing for their European sophistication. The comedy is it is light and agreeable, there’s nothing to tax an audience in the storylines. Ti amo.
The First GraderAnne Murphy
The true story of an 84 year-old Kenyan villager and ex Mau Mau freedom fighter who fights for his right to go to school for the first time to get the education he could never afford.
"Based on a true story" the opening credits report, so prepare to learn about Kenya's recent and bloody past. "The First Grader" revisits a brutal episode in history while focused on a redemptive story line, complete with extraordinary African backdrops. The feel good meter runs high while watching this incredible story of one man's experience and his determination to learn to read and write. Elementary.
The Tall ManAnne Murphy
A documentary, set on Palm Island where on the day Cameron Doomadgee was arrested for swearing at a policeman and was found dead in a watch-house cell forty-five minutes later.
"The Tall Man" is a documentary that persuasively recreates a death in custody one statement at a time through interviews and first person accounts. As each witness account is carefully scrutinised, a grim and unsettling story emerges. Trials and inquests are revisited and accounts unravel. We may not be able to determine exactly what happened on that one night in 2004, but we can definitely draw our own conclusions. Short on truth.
Burning ManAnne Murphy
An English chef with a restaurant on Bondi Beach is trying to put his life and his relationship with his son back on track.
"Burning Man" is a pastiche of scenes that don't follow a sequential time-line but nonetheless build into a sorrowful narrative. Forget chronological sequencing, this is a compelling portrayal of grief, a time when events don't evolve in a linear sequence, and emotion reigns. It's just in time for the audience that the jigsaw of memories piece together and the emotional impact of the story is felt, packing a punch. Tears will quench the flames.
We Need to Talk About KevinAnne Murphy
The mother of a teenage boy who went on a high-school killing spree tries to deal with her grief - and feelings of responsibility for her child's actions.
Harrowing is the only way to describe "We Need to Talk About Kevin". It's difficult viewing, a chilling and disturbing movie. All credit to the director for the way the mother's haunting story unfolds, threading memories and recollections into the narrative as an explanation for the present. The actor's performances are outstanding while portraying situations more chilling than most horror plots. Maybe we need to talk, but in hushed tones.
Our Idiot BrotherAnne Murphy
A comedy centered on an idealist who barges into the lives of his three sisters.
"Our Idiot Brother" is like movie popcorn, light and enjoyable without being really filling. The indie style production is as amiable as the affable main character; it is a comedy with charm. The focus is the special relationships between siblings, close, affectionate, and then relentlessly honest. The plot comprises small family interactions rather than dramatic action. The everyday trials of being part of a family are action enough to hold interest and the film does not stray into over sentimentality. Quite an intelligent idiot.
Bill Cunningham New YorkAnne Murphy
A cinematic profile of the noted veteran New York City fashion photographer.
"Seek beauty, and you'll find it", says the subject of this captivating film biography. The documentary spans the lifelong career of a delightfully eccentric and passionately obsessive follower of fashion. The film-maker almost becomes a private detective following his subject, a lively photographic journalist who is dedicated to the singular pursuit of capturing the style of people out on the street. As unassuming as the photographer is, he is undeniably one of the who’s who of the New York fashion scene; the challenge is keeping up with him. Run-a-way success.
A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.
The identity of one of our greatest writers is scrutinised in "Anonymous", a tawdry tale of fiction staged as lusty historical drama. The audience is kept busy trying to work out who's who as the time-frame jumps into the past and back again, causing confusion when we try to match the older and younger actors of the same character. Sordid conspiracies abound, and it's all a bit fanciful, convoluted and overly long. As they say in the classics, "It's not Shakespeare".
George Harrison: Living in the Material WorldAnne Murphy
Inter-cut with archive material, friends, family and associates of the musician tell the story of his life and how spirituality became such a major part of it.
ou might guess that this renowned musician had a extraordinary life but it takes the spotlight shone by this exceptional documentary to reveal just how remarkable his life and times were. It helps that much of the history is told to camera by the subject in his own words, and those close to him lovingly colour in the detail. Ultimately this is an affecting and moving portrait of a man whose guitar gently wept.
A Quiet LifeAnne Murphy
The story of a man with a dark past, that inevitably catches up with him.
Mystery is slowly brewed as the story behind the main character is revealed. Initially the plot is vague, and the viewer must sit with some uncertainty as to what is happening on the screen. The lack of story structure is a clever device that adds to the mounting suspense. Tension is maintained amid a seemingly routine domestic situation, and there are ominous hints that all is not as it seems as the violence starts to escalate. "A Quiet Life" is a well-constructed, gripping movie experience... shhh.
Lost KissesAnne Murphy
A girl in the deprived outskirts of a Sicilian city becomes a local celebrity to her community when word spreads that she just might be able to perform miracles.
"Lost Kisses" uses cynicism to explore our faith in the inexplicable, and satirically mocks our need to keep up appearances. While not taking an overt stance on one side or the other of religious belief and our desire for miracles, there's a lot going on under the surface-line of the story. It's a pleasure to be allowed to draw your own meaning. A peck on the cheek.
Corpo CelesteAnne Murphy
Thirteen year-old Marta restlessly tests the boundaries of the catechism of the Catholic Church when her family move from Switzerland to a city in southern Italy.
The protagonist is a stranger in a strange land as she prepares for her confirmation ceremony. A naive view of the Church and the various characters that support the institution are used to question the traditions and rites of its teachings. "Corpo Celeste" gently mocks using symbolism and religious iconography rather than overtly criticising any practice. The movie is effective in that it does plant questions about socially accepted values. You'll never get to heaven...
20 CigarettesAnne Murphy
An assistant film director working in Iraq finds himself caught up in a suicide attack.
This movie tells the autobiographical story of its director with a lighter touch than a documentary might have allowed. Iraq is shown as a place where soldiers and peace-keepers are wondering what they were doing there. Injury is graphically depicted, providing a palpable experience of the horror of war. A strong but very watchable political statement is made by bringing a personal story to the big screen. The cigarettes provide an interesting device to contrast everyday life with a day in a war zone. Smoking.
Escort in LoveAnne Murphy
When her husband dies in a car accident, Alice is left with a massive debt and the risk of losing her son so she turns to the oldest profession in the world.
Working as an escort is sometimes painted as an overly rosy career choice when portrayed in a movie. Thankfully, the annoyance of that plot hook is diffused in "Escort in Love" by the comic scenes it generates. There is also a couple of interesting side themes around social inclusion and diversity which compensate. This film is easy to like and enjoy, thanks to the congenial characters. Love the escort.
Sorelle MaiAnne Murphy
The director's family is filmed over a 10 year period acting in film roles rather than biographic depictions to create an experimental and dramatic work.
"Sorelle Mai" is an interesting movie that follows the hopes and mostly thwarted dreams of a brother and sister. What makes it really interesting is knowing what the director attempted and the scope of the project. For those sitting in a cinema it's not obvious how ambitious the film-making is, and for the average viewer the slight narrative may be insufficient to captivate. Appreciate this one for being well crafted. Sisters are doin' it...
A group of zoo animals decide to break their code of silence in order to help their lovable zoo keeper find love.
There are two incompatible angles in "Zookeeper": romance and talking animals. The largely unfunny romantic thread might appeal to adolescents, but it's unlikely to ignite much interest in a family-fun setting. The zoo animal antics could amuse young audiences if they talked about something other than how to attract a mate; conversations that probably won't resonate with kids. If only these beasts had decent script writers... what's said in the zoo should stay in the zoo.