A band of eclectic scientists form a group to combat ghosts in New York.
The greatest abnormality about the new "Ghostbusters" is how abysmal it really is. This is a truly unfunny and uninspiring remake that only provides a disservice to the original films. While it contains one redeeming quality, a whirlwind of spectral effects that jump out of the screen, it also highlights the fantastic waste of time and resources lost in this desperate revival. Cheap cameos cannot disguise this steaming pile of ectoplasm. Fraudsters.
The BFGAnthony Macali
An orphan named Sophie encounters a giant, who steals her away to giant land after she spots him in the street.
"The BFG" is a cute and whimsical tale, full of quirks and imagination. Delumptious visuals and an ear-busting score all help to bring the human and not-so-human beans to wonderful life. This solid adaptation captures the cosy relationship between Sophie and her new giant friend splendidly, both coming across as rather charming chatbags. While the middle-section of the film may encourage some dozing, it will triumphantly return your attention in the wizzpopping and thoroughly enjoyable final act. Scrumdiddlyumptious.
Independence Day: ResurgenceAnthony Macali
Having survived their first invasion, the people of planet Earth have united to construct an advanced weapon defense system utilising the advanced Alien technology.
"Independence Day: Resurgence" revives a cult favourite, making strong advancements in visual effects and cheesy storytelling. The setting is surprisingly futuristic, and you can see much time has been spent to build a world suitable for our uncannily attractive fighter pilots to fend off one big-ass invader ship. Attempting to recreate the flag-waving guilty pleasures of the first film was always going to be fraught with peril, however if you are happy to revisit corny film-making from a bygone era, this instalment is mindless fun. Alien invasion regurg.
Through a magical portal, a race of Orcs invade the realm of Azeroth in search of a new home.
Video games are typically a truly immersive experience, but sadly "Warcraft" the movie is not quite the same. The beginning is slow... very slow, grinding through the necessary setup required for all the noobs in the audience. Once we arrive at a point where we can vaguely recall the names of the clan, things become a little more interesting, exploring the admirable traditions of the Orcs, and challenging viewers with various mythologies and plot twists. Visually satisfying, breathtaking close-ups combat the less impressive vistas that deliberately mimic the source material. An honourable campaign.
The Conjuring 2Anthony Macali
Ed and Lorraine Warren are summoned for desperate help to investigate a spirit in Enfield, England.
"The Conjuring 2" is a poor sequel that discredits the integrity of its far superior original with its lazy story-writing. Essentially the premise remains, moving its haunted house setting to North London, and then attempting to tie the plot-lines together to dismal effect. The scare tactics in this incarnation feel forced and repetitive, and a lack of empathy for the main characters further dispels interest. By the end, and with little vested in the investigation, you just don't care, which creates a disconnect that reveals the silliness of it all. Hoax? Scam.
A mother and her 4 year old boy are confined to live in a small room, held hostage by their captor.
From its stark opening, "Room" creates a sick feeling in the pit of your stomach, which slowly untangles during the course of this utterly heartbreaking and enthralling tale. The dark premise is only a launch-pad to the true heart of the story: a beautifully realised relationship between a broken mother and her curious son. We're granted a thoughtful insight, especially through the eyes of the little boy, whose mind is imagined and captured in extraordinary fashion. Exploring these themes of freedom and assimilation in a such a relatable and poignant way make it a true triumph. Make room.
The Nice GuysAnthony Macali
In 1970's Los Angeles, two private investigators begrudgingly collaborate to unravel a conspiracy surrounding the suspicious death of a porn actress.
"The Nice Guys" is a forgettable crime caper that's not overly funny or boring. It's a film largely carried by its two famous stars, who diverge from more traditional roles to bring their charm to the swinging 70's. They do make an amusing duo, and combined with a precocious and delightful team member, together they glide through the contrived plot with intermittent bouts of laughter. Harking back to the buddy-comedies of yesteryear, audiences wishing to relive the era and nostalgia with find the most enjoyment. Perfectly tolerable guys.
X-Men: ApocalypseAnthony Macali
Apocalypse, the world's first mutant, is awoken from a long slumber and set outs to wreak havoc.
Followers of the X-Men will absolutely revel in this action and visual spectacular. This sequel is fun, with its surprisingly sombre story, palpitating soundtrack, and clever character makeovers, who now have fresh and youthful counterparts to continue the franchise. While certain plot points and overpowered abilities raise questions, their plausibility is often forgotten and grounded by the terrific cast. It's a unique and rich ensemble that brings an emotional weight far beyond expectations. Apocalypse reigns supreme.
Whiskey Tango FoxtrotAnthony Macali
A journalist leaves the desk job behind to become a war correspondent in Afghanistan.
