Enchanted
Anthony Macali
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen.
In an attempt to bring quintessential Disney to the youth of today, "Enchanted" fantastically throws the adorable Princess Giselle into a busy city metropolis. Her journey is ultimately amusing as she searches for Prince Charming, a purpose that could quite literally echo our own ambitions. The conclusion is predictably out of a Hallmark Card, but the film is still charming enough to appeal to all the wicked witches of the world.
Hitman
Anthony Macali
A gun-for-hire known only as Agent 47 is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Eastern Europe.
Agent 47 is best described as a focused man, more satisfied in making his kill than pleasuring his women. It's these anti-bond heroics that are refreshing to watch. Unfortunately, the film suffers from the uninteresting police in his pursuit, overplayed in typical hammy performances. The action scenes are also wasted in some bad forms of style and nuisance editing. This adaptation is still a hit above your usual video game exploit.
1408
Anthony Macali
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408.
Your typical bad guy comes in the form of a mask-wearing, knife-wielding bandit, or some kind of monster or creature. But a hotel room? Funny enough, a room can be scary - and frightening enough to make you question your very own alarm clock, telephone and the walls of your home. This lodge haunts your past, with plenty of suicidal ghosts to keep you company. It's thrilling and chilling stuff, only suffering in the certain level of unease that comes in the frantic finalé. A terrifying film of terrifying heights.
Beowulf
Anthony Macali
The warrior Beowulf must fight and defeat the monster Grendel who is terrorizing towns, and later, Grendel's mother, who begins killing out of revenge.
A motion-capture animation of breathtaking visuals, "Beowulf" is a story of one enigmatic warrior, his gruff voice and the monsters he meets. The most merry-making of them all, is a large dragon with a fiery breath that blasts from the cinema speakers at full volume. The action will please the fantasy fans, and the rest will marvel at the computer graphics that tends to overshadow the plot, characters, and any other elements of the film.
Rescue Dawn
Anthony Macali
A US Fighter pilot's epic struggle of survival after being shot down on a mission during the Vietnam War.
This film combines two of my favourite things: jungle and escaping prison. The jungle is captured beautifully: green, luscious and dense, impossible to penetrate without a machete. Escaping prison is slow, and painful. But this movie goes as far as showing many negligible details, from a crash-course in picking locks to converging the guards. The prisoners are a colourful bunch, the interplay in their state of delirium is very amusing. This is an exceptional war movie of survival and the jungle.
Death Proof
Anthony Macali
Two separate sets of women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.
Homage to the classic Grindhouse cinema of the 80's, "Death Proof" is an suspenseful thrill-ride featuring many delightful ladies. With a killer soundtrack, the only thing that slows this vehicle is the tenuous dialogue. Most of the pop culture babble will interest you and a large portion of it won't. But let's not forget we're in a surreal world, where the crazed predator engages in a climatic pursuit which is possibly the best car sequence in history.
Eastern Promises
Anthony Macali
The film follows the mysterious and ruthless Nikolai, who is tied to one of London's most notorious organized crime families.
Glimpses of the criminal underworld will always interest us ordinary, nice folk. "Eastern Promises" is no different, with its shady Russian mafia conducting business in equally shady parts of London. A film of mixed emotions, the charismatic performances undermine the atrocities we witness and listen to in a narrated diary. At times this flurry of conscience is uncomfortable, a minimal hinder in this compelling and disturbing piece.
Waitress
Anthony Macali
Jenna is a pregnant, unhappily married waitress in the deep south. She meets a newcomer to her town and falls into an unlikely relationship as a last attempt at happiness.
Far from a mid-life crisis, I found little to relate to in this sorry tale. Nonetheless, it's impossible not to sympathize with our titular waitress as we suffer her arduous imprisonment. As it hits an all time low, Jenna finally breaks free from her mundane lifestyle. We share her wry smile as she engages in a mischievous relationship with the hilarious and bumbling doctor. "Waitress" is a saccharine and sometimes quirky dish that everyone should try.
A Mighty Heart
Anthony Macali
The film is based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
"A Mighty Heart" is a genuine and heartfelt account of tragedy. The excellent performances reflect a true sense of the frustration, determination and suffering of all those involved. The film struggles to draw the audience into the investigation, presumably of little concern to the director with motives that seem to favour accuracy over entertainment. An authentic portrayal with a good heart, but little excitement.
Day Watch
Anthony Macali
In the war between the forces of Light and Dark, a device is found that can restore life to Moscow.
"Day Watch" is an eternal struggle between good viewing and bad. You have the good watch, its dark gothic style, impending dread and gloom, and an interesting support cast, whose stories and developments expand the scope of the others, showing more to war than the two bosses and the great ones. And you have the bad watch, a long running time, an out-of-context lesbian kissing scene, and the entire fate of the future lying in a piece of chalk. An entertaining sequel that suffers in its departure from darkness.
Year of the Dog
Anthony Macali
A secretary's life changes in unexpected ways after her dog dies.
Peggy is a thirty-something single women, fixated on her pet dog Pencil and finding it difficult to deal with his death. She cannot hide from her friends or the director's camera, always in her face. This style highlights the talent of the actors, whose detailed facial expressions speak louder than words. It may sound sad, but there are cute dogs and humour to be found. Peggy's transformation into crazy dog lady is both beautifully tragic and utterly hysterical. Animals aside, it's a nice story that shows the consequences of forcing our ideals on others.
The Kingdom
Anthony Macali
A team of US government agents is sent to investigate the bombing of a facility in the Middle East.
"The Kingdom" is an entertaining venture into a world of foreign affairs and the war against terror. The reality is frightening, in particular a bomb-making sequence where the device is constructed under a careful and meticulous preparation that sends chills down your spine. Unfortunately, much of the weight of discussion is lost in the final chapter, where a questionable chase rocket-launches into action. The forensics, politics and explosions will find an audience, but the message is lost in all the debris.
Rush Hour 3
Anthony Macali
After an attempted assassination on Ambassador Han, Lee and Carter head to Paris to protect a French woman with knowledge of the Triads' secret leaders.
"Rush Hour 3" is a comedy riddled with contrivances. Before the franchise can sink any lower, our first genuine laugh arrives in the sewer. It's the last laugh to come till the finalé, in which an over-computer-generated sequence of fights and thrills on the Eiffel Tower are less than spectacular. You will find the outtakes the most enjoyable part, and they're not even in the movie! Don't rush to see this one.
Superbad
Anthony Macali
Two co-dependent high school seniors are forced to deal with separation anxiety after their plan to stage a booze-soaked party goes awry.
"Superbad" is the most hysterical movie of the year so far. A simple story and adept insight into life growing up, it truly captures the awkwardness in meeting girls and the difficulty in obtaining alcohol underage. Delivered with brash dialogue that is fresh and funny, this film is Superbad-Ass.
Ratatouille
Anthony Macali
Remy, a sewer rat makes an unusual alliance with a restaurant's new garbage boy Linguini.
A story about a rodent that can cook may not sound very appetising, but don't under-estimate one of the most beautiful films of the year. From the glowing Paris skyline, to the buffet of foods you wish to grab straight off the screen, "Ratatouille" is a warm animation that is fast and fun. The highlight is the affable Linguini, a lanky and dopey character, but once puppeteered by Remy, is uproariously amusing with his comical antics. It succeeds in making us sympathise with a rat and believing anyone, human or animal, can cook.