George Harrison: Living in the Material WorldAnne Murphy
Inter-cut with archive material, friends, family and associates of the musician tell the story of his life and how spirituality became such a major part of it.
ou might guess that this renowned musician had a extraordinary life but it takes the spotlight shone by this exceptional documentary to reveal just how remarkable his life and times were. It helps that much of the history is told to camera by the subject in his own words, and those close to him lovingly colour in the detail. Ultimately this is an affecting and moving portrait of a man whose guitar gently wept.
A Quiet LifeAnne Murphy
The story of a man with a dark past, that inevitably catches up with him.
Mystery is slowly brewed as the story behind the main character is revealed. Initially the plot is vague, and the viewer must sit with some uncertainty as to what is happening on the screen. The lack of story structure is a clever device that adds to the mounting suspense. Tension is maintained amid a seemingly routine domestic situation, and there are ominous hints that all is not as it seems as the violence starts to escalate. "A Quiet Life" is a well-constructed, gripping movie experience... shhh.
Lost KissesAnne Murphy
A girl in the deprived outskirts of a Sicilian city becomes a local celebrity to her community when word spreads that she just might be able to perform miracles.
"Lost Kisses" uses cynicism to explore our faith in the inexplicable, and satirically mocks our need to keep up appearances. While not taking an overt stance on one side or the other of religious belief and our desire for miracles, there's a lot going on under the surface-line of the story. It's a pleasure to be allowed to draw your own meaning. A peck on the cheek.
Corpo CelesteAnne Murphy
Thirteen year-old Marta restlessly tests the boundaries of the catechism of the Catholic Church when her family move from Switzerland to a city in southern Italy.
The protagonist is a stranger in a strange land as she prepares for her confirmation ceremony. A naive view of the Church and the various characters that support the institution are used to question the traditions and rites of its teachings. "Corpo Celeste" gently mocks using symbolism and religious iconography rather than overtly criticising any practice. The movie is effective in that it does plant questions about socially accepted values. You'll never get to heaven...
20 CigarettesAnne Murphy
An assistant film director working in Iraq finds himself caught up in a suicide attack.
This movie tells the autobiographical story of its director with a lighter touch than a documentary might have allowed. Iraq is shown as a place where soldiers and peace-keepers are wondering what they were doing there. Injury is graphically depicted, providing a palpable experience of the horror of war. A strong but very watchable political statement is made by bringing a personal story to the big screen. The cigarettes provide an interesting device to contrast everyday life with a day in a war zone. Smoking.
Escort in LoveAnne Murphy
When her husband dies in a car accident, Alice is left with a massive debt and the risk of losing her son so she turns to the oldest profession in the world.
Working as an escort is sometimes painted as an overly rosy career choice when portrayed in a movie. Thankfully, the annoyance of that plot hook is diffused in "Escort in Love" by the comic scenes it generates. There is also a couple of interesting side themes around social inclusion and diversity which compensate. This film is easy to like and enjoy, thanks to the congenial characters. Love the escort.
Sorelle MaiAnne Murphy
The director's family is filmed over a 10 year period acting in film roles rather than biographic depictions to create an experimental and dramatic work.
"Sorelle Mai" is an interesting movie that follows the hopes and mostly thwarted dreams of a brother and sister. What makes it really interesting is knowing what the director attempted and the scope of the project. For those sitting in a cinema it's not obvious how ambitious the film-making is, and for the average viewer the slight narrative may be insufficient to captivate. Appreciate this one for being well crafted. Sisters are doin' it...
A group of zoo animals decide to break their code of silence in order to help their lovable zoo keeper find love.
There are two incompatible angles in "Zookeeper": romance and talking animals. The largely unfunny romantic thread might appeal to adolescents, but it's unlikely to ignite much interest in a family-fun setting. The zoo animal antics could amuse young audiences if they talked about something other than how to attract a mate; conversations that probably won't resonate with kids. If only these beasts had decent script writers... what's said in the zoo should stay in the zoo.
The GuardAnne Murphy
An unorthodox Irish policeman with a confrontational personality is teamed up with an uptight FBI agent to investigate an international drug-smuggling ring.
"The Guard" is a comedy threaded with some serious themes. The genre is an original police-buddy action combination delivered in a lilting Irish style which proves delightful. The central character is a foul-mouthed modern masterpiece, politically incorrect, big hearted, world weary and honourable, as well as disrespectful, again a little bit of everything in the mix. This is a very funny movie but not so much laugh out loud as wryly observed and darkly humorous. Many unguarded moments.
