Transformers: Age of ExtinctionAndrew O'Dea
A mechanic's family join the Autobots as they are targeted by a bounty hunter from another world.
"Transformers: Age of Extinction" is a loud, effects-driven assault on intelligence. The film manages to stupefy what is already a dumbed-down formula with a bombardment of plot points so nonsensical they cause the audience to mind-numbingly dismiss them. Shameless and overt product placement underpin a monstrous running time that ensures the chaos gets real boring, really fast; the entire experience feels like a long-winded race to smash and destroy things from one location to the next. Here's hoping this tepid instalment signals the extinction of the franchise.
22 Jump StreetAndrew O'Dea
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
"22 Jump Street" is one of those rare sequels that meets expectations and perhaps even improves upon its predecessor. This satirical comedy is preposterous in the best possible way, and the effortless chemistry between the leads keeps their bromance constantly amusing and often hilarious. The self-referential humour is both senselessly silly and witty, making fun of its own recycled nature – be sure to stick around for the end credits. Bring on the jump to 23.
Edge of TomorrowAndrew O'Dea
An officer finds himself caught in a time loop in a war with an alien race.
Funny, suspenseful and imaginative, "Edge of Tomorrow" plays like a smart and engaging video game. With brains to match the brawn, the film's repetitive premise never becomes predictable. Exhilarating action sequences are broken up by moments of dark humour, and tension is maintained thanks to deft pacing and an intelligent script. This captivating sci-fi adventure serves as a fine counter to the formulaic alien-invasion thrillers to which audiences have otherwise become accustomed. Good enough to revisit, and again.
X-Men: Days of Future PastAndrew O'Dea
The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.
"X-Men: Days of Future Past" is a coherent, plot-driven action film. The visual effects are stunning in this accomplished mutant showcase, complete with monumental set pieces and superb ensemble cast. The compelling narrative holds enough appeal to entertain both the average cinema-goer and comic book geek alike, and thanks to a clever script, allows this rebooted franchise to undo and rewrite the failings of its predecessors. The future is bright.
Bad NeighboursAndrew O'Dea
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
Thanks to witty script and inventive humour, "Bad Neighbours" successfully teeters the fine line between being clever and tasteless. The life of a college party animal is juxtaposed with the role of responsible parent in this foul-mouthed, low-brow frat house comedy about people denying the inevitable changes that come with getting older. Energetic and engagingly stupid, the unlikely duo at the films core drive the laughs, as hilarious generational warfare accelerates from one over-the-top set piece to another. Welcome to the neighbourhood.
The Amazing Spider-Man 2Andrew O'Dea
Peter Parker runs the gauntlet as Oscorp sends up a slew of supervillains against him.
"The Amazing Spider-Man 2" disappointingly fails to capitalise on the promise of its predecessor. 'Spidey' in full flight is still a sight to behold, and the striking visuals and first-person action sequences will dazzle. There are high marks for characterisation, only it's wasted with so many of them on screen. Navigating the myriad of plot threads and seemingly endless procession of villains becomes akin to being stuck in a web... only for the whole thing to be clumsily unravelled, paving the way for an inevitable next instalment. Down came the rain and washed the spider out.
Captain America: The Winter SoldierAndrew O'Dea
Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
"Captain America 2" is testament to big-budget blockbusters capable of delivering substance in both plot and action. Grittier than its predecessor, this well rounded sequel plays more like an espionage thriller, and surprises in its contemplativeness of political and social relevance. A host of characters are each given time to develop without disengaging the audience, complementing the lavish visual effects and explosive, bone-crunching set pieces. Stars and spangles.
300 Rise of an EmpireAndrew O'Dea
Greek general Themistokles leads the charge against invading Persian forces.
"300: Rise of an Empire" is an epic spectacle of video-game violence and gore. This stylised action fantasy retains the familiar and flashy comic-book style of the franchise, replete with blood-spattering slow motion and enough visceral excess to keep the senses engaged. Although it pales in comparison when evoking the same emotional vigour of its predecessor, the void is redeemed by the sultry, murderous heroine at its center who steals and carries the show. Not bad as a stand-alone movie, it's just missing some limbs.
Wolf Creek 2Andrew O'Dea
The outback once more becomes a place of horror as another unwitting tourist becomes the prey for crazed, serial-killing pig-shooter Mick Taylor.
Set against the harsh yet beautiful Australian outback, "Wolf Creek 2" manages to carry its own as a quintessentially 'Aussie' horror flick. This bone-grinding sequel might lack the shock surprise of its predecessor, but there's still enough depravity and carnage to appease the gore-hungry and chill-seekers alike. Although some may find the story bordering on predictable, most will giddily revel or revile in the grim-humour and violence of the 'fair dinkum' sociopath at its core. Bloody hell.