"Whiskey Tango Foxtrot" is a sanitised version of Afghanistan, where parties and sex dissuade any thoughts of genuine fear. During the excursion, our reporter exclaims there is an obligation to report on the conflict, but she does little to heed this advice. The plot is a string of feel-good moments, where situations present plenty of opportunities to crack jokes that are too good to pass up. When it comes to the war itself, it's lightweight, so leave the political lens at home. This film is best enjoyed when you accept it for what it really is... 'Kabul. Home of the Rom-Com'. Whimsical Timid Fodder.
Bastille DayAnthony Macali
A young pickpocket becomes embroiled in a terrorist plot after unknowingly stealing a bag that contains a bomb.
"Bastille Day" is a frolicking thriller with just the right balance of frenetic action and comedic whip. Sure the story may be a little preposterous, but combined with a pleasant Parisian setting it's more than serviceable. What really elevates this film above its genre peers is the compact running time and great chemistry between the two leads. Their charm and expert hands bring welcome bouts of comic relief amongst the sober politics and espionage. This parade delivers.
Bad Neighbours 2Anthony Macali
With their second baby on the way and house for sale, Mac and Kelly's plans are thrown in disarray when a new sorority moves in next-door, hell bent on exercising their right to host parties.
"Bad Neighbours 2" is a very surprising sequel. The concise plot, combined with consistently funny and to-the-point humour makes it a superior comedy than its predecessor. The cultural references and topical satire remain, while its crudeness never oversteps the mark, riding that fine line between amusing and distaste. It might not linger long in your mind at film-end, but the entire ensemble make equal contributions to sustain the laughter. Bucket-loads of fun... join the bloc.
Florence Foster JenkinsAnthony Macali
In 1950s New York, Florence Foster Jenkins is a wealthy and aspiring Opera singer who can't sing.
"Florence Foster Jenkins" is a playful reproduction of a somewhat delusional woman. While her intentions may be noble, this drab retelling, loosely inspired by a true story, reveals a self-absorbed aficionado with far too much time and money. Thankfully a delightful supporting cast are worthy of applause, their reactions are priceless, and a perpetual effort to uphold the illusion grants the most laughter. It's hard to sympathise with such ignorance, but the occasional moments of humour and disbelief work in vain to drown out the dull. An uninspiring voice.
In 1920's France, Marguerite Dumont is a wealthy woman and aspiring Opera singer, however everyone around her is afraid to tell her she can't sing.
"Marguerite" is a story about the power of wealth and perils of social courtesies. From the onset, it's very clear the well-intentioned lover of music cannot sing, and her naivety is only matched by the cowardice of her peers. They're all afraid to tell her the truth, and it's that awkward conversation she has with everyone unfortunate enough to hear her voice that provides the most delight. But there's more to this film than purely amusing theatrics. While the point is hammered home loudly, it dolefully explores a woman yearning for her husband. Poor Marguerite.
The BossAnthony Macali
A motivational speaker hits rock-bottom after being arrested for insider-trading and losing her fortune, forcing her to turn to her former assistant for help.
"The Boss" is yet another venture for its vehemently foul-mouthed co-writer and star, and a certain fondness for her brand of humour is a recommended prerequisite. We have another outrageous and admittedly funny character on display, but alas her performance is bigger than the story itself. To carry a film on antics alone is a tough gig, and a promising start crumbles into a subsidiary plot and tiresome bad behaviour. This exec is a one-trick pony.
The Huntsman: Winter's WarAnthony Macali
The Huntsman goes in search of the Magic Mirror to prevent it from getting in the hands of ice queen Freya, who seven years prior sabotaged the soldier's romance while under her service.
"The Huntsman: Winter's War" is thoroughly unoriginal, with a story that is easy to foretell. The plot and adventure mirrors many significantly better films that have come before it. While no expense has been spared on the production design, what's really disappointing is that the beauty of the visuals markedly exceed the appeal of the story's cold and uninspiring characters. Fall in love with this fairytale, and you will be heartbroken. This is generic Hollywood "playin'-it-safe, big-cast CGI fodder".
Eye in the SkyAnthony Macali
A military operation to capture terrorists in Kenya comes under question when the request for a drone strike to bomb the target causes a heated debate across government factions.
"Eye in the Sky" might be divisive in nature, but the thrills and tension it provides are unquestionable. Although lacking certain subtleties, it incisively poses the question: "What is an acceptable cost of life to kill a terrorist?" The conundrum is debated with great vigour from the superb global cast, creating a captivating drama. Favouring back-room politics over guns and explosions, this film successfully reveals how modern warfare is controlled by static soldiers behind computer screens. Eye for suspense.
Batman v Superman: Dawn of JusticeAnthony Macali
Superman's aid to society comes under question after the fallout of his confrontation with General Zod, and continuous collateral damage he leaves in his path.