Win WinAnne Murphy
A struggling lawyer and wrestling coach's chicanery comes back to haunt him when the teenage grandson of the client he's double-crossed comes into his life.
The good-humoured and flawed characters which populate "Win Win" are acted with refreshing individuality. The movie plays out as a down to earth and warm comedy, that is hard not to be charmed by. As the captivating plot develops, and very human problems are encountered, an almost constant tickle of laughter fills the cinema. Audience interest is engaged by the readily recognisable challenges of ordinary people and their relationships, and we're ready to empathise. Nobody loses.
Jane EyreAnne Murphy
A mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.
A film adaption of a literary classic is rarely considered as good the book but this one is superb. "Jane Eyre" is likely to captivate all, including the most avid readers among us. This effort is well cast, capturing a perfect balance of brooding passion and guarded vulnerability. The cinematography captures a gothic austerity on the screen that reflects the social confines and well mannered restraint of the times, balanced by a landscape of moody spellbinding moors. Passionate plain Jane.
The Hollywood ComplexAnne Murphy
Spring heralds pilot season in Hollywood, and that means audition time as aspiring actors come to town with their Moms, desperately seeking that elusive call back from casting.
The scale of the 'wanna-be' industry is surprising, teeming with agents, drama-teachers and photographers, all fed by the sheer numbers of kids hoping to be discovered. While we can chuckle and scoff at the onscreen antics of the children and their parents, there is something very unsettling beneath the 'fun'. The opportunistic nature that all of the parties have in common suggests that many do not come away unscathed. Certainly no-one sings "Hooray for..."
Familiar GroundAnne Murphy
Benoit lives with his invalid father while his sister, Maryse, is desperate for her husband to sell the backhoe sitting abandoned in their suburban yard.
The camera zooms in on family relationships, focussing on small interactions and exchanges. If you've ever wondered what the neighbours are doing, this film is a glimpse of them indulging in the same mundane activities as your loved ones. "Familiar Ground" is understated and wry, full of mini-moments. It manages to be unexpectedly generous too, as this little, almost deadpan, movie delivers a redemptive feel-not-bad, if not feel good, close. Familiar terrain that surprises.
Cedar RapidsAnne Murphy
Tim Lippe has no idea what he's in for when he's sent to Cedar Rapids, Iowa to represent his company at an annual insurance convention.
"Cedar Rapids" is a surprising and heart-stealing comedy, thanks mostly to the nuanced portrayal of the central character, as a naive and amiable man. This hearty movie is rude and rambunctious while managing to be emotionally earnest. In line with the indie tradition the result is disarming despite the morally dubious convention setting. Movie goers will take away a genial glow even as what happens in Cedar Rapids stays in Cedar Rapids…
Over the course of a tense afternoon, a gang of five lure three younger boys into a complex street scam in order to rob them.
"Play" is based on real events that happened in Sweden. The movie is shot on location and uses untrained actors, imbibing a mockumentary tone, leaving a funny taste that it is neither fact nor fiction. The interactions between the cocky perpetrators and the intimidated targets make racial tensions uncomfortably palpable, but there's little else on offer. Interesting enough, but real-time drags like slow motion as the film goes on and on without getting anywhere. No fun.
Siblings from Japan get stranded in a small town, Littlerock, while waiting for a replacement rental car.
Viewing American culture, through the eyes of a non-English speaker is interesting but almost insufficient to maintain feature length interest. Perhaps it is the desolate location where nothing much happens, or the listless locals, but boredom stealthily encroaches. At times it feels that not enough is happening on the screen. Even so this story of strangers in a remarkably strange land is unsettling enough to hold attention, leaving a lasting imprint. It's like looking through a magnifying glass and not a kaleidoscope.
A teenage loner, who wears pyjamas to school, is befriended by the slightly oddball Vice Principal.
Perhaps the only thing more difficult than being a high-school teenager is being a teenage misfit at high school. "Terri" is an unexpectedly endearing movie, thanks to the understated but oversized performance of the protagonist and the big hearted, if crazed, turn by the Vice Principal. The honesty embedded into the portrayals of all of the characters contributes to making this disarming film an original gem. The director's eye allows for scenes as bruising as they are amusing without trading sensitivity for laughs. Go Terri.