The Wolf of Wall StreetAndrew O'Dea
Based on the true story of Jordan Belfort, from his rise to a wealthy stockbroker to his desperate fall.
This character driven story is an amoral orgy of excess fuelled by drugs, sex... and money. While being an indictment of greed, there are no moralistic judgements; instead the white-collar criminals damn themselves. Outrageous hilarity ensues as the audience are invited to revel in unbridled decadence and debauchery. A stylistic and witty film featuring remarkable performances, the only flaw is an overindulgence in running time, making it difficult to hold the audience's attention in parts. Although it huffs and puffs, it just doesn't quite blow the house down.
A lonely writer develops an unlikely relationship with his newly purchased software.
Inquisitive, imaginative and intelligent, "Her" is a touching commentary about the modern realities of human connection. At the film's heart is a poignant relationship between a man and his operating system, but this is not a cautionary tale, rather an elegantly crafted and vulnerable story free of cynicism. The movie's charm lies in the way it will emotionally resonate so differently with different people, underpinned by an exquisite direction and brilliant performances. A wistful meditation about love, loss, and relationships in a rapidly advancing and technological world. She's a beauty.
Anchorman 2: The Legend ContinuesAndrew O'Dea
With the 70s behind him, San Diego's top rated newsman, Ron Burgundy, returns to take New York's first 24-hour news channel by storm.
Vintage Ron Burgundy returns to the screen in this fantastically outrageous sequel. Not nearly as much fun as the prelude, hard-core fans will no doubt be left in stitches by the familiar silliness of "Anchorman 2", and the rapport of its cast who shine in their individual performances. The film is downright hilarious in parts, only to be let down by stretches of padded, low-brow humour in-between. By no means a comedic gem, but offers just enough to stay classy.
Thor: The Dark WorldAndrew O'Dea
Thor embarks on his most perilous journey yet against an enemy that even Asgard cannot withstand.
"Thor 2" is loaded with enough thrills and goofy-laughs to keep the fan-boys appeased. Although the story doesn't quite match the spectacle, the brisk pacing the helps to overcome brief moments where the film gets side-tracked to indulge its plethora of characters. While the leading man's hulking presence is as mammoth as the God he portrays, it's actually his on-screen brother Loki who provides most of the entertainment and intrigue. A perfectly fun visual showcase that culminates in an action-packed and other-worldly climax. Hammer-time.
Captain PhillipsAndrew O'Dea
The true story of Captain Richard Phillips and the 2009 cargo ship hijacking by Somali pirates.
This evocative retelling of the MV Maersk Alabama hijacking brings the tension of a real-life hostage drama to screen. The director's trademark visceral style and realism is perfectly suited to this intense biopic, and the handheld camerawork compliments the turbulence of the situation at hand. We remain gripped by the antagonistic relationship between the two captain as the film builds to a dazzling crescendo of military operations. Anchored by superb acting, particularly the brilliant performance from the lead, "Captain Phillips" is a thrilling cinematic voyage well worth boarding.
White House DownAndrew O'Dea
A policeman must save his child and protect the president from a group of paramilitary invaders.
Action junkies will be enthralled by this fist-pumping spectacle, a shameless popcorn flick that would have its audience believe the President of the USA is capable of firing rocket launchers from a speeding armoured-limousine. Some of the set-pieces are explosive, and while the special effects are impressive, they eventually become tiresome and repetitive. The lead is perfectly suited to his role as the action star, but isn't helped by moments of dialogue and patriotism so cringe-worthy that they become downright hilarious. Was it meant to be a comedy? White House frown.
Kick-Ass 2Andrew O'Dea
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume.
"Kick-Ass 2" returns with the same manic mix of comedy and action that made its predecessor so uniquely original and successful. Unfortunately you can't help but compare the two, and although a gang of new heroes and villains offer some freshness, the shock-drama that was once edgy and brash now feels regurgitated and routine. Despite the film's clumsiness, it is still sporadically funny and gruesome enough to entertain those open to the experience. Kicks ass in name only.
Frances HaAndrew O'Dea
A story that follows a New York woman who throws herself headlong into her dreams.
