A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father and a storybook's hero.
"Inkheart" simply lacks the creativity to be anything but another tired endeavor at a 'book-to-big screen' adaptation. The result is an unconvincing and gimmicky film, full of clichés and characters severely devoid of any depth. It fails miserably in its attempted (and not so subtlety implied) homage to the great stories of history, as it tediously waddles from scene to scene with all the imagination of an inkblot. Stay home and read a book instead.
Two friends hired to police a small town that is suffering under the rule of a rancher.
"Appaloosa" respects the conventions of a traditional western, with its slow pacing intersected by the gun-slinging one would expect. The chemistry and repartee between the two leads is superb, and together they excel in dialogue and humour that is as dry and effective as the dusty landscape that dominates the film. However, the fundamental flaw is that it presents a story all too familiar - that's not to say it doesn't make an entertaining western - it's just that, at times, it lacks the tension and emotion of a 'good-ole-duel' to separate it from the rest.
When an ex-superhero is murdered, a vigilante named Rorschach begins an investigation into the murder, which begins to lead to a much more terrifying conclusion.
"Watchmen" is by all accounts yet another successful comic-book adaptation, resplendent in its visual flair. The artistic style matches the grandeur of a plot that also manages to deliver intellectually, as it explores the complex nature of mankind. However, the disapointing drawback is a myriad of subplots that dilute the story, making it feel convoluted at times. Still worth a watch - if not for the brilliant title sequence, then for the vintage soundtrack.
A chronicle on the life and presidency of George W. Bush.
This movie is not what people might expect, as it sets out to construct an almost empathetic "W". The undeniable highlight is the superbly convincing portrayal by the lead actor, who manages to embody the character study so well, sometimes you forget just who's on screen. However, criticism lies in a feeling that the biopic resigns itself not to delve deeper in its attempt to humanise the man. Although this nonpartisan style may disappoint some, the insight provided by the filmmaker makes it a film that shouldn't be "misunderestimated".
The ReaderAndrew O'Dea
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
"The Reader" is a compelling story that takes a very different approach to the Holocaust. The impeccably considerate and pensive style of the film helps us empathise with a character who, by rights, we should loathe. Amplified by an extraordinary performance from the lead actress, it exercises our moral compass, forcing us to wrestle with the issue of law versus morality. An ultimately moving and thought-provoking account set against a dark chapter in history.
A grief counselor working with a group of plane-crash survivors finds herself at the root of a mystery when her clients begin to disappear.
"Passengers" is a horrible drama that fails dismally in its feeble attempt to pose as a thriller. Everything about the movie is decidedly uneventful, accentuated by sluggish pacing and an unremarkable script. The gloomy camerawork throughout succeeds only in making the vapid plot seem monotonous; the only respite coming when it inevitably crashes and burns in a dissatisfying twist-ending. If you pay to go watch this film, you will have been taken for a ride.
Ghost TownAndrew O'Dea
When Pincus dies unexpectedly, but is miraculously revived, he wakes up to discover that he now has the annoying ability to see ghosts.
Simply put, this movie is a 'rom-com' that is neither romantic, nor funny. It utterly fails to deliver on the potential of its premise, instead delivering a plot that feels all too scripted and formulaic. As it labors along in an unimaginative state, you can't help but be frustrated by comedic talent that is severely underutilized. A completely transparent attempt at a comedy, "Ghost Town" is hauntingly bad.
Revolutionary RoadAndrew O'Dea
A young couple living in a Connecticut suburb during the mid-1950's struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
In such an involving examination of relationships, you'd expect this to be a more emotionally engaging film. The thing that sustains it is the phenomenal acting from the entire cast. The two leads feed off of each other's despair so brilliantly it almost hides the fact that the script is very mediocre. That's not to say nothing can be garnered from the tragic beauty of the story; it's just that the monotony at times makes "Revolutionary Road" feel like a one-way street.
Gran TorinoAndrew O'Dea
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbour, a young Hmong teenager, who tried to steal his prized possession: a 1972 Gran Torino.
