A young and disoriented British soldier is accidentally abandoned by his unit following a riot.
Set amidst the melting pot of violence and political tension of Belfast in '71, this unconventional yet taut thriller is an introspective into the bitter conflict between Catholics and protestants at the time. There are bombs, bullets and bodies aplenty without being a prototypical action movie, and despite being a slow burn, still maintains an aura of suspense as we accompany our hero through a gritty urban war-zone; the jittery hand-held camera work lending a sense of urgency and immediacy. A willing tale from another decade.
A one-time police droid becomes the first robot with the ability to think and feel for himself.
"Chappie" is full of intriguing ideas, but perhaps its greatest feat lies in the sense of empathy we feel for a sentient robot we know very well not to be human. The interaction between the title character and exaggerated personas of his gangster co-stars is seamless and feels absolutely genuine. Ultra-violent choreography and stunning visual effects underpin whimsical and heartfelt moments of humour. If you can forgive the flimsy narrative and embrace its sentimental intentions, this film remains an entertaining sci-fi romp. Happy Chappie.
Seventh SonAndrew O'Dea
Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.
"Seventh Son" is an over-produced and under-conceived fantasy epic full of swordplay, sorcery and snores. Despite an impressive set design and visuals, the slick CGI isn't enough to compensate for a predictable narrative that fails to produce any semblance of originality or imagination, as the talents of a promising cast are wasted amongst a barrage of animated monsters, explosions and some downright perplexing accents. Son of a dud.
In the midst of a con's latest scheme, a woman from his past shows up throwing his plans for a loop.
"Focus" is a glossy, fairly well-executed con story. Tension builds in a series of twists the audience won't see coming, typically key to a successful thriller. Unfortunately the sheer volume of turns in this film mean they tend to lose their impact with each new revelation. Moments of crude humour are used effectively, and there's a host of likeable characters that help distract us from an uneven plot. Never boring but not all that engaging, it's more cubic-zirconia than diamond: shiny and a little contrived... but otherwise enjoyable.
The GamblerAndrew O'Dea
A lit professor and gambler's debt causes him to borrow money from his mother and a loan shark.
"The Gambler" is a tale of personal redemption and the moral muddiness of gambling. Unfortunately it's difficult for an audience to sympathise with a pretentious protagonist bent on self-destruction, throwing money against the wall while failing to garner any semblance of a lesson from the experience. Despite a host of terrific performances from the supporting cast, the story feels a little over-wrought, as it meanders to a point where we end up not caring enough to be invested in the tormented anti-hero's fate. Got to know when to fold em'...
Taken 3Andrew O'Dea
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed.
Action junkies will find "Taken 3" enjoyable in a cheesy sort of way, while the rest of its audience must be prepared to switch their brains off. Bordering on tedious, this film plays out like a family melodrama interspersed with car chases and fight scenes. Thankfully there's some semblance of a cohesive plot, despite holes in it gaping enough to drive an aircraft through, before flipping it end-on-end and exploding in a fiery spectacle. Let's hope the film lives up to its tagline and "ends here". Taken the piss...
The Imitation GameAndrew O'Dea
During World War II, mathematician Alan Turing tries to crack the enigma code.
Part history lesson, part tragedy, "The Imitation Game" is a compelling biopic. This suspenseful drama reveals pieces of the puzzle slow and steady, with flashes of brilliance that unfortunately aren't sustained throughout. Nonetheless, with a constantly shifting chronology, it brings the remarkable legacy of the troubled mathematical genius to screen in an affecting portrait. The lead provides a sensitive portrayal in what is an empathy-stirring performance, outstanding in its awkwardness. An enigmatic man, cryptic and clever.
The Hobbit: The Battle of the Five ArmiesAndrew O'Dea
Bilbo and Company are forced to engage in a war against an array of combatants and keep the Lonely Mountain from falling into the hands of a rising darkness.
Grand in its scope and ambition, "The Battle of the Five Armies" is an action-ravaged adventure saturated in the director's customary visual splendour. Pitting dragon against man, against dwarf, against elf, against orc, the battle sequences are exquisite, especially during the film's mammoth finale. Although characterisation is somewhat neglected, there's enough tension and thrills to make the journey there (and back again) a satisfying conclusion to the Hobbit trilogy... one last time.
Men, Women & ChildrenAndrew O'Dea
Parents and their teenagers grapple with the many ways the Internet affects their lives.
