Monte Carlo
Anthony Macali
Three young women are whisked away to Monte Carlo after one of the girls is mistaken for an heiress.
There are very few surprises in "Monte Carlo", and much like its three heroines, we're encouraged to 'seize the moment'. The film's charm is impossible to resist, and the French coastal setting, with its lavish hotels and lookouts, is the perfect playground for the affable young cast. They play out the familiar premise with great humour, and even share a few messages and morals along the way. While slightly over-staying its welcome, the movie remains ashamedly fun, appealing to the hopeless dreamer inside all of us.
The Rebound
Anthony Macali
In New York City, a single mom captivates her new neighbour, a much younger man.
"The Rebound" is a perfectly serviceable romantic comedy that ticks all the right boxes. There is great chemistry between the two leads, even though the children steal the show with their questionable preciousness and jocularity. The movie's worst quality would be the title, partly derived by Sandy's unique profession in sport statistics, making her even more appealing to the boys. As predictable as it may be, it's nicely wrapped up in a series of extended montages, preventing any forays into the over-soppy. The aim is true, as this film scores a winner in all the right categories.
Bottle Shock
Anthony Macali
The story of the early days of Californian wine-making, featuring the now infamous blind Paris wine-tasting of 1976, which has come to be known as "Judgment of Paris".
Bottle Shock is a whimsical tale of wine, passion and love. Unfortunately, it's the servings of love that are the most unpalatable, with some thin romances used to fill out a lean plot. Such a story accords the film-makers an opportunity to showcase the stunning Californian wine country, and they squeeze every last drop of it, producing a film that should cater to most tastes.
Dark Shadows
Anthony Macali
An imprisoned vampire, Barnabas Collins, is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection.
"Dark Shadows" is a dark comedy, although the jokes aren't as black as its gothic setting, a magnificent candlelit manor. Our protagonist is an affable chap and a vampire out of his time, coming to grips with the quirks of the modern world and the members of his equally awkward and peculiar family. The unusual scenario is a surprising platform for laughs in what is an otherwise insignificant story. The cast may be marvellous, but the film won't leave any everlasting marks.
Year of the Dog
Anthony Macali
A secretary's life changes in unexpected ways after her dog dies.
Peggy is a thirty-something single women, fixated on her pet dog Pencil and finding it difficult to deal with his death. She cannot hide from her friends or the director's camera, always in her face. This style highlights the talent of the actors, whose detailed facial expressions speak louder than words. It may sound sad, but there are cute dogs and humour to be found. Peggy's transformation into crazy dog lady is both beautifully tragic and utterly hysterical. Animals aside, it's a nice story that shows the consequences of forcing our ideals on others.
The Kingdom
Anthony Macali
A team of US government agents is sent to investigate the bombing of a facility in the Middle East.
"The Kingdom" is an entertaining venture into a world of foreign affairs and the war against terror. The reality is frightening, in particular a bomb-making sequence where the device is constructed under a careful and meticulous preparation that sends chills down your spine. Unfortunately, much of the weight of discussion is lost in the final chapter, where a questionable chase rocket-launches into action. The forensics, politics and explosions will find an audience, but the message is lost in all the debris.
Step Brothers
Anthony Macali
Two spoiled guys become competitive stepbrothers after their single parents get hitched.
"Step Brothers" is a film of two adults behaving like kids. The jokes are cheap and immature, their amusement heightened by gratuitous swearing and childlike behaviour. You watch things happen on the screen, things that you know are supposed to be funny, but they simply don't make you laugh like they once used to. Brennan and Dale fatefully grow and mature, seamlessly and conveniently, and just in time for the inevitable happy ending. One to watch for those who are fond of juvenile performances.
Happy Feet
Anthony Macali
A tap-dancing penguin called Mumble is outcast from his colony because he can't sing. The leaders blame him for the lack of fish in the region. Mumble goes in search for the real problem.
The 'penguins dancing' concept relies heavily on gimic, and so due credit should be given to the CGI wizards behind this flick. After a slow start, the laughs come fast once Humble begins his journey with his Latin companions. By the end, you won't be able to stop tapping your feet.