"Gran Torino" tells the story of a man in transition. The film is driven by a weathered and steely performance from the lead actor, who peerlessly chisels out an insular and reluctant hero. A no-nonsense aesthetic means it shuns political correctness, presenting an unrepentant bigot who doesn't discriminate - he hates everyone. Surprisingly, it's these old school prejudices that create moments of genuine comedy and warmth. Highly recommended.
Based on actual events, a plot to assassinate Hitler is unfurled during the height of WWII.
The strength of this film lies in a superb production design that helps to construct a positively accurate and immersive account of 1940's Berlin. It creates a stylistic period feel that is amplified by a stirring orchestral score throughout. Unfortunately, much of the authenticity, and subsequent integrity, is lost on American and British accents portraying German ones; as well as an unbefitting and uninspiring performance from the lead. "Valkyrie" definitely won't cater to everyone, but those impassioned by this period in history may find it rousing.
Hotel for DogsAndrew O'Dea
Two kids secretly take in nine stray dogs at a vacant house.
"Hotel for Dogs" is full of cute dogs doing cute things; suffice to say that the canine stars outshine the human ones. It's our furry friends that provide all of the often hilarious and adorable scenes. The plot is somewhat formulaic, but that's to be expected from a children's movie. Kids will love it, but ultimately, the success of this film will be greatly influenced as to whether or not viewers fit into the dog loving demographic. It'll perform neat tricks for some, but will roll over and play dead for others.
Vicky Cristina BarcelonaAndrew O'Dea
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
"Vicky Cristina Barcelona" is an audacious romantic comedy that raises provocative questions on life and love. Set amongst the splendour and beauty of a Catalan backdrop, the affable characters provide a funny and capricious look into human relationships. The arts, love, sexual passion, and desire are blended together, explored, and then endearingly exposed in all of their intricacy - creating a bittersweet, entertaining film.
The Curious Case of Benjamin ButtonAndrew O'Dea
Tells the story of Benjamin Button, a man who starts aging backwards with bizarre consequences.
"The Curious Case of Benjamin Button" is a beautifully crafted and acted film, but the running time and ambiguity surrounding its message holds it back. Lessons of fate, mortality, life, and death are prevalent - but they remain convoluted. For all their enigmatic symbolism, they are difficult to comprehend and appreciate. However, that's not to say the audience won't be able to draw their own conclusions from the many parables throughout. Indulge your curiosity, watch it, and make up your own mind.
A dramatic retelling of the post-Watergate television interviews between British talk-show host David Frost and former president Richard Nixon.
"Frost/Nixon" is an intelligent and provocative political drama. The film's strength lies in dialogue that is witty and engaging, delivered by superlative performances from the two leads. Frost and Nixon are combatants slugging out a verbal war, gaining ascendancy only to be countered. Their battle of wills generates cinema that is completely engrossing. Who'd have thought that two men sitting down and talking to each other could be so entertaining?
A teenage girl risks everything when she falls in love with a vampire.
"Twilight" is in essence a thinly veiled melodrama. The bulk of the film constitutes parading an endless procession of our star-crossed lovers staring longingly at each other, which achieves nothing but to reduce it to a lumbering bore. It feels like filler to a paper-thin plot, glaringly prevalent when crucial story revelations are uncovered simply by using an online search engine. An overwhelming sense of the anemic is coupled with dialogue that is as bland and as pale as the vampires' ridiculous skin. Appropriately put, this movie sucks.
The WacknessAndrew O'Dea
A lonely teenager spends his last summer before university selling marijuana throughout New York City, trading it with his unorthodox psychotherapist for treatment.
"The Wackness" follows the empathetic character of social outcast and drug dealer Luke Shapiro, centering on the unlikely friendship he develops with his eccentric therapist, Dr. Squires. In each other they find a solace of sorts, sharing their parallel frustrations with life. This movie is entertaining in its strangeness, as it paints an almost sardonic humour through the juxtaposition of adolescent anxiety and middle-aged depression.
In London, a real-estate scam puts millions of pounds up for grabs, attracting the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick.
"RocknRolla" is your prototypical gangster movie. It doesn't disappoint in featuring all of the mobsters, crime-lords, violence and cash one would expect from such a film. However, rather than an original revival of the genre, it simply produces a tired archetype that seems all too familiar. It lacks coherency, and a narrator constantly explaining the storyline is testimony to the overly convoluted plot. Only worth watching for gangster-film-groupies.
