The Man Who Came With The Snow
Wendy Slevison
A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.
This bleak film, set in Tajikistan, begins as a tableau, monochromatic but for the violent splashes of red placed artfully throughout. In stark contrast, the snow and wind rage outside, the elements as harsh as life in this place. While an interesting study in the power of stillness, this film never engages the viewer. Perhaps the severity of the setting defines it too strongly... there is just no warmth to be found.
The Last Song
Wendy Slevison
A rebellious girl is sent to a Southern beach town for the summer to stay with her father.
"The Last Song" was specifically created as a vehicle for its female lead to make the shift to more adult dramatic roles, but regrettably it won't help her career as much as she may have hoped. The movie is everything you'd expect – a cheesy, schmaltzy tear-jerker. While the young stars do their best to provide some sense of authenticity to their roles, the overwrought, overloaded and implausible plot make it very hard work for cast and viewer alike. It almost certainly won't be the amiable young star's last song, but sadly isn't her best.
Big Mommas: Like Father, Like Son
Wendy Slevison
FBI agent Malcolm Turner and his stepson Trent go undercover at an all-girls performing arts school after Trent witnesses a murder.
This is not the kind of movie you go to see hoping for an original and engaging comedy. The premise is an oldie, but not necessarily a goodie - a ludicrous tale where it becomes imperative for a couple of hitherto "normal" men to dress as overweight, gaudily styled women in order to avoid detection by the so-called bad guys. There are a few laughs in this completely over the top shambles, but not the kind that make you feel good inside. Please Big Momma... no more... moviegoers deserve better.
My Life in Ruins
Wendy Slevison
A travel guide rediscovers her romantic side when she takes a tour group on a trip around Greece.
"My Life in Ruins" is a flamboyant, sugar-sweet romantic comedy set along the tourist trail of Greece and it's islands. With its one-dimensional leading lady and characters so stereotyped they are virtually caricature, this cloyingly sentimental movie is only moderately enjoyable. As it takes you on its plodding and predictable bus ride towards 'true love', the film's spectacular scenery overwhelms the naive and formulaic plot. For something syrupy and Greek, I would recommend a piece of Baklava instead.
- Genre » Comedy
- Festival » Greek Film Festival 2009
Matching Jack
Wendy Slevison
A woman struggles with her son's illness and her husband's infidelity.
Watching "Matching Jack" is a bit like spending two hours in the Oncology Ward of a Children's Hospital, and whilst compassionately acknowledging that for many families, this is their dreadful reality, it's pretty tough on the ordinary movie-goer. The film is about sick children, and in spite of a romance and a 'happy' ending, this fact leaves a slight feeling of discomfort - it's too emotionally overworked to be a documentary, but too tragically true to life to be entertaining. Tears will flow, but it just feels a bit too orchestrated... disappointing diagnosis for one of Australia's well-known film-making teams.
Marley & Me
Wendy Slevison
A family learns important life lessons from their adorable, but naughty and neurotic dog.
"Marley and Me" positions itself as a romantic comedy but unfortunately it fails to deliver. With no chemistry between its lead actors, the characters and plot are difficult to engage with, and you find yourself not really caring about the human stars. It's the 22 adorable Labradors who share the role of Marley that are the best part of this movie, and the only laughs come from the innumerable scenes of chewing and destruction. For dog-lovers with lots of patience only.
Dorian Gray
Wendy Slevison
A corrupt young man keeps his youthful beauty eternally, but a painting reveals his inner ugliness.
Set in Victorian London, this film is a turgid and vulgar representation of a fascinating morality tale by an author renowned for his witty social commentary. Sadly, all wit is lost due to the blank, lacklustre performance by the central player. Despite stylishly replicating the era,and having a strong support cast, "Dorian Gray" completely lacks substance, and the CGI effects used for the portrait become increasingly, albeit unintentionally, comic. Regrettably, this movie is as ugly in it's essence as the title character.
Bride Wars
Wendy Slevison
Two best friends become rivals when they schedule their respective weddings on the same day.
