Date Night
Wendy Slevison
In New York City, a case of mistaken identity turns a bored married couple's attempt at a glamorous and romantic evening into something more thrilling and dangerous.
With its highly talented stars and strong supporting cast, this movie should have been a sure thing. What a disappointment that it's barely funny, and even worse, actually quite boring. The staging and script are clumsy, trying way too hard to garner laughs. Somehow nothing seems to click, and you just end up feeling uncomfortable watching so much effort for so little return. Like a bad date, "Date Night" makes you wish you'd opted for a quiet night in.
The Last Song
Wendy Slevison
A rebellious girl is sent to a Southern beach town for the summer to stay with her father.
"The Last Song" was specifically created as a vehicle for its female lead to make the shift to more adult dramatic roles, but regrettably it won't help her career as much as she may have hoped. The movie is everything you'd expect – a cheesy, schmaltzy tear-jerker. While the young stars do their best to provide some sense of authenticity to their roles, the overwrought, overloaded and implausible plot make it very hard work for cast and viewer alike. It almost certainly won't be the amiable young star's last song, but sadly isn't her best.
Edge of Darkness
Wendy Slevison
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion.
Adapted from a popular British television series, "Edge of Darkness" showcases the leading man in his signature genre, the action thriller. Solidly produced, with strong performances and plenty of dramatic tension, most of the film is a satisfyingly intense ride. Unfortunately, the last section becomes somewhat chaotic, and the body count ridiculously high. A word of warning – the storyline is quite complex, so concentrate or you'll be left in the dark.
Nine
Wendy Slevison
Famous film director Guido Contini struggles both professionally and personally, as he engages in dramatic relationships with his wife, mistress, muse, agent, and (dead) mother.
This film, for all its pedigree, including an astonishing array of talent and a highly successful director, is a flop. A tedious and uninspiring melange of boring songs, superfluous characters, and very little narrative, it's a rare miscalculation in the career of the leading man, and a blot on the resumes of everyone else involved. Who convinced these people they could sing? Let 'nine' be the number of minutes it takes you to decide on which other movie you'll go and see instead of this debacle.
It's Complicated
Wendy Slevison
During their son's graduation, Jane hooks up with her ex-husband, Jake, who's now remarried. As well as becoming her ex's mistress, Jane also finds herself drawn to Adam, a smitten architect.
This movie, a quirky variation on the typical love triangle premise, is extremely funny. On many occasions throughout, the entire cinema was laughing uproariously, a somewhat rare experience. The delightful stars work fabulously together, and appear to be having an absolute ball. The feeling is contagious. It's really not complicated at all – for a good laugh and a bit of fun, see this film!
The French Kissers
Wendy Slevison
A coming-of-age tale about an adolescent boy and his efforts to fit in amongst his peers.
This is an endearingly pragmatic and unrestrained film about the tricky, sticky life of a French fourteen year old boy. There is no airbrushing here – the pimples are real, and ready to pop - a warning to the weak of stomach! The gritty and authentic performances from the mostly young and inexperienced cast are excellent. The first-time director, previously known for writing comic strips, has created a simple and appealing alternative to the overly-glossy, largely American contributions to the teenage angst genre. Pucker up!
Bright Star
Wendy Slevison
Based on the romance between 19th century poet John Keats and Fanny Brawne.
There are two 'bright stars' in this exquisite film - the leading lady, with her flawless performance, and the poetry, which will have viewers searching for their high school poetry books seeking to revisit the works of the romantic poets. This beautifully filmed glimpse into lives 190 years ago succeeds due to the stunningly simple way it tells its story of an intense and yet ultimately doomed love. Shakespearian in its tragedy, "Bright Star" is exceptional movie-making... a leading light not to be missed.
Did You Hear About the Morgans?
Wendy Slevison
An estranged couple who witness a murder relocate to a small-town as part of a protection program.
