18 Years Old and RisingAnne Murphy
Primo, a boy with a humble background, is studying for University entrance while trying to impress girls who hang out with a crowd of rich young things.
Set in Paris in the early 80's as a Presidential election looms, "18 Years Old and Rising" has an interesting political text for a film of the coming of age genre. Like the main character, this movie takes risks to impress, and it shows a hero's quest for love that is memorable, bold, and fun. It is a pleasure to watch a storyline that delights by not being predictable. Forever young.
My Week with MarilynAnne Murphy
Colin Clark, an employee of Sir Laurence Olivier's, documents the tense interaction between Olivier and Marilyn Monroe during production of The Prince and the Showgirl.
There's not a lot of plot to get lost in just an intimate week with the movie star we remember for her reputation for being as fragile as she was glamorous. "My Week with Marilyn" is an engaging in-depth character study. The lead actor delivers a spell-binding and authentic portrait of the screen legend as complex woman who shone in front of the camera and struggled with insecurity behind the scenes. Not only gentlemen will prefer this blonde.
Two sets of parents convene a cordial meeting after their sons are involved in a fight, as their time together progresses, increasingly childish behaviour throws the afternoon into chaos.
Set in one room, "Carnage" is an intimate but dark comedy of manners and, as it turns out, manners that serve only as a thin veneer of refinement when a war of words erupts. A fly-on-the-wall experience is provided and audiences will come away glad not to be like the jousting individuals and couples on the screen, but wanting only to gossip about them. The strong cast avoid both sophistication and annihilation.
The story of Joseph, a man plagued by violence and a rage that is driving him to self-destruction.
"Tyrannosaur" is harrowing viewing. Filmed with an uncompromising eye for realism, there’s an intensity to this movie that’s rarely captured with such bruising effect. Anger, rage and torment are central to the story and expressed without inhibition. Expect a confronting experience, one that will leave audiences wrung out, if not reeling from the relentless blows landed. The cast are credible and the performances delivered are absolutely convincing, particularly when somewhere from the depths of hopelessness something transformative is glimpsed. As riveting as it is grim.
Martha Marcy May MarleneAnne Murphy
Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.
The fragile bonds of family come under scrutiny in this psychological thriller, and makes for tense viewing from the opening scenes right until the second it finishes. The film is dark and taut as memories are seamlessly threaded with the present. The film-maker is deft, using the past to explain today and develop a sense of impending threat in the audience. While watching it becomes harder to breathe as the story unfolds. Mal-adjusted mentality methodically manipulated.
The ArtistAnne Murphy
Hollywood, 1927: Silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion.
Prepare to be transported to a past era in Hollywood by "The Artist". There are many adjectives to describe the nostalgic venture including: charming, original, witty, surprising, and stylish. In short a captivating movie, and all the more so for daring to be all but silent and presented in black and white. It is a pleasure to be entertained by a romance that eschews modern effects and remains authentic to the period portrayed. Paints a picture.
A Few Best MenAnne Murphy
An English groom and his three best men travel to the Australian Blue Mountains for his wedding.
Everything about a "A Few Best Men" is exaggerated. From the central romance to the panoramic Australian scenes, the lure and perils of illicit drugs for the groomsmen to the political ambition of the bride's father, this movie is larger than life and complete with a cast of clichéd characters. As is expected of wedding fairytales there is little semblance to reality. Not that there is anything wrong with cinema escapism, but some will want to escape the cinema rather than watch this celebration of matrimony. Baaa.
The InterruptersAnne Murphy
The moving and surprising stories of three Violence Interrupters who try to protect their Chicago communities from the violence they once participated in.
This fly-on-wall style documentary was filmed over the course of a year. The camera lens is firmly fixed on the problem of street shootings and the community building interventions of the dedicated outreach group CeaseFire and their Violence Interrupters who confront the problem by talking directly with the kids in the war zone. Speaking of talking, it's helpful that some of the dialogue is subtitled, and there's no doubt about the authenticity of the content. Interrupting an epidemic.
Russell heads out to a gay club and picks up Glen just before closing time and what's expected to be just a one-night stand becomes something else, something special.
"Weekend" is a low key movie grounded in realism that presents a romance between two men who have only a weekend to spend together. The simple naturalistic style of this film is balanced by its emotional honesty. The performance from the two leads is genuine and understated, lending authenticity to this modest but deceptively intense exploration of falling in love. I've got Friday on my mind.
The MuppetsAnne Murphy
With the help of three fans, The Muppets must reunite to save their old theatre from an oil tycoon.
The Muppets are as comically endearing as ever in their return to the big screen, as the troupe get back together to sing and dance their way through a classic good vs evil storyline. This is a nostalgic romp even though the characters haven't aged, not that the audience would want them to, and they're just as corny as they ever were. The magic works, maybe because no-one is more self deprecating than the characters themselves. Absolutely the most sensational, inspirational, celebrational, Muppet-ational...
Dolphin TaleAnne Murphy
A story centred on the friendship between a boy and a dolphin whose tail was lost in a crab trap.
An amazing heart-warming tale, pardon the pun, based on a real story is related in "Dolphin Tale". This movie will be embraced by young audiences as an exciting adventure in an adult world. Older kids may find it formulaic as adversity is transformed into triumph, but nonetheless it's stirring viewing. The dolphin is a scene stealing star that puts the rest of the cast in the drink despite their solid performances in this family friendly fun film. Move over Flipper.
Being Elmo: A Puppeteer's JourneyAnne Murphy
Beloved by children of all ages around the world, Elmo is an international icon but few people know his creator, Kevin Clash.
It's passion more than puppet that is central to the tale captured in "Being Elmo". The puppeteer's sense of purpose is extraordinarily powerful; from childhood he knew with certainty what it was that he wanted to be when he grew up. His purpose while pursuing his goal is nothing short of awe inspiring. As documentaries go this one is as warm as it is magical. It's affirming to see that good things happen to good, hardworking, people. Tickle me pink.
The Skin I Live InAnne Murphy
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin.
The narrative of "The Skin I Live In" is as intriguing as it is twisted, central to the plot is a contemporary and perverse Frankenstein character. This is an ethically challenging story of an obsessive patriarch, sinister gender control is stirred with psychological intrigue to create a morally unsettling but memorable movie. The nightmarish elements are balanced by the visually sophisticated and vibrant tone presented on screen. Your skin may crawl, but an imprint is left getting right under the skin.
The Women on the 6th FloorAnne Murphy
In 1960s Paris, a conservative couple's lives are turned upside down by two Spanish maids.
The character roles are straight jacketed by class stereotypes, both the salt-of-the-earth maids and their fuss-pot employers. The movie comes close to being patronising and mightn't have worked in a current day setting, however audiences can smile nostalgically at what is a charming and humorous class-comedy set in a previous century. "Women on the 6th Floor" is best not viewed from a social political perspective, but rather enjoyed for its gentle humour and captivating plot. Hope that the women upstairs never come down to earth.
We Have a PopeAnne Murphy
A story centered on the relationship between the newly elected Pope and his therapist.
The basis of the plot is intriguing and shows the potential human fragility of a man confronted with being elected into a daunting role. The story is potentially fascinating but a little underdeveloped. We don't get to know the characters sufficiently to empathise with any of them. Add to that the episodic character of some scenes which start unexpectedly and stop too suddenly to link coherently to the central thread of the story and the movie never quite realises it's potential. Do we have a Pope?