For all its scale and enterprise, "Batman v Superman" falters under the weight of a rudimentary plot. It seems any form of character progression was better served in previous films. In this outing, a large proponent of the running time is spent building upon the uninspired grudge at the center of story. The rest is occupied by heavy CGI visuals and extensive action set pieces we've become accustomed to. While the film never descends into boredom, it's frustrating that so many key elements are lacking, considering its size and promise. The dawn of further spin-offs.
London Has FallenAnthony Macali
Leaders of the world gather in London for the funeral of the Prime Minister, only to discover it's a trap.
Much like its previous rescue, "London Has Fallen" delivers exactly on what it advertises on the tin. It's a ridiculous premise, with a set of cartoon cut-out world leaders, our magnanimous hero and a litany of terrorists. The action and explosions that follow rain debris across the great British city, with cheesy jokes aplenty. High ranking officials crowd round-tables in disbelief, and the key is not to treat their political melodrama too seriously... you will find more amusement this way. Arrive with low expectations and you won't be cross. This is bloody fun.
Hail, Caesar!Anthony Macali
When movie star Baird Whitlock goes missing, production is halted on the epic feature he was working on. It's just one of the many problems for studio executive Eddie Mannix to fix.
"Hail, Caesar!" is a homage to Hollywood's Golden Era and a platform for some larger political and spiritual questions littered across the directors' back catalogue. In isolation, there are a number of amusing and entertaining scenes, but often they don't seem to service the overall picture. The film is rich in period detail and delightful characters, but there is little to take away from its wide agenda apart from the occasional chuckle. A breezy salute.
Clavius, a member of the Roman Army, is entrusted with the task of finding Jesus after his body disappears from the tomb.
"Risen" is perhaps one of the best looking Biblical films you are going to see. Sizzling desert landscapes and large sandstone structures create the perfect setting, but it was always going to require a miracle to enthral an audience with the rest. Given the subject matter, it's a relief the film is not especially preachy. The lead centurion puts in an honourable performance, gritted and stern in his quest for the truth and wholly predictable path to redemption. Righteous.
Zoolander 2Anthony Macali
Derek Zoolander comes out of hiding to return to the fashion world in a bid to win back custody of his son, Derek Junior.
It's been a long time between catwalks for Derek Zoolander, and his return brings an updated collection of social satire that made his first outing so famous. While it retains some of the fun, it doesn't strike a very stunning pose with only a semblance of wit and creativity. "Zoolander 2" is silly and sloppy; countless high-profile cameos attempt to boost the credibility of the film, but cannot hide a very poor script. It's a model of recycled characters and cheap jokes. A follow-up faux-paus.
In the 1950s a young Irish girl migrates to Brooklyn, where she must learn to fall on her feet.
"Brooklyn" is an old-fashioned, simple, and exquisitely told romance story. It's a gorgeous looking film with the perfect match of characters and locales. For most parts the film dailies along, anchored by mesmerising performances that bring it to life and draw the emotion. The lead features in almost every frame, and could not be better cast. Her portrayal is wonderful to watch, as we observe her character learn, grow and shine in the limelight. Immigrants unite... this is an incredibly charming voyage.
Steve JobsAnthony Macali
A backstage look at Steve Jobs as he prepares for the launch of three of his new computer products.
"Steve Jobs" provides a startling insight into a ruthless business-man, remarkable in his vision and uncompromising in his approach, especially to his unfortunate co-workers and mystified daughter. Don't expect an in-depth discussion of the technology and evolution of Apple products... it's the little known and tumultuous father-story that takes centre stage, and it's the cunning of Jobs that really entertains. While some may find the three-act structure a little repetitive, strong dialogue and a stylish interface give this film air. A tempered innovator.
Michael Stone, an author on customer service, checks into a hotel and goes in search for some excitement to introduce to his relatively dull life.
"Anomalisa" is a curious observation of the mundanity of life, and the effect its simple premise will have on you is fascinating. It's a mesmerising stop-motion animation, and despite an unusual choice of visuals, it remains a deeply human story that deftly explores the beauty of romance in a largely uneventful day. In its search for meaning, there are many droll moments, but also scenes of personal insight that offer a profoundly relatable experience. A beautiful mystery.
The 5th WaveAnthony Macali
An alien force arrives on Earth and attempts to rid the planet of all the humans via its five phase plan.
The most confusing thing about "The 5th Wave" is trying to decipher what it's about... triumph of the human spirit and survival, or the hopelessness of humanity against greater natural forces? Ashamedly, could it even be a young girl caught in a dystopian love triangle between her pubescent crush and ambiguous saviour? Sadly the latter tends to steal the spotlight and is one of many disappointments in a rather lazy film consisting of shabby special effects and clunky dialogue. The umpteenth young adult end-of-the-world adaptation.