If your idea of comedy is watching two intelligent and astute female characters descend into idiocy over their oh-so-precious weddings, then you may just enjoy this movie. To everyone else, I offer a warning - AVOID. "Bride Wars" is squirmingly bad clichéd drivel, which relies too heavily on uninspired sight gags for its laughs. There are far more worthy films for discerning moviegoers to spend their money on, and supporting this rubbish only encourages more of it.
Ghosts of Girlfriends Past
Wendy Slevison
A bachelor is haunted by the ghosts of his past girlfriends at his younger brother's wedding.
Romantic comedy is a tricky genre. At the very least, an engaging and believable story is required for success, together with a convincing cast. This movie fails spectacularly on both these points, and is made worse by an unimaginative, hackneyed, and at times distasteful script. With insipid performances from all of the actors involved, in particular the one-dimensional male lead, there is just no redeeming this appalling waste of time and money. It really is as ghastly as the title suggests.
The Devil Inside
Wendy Slevison
In Italy, a woman becomes involved in a series of unauthorized exorcisms.
This movie follows the lead of others in its genre by using the found-footage, hand-held camera, mockumentary style of filming. The problem is we've see it all before. Despite strong attempts at realism, including using a highly talented contortionist for the possession scenes, and interviews with real specialists discussing exorcism to add credibility to the fact/fiction pitch, the film is disappointingly clichéd and time-worn. Worst of all, though, it's just not scary! And as for the ending, what the devil were they thinking?
Killers
Wendy Slevison
A vacationing couples' idyllic life is upset when they discover that everyone wants to kill them.
"Killers" fails spectacularly in every area. Apart from the beauty of Nice in the early scenes, there is very little to make this movie worth seeing. The two leads, with zero chemistry, awkwardly make their way through a shemozzle of a story that you will find yourself laughing at for all the wrong reasons. Uninspired direction does nothing to save this film from an appalling script and insincere performances. Mixing romantic comedy with violent action is a risky endeavor which simply doesn't work in this instance. Avoid, even if all you're doing is killing time.
StreetDance 2
Wendy Slevison
After suffering humiliation by the crew Invincible, a street dancer looks to gather the best dancers from around the world for a rematch.
If the numbers in the title of this film cause a little uncertainty, listen to that feeling, and save your money. Actually, to call this a "film" is being quite generous - it's really just a succession of dance sequences. The dancing is very good, but that's it. The plodding, formulaic plot is like an afterthought, and the dancers are appalling actors anyway. Cheap, clumsy 3D effects do nothing to enhance what is essentially a rehash of all the other dance movies of recent times. Sit this one out.
How Do You Know
Wendy Slevison
After being cut from the USA softball team, Lisa evaluates her life while in the middle of a love triangle, as a corporate guy in crisis competes with her current baseball-playing beau.
"How Do You Know" is a perfect example of how a fine movie is far more than the sum of its parts. The pedigree of the cast and director would have one believe that this could only be a sure thing, but unfortunately for all involved, it falls far short of being anything more than a waste of time and (lots of) money. It's excessively drawn-out and lacks warmth, chemistry and sincerity. So now you know - this film is to be shunned.
Nine
Wendy Slevison
Famous film director Guido Contini struggles both professionally and personally, as he engages in dramatic relationships with his wife, mistress, muse, agent, and (dead) mother.
This film, for all its pedigree, including an astonishing array of talent and a highly successful director, is a flop. A tedious and uninspiring melange of boring songs, superfluous characters, and very little narrative, it's a rare miscalculation in the career of the leading man, and a blot on the resumes of everyone else involved. Who convinced these people they could sing? Let 'nine' be the number of minutes it takes you to decide on which other movie you'll go and see instead of this debacle.
Furry Vengeance
Wendy Slevison
In the Oregon wilderness, a real estate developer's new housing subdivision faces a unique group of protesters, local woodland creatures who don't want their homes disturbed.
Make no mistake. Everything your instincts tell you about this movie - the title, the actors involved, the plot, even the poster in the cinema - are worth listening to. All that, and the animals 'thoughts' appear as pictures in speech bubbles... Oh yes, it's that bad, an insultingly bad environmental message presented through fervently over-enthusiastic slapstick comedy. Please exact your own form of vengeance and stay away from this mind-numbing apology for entertainment.