The Day I Saw Your HeartAnne Murphy
Justine is an x-ray technician with a youthful-minded father who plays golf with her ex-boyfriends.
"The Day I Saw Your Heart" is an amusing and off-beat film about family ties. The plot follows the complex relationships of fathers, daughters, sisters, wives and babies. The story is original and told in an anecdotal style, a bit like skimming through someone's diary. This French movie provides interesting viewing, if slight, as it bubbles along with a light touch. It lacks any depth or real insight into the characters themselves, but their eccentricities more than compensate for their shallowness. Watch to see some big hearts.
Two sets of parents convene a cordial meeting after their sons are involved in a fight, as their time together progresses, increasingly childish behaviour throws the afternoon into chaos.
Set in one room, "Carnage" is an intimate but dark comedy of manners and, as it turns out, manners that serve only as a thin veneer of refinement when a war of words erupts. A fly-on-the-wall experience is provided and audiences will come away glad not to be like the jousting individuals and couples on the screen, but wanting only to gossip about them. The strong cast avoid both sophistication and annihilation.
My Week with MarilynAnne Murphy
Colin Clark, an employee of Sir Laurence Olivier's, documents the tense interaction between Olivier and Marilyn Monroe during production of The Prince and the Showgirl.
There's not a lot of plot to get lost in just an intimate week with the movie star we remember for her reputation for being as fragile as she was glamorous. "My Week with Marilyn" is an engaging in-depth character study. The lead actor delivers a spell-binding and authentic portrait of the screen legend as complex woman who shone in front of the camera and struggled with insecurity behind the scenes. Not only gentlemen will prefer this blonde.
The story of Joseph, a man plagued by violence and a rage that is driving him to self-destruction.
"Tyrannosaur" is harrowing viewing. Filmed with an uncompromising eye for realism, there’s an intensity to this movie that’s rarely captured with such bruising effect. Anger, rage and torment are central to the story and expressed without inhibition. Expect a confronting experience, one that will leave audiences wrung out, if not reeling from the relentless blows landed. The cast are credible and the performances delivered are absolutely convincing, particularly when somewhere from the depths of hopelessness something transformative is glimpsed. As riveting as it is grim.
Martha Marcy May MarleneAnne Murphy
Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
The fragile bonds of family come under scrutiny in this psychological thriller, and makes for tense viewing from the opening scenes right until the second it finishes. The film is dark and taut as memories are seamlessly threaded with the present. The film-maker is deft, using the past to explain today and develop a sense of impending threat in the audience. While watching it becomes harder to breathe as the story unfolds. Mal-adjusted mentality methodically manipulated.
The ArtistAnne Murphy
Hollywood, 1927: Silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion.
Prepare to be transported to a past era in Hollywood by "The Artist". There are many adjectives to describe the nostalgic venture including: charming, original, witty, surprising, and stylish. In short a captivating movie, and all the more so for daring to be all but silent and presented in black and white. It is a pleasure to be entertained by a romance that eschews modern effects and remains authentic to the period portrayed. Paints a picture.
A Few Best MenAnne Murphy
An English groom and his three best men travel to the Australian Blue Mountains for his wedding.
Everything about a "A Few Best Men" is exaggerated. From the central romance to the panoramic Australian scenes, the lure and perils of illicit drugs for the groomsmen to the political ambition of the bride's father, this movie is larger than life and complete with a cast of clichéd characters. As is expected of wedding fairytales there is little semblance to reality. Not that there is anything wrong with cinema escapism, but some will want to escape the cinema rather than watch this celebration of matrimony. Baaa.
The InterruptersAnne Murphy
The moving and surprising stories of three Violence Interrupters who try to protect their Chicago communities from the violence they once participated in.
This fly-on-wall style documentary was filmed over the course of a year. The camera lens is firmly fixed on the problem of street shootings and the community building interventions of the dedicated outreach group CeaseFire and their Violence Interrupters who confront the problem by talking directly with the kids in the war zone. Speaking of talking, it's helpful that some of the dialogue is subtitled, and there's no doubt about the authenticity of the content. Interrupting an epidemic.
Russell heads out to a gay club and picks up Glen just before closing time and what's expected to be just a one-night stand becomes something else, something special.
