Slumdog Millionaire
The story of how impoverished Indian teen Jamal Malik became a contestant on the Hindi version of "Who Wants to be A Millionaire?"
"Slumdog Millionaire" is a beautiful, almost epic story of love, struggle and money. The plot is tightly constructed, with Jamal reflecting on the vivid memories of his past - recollecting his life in the Indian slums - while answering questions on the show. High in emotion, and rife with tension, this film is both breathtaking and fascinating, an experience that will stay with you long after you leave the cinema.
High School Musical 3: Senior Year
Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the crew, they stage a spring musical to address their fears about their future.
"High School Musical 3" might be better suited for the stage, but definitely not for the big screen. It feels like cameras were simply stationed in front of each performance, creating a dull and disappointing view considering the potential of cinema. The dance choreography is impressive, far superior to the songs that take too long to gather any momentum or vivacity. The climax is a simple re-hash of the film's earlier songs, and like my senior year, I couldn't wait for it to be over.
The Orphanage
A woman brings her family back to her childhood home, where she opens an orphanage for handicapped children. Before long, her son starts to communicate with an invisible new friend.
There aren't many things creepier than a house haunted by ghost children. In a scare climax, a medium channels the voices and cries of the sick orphans. It might be a little clichéd, but it's far from shallow. It also deals with grief and loss, themes supported by impressive performances. While the story lingers in these moments, the twists of the finalé forgive the build-up. A beautiful story of life and death, "The Orphanage" is a film not to be abandoned.
Dostana
When a landlady, to protect her sexy niece, turns down two young men eager to rent her apartment, they pretend to be gay.
Similar stories in Hollywood have produced deplorable fare, but how does the Bollywood version compare? Laughs are the same, elicited from the "obvious" humour in straight people playing gay stereotypes. The best scenes involve Sam's mother, who unintentionally becomes aware of his lifestyle change, a key scene that introduces the running themes of family and forgiveness. "Dostana" is superficial, but you will find it hard to resist its glamour and charm.
- Genre » Bollywood Comedy Drama
- Release Date » 14 Nov 2008 (Limited)
- Festival » Indian Film Festival 2010
Wanted
A frustrated office worker learns that he is the son of a professional assassin, and that he shares his father's superhuman killing abilities.
The major problem with "Wanted" is that it's really stupid. It requires an absolute suspension of belief, as we're supposed to believe "looms of fate" can prove fatal. Story aside, some of the sequences are decent in their slow-mo gun-toting CGI kind of way. If the film didn't take itself so seriously, the setup would not be completely ridiculous. Over-the-top choreographed action cannot save it from a predictable plot and a fraternity of two-dimensional characters.
Australia
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot.
"Australia" reverently captures the culture of our land, from the quintessential outback "aussie" to the native spiritual Aboriginals. This is an ideal, albeit clichéd, backdrop for a romance to develop, and this relationship persistently takes centre stage, overshadowing the many sad events within the story. Ambitious in scope and venture, "Australia" is our country's patriotic film, and despite some underwhelming key scenes, is one to be proud of.
Mirrors
An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.
Mirrors are pretty scary, uncanny in their ability to reveal unsightly curves and impure skin. This film takes it to a whole new level. The mirrors in "Mirrors" like to trap souls, absorb bullets, and callously break jawbones. A premise such as this is purely ridiculous, and far from chilling, despite some great creepy locations. Upon reflection, "Mirrors" has many laughable scenes, and if not taken seriously, is as satisfying as the rather amusing ending.
Quantum of Solace
Seeking revenge for the death of his love, secret agent James Bond sets out to stop an environmentalist from taking control of a country's water supply.
"Quantum of Solace" continues the story of a re-invented Bond and sustaines him brilliantly. The film speeds to life in its CG-adverse approach, parenting action that is gritty, real and constant. What really shines is the comparable emotional conflict of 007, rebelling from his seasoned superiors and contending with the revenge that consumes him. This is still quintessential Bond, revamped, reenergized and welcome solace for an equally stirring future.
Get Smart
Maxwell Smart, Agent 86 for CONTROL, battles the forces of KAOS with the more-competent Agent 99.
The only thing smart about this film is the cunning marketing plan involved - releasing old TV shows to the cinema, and playing on the nostalgia of the audience to convince them to watch these far inferior interpretations. There are a few jokes scattered about from a cast who should know better, but a notable absence of laugh-out-loud moments fails to lend substance and sustain this feature-length film. I'm afraid "Get Smart" is another shameless cash venture in line with the trend of TV adaptations and sequels that continue to curse our cinema screens.
Hancock
A hard-living superhero who has fallen out of favor with the public enters into a questionable relationship with the wife of the public relations professional who's trying to repair his image.
In the wake of the superhero blockbuster movement, "Hancock" provides a unique and hilarious perspective of an alcoholic with gifted powers, resented by the people and equally vulgar in return. This setup is fun until Hancock faces his only real villain in the film, the story arch-enemy. The humorous setup can only take you so far and doesn't fly for the entire length of the film. The shaky CGI can be forgiven, but the plot that ensues cannot.
Choke
A sex-addicted con-man pays for his mother's hospital bills by playing on the sympathies of those who rescue him from choking to death.
Victor Mancini is your atypical hero. Beneath a vivid sex addiction that thrives with perverse nudity is a man affectionate to his mother and seeking redemption from his self-destructive way of life. He also strives to identify his father, which leads to a bizarre and confusing set of events. It's this outlandish story that, complete with moral dilemmas and plot twists, heighten "Choke's" appeal, despite requiring your attention till the end.
Indiana Jones and the Kingdom of the Crystal Skull
Famed archaeologist Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
It has been 18 years since the last instalment and those looking to cure those archaeological cravings will be satisified. The same characters, crew and triumphant score are reunited to recreate the wonderful fun and action of the series. Our hero may have aged, but like the audience, his passion is reignited when we embark onto the next adventure. However, after waiting for so long, it's disappointing we don't find anything new to treasure.
How to Lose Friends & Alienate People
A British writer struggles to fit in at a high-profile magazine in New York.
This film could have been a shrewd attack on the culture of celebrity, but decides to play it safe instead, directly contradicting the very ethos of our main character, Sidney Young. As hard as Sidney tries to lose friends, mostly by getting into the most contrived and ridiculous of situations, he still seems to charm his work colleagues, while entertaining the audience with his seditious wit. "How to Lose Friends & Alienate People" is about an enjoyable character, one with a message inconsistent with the very fluff of his own story.
21
21 is the fact-based story about six MIT students who were trained to become experts in card counting and subsequently took Vegas casinos for millions in winnings.
This decidedly Hollywood account of the MIT Blackjack team is fair entertainment that will please gamblers and confuse others. After a slow setup we race through the rules of 21 and jet off to Las Vegas to enjoy the highs of bringing down the house. The movie can't maintain this level of fun, with its weak plot rising to the surface in a manufactured ending that feels contrived. Once you see past the flashy bright lights, you realise "21" isn't a big winner.
Young @ Heart
A story of a group of senior citizens who perform contemporary and classic rock and pop songs.
Gimmicks are concepts to despise, and while such is the focus of this documentary, it is impossible to deny its warmth and charm. The elderly members of Young@Heart simply sing for passion and joy, as well as to keep brain cells working, all notions you must admire, irrelevant of your age. As frustrating as the early rehearsals might be, it's the final show we anticipate for the entirety, and it delivers on all accounts. Both a humorous and touching celebration, "Young@Heart " will renew your passions in life.
- Genre » Documentary Biography Music
- Release Date » 16 Oct 2008 (Limited)
- Festival » MIFF 2008