Brüno
Anthony Macali
Flamboyant Austrian fashionista Brüno takes his show to America.
"Brüno" is sharp celebrity satire dressed in highly frivolous homosexuality. An overtly graphic character, Bruno will equally offend and entertain, as he tackles the idiosyncrasies of the rich and famous. Such an outfit is hilarious, but doesn't last very long, as the creative team begin to struggle with ideas and a limiting awareness of the hoax. These weaknesses are exposed further when the film loses its 'shtick-factor' in the short running time. Is still worth the show, but will quickly fall out of fashion.
Puss in Boots
Anthony Macali
A story about the events leading up to the sword fighting cat's meeting with Shrek and his friends.
The cat's out of the bag with "Puss in Boots", the 'diablo gato' showing enough charm to headline his own film. He's cheeky, cute, and a wanted outlaw, as we discover in a delightful flashback of his back story. Curiosity is lost when the fairy-tale plot begins, introducing characters who aren't as much fun as our hero. The animation is great, just look at the fur, but could have looked better and brighter if they shied away from the 3D format. It's is still very funny when felines break out and exhibit their cat-like traits. A welcome spin-off to cross swords.
The Greatest Movie Ever Sold
Anthony Macali
A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.
The self-proclaimed "Greatest Movie Ever Sold" is far from it, though it does provide an interesting exposé into the unfamiliar advertising industry. The director/ documenter's lack of charisma is redeemed by his resourceful and determined displays, especially when forced to sell his idea to the advertising companies themselves with the aid of some amusing place cards. In the end, it's hard to tell if the financiers or film-makers come out on top, although as an audience, we're not 100% sold.
- Genre » Documentary
- Release » Limited 11 Aug 2011
- Festival » MIFF 2011
The Twilight Saga: New Moon
Anthony Macali
Realising Bella will never be safe as long as he's around, Edward makes the difficult decision to leave.
This sequel significantly outshines its predecessor, as the presence of a storyline improves it in leaps and bounds. The eclipse of romance is welcome, as we share Bella's pain and encourage her recklessness. Despite console from (decidedly buff) friend Jacob, her time spent moping takes a lot longer than the film lets you believe. Their performances are less than desirable, but we find some hope in the small moments of action, laughter and extension of the mythology. Less brood and more mood, "New Moon" has successfully revived the saga.
The Pirates! Band of Misfits
Anthony Macali
The Pirate Captain sets out on a mission to defeat his rivals for the Pirate of the year Award.
"The Pirates!" is another adventure from a production house who continue to painstakingly animate their films with clay. They do so successfully with this film, creating a world of splendid colour and detail that keep the eyes busy. The story is an inherently amusing one, moving along at a swift pace, but the journey is lacking in laughter, with numerous gags failing to reach that 'hilarious' territory. It becomes even more frustrating when you acknowledge the time and effort that has gone into the craft, and realise that the humour just isn't on the same deck as the visuals. A stunning mismatch.
Surrogates
Anthony Macali
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate puzzling murders.
"Surrogates" presents a curious concept that tactfully blends intrigue with action. It races through the premise, leaving little time to question any ambiguities, while providing an opportune setup to parade a world of eye-pleasing 'models'. While the story maintains this heightened pace, a consequence is that many of the sub-plots are neglected trying to keep up. Solid performances, storyline and action make this a vehicle just good enough to inhabit.
Be Kind Rewind
Anthony Macali
A man whose brain becomes magnetized unintentionally destroys every tape in his friend's video store. In order to satisfy the store's most loyal renter, the two men set out to remake the lost films.
A wave of nostalgia hits you in "Be Kind Rewind" as our affable heroes go about remaking a list of video classics that include Ghostbusters, Robocop and Rush Hour. The intention is to inspire the filmmaker in all of us, but it often feels a little too self-indulgent on the director's part. The video sketches provide plenty of do-it-yourself innovation and a lot of fun; it's the rest of the film you want to fast-forward.