"Weekend" is a low key movie grounded in realism that presents a romance between two men who have only a weekend to spend together. The simple naturalistic style of this film is balanced by its emotional honesty. The performance from the two leads is genuine and understated, lending authenticity to this modest but deceptively intense exploration of falling in love. I've got Friday on my mind.
The MuppetsAnne Murphy
With the help of three fans, The Muppets must reunite to save their old theatre from an oil tycoon.
The Muppets are as comically endearing as ever in their return to the big screen, as the troupe get back together to sing and dance their way through a classic good vs evil storyline. This is a nostalgic romp even though the characters haven't aged, not that the audience would want them to, and they're just as corny as they ever were. The magic works, maybe because no-one is more self deprecating than the characters themselves. Absolutely the most sensational, inspirational, celebrational, Muppet-ational...
Dolphin TaleAnne Murphy
A story centred on the friendship between a boy and a dolphin whose tail was lost in a crab trap.
An amazing heart-warming tale, pardon the pun, based on a real story is related in "Dolphin Tale". This movie will be embraced by young audiences as an exciting adventure in an adult world. Older kids may find it formulaic as adversity is transformed into triumph, but nonetheless it's stirring viewing. The dolphin is a scene stealing star that puts the rest of the cast in the drink despite their solid performances in this family friendly fun film. Move over Flipper.
Being Elmo: A Puppeteer's JourneyAnne Murphy
Beloved by children of all ages around the world, Elmo is an international icon but few people know his creator, Kevin Clash.
It's passion more than puppet that is central to the tale captured in "Being Elmo". The puppeteer's sense of purpose is extraordinarily powerful; from childhood he knew with certainty what it was that he wanted to be when he grew up. His purpose while pursuing his goal is nothing short of awe inspiring. As documentaries go this one is as warm as it is magical. It's affirming to see that good things happen to good, hardworking, people. Tickle me pink.
The Skin I Live InAnne Murphy
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin.
The narrative of "The Skin I Live In" is as intriguing as it is twisted, central to the plot is a contemporary and perverse Frankenstein character. This is an ethically challenging story of an obsessive patriarch, sinister gender control is stirred with psychological intrigue to create a morally unsettling but memorable movie. The nightmarish elements are balanced by the visually sophisticated and vibrant tone presented on screen. Your skin may crawl, but an imprint is left getting right under the skin.
The Women on the 6th FloorAnne Murphy
In 1960s Paris, a conservative couple's lives are turned upside down by two Spanish maids.
The character roles are straight jacketed by class stereotypes, both the salt-of-the-earth maids and their fuss-pot employers. The movie comes close to being patronising and mightn't have worked in a current day setting, however audiences can smile nostalgically at what is a charming and humorous class-comedy set in a previous century. "Women on the 6th Floor" is best not viewed from a social political perspective, but rather enjoyed for its gentle humour and captivating plot. Hope that the women upstairs never come down to earth.
We Have a PopeAnne Murphy
A story centered on the relationship between the newly elected Pope and his therapist.
The basis of the plot is intriguing and shows the potential human fragility of a man confronted with being elected into a daunting role. The story is potentially fascinating but a little underdeveloped. We don't get to know the characters sufficiently to empathise with any of them. Add to that the episodic character of some scenes which start unexpectedly and stop too suddenly to link coherently to the central thread of the story and the movie never quite realises it's potential. Do we have a Pope?
Waste LandAnne Murphy
Contemporary artist Vik Muniz takes us on an emotional journey from the world's largest landfill on the outskirts of Rio de Janeiro to an art auction in London.
Beauty is found by engaging with people who create livelihoods recycling garbage picked from a vast waste dump. In working with the artist, the director shows how truly awesome the human spirit is. They respect the subjects of the art project that is central to this documentary. The thoughtful approach and the time taken to encounter people through a lens of humanity, rather than stereotypes, is uplifting. A work of art.
The story of a terminally ill teenage girl who falls for a boy who likes to attend funerals and their encounters with the ghost of a Japanese kamikaze pilot from WWII.
