Speed Racer
Anthony Macali
Speed Racer who is a young man with natural racing instincts whose goal is to win.
"Speed Racer" is a CGI flurry of cars and colours illuminated by a story of corporate corruption, a matter that would float past the intended audience of little ones. The themes of art vs business vs family are as clear as the Mach 5's slick exterior, but get lost in the frenzy of car-racing and kung-fu. The racetracks are loop-to-loop monsters, providing the best thrills in some sharp and edgy editing that puts you in the drivers seat. This film is a long and inconsistent race, worthy of watching if only to revel in all the bright colours.
Drive
Anthony Macali
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
"Drive" is an odd little film about a man, his car, and a story that happens in between. By day, our enigmatic driver is quite reserved, and we watch his encounters with trepidation and a pop soundtrack. By night, the base is turned up, and we're placed in the seat next to him evading the police with great thrill. The middle stint might be slow going, but be warned… the violence revs up, and we have no idea where the story is headed. It's the quiet ones you have to watch.
Page One: Inside the New York Times
Anthony Macali
Unprecedented access to the New York Times newsroom.
"Page One" is a fascinating insight into the inner sanctum of 'The Times', which we discover is more than a paper factory, but a renowned American institution. The film traces the history of some of its more colourful characters, acknowledging their commentary and fears for the future in a business destined for destitution. Most importantly, this documentary expertly covers all the recent developments to shake the industry, from wiki-leaks and twitter, to the iPad and the news online, all with genuine apprehension and humour. If this paper interests you, then it's definitely a good read.
- Genre » Documentary
- Release » Limited 18 Aug 2011
- Festival » MIFF 2011
Sunshine
Anthony Macali
This film takes you on board spaceship "Icarus II" where an international crew of scientists attempt to reignite a dying sun with a payload of explosives.
The mission is dangerous (the sun is pretty hot) and it's interesting to see how the crew react when their lives and the future of mankind is at risk. Thrilling stuff that will entertain those who don't favour science fiction.
The Duchess
Anthony Macali
A chronicle of the life of 18th century aristocrat Georgiana, Duchess of Devonshire.
"The Duchess" is a window into the intriguing life of Georgiana, a view that overlooks her reputable politics in favour of her more lascivious endeavours. Extravagant romanticism flourishes in 1700's England, a time of manners, costumes and beauty. A significant contrast to the inner turmoil that dwells in the Duke's house, burdens of birthing a male heir exact many sacrifices. Outstanding performances portray the many troubled characters of this film, in a period drama that only suffers from an imbalance of love and politics.
Australia
Anthony Macali
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot.
"Australia" reverently captures the culture of our land, from the quintessential outback "aussie" to the native spiritual Aboriginals. This is an ideal, albeit clichéd, backdrop for a romance to develop, and this relationship persistently takes centre stage, overshadowing the many sad events within the story. Ambitious in scope and venture, "Australia" is our country's patriotic film, and despite some underwhelming key scenes, is one to be proud of.
Burke and Hare
Anthony Macali
Two 19th century grave robbers find a lucrative business providing cadavers for a medical school.
"Burke and Hare" might be a little grim for a comedy, but retells the true story of the historic Irish duo in quite an innocuous away. As the narrator kindly reminds us, we shouldn't really sympathise with murderers, but we do anyhow, following the crazed antics of the delightful cast, each with their own wonderful and weird plights. It slows to a canter towards the finale, in its "everything for love" sub-plot, but the film is funny and peculiar enough to survive to the end. An opportunity to have some fun with death and corpses.
Real Steel
Anthony Macali
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot.
"Real Steel" is your favourite boxing movie played out by robots. The start is a little worrisome as our protagonist father essentially sells his son, but that won't deter the kids who will find this blockbuster most appealing. The fighting bots look big and strong, battling for cash in some impressive urban environments. Aside from the aesthetics, you can expect the heart-warming plot to follow instruction from the cliché ridden films before it. The steel isn't real, but the CGI is pretty solid.
The Rebound
Anthony Macali
In New York City, a single mom captivates her new neighbour, a much younger man.
"The Rebound" is a perfectly serviceable romantic comedy that ticks all the right boxes. There is great chemistry between the two leads, even though the children steal the show with their questionable preciousness and jocularity. The movie's worst quality would be the title, partly derived by Sandy's unique profession in sport statistics, making her even more appealing to the boys. As predictable as it may be, it's nicely wrapped up in a series of extended montages, preventing any forays into the over-soppy. The aim is true, as this film scores a winner in all the right categories.
Bottle Shock
Anthony Macali
The story of the early days of Californian wine-making, featuring the now infamous blind Paris wine-tasting of 1976, which has come to be known as "Judgment of Paris".
Bottle Shock is a whimsical tale of wine, passion and love. Unfortunately, it's the servings of love that are the most unpalatable, with some thin romances used to fill out a lean plot. Such a story accords the film-makers an opportunity to showcase the stunning Californian wine country, and they squeeze every last drop of it, producing a film that should cater to most tastes.
28 Weeks Later
Anthony Macali
Weeks after the initial rage virus outbreak, the American Army have brought London into quarantine.
The first movie explored the realisation of civilisation destroyed. It starts promisingly with the same tone, forcing the characters to make vital decisions: family or zombie? It's about the time the Americans lose control that the film also loses it. The remainder of the film follows this fatiguing sequence: run, hide, kill zombie... run, hide, kill zombie... invariably losing extras on the way. At this point you lose interest and strain to sustain the gore. The movie does well to keep you in suspense, but I prefer armageddon over shoot-em-up.
Enchanted
Anthony Macali
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen.
In an attempt to bring quintessential Disney to the youth of today, "Enchanted" fantastically throws the adorable Princess Giselle into a busy city metropolis. Her journey is ultimately amusing as she searches for Prince Charming, a purpose that could quite literally echo our own ambitions. The conclusion is predictably out of a Hallmark Card, but the film is still charming enough to appeal to all the wicked witches of the world.
1408
Anthony Macali
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408.
Your typical bad guy comes in the form of a mask-wearing, knife-wielding bandit, or some kind of monster or creature. But a hotel room? Funny enough, a room can be scary - and frightening enough to make you question your very own alarm clock, telephone and the walls of your home. This lodge haunts your past, with plenty of suicidal ghosts to keep you company. It's thrilling and chilling stuff, only suffering in the certain level of unease that comes in the frantic finalé. A terrifying film of terrifying heights.
Step Brothers
Anthony Macali
Two spoiled guys become competitive stepbrothers after their single parents get hitched.
"Step Brothers" is a film of two adults behaving like kids. The jokes are cheap and immature, their amusement heightened by gratuitous swearing and childlike behaviour. You watch things happen on the screen, things that you know are supposed to be funny, but they simply don't make you laugh like they once used to. Brennan and Dale fatefully grow and mature, seamlessly and conveniently, and just in time for the inevitable happy ending. One to watch for those who are fond of juvenile performances.
Paul
Anthony Macali
Two British comic-book geeks traveling across the U.S. encounter an alien outside Area 51.
Science-fiction films usually present good value, and especially ones with extra-terrestrials, but you leave wanting more from "Paul". What was once cute about a bromance road trip loses its charm when the bond between the self-confessed geeks becomes a little too pronounced. The movie strives for mainstream appeal, fielding a varied range of jokes from satirical science-fiction writers, toilet humour and a galaxy of cultural references. In the end, the quips are hit and miss, invariably creating a funny, but not fantastic film. Average alien fodder.