Something Borrowed
Wendy Slevison
Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy's fiancé.
Adapted from a popular novel, "Something Borrowed" is a romantic comedy of errors, where everyone seems to be in love with the wrong person. The movie is essentially the characters sorting themselves out. Unfortunately, this takes a while, and by the end of the overly long running time, audience investment in the protagonists has wilted a bit. While the actors all do a fine job of their roles, the film lacks freshness and charm. The plot feels a little like something borrowed.
Step Up 3D
Wendy Slevison
A tight-knit group of New York City street dancers find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever.
Using the same mainstream storyline as many other chick-flicks such as friendship, love, competition and issues of trust, this is definitely a film intended for dance lovers. While showing a disappointing lack of imagination in the plot and rather forced and fake acting, the electrifying dance scenes and razor-sharp chorography do redeem the film. However, it could have stepped its game up a bit.
StreetDance 2
Wendy Slevison
After suffering humiliation by the crew Invincible, a street dancer looks to gather the best dancers from around the world for a rematch.
If the numbers in the title of this film cause a little uncertainty, listen to that feeling, and save your money. Actually, to call this a "film" is being quite generous - it's really just a succession of dance sequences. The dancing is very good, but that's it. The plodding, formulaic plot is like an afterthought, and the dancers are appalling actors anyway. Cheap, clumsy 3D effects do nothing to enhance what is essentially a rehash of all the other dance movies of recent times. Sit this one out.
Summer Hours
Wendy Slevison
Two brothers and a sister witness the disappearance of their childhood memories when they must relinquish the family belongings to ensure their deceased mother's succession.
The star of "Summer Hours" is the exquisitely beautiful French countryside; the actors are largely wasted in this tepid examination of family dynamics upon the death of the stabilising matriarch. As the film languorously tells its tale, we never really get to know or care about the individual characters and their stories. In fact, it was actually difficult to ascertain any point to the movie at all, and by the end you find yourself longing for a change of season.
Tangled
Wendy Slevison
A modern retelling of the story of Rapunzel, a Princess who has spent her entire life in a tower.
A feisty frypan-wielding heroine. A horse bursting with personality that behaves like a bloodhound. A quirky colour-changing sidekick. And, of course, hair - 70 feet of lush, golden, magical hair. It's all here - delightfully crafted characters and a rousing soundtrack, everything you'd hope for from its creators. The animation is a visual feast in its attention to detail, with a blend of old-school painting and drawing, and incredible 3D CGI. This film is a rollicking adventure that has heart, soul and humour. Go get tangled up in the queue to see it.
The Best Exotic Marigold Hotel
Wendy Slevison
British retirees travel to India to take up residence in what they believe is a newly restored hotel.
This movie may well leave you dreaming of a trip to India! Set amidst the colour and vibrancy of the city of Jaipur, and featuring a delightful cast of veteran British actors, its warmth and appeal is enchanting. Yes, it may be a little contrived, but this is not a film that is trying to be clever, it is simply a charming, languidly-paced character study that is a pleasure to witness. The Marigold Hotel comes highly recommended.
The Company Men
Wendy Slevison
Centres on a year in the life of three men trying to survive a round of corporate downsizing.
This movie is informed by the global financial crisis, which dramatically affected the world economy. Initially, the characters in the film are difficult to connect with. They are executives who earn big bucks and live the big life... until the crash comes, and along with it, radical changes to everything they have known and cherished, ultimately exposing the very core of who they are as men. The high quality of performance in this film evokes a surprising empathy and admiration, and you end up feeling that you have indeed been in good company.
The Devil Inside
Wendy Slevison
In Italy, a woman becomes involved in a series of unauthorized exorcisms.
This movie follows the lead of others in its genre by using the found-footage, hand-held camera, mockumentary style of filming. The problem is we've see it all before. Despite strong attempts at realism, including using a highly talented contortionist for the possession scenes, and interviews with real specialists discussing exorcism to add credibility to the fact/fiction pitch, the film is disappointingly clichéd and time-worn. Worst of all, though, it's just not scary! And as for the ending, what the devil were they thinking?
