Hanna
Andrew O'Dea
A 16-year-old who was raised by her father to be the perfect assassin is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.
"Hanna" is a film that will divide action fans. Some will appreciate that this isn't your conventional assassin flick, as it straddles the line between art-house and mainstream cinema. Others will lament the lack of action as it takes the time to explore themes of family and coming-of-age. Although the fight and chase sequences might be sparse, they are each technically captivating, and enhanced by a brilliantly pulsating, almost hypnotic soundtrack. Surreal and wayward, but still hits the mark.
Red Cliff
Andrew O'Dea
Based on the events during the Three Kingdoms period in Ancient China, The Battle of Red Cliffs.
"Red Cliff" is a plush historical epic of the grandest scale. The scope is enormous and perfectly realised in sublimely sweeping battle scenes. Due in most part to this release being a condensed version of the original, some of the character development has clearly had to have made way in favour of the action sequences. However, the brilliance of the exhilirating battle choreography and dazzling effects alone are enough to render this film a period war movie of the highest quality.
Moneyball
Andrew O'Dea
The story of Oakland A's general manager Billy Beane's successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.
"Moneyball" is intelligent filmmaking that takes an unlikely subject and makes it interesting. It's a testament to the solid direction and brilliance of the scriptwriters that a story about the business of baseball could be so captivating. You can't help but be drawn in as it explores the opposing philosophies of intuition versus statistics, bolstered by that feel-good sentiment of rooting for the underdog. An entertaining movie that covers all the right bases, this one is right on the money.
One Day
Andrew O'Dea
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives.
"One Day" represents a promising move away from the fabricated, sickly modern trend of most romantic dramas. This movie poignantly captures the complexity of relationships and the way lives meander and inextricably change, bolstered by the terrific on-screen chemistry of our two leads. We enjoy the way they generate humour and warmth in the same way we appreciate how the film explores themes of love and loss. Whatever happens tomorrow, you'll always have today.
The Brothers Bloom
Andrew O'Dea
The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue.
"The Brothers Bloom" is an offbeat, eccentric story. The unique approach to story-telling is utterly refreshing as it blends moments of genuine romance, intrigue and comedy which are complemented by a superb, mostly orchestral score. At times it becomes a little self-aware, but for the most part is buoyed by host of glorious performances that sustain an engagingly quirky and whimsical style. A pleasantly charming film that blooms then blossoms.
The Wackness
Andrew O'Dea
A lonely teenager spends his last summer before university selling marijuana throughout New York City, trading it with his unorthodox psychotherapist for treatment.
"The Wackness" follows the empathetic character of social outcast and drug dealer Luke Shapiro, centering on the unlikely friendship he develops with his eccentric therapist, Dr. Squires. In each other they find a solace of sorts, sharing their parallel frustrations with life. This movie is entertaining in its strangeness, as it paints an almost sardonic humour through the juxtaposition of adolescent anxiety and middle-aged depression.
Harry Potter and the Half-Blood Prince
Andrew O'Dea
As Harry Potter begins his 6th year at Hogwarts, he discovers an old book mysteriously marked "This book is the property of the Half-Blood Prince" and begins to learn more about Voldemort's dark past.
"Harry Potter and the Half-Blood Prince" is one of the darkest and most thoroughly entertaining instalments yet. Wondrous set designs are darkly lit, and add to the brooding nature of the film. Despite these dark overtones, moments of teen romance add a genuine comical touch. There seems to be decidedly less action, preferring to elaborate on characters core to the story, setting the up the franchise for an inevitably epic conclusion. A spellbinding tale, darker is definitely better.
The Informant!
Andrew O'Dea
The U.S. government decides to go after an agri-business giant with a price-fixing accusation, based on the evidence submitted by their star witness, vice president turned informant Mark Whitacre.