Matchmaking MayorAnne Murphy
A generation of singles in their 30s live in a medium-sized Slovak village, and their mayor sets out to bring them together.
Marrying is not everyone's goal and there is some pressure to conform to please families and traditional life. The unmarried locals look quite uncomfortable playing along with the Mayor's plans. This is a documentary filled with glimpses of a lifestyle unfamiliar to city dwellers in our sophisticated on-line world. The audience was tickled throughout by the real life characters, but the filmmaker's style is a little gentle to sustain interest. A long build and no punch-line. Imperfect match.
How to Die in OregonAnne Murphy
In 1994 Oregon became the first state to legalize physician-assisted suicide.
"How to Die in Oregon" is not an easy documentary to watch, and that is good reason to watch it. Death with dignity is a complex ethical concept to bring to the screen, and this film is an intimate exploration of life and planned death. The film maker is respectful and unobtrusive. The sensitivity is appreciated... he doesn't add his own narrative, the subjects do all the talking. No other voice is needed - their stories are incredibly moving. Choice allows us to die well.
Give Up TomorrowAnne Murphy
When a teenager from a political family in the Philippines is accused of a double murder, the country's entire judicial system is put to the test after years of alleged corruption.
This story is one of such a jaw-dropping miscarriage of justice that it instils outrage. "Give Up Tomorrow" documents 12 years of a murder case with sufficient information and detail to convince even the most hardened sceptic of a gross wrongdoing. The production quality is patchy, even grainy at times, but the story is compelling and impossible to watch without tears. Get through today and you can give up tomorrow.
Beautiful LiesAnne Murphy
An anonymous love letter leads to a slew of misunderstandings.
Frivolous, frothy, and fabulous rather than slight. In short, everything hoped for from a good French rom-com is served up in "Beautiful Lies". It is delectable. The comic storyline is complicated enough to tease out laughter around situations of mistaken identities and misguided efforts of matchmaking. There's no mistaking funny for ridiculous however; this is an intelligent and warm movie that brims with affection. The delightful cast bring depth to the characters, who relate genuinely to each other and the audience can't help but care what happens in the end. Sincerely comique.
Special TreatmentAnne Murphy
A world-weary psychoanalyst and a classy prostitute both struggle with relationship issues.
The premise for "Special Treatment" is intriguing, but unfortunately the film fails to leverage the plot for comic or dramatic interest. While parallels are sketched between the professions of the two main characters, the outlines drawn are insufficient to sustain audience curiosity, which is not encouraged to deepen into involvement. The supporting cast suffer in undeveloped roles, as clients and friends, they fail to bring enough colour to the screen to be appreciated as eccentric, and subsequently end up looking pitiful. Better treatment required to make this movie special.
Mr Popper's PenguinsAnne Murphy
The life of a businessman begins to change after he inherits six penguins, and his professional side starts to unravel.
"Mr Poppers Penguins" is perfectly pitched to pint-sized audiences with plenty of play on poop gags. This warm comedy, served with piles of ice, is reminiscent of family movies from another era. The bad guys are sly without being too menacing and the good guys are playful, amusing without hilarity. The penguins, apart from being predictably black and white, are lovable pranksters. It's all well paced and enjoyable, if a little light. Popper's penguin predicament is peculiar and pleasant.
The Tree of LifeAnne Murphy
The story centres around a family with three boys in the 1950s.
The on-screen experience is profound while managing to be tiresomely pretentious at the same time. "Tree of Life" takes itself a little too seriously at times, boldly exploring beginnings, creation, and dinosaurs. It is also a gentle reflection on life and the relationships of children with their parents, navigated in a non-linear manner. A dream-like quality makes easy to imagine that you're watching something akin to the replay of life that we're told happens right before death... only this version doesn't 'flash' and takes its time. A tree with a captivating soul.
L'Amour fouAnne Murphy
Explores the relationship between fashion designer Yves Saint-Laurent and his lover, Pierre Berge.
Filmed after the death of Yves Saint-Laurent "L'Amour fou" provides a candid look into the life, the breathtaking art collection amassed by the couple and its eventual auction to benefit an AIDs charity. The narrative provides as glimpses into a privileged lifestyle without exploring too deeply. Interesting are revelations of an ongoing struggle with depression and resulting addictions, perhaps one of those being the central objects d'art. Archival film footage stills and interviews are used to effect and reveal much about the troubled man of fashion. Melancholic.