The Eye of the Storm
Wendy Slevison
A woman used to controlling everything in her life chooses her time to die.
If you've ever doubted what Australian cinema is capable of producing, see "Eye of the Storm". Adapted from the book of the same name, every facet of the crafting of this film is of the highest quality. Featuring a cast of acting nobility who deliver their roles with meticulous insight, superb cinematography and assured direction, the story unfolds with unrelenting potency. As the complex relationships and palpable tensions intensify, you are left feeling that you have indeed been through the eye of a storm, but there is also the exhilaration of having been a witness to the tempest.
The French Kissers
Wendy Slevison
A coming-of-age tale about an adolescent boy and his efforts to fit in amongst his peers.
This is an endearingly pragmatic and unrestrained film about the tricky, sticky life of a French fourteen year old boy. There is no airbrushing here – the pimples are real, and ready to pop - a warning to the weak of stomach! The gritty and authentic performances from the mostly young and inexperienced cast are excellent. The first-time director, previously known for writing comic strips, has created a simple and appealing alternative to the overly-glossy, largely American contributions to the teenage angst genre. Pucker up!
The Karate Kid
Wendy Slevison
A single mother moves to China with her young son, and in his new home, the boy embraces kung-fu.
This movie leaves you a little puzzled. Why is it called "The Karate Kid" when it's about kung-fu? Why didn't the editor chop at least half an hour out of it? And... why should people go see this movie? The answer to that is that it's an enjoyable journey - an uplifting tale about a cross-cultural/generational relationship between a pair of improbable allies. Countering the inevitable clichés are skillfully choreographed fight scenes and some truly spectacular scenery. So, in spite of pondering the other questions, you'll almost certainly leave the cinema feeling that the 'kid' did pretty well.
The Last Song
Wendy Slevison
A rebellious girl is sent to a Southern beach town for the summer to stay with her father.
"The Last Song" was specifically created as a vehicle for its female lead to make the shift to more adult dramatic roles, but regrettably it won't help her career as much as she may have hoped. The movie is everything you'd expect – a cheesy, schmaltzy tear-jerker. While the young stars do their best to provide some sense of authenticity to their roles, the overwrought, overloaded and implausible plot make it very hard work for cast and viewer alike. It almost certainly won't be the amiable young star's last song, but sadly isn't her best.
The Man Who Came With The Snow
Wendy Slevison
A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.
This bleak film, set in Tajikistan, begins as a tableau, monochromatic but for the violent splashes of red placed artfully throughout. In stark contrast, the snow and wind rage outside, the elements as harsh as life in this place. While an interesting study in the power of stillness, this film never engages the viewer. Perhaps the severity of the setting defines it too strongly... there is just no warmth to be found.
The Next Three Days
Wendy Slevison
A married couple's life is turned upside down when the wife is accused of a murder.
"The Next Three Days" is an arrogant American remake of a first-rate French film. However, the elegance of the original is completely lost in translation. Absurd, implausible, boring and disconnected are words that come to mind to describe this pretentious mishmash. Actually, the leading man has about as much charisma as a lump of mash, and this is far from his best work. The leading lady is merely forgettable. As a couple… who cares? This supposed thriller feels as though it drags on for three days - please don't waste your time.
The Rite
Wendy Slevison
A young American seminary student travels to Italy to take an exorcism course.
This is the most recent addition to a select collection of films that deal with the subject of exorcism. Despite eventually falling short of its early potential, squandering both pace and tension, the movie is admittedly somewhat unsettling at times, and leaves you in a rather philosophical frame of mind as you leave the cinema. The senior star plays his part with controlled enthusiasm, and together with the magnificent Roman backdrop, lifts and gives some credibility to an otherwise rather average film. "The Rite" is just alright.