"The Informant!" is densely layered yet unassumingly funny satire. More 'quirky funny' than 'laugh-out-loud funny', it pokes fun at corporate greed as we navigate through a delightful web of deceit. The lead actor is superb, and we struggle whether to critisise or empathise with his goofball character. Although it may not have a lasting impact, the oddity of the film alone is enough to keep you entertained as you grapple with being informed on misinformation.
Vicky Cristina Barcelona
Andrew O'Dea
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
"Vicky Cristina Barcelona" is an audacious romantic comedy that raises provocative questions on life and love. Set amongst the splendour and beauty of a Catalan backdrop, the affable characters provide a funny and capricious look into human relationships. The arts, love, sexual passion, and desire are blended together, explored, and then endearingly exposed in all of their intricacy - creating a bittersweet, entertaining film.
Captain America: The First Avenger
Andrew O'Dea
Steve Rogers volunteers for a top secret research project that turns him into Captain America.
The 1940's are faithfully re-created in this stand-alone origin story, with a superb production design that creates a welcoming and often humourous vibe. It reverberates though the entire film and provides the perfect platform for some good ole' fashioned entertainment. "Captain America" provides all the action, adventure and visual thrills one would expect from a superhero story, along with brilliant characterisations from both heroes and villains alike. The target audience is sure to leave the cinema satisfied... the man in red, white and blue won't let you down.
Body of Lies
Andrew O'Dea
Based on Washington Post columnist David Ignatius's 2007 novel about a CIA operative who uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.
"Body of Lies" is a political thriller that presents a current perspective of the turmoil pertinent to the Middle East. Rather than descending into patriotic nonsense, it takes a pointed look behind the veil of the 'War on Terror'. Those with a vested interest in the often volatile yet delicate balance of diplomacy and international espionage will find this film intellectually engaging, while others may find the portion of action sequences, however impressive, lacking.
The Grey
Andrew O'Dea
In Alaska, an oil drilling team struggle to survive after a plane crash strands them in the wild. Hunting the humans are a pack of wolves who see them as intruders.
This tale of survival is a surprisingly philosophical one. "The Grey" is still punctuated by enough action to thrill, but at its core remains a meditation on existentiality and an intelligent snapshot about man's primal will to live. Unsparingly bleak, the film's spiritual agenda is stripped as bare as the cold and wild backdrop it's set against; carried by some superb characterisation and the commanding presence of its leading man. Once more into the fray...
Harry Potter and the Deathly Hallows: Part 1
Andrew O'Dea
Harry, Hermoine and Ron race against time and evil to destroy the Horcruxes.
This penultimate chapter of the Potter franchise undoubtedly cements its transition from children's story to mature fantasy. Tinged with frightening scenes and violent action sequences, the decidedly dark and brooding tone is established from the outset. Credit is due to direction that still manages to strike a balance between tragedy and humour, while the special effects throughout are simply spectacular. This film basically serves as a vehicle to build suspense and anticipation for the climactic final installment, and now the stage is set for what promises to be a magical conclusion...
The Boys Are Back
Andrew O'Dea
A sports writer struggles with suddenly becoming a single parent in tragic circumstances.
"The Boys are Back" is a tale of fatherhood. A deeply moving meditation on life, death and the importance of family, the heart-wrenching opening sequence sets the tone for the film's sense of purpose that resonates throughout. Far from manufactured, it avoids being conveniently sentimental as it veers between moments of grief and humour. The cinematography is simply stunning, coupled by a beautifully melancholic soundtrack and sublime male-focussed performances that make this a movie for both boys and girls alike.
Bridesmaids
Andrew O'Dea
Picked as her best friend's maid of honor, lovelorn and broke Annie looks to bluff her way through the expensive and bizarre rituals with an oddball group of bridesmaids.
Although "Bridesmaids" may target a female demographic, it is definitely not your typical 'chick flick'. The film is both intelligent and ridiculous, but most notably it's also dexterously funny - there's enough raw comedy that will elicit some serious laughter from the boys and girls alike. The lead actress shines in her role along with a cast of characters who are clearly having fun in their assault on convention, gentility and good taste. Always the bride...