"Men, Women & Children" is a character-driven ensemble drama that provides a glimpse of our cultural evolution (or some may argue devolution) through social media. Perhaps a victim of its own scope and ambition, the exploration of this Wi-Fi culture across a multi-story narrative is thought-provoking, although the delivery is somewhat heavy-handed. The vulnerability and sentiment at the film's core is sure to divide its audience; it will either resonate or leave them with a sense of contrivance. A family conversation still worth having.
The DropAndrew O'Dea
Bob Saginowski finds himself at the centre of a robbery gone awry and entwined in an investigation that digs deep into the neighbourhood's past.
"The Drop" is a terse, arresting crime-thriller that explores themes of obligation and morality. Below the surface of this film is a complex character study, with great performances that are as gritty and moody as the bleak urban landscape in which it is set. The story is a slow-burn, building a sense of unease as the screws are gradually tightened. While it mightn't satisfy those accustomed to punchier underworld movies, rest assured the fuse is wired for a palpable conclusion.
A battle-hardened sergeant commands his 5-man Sherman tank crew on a deadly mission.
As much an 'anti-war' as it is an action film, "Fury" depicts an uncompromising and morally provocative story immersed amongst the horrors and futility of WWII. Along with an astonishing attention to detail, there is also a starkly grim authenticity to the brutality of tank warfare; and it's amidst the claustrophobia we're able to get to know the characters so intimately. Visceral and violent, brutal and unrelenting, it leaves little room for sentimentality, culminating in an extraordinary combat scene sure to leave its audience reeling. Harrowing.
Dracula UntoldAndrew O'Dea
Facing threats to his kingdom and his family, Vlad Tepes looks to make a deal with dangerous supernatural forces - without succumbing to the darkness himself.
"Dracula Untold" is an origin film that injects new blood into an otherwise tired subject. Taking the famous vampire back hundreds of years, there's a degree of thought to the back-story that is both obvious and refreshing. Although the screenplay is most definitely flawed, the trespasses into clichéd territory can easily be forgiven by an audience who will appreciate the charismatic lead and his frequent forays into the grim and gory. Doesn't suck.
The Inbetweeners 2Andrew O'Dea
Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it's "the sex capital of the world".
"The Inbetweeners 2" reunites its audience with the foul mouthed, awkward quartet in this relentless procession of puerile comedy. Those expecting anything even remotely more than lowbrow humour and excrement gags will be sorely disappointed. Shock value is at the forefront of what is an otherwise flimsy film, with some truly cringe-worthy set pieces providing moments of genuinely uproarious laughter. Well-good banter.
The GrandmasterAndrew O'Dea
The story of martial-arts master Ip Man, the man who trained Bruce Lee.
"The Grandmaster" is a stylish Kung Fu epic, resplendent in its lush visuals and attention to period detail. Unfortunately the narrative is downright confusing, burdened by disjointed storytelling and a muddled timeline. It disappoints as a biography of its subject, flippantly passing over the opportunity for meaty characterisation in exchange for overly dramatised, prolonged cut sequences. Thankfully, the stunning and explosive fight sequences that redeem this movie, undeniably gorgeous in their choreography and artistic flair. A grand film, but hardly mastered.
Dawn of the Planet of the ApesAndrew O'Dea
In the wake of a disaster that changed the world, the growing and genetically evolving apes find themselves at a critical point with the human race.
"Dawn of the Planet of the Apes" is darker than its predecessor, replete with themes of politics, trust, betrayal and family. This brilliantly realised science-fiction movie is both smart and exciting in narrative and amazingly splendid in visual effects, with the on-screen simians appearing just as real as their human counterparts. No monkey business here, this film is an intelligent piece of popcorn entertainment. Movie strong. People enjoy.
A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
"Lucy" is a stylish action thriller replete with dizzying effects and splendid imagery. Ambitious in scope, the movie is held together by a fascinating premise and a superb performance from the lead. Unfortunately, for a film that explores the idea of human potential, it doesn't quite to live up to its own. Interesting without being entertaining, it loses credulity with a slew of logical plot gaps either glaringly convenient or simply left unexplained. Reaches 60% of its capacity.
Guardians of the GalaxyAndrew O'Dea
A group of misfits finds themselves the target of a manhunt after acquiring an all-powerful orb.
"Guardians of the Galaxy" is utterly dazzling as a sci-fi spectacle, but its real strength lies in the charisma of its characters. The band of atypical yet weirdly loveable heroes at its core affirms the film's goofy and energetic nature, as it strikes a cosmic balance between rollicking action and humour. It also proves to be a musical treat, with the eclectic soundtrack providing a slew of classic songs to compliment the irreverent fun. Relive that feeling of being a kid watching a Saturday morning cartoon with this awesome addition to the movie universe.
