Inglourious Basterds
Andrew O'Dea
In Nazi-occupied France during World War II, a group of Jewish-American soldiers are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
"Inglourious Basterds" is history brazenly re-imagined. A stunning ensemble cast bask in the rich characterisation, creating a host of characters each as enthralling as the next. Some of the most memorable moments are simply 'set-piece' scenes of witty, original, and intelligent dialogue. Although used sparingly, every action sequence is a celebration of excess, and the film manages to capture cinema violence at its spectacular, blood-spattering best. Glorious!
Inkheart
Andrew O'Dea
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father and a storybook's hero.
"Inkheart" simply lacks the creativity to be anything but another tired endeavor at a 'book-to-big screen' adaptation. The result is an unconvincing and gimmicky film, full of clichés and characters severely devoid of any depth. It fails miserably in its attempted (and not so subtlety implied) homage to the great stories of history, as it tediously waddles from scene to scene with all the imagination of an inkblot. Stay home and read a book instead.
Invictus
Andrew O'Dea
To unite South Africa, Nelson Mandela enlists the national rugby team to win the Rugby World Cup.
"Invictus" is a charming true story that strikes a seamless balance between politics and sport. The director delivers a meticulously sincere picture that not only presents a truly 'human' portrait of Mandela, but also a remarkable achievement by the Springboks. Stunning cinematography provides the perfect backdrop to sporting sequences that dazzlingly capture the tension and brute force of bone-crunching rugby action. Above all, the performance of the lead is nothing short of brilliant as he so effortlessly embodies and personifies the dignity and wisdom of one of history's greatest men.
Iron Man 2
Andrew O'Dea
Billionaire Tony Stark must contend with deadly issues involving the government, his own friends, as well as new enemies due to his superhero alter ego Iron Man.
"Iron Man 2" is fuelled by ultra-impressive effects and some explosively awesome action. The plot is a little rusty and isn't helped by the uneccessary introduction of characters for inevitable future franchises. Thankfully, it's redeemed by both leads who are superb in their roles, and they combine brilliantly to capture the loveably narcissistic Tony Stark and the hulking Russian menace Ivan Vanko. Not completely iron-clad, but there's definitely more than enough firepower to entertain the fanboys.
J. Edgar
Andrew O'Dea
Director of the FBI for almost 40 years, J.Edgar Hoover was feared and admired, reviled and revered.
This biopic is as unprovocative as it is uninformative. So much of "J Edgar" is dedicated towards an unnecessary focus on the man's battle with his sexuality and unrequited romance that it loses direction. Eventually, it labours towards the end of what is ultimately a dull and turgid affair. Utterly disappointing when you consider the talent of the director and the squandered opportunity to delve into the life of one of the most influential and controversial characters in the history of the United States. Sucks almost as much as the protagonists' vacuous namesake.
Kick-Ass
Andrew O'Dea
An unnoticed high school student with no powers or training decides to become a super-hero.
"Kick-Ass" weaves teen melodrama with some of the coarsest language and most gratuitous and glorious violence ever seen on screen. Every action sequence is amazingly original, bolstered by inventive choreography and superb production values. Although the storyline is flimsy in parts, the uneven pacing may be considered deliberate, as our expectations are frequently and often shockingly shattered at any given moment. The director is to be applauded for this completely unrestrained film, free from industry conformity. Genuinely messed up, but totally kicks ass.
Killer Elite
Andrew O'Dea
When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.
Shot in a gritty visual style, "Killer Elite" simply lacks the flair to separate it from the rest of the paint-by-numbers action flicks. There are definitely pockets of impressive, adrenaline-fueled action sequences and stunts, yet as the plot unfolds and the body count rises, the audience will find themselves misguided by a storyline that is over-complicated. This isn't helped by the wooden leading man and a supporting cast who should've simply done better. All killer, no filler.
Kung Fu Panda 2
Andrew O'Dea
Po joins forces with a group of kung-fu masters to take on an old enemy with a deadly new weapon.