Death RaceAndrew O'Dea
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must kill one another on the road to victory.
"Death Race" is a film pertaining to pure mindless entertainment. It takes us on a violent ride fuelled by all the fast cars, big guns, explosions and gore one would typically expect from the unashamed action genre. Fans of such cheap thrills will revel in the fun generated by the constant high-octane race sequences, while those seeking more dramatic substance will find the movie as a whole severely lacking.
The CounterfeitersAndrew O'Dea
The Counterfeiters is the true story of the largest counterfeiting operation in history, set up by the Nazis in 1936.
"The Counterfeiters" presents a completely different sort of holocaust story. Saloman Sorowitz is captured and forced into a concentration camp to produce fake banknotes for the Nazi's. It challenges us through Saloman's quandary by raising provocative moral dilemmas. The movie doesn't impose a right or wrong, instead the viewer is subtly invited to ascertain their own beliefs. This brilliant film is surely no fraud, it's near enough a masterpiece.
Burn After ReadingAndrew O'Dea
A disk containing the memoirs of a CIA agent ends up in the hands of two unscrupulous gym employees who attempt to sell it.
"Burn after Reading" is a wry, satirical comedy that revels in its own quirkiness. The outstanding performances convey a series of characters that haven't a clue what's going on - and neither do we - but therein lies the fun. The plot is as brilliant as it is convoluted. We don't see anything coming as each twist gathers momentum, creating a hilarious sense of the inconsequential. An absurdly entertaining film.
Body of LiesAndrew O'Dea
Based on Washington Post columnist David Ignatius's 2007 novel about a CIA operative who uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.
"Body of Lies" is a political thriller that presents a current perspective of the turmoil pertinent to the Middle East. Rather than descending into patriotic nonsense, it takes a pointed look behind the veil of the 'War on Terror'. Those with a vested interest in the often volatile yet delicate balance of diplomacy and international espionage will find this film intellectually engaging, while others may find the portion of action sequences, however impressive, lacking.
A small robot embarks on a space journey that will ultimately decide the fate of mankind.
This is a wondrously inventive and poignant film that takes us on a journey of galactic proportions. The clever and heartfelt storyline is reflected amazingly onto screen through unequivocally stunning animation. We can't help but be captivated by our rusty little robotic hero as he scoots around the universe, inadvertently teaching us lessons of life, love, humanity, and the fragile nature of our planet. With storytelling and pure visual magic at its absolute best, "WALL-E" is out of this world.
Son of RambowAndrew O'Dea
Set in the early 80's, this is a comedy about friendship, faith and the weird business of growing up.
"Son of Rambow" is a quirky comedy that takes us on a nostalgia trip. It rekindles our sense of youthful exuberance as we're invited into the imaginations of a couple of schoolboys as they set about creating their own crude and amusing homemade 'Rambo' movie. Through their unlikely friendship we remember the ecstasy and difficulties of being a kid. Though the story lacks excitement in parts, and suffers prematurely from a relatively dull climax, lovers of heartfelt movies will find it very engaging.
The Death of Mr. LazarescuAndrew O'Dea
Follows the title character as he is passed on from hospital to hospital waiting for dire attention.
As the health of Mr. Lazarescu deteriorates then fails, so does this film. If the intention was to force the audience to associate with (and endure) Mr. Lazarescu's suffering, then it is a resonating success. The shaky handheld camerawork becomes nauseating, and the drawn out length nearly bores us to death. You can't help finding yourself willing his demise to come sooner, not to end his agony, but your own. Such is the lack of empathy created by unstirring, stagnant scenes. Avoid like the plague.
In BrugesAndrew O'Dea
Two hit men are sent to hide out in Bruges, Belgium after a difficult job goes wrong in London.
This film is essentially a black comedy that juxtaposes humour with tragedy. Set amongst the churches, canals, and cobbled streets of the titular Bruges, it uses this very setting to accentuate the polar natures of our two leading characters. The highly strung Ray struggles to cope with the lack of excitement, while the older, more refined Ken immerses himself in the history of the town. Amidst the dry humour created by their interaction is woven a very clever story that presents an undercurrent of morality.