Transformers: Age of ExtinctionAndrew O'Dea
A mechanic's family join the Autobots as they are targeted by a bounty hunter from another world.
"Transformers: Age of Extinction" is a loud, effects-driven assault on intelligence. The film manages to stupefy what is already a dumbed-down formula with a bombardment of plot points so nonsensical they cause the audience to mind-numbingly dismiss them. Shameless and overt product placement underpin a monstrous running time that ensures the chaos gets real boring, really fast; the entire experience feels like a long-winded race to smash and destroy things from one location to the next. Here's hoping this tepid instalment signals the extinction of the franchise.
22 Jump StreetAndrew O'Dea
After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
"22 Jump Street" is one of those rare sequels that meets expectations and perhaps even improves upon its predecessor. This satirical comedy is preposterous in the best possible way, and the effortless chemistry between the leads keeps their bromance constantly amusing and often hilarious. The self-referential humour is both senselessly silly and witty, making fun of its own recycled nature – be sure to stick around for the end credits. Bring on the jump to 23.
Edge of TomorrowAndrew O'Dea
An officer finds himself caught in a time loop in a war with an alien race.
Funny, suspenseful and imaginative, "Edge of Tomorrow" plays like a smart and engaging video game. With brains to match the brawn, the film's repetitive premise never becomes predictable. Exhilarating action sequences are broken up by moments of dark humour, and tension is maintained thanks to deft pacing and an intelligent script. This captivating sci-fi adventure serves as a fine counter to the formulaic alien-invasion thrillers to which audiences have otherwise become accustomed. Good enough to revisit, and again.
X-Men: Days of Future PastAndrew O'Dea
The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.
"X-Men: Days of Future Past" is a coherent, plot-driven action film. The visual effects are stunning in this accomplished mutant showcase, complete with monumental set pieces and superb ensemble cast. The compelling narrative holds enough appeal to entertain both the average cinema-goer and comic book geek alike, and thanks to a clever script, allows this rebooted franchise to undo and rewrite the failings of its predecessors. The future is bright.
Bad NeighboursAndrew O'Dea
A couple with a newborn face unexpected difficulties after they're forced to live next to a frat house.
Thanks to witty script and inventive humour, "Bad Neighbours" successfully teeters the fine line between being clever and tasteless. The life of a college party animal is juxtaposed with the role of responsible parent in this foul-mouthed, low-brow frat house comedy about people denying the inevitable changes that come with getting older. Energetic and engagingly stupid, the unlikely duo at the films core drive the laughs, as hilarious generational warfare accelerates from one over-the-top set piece to another. Welcome to the neighbourhood.
The Amazing Spider-Man 2Andrew O'Dea
Peter Parker runs the gauntlet as Oscorp sends up a slew of supervillains against him.
"The Amazing Spider-Man 2" disappointingly fails to capitalise on the promise of its predecessor. 'Spidey' in full flight is still a sight to behold, and the striking visuals and first-person action sequences will dazzle. There are high marks for characterisation, only it's wasted with so many of them on screen. Navigating the myriad of plot threads and seemingly endless procession of villains becomes akin to being stuck in a web... only for the whole thing to be clumsily unravelled, paving the way for an inevitable next instalment. Down came the rain and washed the spider out.
Captain America: The Winter SoldierAndrew O'Dea
Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
"Captain America 2" is testament to big-budget blockbusters capable of delivering substance in both plot and action. Grittier than its predecessor, this well rounded sequel plays more like an espionage thriller, and surprises in its contemplativeness of political and social relevance. A host of characters are each given time to develop without disengaging the audience, complementing the lavish visual effects and explosive, bone-crunching set pieces. Stars and spangles.
300 Rise of an EmpireAndrew O'Dea
Greek general Themistokles leads the charge against invading Persian forces.
"300: Rise of an Empire" is an epic spectacle of video-game violence and gore. This stylised action fantasy retains the familiar and flashy comic-book style of the franchise, replete with blood-spattering slow motion and enough visceral excess to keep the senses engaged. Although it pales in comparison when evoking the same emotional vigour of its predecessor, the void is redeemed by the sultry, murderous heroine at its center who steals and carries the show. Not bad as a stand-alone movie, it's just missing some limbs.