"Frances Ha" is an unassuming and offbeat comedy about life, loves and messy rooms. Shot entirely in inky black and white against a New York City backdrop, the film's colour radiates from the whimsy and charm of the affable Frances. Her flawed character is an aimless yet endearing underachiever, and despite the glaring criticisms her questionable life-choices might draw, her gleeful exuberance and goofball nature has an appeal which makes her disarmingly likeable. An affectionate salute to our disjointed lives; fall for Frances.
In the year 2154, a man takes on a mission that could bring equality to a grossly polarised Earth.
"Elysium" is an absorbing sci-fi adventure loaded with allegory. Although the political overtones can be heavy-handed at times, it's always refreshing to view a movie where the guns and explosions are balanced by an intelligent and relevant social conscience.The production values are superb, and impressive visuals add weight to a succession of gritty action sequences full of gory violence and splatter. While the conclusion is a little predictable, the brisk pacing and intensity make this film about dystopian class division exciting and imaginative enough to entertain.
This Is the EndAndrew O'Dea
While attending a party at James Franco's house, Seth Rogen, Jay Baruchel and many other celebrities are faced with the apocalypse.
"This Is the End" is a creative comedy that plays like one stupendous inside-joke the audience is invited to. Although there are stretches of tedium at times, memorably hilarious scenes are never too far away. The self-referential and defacing style is bolstered by a witty script and a superb cast willing to mock themselves, with a host of high-profile cameos providing some genuinely laugh-out-loud moments. Juvenile, crude, and funny till the end.
The Lone RangerAndrew O'Dea
Native American warrior Tonto recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.
This locomotive starts with a bang but eventually runs out of steam. The excessive running time is the biggest detractor from a film that is occasionally entertaining, and overly long. "The Lone Ranger" may still appeal to the more nostalgic members of the audience, with the iconic hero and his notably eccentric side-kick constantly engaged in a host of impressive action set-pieces and banter, culminating in a dynamite finale complete with classic theme. Plenty of hi-ho, not enough silver.
Monsters UniversityAndrew O'Dea
A look at the relationship between Mike and Sulley during their days at Monsters University - when they weren't necessarily the best of friends.
"Monsters University" is more than adequate as a stand-alone film. Although it brings the same successful charm to screen as its predecessor, it takes far less risks, and seems content to appease its audience rather than dazzle them. Impressively animated, there are still a host of clever moments that deliver life lessons to learn and college humour to laugh, with both subversive gags for the adults and colourful entertainment for the kids. B minus.
Man of SteelAndrew O'Dea
A young man is forced to confront his secret extra-terrestrial heritage when Earth is invaded.
Alongside a torrent of CGI explosions and mayhem, the director also brings an unexpected depth and sense of melancholy to the characters in "Man of Steel". Although diminished, there is still an undercurrent of purpose even though countless skyscrapers are toppled and smashed like jenga blocks. However, the greatest disappointment is that any exhilaration from the visual splendour wears thin as action sequences become excessively prolonged and repetitive. This rusty reboot is far from super, but hope remains in the foundation of a franchise with the potential to eventually soar.
World War ZAndrew O'Dea
U.N. employee Gerry Lane traverses the world in a race against time to stop the Zombie pandemic.
"World War Z" is an apocalyptic thriller that spans the globe. What it lacks in gore and horror, it makes up for with epic, large-scale action sequences, and the brisk pacing is indicative of a film that has favoured cinematic spectacle over the socio-political commentary of its source material. Although the story may feel somewhat predictable as our hero evades a procession of close calls, it nevertheless remains an entertaining enough adventure. Sure to divide the audience, it could've been better with a little less 'A to B' and a little more 'Z'...
After EarthAndrew O'Dea
A crash landing leaves Kitai and his father Cypher stranded on Earth, a millennium after events forced humanity's escape.
This ill-conceived film is an uninspiring, predictable story of survival. Poor acting isn't helped by wooden dialogue, nor the leading man's charisma being wasted in what is essentially a supporting role. The special effects are especially sub-par, which is particularly disappointing given dazzling visuals are often the most exhilarating and redeeming feature of sci-fi flicks. The best part about "After Earth" is finally making it to the 'after' part.
The Hangover Part IIIAndrew O'Dea
There's no wedding and no bachelor party... but when the Wolfpack hits the road, all bets are off.
"The Hangover Part III" is a victim of its own success. Still running on the fumes of the hugely popular first installment, this outing is nothing more than a shameless cash-grab, where the only real debauchery involved is its mere production. What sort of 'hangover' movie doesn't even have a hangover? While there are some rare and isolated moments of hilarity, what lies in-between is nothing but a desert bereft of comedy or thrills – where any laughter is contrived and strained at best. What happened in Vegas should've stayed in Vegas.