If you did hear about the Morgans, avoid them like the plague. Their movie is dreadful. There is not one redeeming feature. Not the story, not the scenery, and definitely not the two leads. Right from the start, they both seem to know they have made a terrible mistake. It only goes downhill from there. Zero chemistry, performances bordering on caricature and a truly terrible script make this movie an absolute and unqualified disaster. Please spread the word... have nothing to do with the Morgans.
Paranormal Activity
Wendy Slevison
A couple becomes increasingly disturbed by a nightly demonic presence.
The title of this 'mockumentary' alone will be enough to send shivers down the spines of some. Following the 'haunted house' premise, this is a low-budget, high-scare-count thriller that works well due to the apparent normalcy of the protagonists. Filmed simply and sparingly - the hand-held camera work is a perfect device for enhancing the disarming 'real-life' quality - the suspense builds slowly but effectively. So does the nervous tension in the cinema, and the nail marks in the armrest! Not for the faint-hearted, take a friend and go in daylight hours.
Dorian Gray
Wendy Slevison
A corrupt young man keeps his youthful beauty eternally, but a painting reveals his inner ugliness.
Set in Victorian London, this film is a turgid and vulgar representation of a fascinating morality tale by an author renowned for his witty social commentary. Sadly, all wit is lost due to the blank, lacklustre performance by the central player. Despite stylishly replicating the era,and having a strong support cast, "Dorian Gray" completely lacks substance, and the CGI effects used for the portrait become increasingly, albeit unintentionally, comic. Regrettably, this movie is as ugly in it's essence as the title character.
Couples Retreat
Wendy Slevison
Four couples settle into a tropical island resort for a vacation, and participate in the resort's therapy sessions.
This film is a confused jumble of lacklustre characters, puerile humour and vulgar sight gags. The people who should be participating in therapy sessions are the studio executives who gave it the green light. The setting is spectacular; everything else is awful, particularly the script and the acting, from a cast you'd expect more from. Please don't waste your hard-earned money to see this, or you may well need therapy too.
Mao's Last Dancer
Wendy Slevison
Based on the autobiography by Li Cunxin, who was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet.
This movie tells an extraordinary tale of passion, sacrifice and political tug-of-war, centred in Communist China and the United States in the late 70's. With all the elements of a grand saga, this story of a modest and unassuming young man discovering his love and talent for ballet is both absorbing and incredibly moving. His fight for choice, at immense personal cost, is inspiring and unfortunately still very relevant in much of the world today.
Fame
Wendy Slevison
An updated version of the 1980 musical, centered on students of the NY Academy of Performing Arts.
The grit, heartbreak, passion and talent of the characters was the heart of the ground-breaking original movie. These elements are absent in this 'reinvention'. It is bland and soul-less, two things a film about performing arts should never be. Clearly aimed at the MTV audience, this is a sequence of performance numbers interrupted by inconsequential plot, rather than a character study in the lives of extraordinarily talented students desperate for success. More sparkler than flame, this "Fame" bungles its audition.
(500) Days of Summer
Wendy Slevison
A romantic comedy about a woman who doesn't believe in true love, and the man who falls for her.
"(500) Days of Summer" is an offbeat romantic comedy that challenges the familiar elements of this genre by turning them upside down. Precisely because of this, some viewers will love it; some not so much. The film's distinctively quirky style is inspired by the first-time-feature director's background in music video. With perfectly-cast leads and an intriguing soundtrack, this movie should work but ultimately lacks the essentials of humour and warmth to pull off its dare to convention.
Adam
Wendy Slevison
Adam, a lonely man with Asperger's Syndrome, develops a relationship with his upstairs neighbour.
A somewhat eccentric addition to the romantic comedy genre, this utterly charming and insightful film deals with a condition not fully understood by most people. The title character is realistically and sensitively portrayed, while the female lead perfectly sustains him, in roles which will help raise public profile about the small yet significant segment of our society who suffers from Aspergers. This movie is a quirky, unassuming and tenderly realised story about a search for love and acceptance, something much more difficult for "Aspies" than most.