"Restless" is an original take on the often used story of love in the shadow of a looming death. This film falls into an unlabelled genre that is the antithesis of a rom-com, and it does that with a quirky grace. The main characters are burdened with troubling life experiences that underscore the earnestness in their encounters, but it's the gentle grimness as the inevitable approaches that is most disquieting. Emo and edgy.
The Ages of LoveAnne Murphy
Three chapters tell three interconnected love stories that illustrate the three ages of man, Youth Maturity and Beyond.
A rom-com is that bit more enjoyable for being Italian, the stories and characters are less stereotypical than their Hollywood counterparts. The content ripens and matures as the movie progresses through the ages of man, each delivering more depth than the previous story. None are too deep, all deliver some fun and are refreshing for their European sophistication. The comedy is it is light and agreeable, there’s nothing to tax an audience in the storylines. Ti amo.
The First GraderAnne Murphy
The true story of an 84 year-old Kenyan villager and ex Mau Mau freedom fighter who fights for his right to go to school for the first time to get the education he could never afford.
"Based on a true story" the opening credits report, so prepare to learn about Kenya's recent and bloody past. "The First Grader" revisits a brutal episode in history while focused on a redemptive story line, complete with extraordinary African backdrops. The feel good meter runs high while watching this incredible story of one man's experience and his determination to learn to read and write. Elementary.
The Tall ManAnne Murphy
A documentary, set on Palm Island where on the day Cameron Doomadgee was arrested for swearing at a policeman and was found dead in a watch-house cell forty-five minutes later.
"The Tall Man" is a documentary that persuasively recreates a death in custody one statement at a time through interviews and first person accounts. As each witness account is carefully scrutinised, a grim and unsettling story emerges. Trials and inquests are revisited and accounts unravel. We may not be able to determine exactly what happened on that one night in 2004, but we can definitely draw our own conclusions. Short on truth.
Burning ManAnne Murphy
An English chef with a restaurant on Bondi Beach is trying to put his life and his relationship with his son back on track.
"Burning Man" is a pastiche of scenes that don't follow a sequential time-line but nonetheless build into a sorrowful narrative. Forget chronological sequencing, this is a compelling portrayal of grief, a time when events don't evolve in a linear sequence, and emotion reigns. It's just in time for the audience that the jigsaw of memories piece together and the emotional impact of the story is felt, packing a punch. Tears will quench the flames.
We Need to Talk About KevinAnne Murphy
The mother of a teenage boy who went on a high-school killing spree tries to deal with her grief - and feelings of responsibility for her child's actions.
Harrowing is the only way to describe "We Need to Talk About Kevin". It's difficult viewing, a chilling and disturbing movie. All credit to the director for the way the mother's haunting story unfolds, threading memories and recollections into the narrative as an explanation for the present. The actor's performances are outstanding while portraying situations more chilling than most horror plots. Maybe we need to talk, but in hushed tones.
Our Idiot BrotherAnne Murphy
A comedy centered on an idealist who barges into the lives of his three sisters.
"Our Idiot Brother" is like movie popcorn, light and enjoyable without being really filling. The indie style production is as amiable as the affable main character; it is a comedy with charm. The focus is the special relationships between siblings, close, affectionate, and then relentlessly honest. The plot comprises small family interactions rather than dramatic action. The everyday trials of being part of a family are action enough to hold interest and the film does not stray into over sentimentality. Quite an intelligent idiot.
Bill Cunningham New YorkAnne Murphy
A cinematic profile of the noted veteran New York City fashion photographer.
"Seek beauty, and you'll find it", says the subject of this captivating film biography. The documentary spans the lifelong career of a delightfully eccentric and passionately obsessive follower of fashion. The film-maker almost becomes a private detective following his subject, a lively photographic journalist who is dedicated to the singular pursuit of capturing the style of people out on the street. As unassuming as the photographer is, he is undeniably one of the who’s who of the New York fashion scene; the challenge is keeping up with him. Run-a-way success.
A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.
The identity of one of our greatest writers is scrutinised in "Anonymous", a tawdry tale of fiction staged as lusty historical drama. The audience is kept busy trying to work out who's who as the time-frame jumps into the past and back again, causing confusion when we try to match the older and younger actors of the same character. Sordid conspiracies abound, and it's all a bit fanciful, convoluted and overly long. As they say in the classics, "It's not Shakespeare".