The familiar plot of this story is overawed by stunning visuals and an engrossing nature. Thrilling action sequences are buoyed by a host of exquisite backdrops set throughout ancient China, and are glorious when viewed in the film's 3D medium. The vocal performances are superb, particularly that of our hero. Although some may find it lacking when compared to its predecessor, "Kung Fu Panda 2" still provides all the action, heart and humour required to entertain both young and old... all neatly wrapped up in a fluffy, black-and-white ball of awesomeness.
Land of the Lost
Andrew O'Dea
On his latest expedition, Dr. Rick Marshall is sucked into a space-time vortex alongside his research assistant and a redneck survivalist.
"Land of the Lost" is an abomination of a movie. Bad sets combine with bad acting to create a "comedy" with no excuse for the multitude of tasteless jokes devoid of even the slightest hint of wit. Every scene seems to be nothing more than yet another tireless opportunity to parade some gimmicky prop, as it consistently loses all sense of direction. The only thing to be found in this film is an overwhelming sense of relief when the end credits roll.
Lebanon
Andrew O'Dea
June, 1982 - The First Lebanon War. A lone tank and a paratroopers platoon are dispatched to search a hostile town - a simple mission that turns into a nightmare...
"Lebanon" is a gripping ride. Shot almost exclusively from the tight confines of a rumbling tank, this movie is a superb example of minimalist filmmaking. The tension and intensity is palpable, as the film bears witness to the horrors of war, and we're left gasping for breath from the grimy, claustrophobic atmosphere. The antiwar sentiment is clear, with enough gritty action to match its political, religious and philosophical messages. Shell-shockingly good.
Legend of the Guardians: The Owls of Ga'Hoole
Andrew O'Dea
Soren, a young barn owl, is kidnapped by owls of St. Aggie's, ostensibly an orphanage, where owlets are brainwashed into becoming soldiers.
"Legend of the Guardians" is technically brilliant, and manages to harness the 3D medium to full effect. Beautifully animated, the films production values are visibly exceptional. Although you may get the feeling it doesn't quite take full flight, the scope of its story is ambitious yet refreshing, and is a positive alternative to traditional children's storytelling. Surprisingly replete with enthralling slow motion duels and sprawling action sequences, this film will be a hoot for both adults and kids alike.
Legion
Andrew O'Dea
An out-of-the-way diner becomes the unlikely battleground for the survival of the human race when God loses faith in humankind...
Anyone seeing "Legion" hoping t enjoy anything even remotely theological will be sorely disappointed. The premise is absurd, and the plot downright confusing. Guns and explosions are the film's first commandment, yet combined with a mock serious tone and some hilariously perplexing moments, it manages to be oddly fun. Although far from divine, it'll be entertaining enough for those who think they might enjoy a movie about 'angels with machine guns'...
Margin Call
Andrew O'Dea
Follows key people at a bank, over a 24-hour period, during the early stages of the financial crisis.
Greed and opportunism are rife in this ensemble drama that paints a very loose snap-shot of the foundations of capitalist society, bottled into one investment firm on the eve of a financial crisis. The story is dialogue-driven, and although it deftly ponders the volatile issue of money versus morality, it fails to really delve past the numbers, lacking the visceral punch or emotional drive to grab our attention. Some will find this film serviceable enough as financial thriller, but for those wanting a little more emotional involvement, "Margin Call" is not a wise investment.
Mission: Impossible - Ghost Protocol
Andrew O'Dea
The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organisation's name.
This latest instalment of the franchise certainly lives up to its 'blockbuster' status. The explosions, car chases and action sequences in "Ghost Protocol" may be unrelenting, but the thrills they provide are cheap, and the lack of a coherent storyline effectively means it loses its grip on being gripping. There's always going to be an element of preposterousness in an action-flick, but this one goes too far and too often, reaching a point where it overtly insults our intelligence. Mission Implausible.
Moneyball
Andrew O'Dea
The story of Oakland A's general manager Billy Beane's successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.
"Moneyball" is intelligent filmmaking that takes an unlikely subject and makes it interesting. It's a testament to the solid direction and brilliance of the scriptwriters that a story about the business of baseball could be so captivating. You can't help but be drawn in as it explores the opposing philosophies of intuition versus statistics, bolstered by that feel-good sentiment of rooting for the underdog. An entertaining movie that covers all the right bases, this one is right on the money.